Was Hanna-Barbera’s Top Cat ever one of your favorite TV cartoons? It wasn’t one of mine, even in its original broadcast fifty-plus years ago – and there wasn’t much competition at the time.
Yet I am looking on this new theatrical feature more favorably. Thank Roscoe it hasn’t been given the CGI makeover that Yogi Bear got! Or Rocky & Bullwinkle, or the live-action makeover of George of the Jungle or Dudley Do-Right. (Can you imagine a live-action Top Cat played by Brendan Fraser?)
Image from Jillcostumes
A new resource for fursuit commissioners has been shared on Reddit's r/furry subreddit: a Google spreadsheet of makers maintained by open collaboration, to the surprise of the original sharer (who created it for personal use). The r/furry moderators have been asked to add it as a key resource on their sidebar.
Several fan-maintained lists exist to help find and review fursuit makers and commissioned artists. Earlier this year, an important Fur Affinity review account, fursuitmakerreviews, closed unexpectedly to the disappointment of many. As one Redditor explained:
… [it's] a bit of a long story (so I'm told). But basically involved a fursuit maker getting less than good marks and complaining to the admins, who promptly removed the "offending" account. They're trying to rebuild themselves on Tumblr.
Their new Tumblr account and a new, separate Fur Affinity account seem to be starting over from scratch, after losing much important data. It calls attention to the challenges they face. A list is a great resource, but a list isn't a system. Let's consider organizing a better system.
Le jour des corneilles (The Day of the Crows) is a 2012 French-language animated film for kids. While I was initially intrigued by the anthros at the end of its trailer, it turns out the furry content is marginal at best. Still a good film though!
The running time is about 94 minutes. It was co-produced in France, Belgium, Luxembourg and Canada, directed by Jean-Christophe Dessaint, written by Amandine Taffin, and was loosely inspired by a book written in 2004 by Jean-François Beauchemin.
Pittsburgh's appreciation for Anthrocon was proudly advertised on the active block of shops, restaurants and bars by the David L. Lawrence Convention Center. Many had windows and signs marked with "Welcome furries!", cartoon foxes, and Furry-themed specials. Hanlon's, next to Fernando's even served breakfast in souvenir dog bowls. (Yum!)
One block over, I enjoyed a friendly lunch with Flayrah editor GreenReaper, and almost got away with joking about my stories without revealing they were mine, when someone else brought up San Francisco furry activity.
Identity confusion came from the fursuit I wore when we met earlier. Fursuits and furry names have confused me many times, too – it's a reason for badges, and nothing to be embarrassed about. This can lead to benignly playful and revealing situations. I experienced the latter on an airport shuttle.
Scott Beecham, a young U.S. soldier, is killed in action and brought back to life as a bioengineered part-human, part-jackal “dog-man” member of a secret team of government super-animal-men agents.
In most stories, that would be just the setup for much action. In Pile, that is the story. This novella is a quiet mood-piece about Scott’s awakening in what he assumes to be his army barracks to discover that he is no longer human:
I was alive! I couldn’t feel much yet, but if I was thinking, it meant I was still here. Everything else was just going to have to follow. Right hand? Yeah, I could do that, too. In fact, I could feel my right hand. There was something in it. Something I could form a fist around and squeeze. I did that, and I felt whatever was between my fingers bend a bit. (p. 3)
I opened my mouth, and I could feel senses slowly filing back into place. I could taste the air. There were chemicals: bleach, ammonia, rubbing alcohol, and something sweet. I could smell them, too, every bit of them. I could also smell the dog-girl who was leaning over me. She smelled like the sharp smell of water on roofing tar that came in my window every morning after it’d rained.
I could even smell a cat somewhere around. Since when did the army barracks have a veterinary ward? (pgs. 4-5)
Maggie Hogarth sent me a review copy of Earthrise (she sends me review copies of all her books; hint! hint!) with a note that I might not want to review it for Flayrah since the main characters are a human and a Space Elf Prince, not Furries.
But there are plenty of bioengineered Pelted, and at least one genuine alien, as major supporting characters in this adventure set in her 25th century interstellar civilization. Hogarth has a lot of fans who read Flayrah, and who will not want to miss one of her Pelted Paradox novels. Earthrise is prominently labeled Book 1 of the “Her Instruments” trilogy, so expect it to end with more to come. Rose Point, Book 2, will be published late this year.
Morbid curiosity is a wonderful thing. So, sure, let’s watch My Little Pony: Equestria Girls. I mean, look at this thing. Look at it. It’s got to be a train wreck, and train wrecks are worth looking at, except this is only a metaphorical train wreck, so there’s less guilt about staring at a horrific accident where someone might have died. Nobody died because of Equestria Girls. So that’s a plus.
Besides, what if it was actually, you know, decent? I mean, it’s an hour and a half commercial for slightly creepy dolls. But I’ve been wrong before. How do you know if it’s good if you don’t try it? It might be good.
Guess what? Might happened.
This collection of two novellas and two short stories are prequels to Aalto’s first novel, The Prince of Knaves (Rabbit Valley Comics, March 2012). In that novel, Prince Natier of Llyra, a fox, escapes assassination in a plot to overthrow the monarchy. He disguises himself as Rivard, a commoner (a disguise that he has used often in the past), and observes quietly as a laborer while the palace announces that he tried to kill the king before fleeing, and that the badly-wounded King Rasdill is incommunicado while he is healing, leaving the kingdom in the paws of the Royal Secretary, the squirrel Riius.
I would like to thank my sister Sherrill for buying this for me at Rabbit Valley's table at CaliFur IX. Rabbit Valley does not send out review copies.
Like every year since CaliFur V, CaliFur IX took place at the Irvine Marriott Hotel in Irvine, California, on May 31–June 2, 2013. This year’s theme was “FURtual Reality”. There were two guests-of-honor: Maxwell Alexander Drake, the Author GoH, author of the Moonbeam Young Adult Fantasy Award-winning novels in 2009 and 2011 (the first two novels in his Genesis of Oblivion Saga), and their publisher, Imagined Interprises, Inc. in Las Vegas; and NecroDrone, the Artist GoH, “BDSM Illustrator and Dominatrix extradiordinaire!” Official attendance was 1,178; an increase of over two hundred. Due to my continuing poor health, I was in a wheelchair, with my sister Sherrill pushing me. We could only attend for Saturday the 2nd.
A woman raised by furries, brings her fiance home for Thanksgiving to meet the family for the first time. Fur-larity ensures.
The play was first read in June 2012, and was presented as a radio play at Wild Nights in April. In contrast to Furry Tales – which held a reading at Anthrocon 2007, and left furs amused, but with reservations about the show's grounding – Fursona Non Grata has actual research behind it.
Playwright Jeff Goode created Disney's American Dragon: Jake Long and wrote The Eight: Reindeer Monologues. While demurring to identify as a furry himself, he attended Califur I, and was guest of honor at Rocket City FurMeet 2007 and Oklacon 2008; from this, he's put together a story which is, if fanciful, at least more of an exaggeration of reality than an apologetic for CSI's fursuit fetishists.
Had enough of French animated films yet? Don't worry, I'll run out of them soon! This week's review is Le chat du rabbin (The Rabbi's Cat), which came out in France in 2011 and only just recently got a North American DVD release. (Trailer). It's based on a comic book series by Joann Sfar.
The film starts in Algiers (North Africa) in the 1930s, with a rabbi, his daughter, and her pet cat. After the cat eats a parrot, he gains the ability to talk, and immediately gets in trouble with the rabbi because the cat's first action (of course) is to deny everything.
As the rabbi tries to keep the cat away from his daughter, the cat tries to get on the rabbi's good side by offering to convert to Judaism - although what he really wants is a bar mitzvah. Still, being a cat, he's an independent thinker and isn't shy about challenging the rabbi's religious teachings.
For this edition of Pull List, we’ve got a brand new Marvel series featuring the spacefaring adventures of a raccoon and his friend the tree (they have other friends, but they aren’t important), the beginning of a new arc with a new creative team for IDW’s My Little Pony: Friendship is Magic, and the final issue of Teenage Mutant Ninja Turtles: The Secret History of the Foot Clan.
There's been much discussion and speculation about a casting call for Furries to appear on MTV's reality show, True Life. Erika Dobrin, casting VP at the show's producer Asylum Entertainment, was nice enough to give me 30 minutes to answer questions about it.
The phone app I used didn't record (I blame an app update), so this is paraphrased from notes and approved by Erika. I would say that the answers were very, very on-message. I did ask personal stuff to make it relatable - perhaps some responses would boil down to "just doing a job", or it might have caused shyness about getting personal. (Understandable, considering that the casting call has gotten hate mail.)
I aimed to ask tough questions, balancing sympathy towards the challenge of putting out professional media with being a Furry fan who's shamelessly obsessed with fursuiting.
This should come as no surprise, but Roger Ebert was a personal hero of mine. The man lost his voice years ago, but he was still able to speak clearly as ever in his writing, especially the movie reviews that were his main job. He died earlier this year.
I was reminded of a line he occasionally used during Blue Sky Studios’ Epic during a scene where the villain has captured the comedy relief sidekicks and is telling them stories of his son. One of them exclaims, “Your stories are boring and torturous!” As Ebert would point out (as he did for Jason X), the movie just reviewed itself. Don’t you hate it when that happens?
Epic features some really wonderful animation, great special effects and what I’m sure would have been remarkable use of 3D technology if I’d bothered to watch the movie that way, but none of it really matters, because the story is, well, boring and torturous.
Ernest et Célestine (Ernest & Celestine) is a 2012 children's animated film from Europe about a friendship between a mouse and a bear. It hasn't had a widespread English-language release in North America yet, but when it does, I recommend it. It's charming! (Trailer, with English subtitles.)
The two main characters exist in different worlds, and are both victims of circumstance. Ernest, the bear, is a musician who lives alone in a cabin in the forest outside a large town, an outsider. If not for the cabin, he'd be homeless; he runs out of food during the winter and must resort to busking and begging, and eventually theft, because busking is forbidden and his musical instruments are taken away.