Does anyone besides me care about this bureaucratic trivia? This is a good read, in a handy trade paperback edition for those who don’t want to read it on their computer. Get it in one format or the other.
But this is a direct sequel to Lowd’s Ursa-Major-nominated Otters in Space: The Search for Cat Havana. If there is any flaw with Otters in Space II, it is that you need to have read the first book to really understand it. Or at least read the review of it, in Flayrah on February 6, 2012.
After moving through various forum providers (notably Proboards, who blocked one of the alternate sites' founders), a privately-hosted board has been set up under the administration of Cethlenn Miles, Tanara and Rukia Kuchiki.
Recently published survey results suggest there is "little relationship between furries and clinical diagnoses of psychological dysfunction". However, those identifying more strongly as furries tended to report "particularly active, vivid and magical mental worlds", and furries (at ~4%) were "at least 2.25 times more likely to have Asperger's Syndrome" than the general population, even after controlling for different sex ratios.
Being furry was not associated with anxiety disorders or medical conditions; indeed, it was "marginally associated with psychological and relationship well-being" (B=.062-3, p=.083-.079). Furries identifying as therians did not differ from non-therian furries on measurements of most psychological conditions, well-being or health, but differed in several cognitive factors, and were more likely to have been diagnosed with an anxiety disorder (B=.099, p=.008).
The survey was conducted at Anthrocon 2013 by the Anthropomorphic Research Project. Researchers gave 820 adult participants questions that "assessed symptoms frequently associated with clinical lycanthropy, as well as numerous scales which assessed various indicators of physical and psychological well-being", with the goal of "understanding why the furry fandom is so frequently associated with dysfunction in popular culture and lay theory".
Retromania is a Let's Play series by 2 the Ranting Gryphon & DJ EAR, focusing on retro-style games. It's one of several new shows being produced for "RGStv", which is intended to be a 24/7 Internet TV station for furries.
On November 2, Retromania will go live for a full day of gaming & comedy as part of the Extra Life worldwide fund raising event to raise money for children with terminal illnesses. Hosts are asking for a donation of $25 each (a dollar per hour of gaming) to reach their target goal of $1,000. Funds raised are to go directly to The Childrens Hospital Colorado.
The event starts at 8am and will be streamed live on RGStv until 9am the next morning. Viewers are encouraged to suggest games, spread the word, and listen in on November 2. You can watch Retromania on the RantingGryphonStudio YouTube channel.
Flayrah has published announcements of several art exhibitions at the WWA gallery in Culver City, California. The exhibition “The Happiest Show on Earth” will be on display there from September 7th through October 5th, with an opening reception on Saturday, September 7th from 7–10 p.m.
“The Happiest Show on Earth” consists of 89 paintings by 54 artists, showing their interpretations of famous Walt Disney characters including many anthropomorphic ones – Mickey Mouse, Donald Duck, Oswald the Lucky Rabbit, the Cheshire Cat, Robin Hood and Little John, Goofy, Bambi, and more. You can guess the general artistic approach by some of the artists’ pseudonyms: Beast Brothers, GORElla, Kill the Giant, and Super Ugly. Would you pay three and four figures for these? Here they all are; you can buy them online at the link above.
In a statement, chairman Gir Tygrin detailed the group's struggle to deal with the growth of the organization, and their ultimate decision that the amount of work needed to allow FCN to continue to exist and "not change its core mission":
[…] would be unrealistic and would potentially compromise the integrity of the event.
The organization's supplies and funds are to be donated to other events and charities; the latter have already received $21,299.67 from this year's charity fundraising efforts.
Jerry Beck on the Cartoon Research website has posted news that in April, animator Paul Terry and his Mighty Mouse were among this year’s inductees added to the New Rochelle (New York) Walk of Fame, just outside of the town’s central Public Library.
The plaque emphasizes Mighty Mouse (who is a lot more famous than Paul Terry). A past honoree is Walter Lantz, the third animator of Oswald, the Lucky Rabbit and creator of Woody Woodpecker, Andy Panda, Homer Pigeon, and many other cartoon animals. Terry and Lantz have a connection to New Rochelle; Lantz was born there, and Terry’s studio was there.
But this raises the point of two recent Furry Halls of Fame: the AUSFA-administered Furry Hall of Fame, for notables of Furry fandom like Steve Gallacci, Stan Sakai, Anthrocon, and Sofawolf Press; and the ALAA’s Hall of Fame, for notables that have led to Furry fandom like Bugs Bunny, Walt Disney, and the novel Watership Down. All that they get are an attractive trophy or a certificate. What if there could be a real Furry Walk of Fame somewhere?
Endtown has been a black-&-white Monday-Friday webcomic since January 18, 2009. Its popularity has grown fast, and it was shortlisted for the 2011 Ursa Major Award in the Best Anthropomorphic Graphic Story category. A rave review by Bill Sherman in the Seattle Post-Intelligencer (June 24, 2011) [originally on Blogcritics] began:
A snappy blend of Boy and His Dog sci-fi plus funny animal comics, Aaron Neathery's Endtown is one of the underseen gems in web comics. Originally debuting on the Modern Tales site - and more recently migrated to GoComics - the weekday series charts the travails of the beleaguered underground survivors of a mutant spawning radiation plague.
Endtown is set six years after a cataclysmic war has destroyed almost all life on Earth, leaving only a lifeless, desertlike surface and a few subterranean towns. The survivors are divided between the airtight-suited Topsiders, ruthless 100% human purists who kill other survivors on sight because they may be mutants, and the mutants and “impure” humans who try to survive in the underground enclaves. The “mutagenic plague” transformed its human victims into horrific monsters or, what makes this strip of Furry interest, anthropomorphic animals.
“Endtown 4”, by Aaron Neathery. [Introduction by Steve Gallacci.] Bellevue, WA, Jarlidium Press, July 2013, trade paperback $15.00 (131 [+3] pages).
I detest unnecessary wordiness, but keeping it short just doesn't work.
Before I begin, I would like to present an apology of sorts to Patch Packrat. I very much dislike to be misunderstood, but also cannot stand to be the source of said misunderstanding. I guess I should have been more clear with my choice of words.
Now, with that out of the way, today's topic.
Throughout the years, I have been around the various reaches of the web, and met a ton of really good artists. Many really liked to draw humanized animals (for fun and profit). For some, the subject made up most of their galleries; some drew furries exclusively. As we conversed, the topic of furries inevitably arose. Aside from the occasional "yep, I'm a furry", most replies went something like this:
- I like drawing talking animals, but I don't have a fursona/fursuit, so I'm not a furry.
- I like drawing talking animals, but to me it's not a "lifestyle", so I'm not a furry.
- Furries are creepy, and I don't want to be associated with them.
Answer #3 was the most prevalent.
GaymerX, the first gaming convention focused on LGBT themes, won media buzz and crowds through active inclusion. Inviting allies in "geek culture" to an "arms-open party for anyone who wants to join", it drew over 2,000 to San Francisco's Japantown (a heavy turnout for a first con, compared to established furry conventions.) Founder Matt Conn called it "just the start".
The Darkness, a.k.a. “Arraborough, Book 2”, has a two-page “The Story So Far” synopsis of Book 1, The Unimaginable Road, but it seems more confusing than enlightening. Basically, The Darkness jumps right into the story in progress. If you have not read The Unimaginable Road, you should start there. If you have, even when Book 1 was first published over a year ago, the events will swiftly come back to you.
The Darkness is a darker story, no joke intended. In Book 1, the community of Arraborough is created with high hopes for its success. Unknown forces are clearly working against it, but there is a feeling that if the animal community will continue to trust each other and work together, they will prevail against the shadowy obstacles. In Book 2, that unity is broken. Deaths occur, some possibly natural but ominous, and others definitely murder. The Arraboroughans now wonder who is the murderer in their midst; which of their close friends is secretly working to sabotage their community. And the agencies opposed to Arraborough seem stronger.
Tust and Kelly are in earnest discussion with Slither. Fespin, Hillany, and Inkwell are playing with Taj as Arlafette looks on proudly. Albin is sharing some opinion with Mander. Breth and Barelle are setting out plates and cutlery. From the kitchen, Hylan is bringing out a large garden salad. Dhenzi and Brady are whispering to themselves, glancing covertly at Spiny, who sits off by himself. Slick’s face hardens as he realizes that one of these people is a traitor and a murderer. (p. 37)
Does it happen in Russia too? Do some Russian furry fans wear rainbows as often as some in North America? Do they fear Russia's anti-gay oppression in current world news? Would they think twice about costuming in public, or holding meets, if they might be charged with illegally spreading information about "non-traditional sexual behavior"?
Is there a place on the web where international furry fans can easily connect with Russian furs to ask about their opinions and experiences?
The first story in this collection, “Dick and Jane", deals with the disillusionment and despair of Jane, who must learn to live with the fact that the love she putatively shares with a human man is something altogether more depressing.
“Jill’s Forty-Ninth" (which, for my money, felt to be treading the most well-worn formal path of erotic fiction), tracks Jill, one of Jane’s “sisters", who works a dull office job during the week, but gets dressed up at the weekend to invite sex and other pleasurable indulgences from wealthy men. The story concerns her attempt to negotiate an agreeable arrangement with one man in particular.
The final story, “Jasie’s New Start” is a more straight-forward and minimal affair about Jasie, who seeks out a childhood sweetheart in an attempt to escape from the reputation of her kind as superficial and oversexed, and kindle a new, more stable life. [Bad Dog Books, 2013, $2.99.]
We covered stories and educated many on the fandom, but sadly I can not handle the work load. I have worked with Jackson who did an amazing job, but sadly still the views still dropped and a “furry blog” did not work out. I must say this mostly stems on the process of many other furries making their own blogs elsewhere as well as DFB not hamming it up enough to attract others.
Scott Beecham, a young U.S. soldier, is killed in action and brought back to life as a bioengineered part-human, part-jackal “dog-man” member of a secret team of government super-animal-men agents.
In most stories, that would be just the setup for much action. In Pile, that is the story. This novella is a quiet mood-piece about Scott’s awakening in what he assumes to be his army barracks to discover that he is no longer human:
I was alive! I couldn’t feel much yet, but if I was thinking, it meant I was still here. Everything else was just going to have to follow. Right hand? Yeah, I could do that, too. In fact, I could feel my right hand. There was something in it. Something I could form a fist around and squeeze. I did that, and I felt whatever was between my fingers bend a bit. (p. 3)
I opened my mouth, and I could feel senses slowly filing back into place. I could taste the air. There were chemicals: bleach, ammonia, rubbing alcohol, and something sweet. I could smell them, too, every bit of them. I could also smell the dog-girl who was leaning over me. She smelled like the sharp smell of water on roofing tar that came in my window every morning after it’d rained.
I could even smell a cat somewhere around. Since when did the army barracks have a veterinary ward? (pgs. 4-5)