The story has long been told of how the production of the 1969 TV special “The Pogo Special Birthday Special”, a collaboration between Pogo creator Walt Kelly and animator Chuck Jones, turned into a “Hollywood ain’t big enough for the both of us!” feud, that ended up with the two not talking to each other. Jones dismissed Kelly as “he thinks that he’s an animator just because he did about 20 seconds of the easiest animation in Dumbo twenty-five years ago.” (Kelly animated the silhouettes of the clowns carousing inside the circus tent.)
Now Amid Amidi reveals that Kelly was so displeased that he decided to create his own animated Pogo half-hour TV special, “We Have Met the Enemy and He Is Us”. But due to the difficulties of producing a half-hour of animation personally while in declining health, Kelly only completed a rough cut of thirteen minutes before he died in 1973.
Amidi has found that thirteen minutes, and presents it on the Cartoon Brew website. It may be unfinished, but it’s pure Kelly, from the drawings of the cartoon funny animals of the Okefenokee Swamp, to their animation, to Kelly performing all of the voices.
One of the admittedly stranger TV series of the 1990′s was DIC’s Street Sharks, which ran from 1994 to 1995. Created by David Siegel and Joe Galliani of Mr. Joe’s Really Big Productions, the series followed the adventures of four teenage brothers who were transformed into human-shark mutants by an evil scientist’s genetic manipulations. Yes, yes, the show was riding on the coat-tails of Teenage Mutant Ninja Turtles — in fact, it directly spoofed Turtles on more than one occasion. Previously, only a handful of Street Sharks episodes have been available on tape or DVD. But now Mill Creek Entertainment have announced that they are releasing all 40 episodes of the original series in a 4-DVD set at a reduced price. The set is available now at Amazon and other dealers.
The Furry Drama Show (FDS) completed its first season 2012-13, visiting six conventions: Wild Nights, RCFM, Oklacon, Fangcon, F3 and Furry Fiesta. As we start our new season, we continue to look for new performers to join us at these cons. If you cannot, we are also accepting videos of skits and music videos.
Despicable Me 2's yellow minions stretch the definition, but here's its new trailer anyway.
It looks like the new Bad Guys are the Good Guys. Screenrant thinks that the minions can be overdone. How does Gru kiss the girls without stabbing them with his nose?
Cartoon Brew reports that, “Now that Disney’s Oz The Great and Powerful is a box office hit, let the Wizard of Oz remakes commence.” CB goes on to report via Variety that, “Clarius Entertainment will theatrically release the 3-D CGI pic Legends of Oz: Dorothy’s Return in the first quarter of 2014. We posted the film’s trailer last fall, back when the film was called Dorothy of Oz, and the reaction was tepid.”
Flayrah announced Dorothy of Oz too last September, and it did get 13 comments. The link to the trailer still works. See Tugg the talking tree, Wiser the owl, the marshmellow soldier, and the new anthropomorphic characters in addition to the familiar Cowardly Lion, the Scarecrow, the Tin Woodman, the flying monkeys, and all of the beloved others.
Voting for the Ursa Major Awards for the Best Anthropomorphic Literature and Art of 2012 is now open, and will continue until May 15. The winners will be announced at a presentation ceremony at Anthrocon 2013 in Pittsburgh, July 4-7.
Anyone may vote, and you are encouraged to ask your friends to vote also — please help to spread the word!
There are five nominees in each of eleven categories, except where there was a tie for fifth place. To be eligible, a work must have been released during the calendar year 2012; must include a non-human being given human attributes, which can be mental and/or physical; and must receive more than one nomination.
Read on for the nominees...
Amid Amidi of Cartoon Brew announces that the 80-minute Quebec-made 3D-CGI feature The Legend of Sarila/La Légende de Sarila, animated by Modus FX in Montréal, debuted in Quebec last weekend on 32 screens, “grossing a modest $64,622 and landing in 10th place at the Quebec box office.” It is released in both English and French versions.
The movie, directed by Nancy Florence Savard, is about how in 1910 three young hunters of an arctic Iniut (“Eskimo”) clan – Putulik, who can (almost) talk with animals; the beautiful Apik, and their friend Markussi – search for the legendary paradisical land of Sarila for their starving people, despite many obstacles set by the evil shaman Croolik (who gets top billing because he is voiced by Christopher Plummer, the only “name” among the English-speaking voice cast). The hunters are accompanied by Kimi, a non-talking anthropomorphic overly-cute lemming; and Sarila has such magical creatures as the goddess/seal/mermaid Sedna.
When Flint [Lockwood] discovers that his [food-making] machine still operates and now creates mutant food beasts like living pickles, hungry tacodiles, shrimpanzees and apple pie-thons, he and his friends must return to save the world. [IMDb summary]
Let’s see … Anthro strawberry. Semi-anthro monkey. Anthro shrimpanzees. Anthro butter pats. Anthro sandwiches. Anthro giant taco supreme. Anthro celery. Anthro hamburgers. Anthro slice of cake. (And lots of humans.) Yep, Cloudy With a Chance of Meatballs 2: Revenge of the Leftovers, to be released from Columbia Pictures and Sony Pictures Animation on September 27, is an anthropomorphic animated feature.
Did anyone notice that the original children’s picture book, Cloudy With a Chance of Meatballs (1978) by Judi and Ron Barrett, has a completely different sequel, Pickles to Pittsburgh (2000)? Just in time for Anthrocon, presumably.
Hmmm. I am not sure that I understand the 2’51” Müstiline Raba. Storks usually eat frogs, not the other way around. The Cartoon Brew says that this is “a delightful taste of that droll humor we’ve come to expect from Estonian animators.” Whatever. The fact that the stork wears a wristwatch and a frog plays a mandolin makes this anthropomorphic.
I have said previously that I do not understand Estonian animation. I still don’t.
If tasked with coming up with a reboot of Mystery Science Theater 3000 – first of all, I wouldn’t actually reboot it. I’d have Crow, Tom Servo and a new host back on the Satellite of Love with absolutely no explanation, because it’s the show with “repeat to yourself it’s just a show, you really should relax” in the theme song.
Second, I wouldn’t pitch it to Comedy Central or Syfy, but to a family oriented channel, because God knows there are enough lousy kid’s movies to go after; I’d first go after The Hub, because they seem to go after the cult, family appropriate shows, they already have a working relationship with Shout! Factory, the company that does the MST3K DVDs (and that would help get them rights to air older episodes, probably) and finally it would be about the only way to do My Little Pony: The Movie, which I’ve already laid the groundwork for. Use that for the series premiere; relatively high profile movie for the opener!
Finally, I’d pitch myself as the host – this is a fantasy that will eventually segue into a review of a bad movie, so you might as well go for it, right?
The True Story of Puss in Boots is a definite get. Hyenas might not work for the new direction of the show, but I have another movie in mind. It’s called Cinderella, and definitely falls into the fantasy MST3K reboot territory.
Cartoon Brew has announced that Dark Horse’s Beasts of Burden comic book by Evan Dorkin (writer) and Jill Thompson (artist) is being developed into a CGI animated feature film by the Reel FX Creative Studios in Los Angeles and Dallas. The feature is to be written by Darren Lemke, directed by Shane Acker (director of darkly depressing post-Apocalypse animated feature 9), and co-produced by Reel FX’s Aron Warner and Dark Horse’s publisher Mike Richardson and Andrew Adamson of Strange Weather Films (director of the first two Shrek and first two Chronicles of Narnia movies).
While the history of animated feature films is replete with movies featuring talking dogs and other animals, there are relatively few starring four-legged “natural” dogs (Disney’s Lady and the Tramp and Amblimation’s Balto come to mind), and virtually none with serious suspense/horror plots.
Tower of the Dragon is a 3D animation project based in San Leandro, California. It plans to tell the story of Lyric, a young girl who has to save a world where reading is forbidden and magic is only used by those who obey without thinking.
The story is to deal with such issues such as bullying, insecurity, and self reliance. The fully-rendered movie is anticipated to cost $2,000,000 to make, so at present the project is focusing on creating an animatic of the screenplay.
A Kickstarter campaign has been started, hoping to raise $50,000 to fund its creation. Once the animatic is complete, it will be shown to 100+ reviewers, and their feedback will be used to create a revised animatic, in an iterative process until the story is ready to be rendered at full resolution.
With 21 days to go, the campaign has raised $16,811.
The Duck Dodgers TV series — based, as if you didn’t know, on the Chuck Jones-directed cartoon Duck Dodgers in the 24th 1/2 Century — ran on Cartoon Network from 2003 to 2005. [My, was it really that long ago? Sheesh... Ye ed-otter] Besides the obvious cast of Daffy Duck as Duck Dodgers, Porky Pig as The Eager Young Space Cadet, and Marvin the Martian as the terrible Commander X-2, the show featured a host of Warner Brothers characters in bit roles — not to mention new characters like the dreaded Martian Queen. The regular voice cast included well-known voice actors like Joe Alaskey, Bob Bergen, Richard McGonagle, and John O’Hurley, as well as Michael Dorn (from Star Trek: The Next Generation) and Tia Carrere (as the Martian Queen). Now Warner Brothers Home Video have (finally!) released the first 13 episodes on DVD in a collection entitled Duck Dodgers – Season 1: Dark Side of the Duck. It’s available now in stores and on-line everywhere.
Have you ever heard of The Legend of Tembo? It was a new animation feature, the first from a new CGI studio in Port St. Lucie, Florida, Tradition Studios, created by another new company, Digital Domain, to be finished and released during 2014.
In 2009, Digital Domain Media Group received incentive grants worth nearly $70 million from the state and Port St. Lucie to build an approximately 120,000-square-foot, $40 million digital production studio in Tradition. The studio is expected to be complete in December. (2011 press release)
Wal-Mart, you have failed me.
At this point in time, I should be reviewing the “Adventures in the Crystal Empire” DVD, but the closest Wal-Mart decided not to stock that one, so I had to order it online. Meanwhile, they managed to put out the “Pinkie Pie Party” DVD, but in such small numbers that it sold out instantly. I missed a copy.
Once again, you see what I have to work with here?
So, I’m stuck reviewing this older DVD which I had to drive hundreds of miles to get a copy of. No really, I drove to a Barnes and Noble hundreds of miles away to obtain my copy.