This is Rabbit Valley’s Halloween 2013 theme anthology, “something for the adults to enjoy”. It presents eleven new stories; five scary horror “tricks” and six “delectable romantic and erotic” “treats”. The book’s fine wraparound cover is by Stephanie "Ifus" Johnson.
Ianus J. Wolf says in his introduction that this is the first of Rabbit Valley’s planned annual Halloween anthologies, to mix furry horror and adult erotica, so there will be more to come for those who like it.
Halloween just isn’t Halloween without both the scary and the sweet.
The two sections are each introduced by the two EC Comics-style ‘horror hosts’ shown on the cover, Trick the wolf and Treat the cat. The “tricks” all come first, to leave you with a pleasant taste. They are “Hellhound” by Renee Carter Hall, “Son of the Blood Moon” by Bill “Hafoc” Rogers, “Slough” by Ray “Stormcatcher” Curtone, “Unrealty” by Rechan, and “Wild Night” by Tarl “Voice” Hoch.
Las Vegas, NV, Rabbit Valley, September 2013, trade paperback $20.00 (313 pages).
Review: 'Dancing in the Moonlight: RainFurrest 2013 Charity Anthology', edited by Ryan Hickey and Garret BiggerstaffPosted by Fred on Tue 12 Aug 2014 - 23:53
This is the third annual RainFurrest charity anthology, published to be sold at the RainFurrest convention in Seattle in late September, following 2011’s Stories of Camp RainFurrest and 2012’s Tails of a Clockwork World. It is also for sale through the FurPlanet online catalogue.
The RainFurrest Annual Charity Anthology was created to celebrate and showcase the literary aspect of the anthropomorphics fandom as well as to raise funds for charity.
All of the contributing writers and artists have waived all fees so that the totality of the sales can go to the RainFurrest charity of the year.
The charity for RainFurrest 2013 is The Clouded Leopard Project, dedicated to the conservation of clouded leopards and their habitat by supporting field research, implementing education initiatives in a range countries, and bringing global awareness to clouded leopard conservation issues.
Dancing in the Moonlight, named after RainFurrest 2013’s theme, contains five short stories in teeny-tiny type, four of them illustrated. The book’s cover is by Sarah Alderete.
Illustrated, Dallas, TX, FurPlanet Publications, September 2013, trade paperback $10.00 (77 pages).
Spies in Their Midst by Alflor Aalto is listed as the third book in The Llyrian Wars: Act One series, following The Prince of Thieves and The Streets of His City and Other Stories. The series is also referred to as "The Llyrian Wars tetralogy”, so apparently there is at least one more book to come. There is no information about what will follow Act One.
Hmmm. The Prince of Thieves includes a Rabbit Valley advisory notice that “This book deals with homoerotic themes and descriptions of erotic acts.” You had better consider that Spies in Their Midst needs one, also.
Spies in Their Midst stands well on its own. The protagonist of The Prince of Thieves and The Streets of His City and Other Stories is Prince Natier of Llyria, a red fox; the heir to the throne. The protagonist of Spies in Their Midst is Orrin, Lord Vintaa, a raccoon and Llyran nobleman. Yet he is not a new character. He was an important supporting character in “The Looking War”; a short story in The Streets of His City and Other Stories. This is his novel-length story, starting before the other two books.
Illustrated by Robbye "Quel" Nicholson, Las Vegas, NV, Rabbit Valley, December 2013, trade paperback $20.00 (303 pages).
The Mysterious Affair of Giles is an Agatha Christie-styled murder-mystery and is best read with a cup of tea nearby. (publisher’s blurb)
Kyell Gold already has the reputation of being the preeminent author of high-quality erotica in Furry fandom. Now it seems that he is trying to establish a similar reputation as furry fandom’s number one mystery author, at least of what is usually called the British “cozy” mysteries, or the country-house murder mysteries of which Agatha Christie was the acknowledged mistress.
The Mysterious Affair of Giles makes no secret of this. It is advertised as an Agatha Christie-styled murder-mystery. It is dedicated “To Dame Agatha for all the inspiration.”
An acknowledgement thanks London furry fan Alice "Huskyteer" Dryden for “Brit-picking” the manuscript, making sure that it, and especially the dialogue, are correctly British. The furry characters are all English animals except where they are noted as coming from British India. Most tellingly, the title The Mysterious Affair of Giles is an obvious pastiche of Christie’s first novel, the 1920 The Mysterious Affair at Styles, which introduced both her as a mystery author and her most famous private detective, Hercule Poirot.
Yet do not think that Gold’s novella is a point-by-point imitation. There is no Famous Detective in it. The year is 1951; not exactly the present, but not the old-fashioned past, either. Tremontaine is a large manor house a couple of hours’ drive from London. The cast is Mr. Giles St. Clair, an aristocrat but also an up-to-date industrialist, his wife, and their son and daughter in their early twenties, all red foxes, and Martin Trevayn, Giles’ business partner, a stoat, their guest at Tremontaine on a business visit, plus the manor staff, a deer senior housemaid, two weasel cooks, a rabbit and an Indian otter housemaid, an Indian brown rat butler and Mr. Giles’ dhole valet.
Twelve characters. One of them is murdered.
The principal investigators are a badger police Inspector and his wolf Sergeant. The mystery’s protagonist is Ellie Stone, the young weasel assistant cook, a reader of murder-mystery novels who has never wanted to live in a real one, but who can’t help comparing the actual police’s sleuthing with her fictional police’s detecting. Naturally, everyone has a secret, and during the course of the story they all come out. Some are pertinent; others are not.
Kyell Gold’s stories often come with “Adults Only” readers’ advisories. The Mysterious Affair of Giles does not need one – quite – but its cast are all adults, and some of the secrets revealed are adult ones. I do not recall Agatha Christie ever delving into this territory, but it feels natural here and it helps to keep the story from being a period-piece.
Illustrations by Sara "Caribou" Miles,Dallas, TX, FurPlanet Publications, February 2014, trade paperback $9.95 (107 [+2] pages), Kindle $6.99.
Miara is a humanimal, a woman just like anyone else, except with feline features and some feline abilities … (blurb for Fuzzy Business)
I cannot help remembering A.I.P.’s July 1977 movie of The Island of Dr. Moreau, with Burt Lancaster as Dr. Paul Moreau, the Mad Scientist who was uplifting animals into humanimals™, and downlifting humans into humanimals™. I don’t think that A.I.P. put out a single bit of publicity without emphasizing that humanimals™ was its own trademarked word. Fortunately, A.I.P. is gone now, and its trademark doubtlessly expired long ago.
Miara Cooper is a cat-girl.
I am mostly human, of course. I walk upright, have two breasts, and wear clothing. But it is impossible not to notice the domestic feline in my appearance. My eyes are green and my pupils are vertical instead of rounded, at least in the daylight. My pointed, hairy ears are on top of my head. My nose is small, upturned and moist. I have a small set of whiskers at the corners of my upper lip; just a little less than would make me look like one of those Chinamen in an old Looney Tunes cartoon. My skin is white, but it is barely visible under thick, dark hair. At least the hair is human-like: fine and light brown.Just longer and thicker than most human women have on the rest of their bodies. And I have a tail. It isn’t very long; only about seventeen inches from the base of my spine, but it was enough to get in the way of sitting and learning how to pee on a toilet when I was a child. (p. 5)
Miara’s parents were hippies who took part in a scientific experiment in gene splicing before her birth. Now, twenty-four years later, society is still figuring what to do about Doctor Finchley’s and his colleagues’ essays into cat-people, dog-people, fox-people, bear-people and so on.
I even heard of one poor kid in Canada whose parents spliced him to be part moose. Must have been painful giving birth to that one. (p. 6)
Fuzzy Business, by Amelia Ritner, Seattle, WA, CreateSpace, May 2013, trade paperback $7.95 (271 pages), Kindle $1.99.
Fuzzy Business 2: Fuzz Harder, by Amelia Ritner, Seattle, WA, CreateSpace, December 2013, trade paperback $7.95 (178 pages), Kindle $1.99.
This is book 4 of The Fall of Eldvar by Jim Galford. I reviewed book 1, In Wilder Lands, here in March 2012; book 2, Into the Desert Wilds, in November 2012, and book 3, Sunset of Lantonne, in February 2014.
The first two are a two-part subseries, “the wilding story arc”, within the larger saga of The Fall of Eldvar. Sunset of Lantonne is a standalone adventure. The Northern Approach, which debuts at Rocky Mountain Fur Con 2014 this month, continues roughly where both Sunset of Lantonne and Into the Desert Wilds end. The planned book 5, Bones of the Empire, will wrap up and complete the series.
What this means is that it is assumed the reader is familiar with the events in at least Sunset of Lantonne. The Northern Approach begins almost a year after the fall of Lantonne at its climax; but in terms of the action it follows immediately, without any synopsis.
Eldvar is a world of humans, elves, dwarfs, talking dragons and more, including wildings which are anthropomorphic animals. The story’s focus on the wildings is why the novels of The Fall of Eldvar qualify for review on Flayrah.
Seattle, WA, CreateSpace, August 2014, trade paperback $13.99 (432 pages), Kindle $2.99.
These are the first two volumes of T.R. Brown’s Reflections series. Amazon.com has a special subcategory for them: Genetic Engineering Science Fiction. They should be required reading for every furry author who plans to write human-into-anthropomorphized-animal fiction. They are also good reading for everyone else.
The two are narrated by the protagonist, Todd Hershel. The setting is an unspecified future, but there are automatic/robot cars, artificial islands (“Libertarian Colonies”) for dissidents, personal computers that unfold from pocket-size, artificially-grown organ harvesting, references to a second American Civil War in the recent past and “the Vatican in exile” and bioengineered animal people grown for soldiers in wars. For legal reasons, these humanoid “neos” are required to look like the animals they are based upon.
I was driving back from a meeting with a supplier and there was a semi pulling a load of scrap metal slightly ahead of me in the next lane. My car alerted me to be ready to take over manual control, pulling me away from the e-mails I had been working on. I saw the reason immediately. An accident a couple of miles ahead. An ambulance and other emergency personnel were already on site. That probably saved my life. […] the semi next to me had a blowout in the front wheel. […] Autopilots are good, but they can’t handle an emergency like that and, before the operator could take over, the semi jerked into my lane […] (p. 1)
Todd wakes up in a hospital two months later. His body was completely crushed by the scrap metal. Since this was an unplanned medical emergency, no substitute body has been prepped for him. The only suitable usable body that can be found on emergency notice is a brain-dead felis neo – a female, at that. Todd’s wife Colleen is not happy about that, but she agrees that the important thing is to save his life. They can worry later about getting a new human body, or at least a sex-change operation back to male and cosmetic surgery to make him look more human, later.
The first 50-odd pages are filled with the details of Todd’s exploring his new body, bioengineered from a panther to be a brawny feline soldier.
“We considered just putting your head on the new body,” Walt [a doctor] continued, “but, in addition to the aesthetic problem of a human head on a felis body, there would also have been tissue rejection to deal with.” (p. 9)
The Face in the Mirror; A Transhuman Identity Crisis, by T. R. Brown, Seattle, WA, CreateSpace, August 2012, trade paperback $17.40 (501 pages), Kindle $2.99.
Chained Reflections, by T. R. Brown, Seattle, WA, CreateSpace, August 2013, trade paperback $19.99 (558 pages), Kindle $2.99.
This is a mature content book. Please ensure that you are of legal age to purchase this material in your state or region. (publisher's advisory)
Synopsis: Carson really likes meeting guys over Knotz, his favorite smartphone app. He has little patience for conversation and even less for the idea of a relationship. However, after a hot bear quite literally knocks him off his feet, it seems there might be more to life than his job and searching for one night stands. (publisher’s blurb)
Carson, as the cover by Soro shows, is a young male red fox (usually more dressed in public) who works in a bookstore in St. Marx. He meets Peter Belov, a handsome and ridiculously rich Russian black bear, when the latter’s expensive car knocks over his bicycle in a minor traffic accident. Carson’s cell phone, ruined in the crash, is frozen on Knotz, a gay erotic site, so there is no doubt as to his sexual orientation. Peter offers to drive him home, and since Carson’s preference is obvious, Peter proposes a gay date.
All Tied Up in Knotz is well-written, but it is 100% for the gay male eroticism market. St. Marx appears to be a city inhabited entirely by handsome gay male anthros looking for friendly sex with no long-term attachments. Females and even families with children appear later, but the reader sees things from Carson’s point of view, and he notices little but the roving gay males.
Dallas, TX, FurPlanet Productions, July 2013, trade paperback $9.95 (105 pages).
This is the fourth volume in Sofawolf Press’ Artistic Visions series of art-sketch format albums, each showcasing one of the best artists in furry fandom. Each is a professional artist, but is especially well-known in furry fandom for convention conbook covers, badge art and other commissioned art, and trades with other Furry artists; many of which are posted on DeviantART, Fur Affinity and other art websites.
The art in these albums emphasize anthropomorphized-animal cartoons and similar humorous work, rather than realistic animal depictions. Other Artistic Visions albums have showcased the work of Hibbary (Hillary Leutkemeyer), Brian and Tracy Reynolds, Kenket (Tess Garman) and Ursula Vernon. These are all American artists.
The Art of Henrieke is the first to feature a European artist. Henrieke Goorhuis, a Dutch artist born in 1990, has become very popular in just the last five years for European Furry convention art and T-shirts, commissioned art featuring fans’ personal icons and for commissioned art for European zoos. Her most popular character is her own cartoon icon, Kiki the ring-tailed lemur.
Good artbooks speak for themselves. Almost every page of The Art of Henrieke: Sketches, Works in Progress, and Commentary by the Artist is crammed with sketches and finished line art.
St. Paul, MN, Sofawolf Press, January 2014, trade paperback $14.95 (75 [+ 1] pages).
The bad news: The Mystic Sands by Alflor Aalto is a funny animal novel. The characters, all anthropomorphized animals, are interchangeable surrogate humans. There is no reason for any of them to be raccoons, rabbits, foxes, weasels, squirrels, or anything other than humans. They are all human-sized, wear regular human clothes (imagine a human-sized squirrel wearing Victorian clothes), eat human diets, etc. They do occasionally refer to their animal natures:
And don’t you worry your fluffy ringed tails, my friends. (p. 36)
The good news: The Mystic Sands by Alflor Aalto is a ripping good page-turner, a guaranteed attention-holding light thriller of the 1930s Weird Tales sort with anthropomorphized animals that will have you wanting to finish it in one session. Go buy it!
Spanish writer Juan Díaz Canales and artist Juanjo Guarnido met while working at an animation studio in Madrid in the early 1990s. After both moved to Paris, they met again and agreed to collaborate for the French comics market on this anthropomorphic crime noir/hardboiled detective series set in America in the 1950s, featuring feline private investigator John Blacksad.
The first album, Somewhere Among the Shadows was published by Dargaud in November 2000. The multiple prize-winning comics series has been published in 23 languages. So far there have been five 56-page cartoon-art novels, set in Hollywood, Chicago, amidst the Red paranoia/nuclear bomb-shelter craze, New Orleans and now the Midwest.
Paris, Dargaud, November 2013, hardcover €13.99 (56 pages), Kindle €9.99.
Here is the 1’32” trailer for the Swedish 79-minute Resan Till Fjäderkungens Rike, or Beyond Beyond, directed by Esben Toft Jacobsen, released March 21 in Sweden, and expected to screen at international animation festivals throughout the year.
Judging by the publicity so far, this is a strong contender to become the Ernest et Célestine of 2014. It’s got seagoing and circus-performing rabbits, and a giant furry bird, and a frog sea-captain, and… trolls? And what are those little blue things? Anyway, it looks like a feature that furry fans will love.
Pillgrim: Okay, I think we are ready to go. First of all, I would like to thank you for your decision to give an interview for our magazine - it is very awesome! So, I've met lots of singing dogs and can say I like howling myself, because I am a wolf you know, but what makes you NIIC, the singing dog? Please, tell us your story - when, how and what for you've discovered furry fandom and a dog in you.
NIIC: Well, I discovered the fandom back in February 2013. It began as a research project of sorts - I had recently graduated from The University of the Arts and loved working on unconventional music projects for different audiences (before NIIC, I was working on a puppet music episode series for college kids working at Starbucks, with a similar crude but charming vibe to BBC's Mongrels). I was given advice by a music professor of mine to get my feet wet in one of the East Coast's underground music scenes, specifically the emerging Nerdcore scene. But after getting a bit sidetracked and with an accidental click on the internet, I stumbled upon the world of furry animal avatars! But I suppose it was only an accidental click if we don't believe Fate played a part in all this.
I had written a couple of short fantasy musicals while I was in college, so I was already getting a thrill out of constructing larger-than-life characters. But a whole subculture where its members re-invented themselves through humanoid animal characters? I was instantly intrigued by what new world I had stepped into!
Fred Patten will have a new anthology, Anthropomorphic Aliens, on sale at Anthrocon 2014. The 301-page book, published by FurPlanet Productions, presents eleven short stories and novellas featuring “furry” aliens from 1950 to 2013:
- “Mask of the Ferret” by Ken Pick & C. Alan Loewen
- “The Inspector’s Teeth” by L. Sprague de Camp
- “Specialist” by Robert Sheckley
- “In Hoka Signo Vinces” by Poul Anderson & Gordon R. Dickson
- “Point of Focus” by Robert Silverberg
- “Novice” by James H. Schmitz
- “What Really Matters” by Elizabeth McCoy
- “Kings and Vagabonds” by Cairyn
- “The King’s Dogs” by Phyllis Gotlieb
- “A Touch of Blue: A Web Shifters Story” by Julie Czerneda
- “Fly the Friendly Skies” by Bryan Feir
East coast artist David DePasquale is a visual development and character designer, with a notable talent for designing animal-based characters. His latest project is an alphabet flash-card series of prints with different animals from different countries all over the globe. His blogspot web site has many of his most current sketches, and his 2014 portfolio was recently uploaded as well.