There are at least five title pages and subtitles, all different, plus a foreword by Craig Yoe and short essays or tributes by comic book and animation experts, historians and, in the book’s term, aficionados Mark Evanier, Jerry Beck, David Gerstein and Paul Castiglia. The most important subtitles are A collection of paintings from the prolific imagination of the Felix the Cat guy and Curated, designed and edited by Rod Ollerenshaw. Another is The Felix the Cat Paintings of Don Oriolo.
Included are full-page photographs of Don Oriolo with Craig Yoe, two of the essayists, actor-artist Tony Curtis and some of his paintings.
Here is the 1’32” trailer for the Swedish 79-minute Resan Till Fjäderkungens Rike, or Beyond Beyond, directed by Esben Toft Jacobsen, released March 21 in Sweden, and expected to screen at international animation festivals throughout the year.
Judging by the publicity so far, this is a strong contender to become the Ernest et Célestine of 2014. It’s got seagoing and circus-performing rabbits, and a giant furry bird, and a frog sea-captain, and… trolls? And what are those little blue things? Anyway, it looks like a feature that furry fans will love.
Hah! I have always said that Estonian animation is ununderstandable! Incomprehensible, even. Here is a 4’47” trailer for a 72-minute 2013 stop-motion animated grand opera about the star-crossed love affair between an anthropomorphized rich-girl lemon and a poor refugee orange, directed by Mait Laas. Lisa Limone’s cruel father (a lemon with a comic-relief moustache) runs a slave-labor tomato plantation and ketchup factory.
Don’t worry if you don’t speak Estonian. Nobody understands the lyrics in opera, anyway. Besides, the trailer is subtitled in English.
Both are round, orb-like fruits, while one is usually red on the outside (though green, yellow and even orange are possibilities), its smooth, thin skin usually eaten, with firm, off-white flesh that ranges from sweet to sweet with varying degrees of tartness in flavor, with small brown seeds found inside the core of the fruit, while one is orange, obviously, with dimpled, but still smooth to the touch skin that, while edible, is rarely eaten directly, with much juicier flesh that is usually tarter, but not always, and still very sweet, with small tannish seeds throughout.
What am I doing? Oh, just comparing apples to oranges. Anyway, here are ten movies from 2014 you should watch sometime.
I know this sort of thing can be annoying to some Flayrah readers (or viewers, as is the case here), but it’s been around for a while, and you’ve had plenty of time to make peace with it. Besides, some people like this sort of thing.
But enough about dubstep. Here’s a short from Hasbro Studios of the Equestria Girls version of Vinyl “DJ Pon-3” Scratch listening to her music. [Read on for more shorts.]
This is in anticipation of a sequel to last year’s Ursa Major nominated My Little Pony: Equestria Girls (review), titled My Little Pony: Equestria Girls: Rainbow Rocks. It is supposed to gain a theatrical (or at least pseudo-theatrical) release in late September.
Cynthia Petrovic is an artist and illustrator who has worked as a story-board artist at places like Warner Brothers Television Animation. Branching out on her own, she created a line of artwork and other products called Red Tango, based around her fascination for critters — especially rather slim and stylized felines. She has a very animated interactive web page that includes not only her current products but also samples of her story-board work.
Making its premier at WonderCon this year (in Anaheim, California, of course!) was Termites, a new animated film concept by Matthew G. Hill, Barrett Kime, Tighe Damron, Melanie Makaiwi, and Tom Wentworth. The crew have started up a Kickstarter campaign to finance their project. Simply put: What would happen if a colony of termites in a fancy home got wind (sorry, sorry…) that the house is about to be fumigated? “Through the eyes of young Termite hero, Larkin, we dive into both the fascinating narrative world (4 arms, anybody?), the exquisite landscape of artistic possibility, and the raw emotion of a tragic, yet inspiring story”. The campaign is running on Kickstarter until May 17th.
Funny Animals and More: From Anime to Zoomorphics, based on Fred Patten’s weekly columns from Jerry Beck’s Cartoon Research animation website, was published March 26 by Theme Park Press. It is available in paperback and digital formats, and on Amazon.com.
The book is about animation and comic books rather than specifically anthropomorphic animals, but cartoon and CGI funny animals are a major theme. Topics include anime cat girls; Pokémon and Monster Rancher; Astro Boy and Atomcat; how a popular 1970s anime TV series led to the import of thousands of baby North American raccoons into Japan as pets, whose descendants are ruining thousand-year-old Buddhist and Shinto shrines today; animated Summer Olympics mascots like Misha the bear cub, Sam the eagle, Hodori the tiger, and Cobi the sheepdog, from 1972 to 2012; Patten’s favorite childhood comic-book funny animals like Amster the Hamster, Doodles Duck and his nephew Lemuel, Nutsy Squirrel, Dunbar Dodo, and SuperKatt, and how he would still like to see them animated; Crusader Rabbit; rats in animation; Reynard the Fox in animation; and Disney’s forthcoming 2016 Zootopia.
Korean cinema: Toilet-paper Merlin turns pianist into cow, who's saved from incinerator by com-sat in robot girl formPosted by Fred on Thu 27 Mar 2014 - 16:59
Korean animation looks enough like Japanese animation that it is usually lumped together as anime. But I don’t think that even the Japanese have made an animated feature like The Satellite Girl and Milk Cow, directed by Jang Hyung-yun and released in February in Seoul.
Jerry Beck’s Animation Scoop announces this South Korean release about a pianist (male), transformed into a cow (female) by Merlin the Magician in the form of an anthropomorphic roll of toilet paper, and pursued by a villainous incinerator that wants to incinerate him/her; while a communication satellite falls from space, becomes an Astro Boy-like robot girl, and saves the cow from the incinerator and its secret agents. It falls into the you-have-to-see-it-to-believe-it category -- and Jerry has the trailer, so you can see 1'22" of it.
Read more: Review at TwitchFilm.com
A 7’21” movie? Well, they don’t say “feature”. And it is produced by Ridley Scott, directed by John Stevenson (Kung Fu Panda), and CGI animated by Animal Logic, the Sydney studio that produced the two Happy Feet movies and Legend of the Guardians: The Guardians of Ga’Hoole. This is supposed to reinvigorate the Coca-Cola Polar Bears, but at least it’s free of the commercial message.
IMDb and YouTube say that this was released on December 31, 2012. ADWEEK says that it was commissioned by the Coca-Cola Company through the Creative Artists Agency (adv’t agency) of Los Angeles for an online commercial. So this has been out for over a year, but I haven’t seen it mentioned on Flayrah yet. Let’s rectify the omission.
Jerry Beck’s Animation Scoop has a first look at SEGA’s and OuiDO! Productions’ Sonic Boom CGI TV series, coming to the Cartoon Network (also French TV) later this year.
Sonic the Hedgehog is best-known as a SEGA computer game series, but this announcement – with a 2’50” trailer – shows what Sonic, Tails, and Dr. Eggman look like as fully animated CG characters.
Kairos, volume 2 of 3, is out! (My thanks again to Lex Nakashima for making this review possible.) Volume 1 was published in France in April, with an animated cartoon trailer for the whole series by the author at his new Studio La Cachette. Niils and his mysterious girlfriend Anaëlle (whom he is trying to talk into becoming his fiancée) are camping out in the French countryside. She is kidnapped by anthropomorphic dragons dressed as Medieval soldiers, and taken “home” through a dimensional portal to the world that she apparently came from in the first place. Niils follows to rescue her, and is met in the countryside by two friendly inhabitants; Kuma, a dragon monk, and Koyot, a brown, beaky peasant.
Tome 2 begins with Niils, Kuma, and Koyot coming to a peasants’ market town, where a big political argument is in progress between the supporters of the dragon royal family and those who accuse it of becoming tyrannical, weak, and no longer in touch with the people.
Here is the final ballot for the 2013 Ursa Major Awards. The voting is among the five titles in each category getting the most nominations. In several categories, there are six finalists because of ties for fifth place. In the Best Short Fiction category, only four finalists are listed because of too many ties for fifth place.
Voting is now open. Due to a technical issue, nominators will need to acquire a new key. The deadline is April 30.
As is not unusual, there were so many nominations for the fourth, fifth, and sixth place nominees in most categories that one more nomination could have made the difference between a title’s getting on the final ballot or not. Please nominate next year.
The 2013 Ursa Major Awards will be announced and presented at a ceremony at the CaliFur X convention, May 30-June 1, 2014, at the Irvine Marriott Hotel, 18000 Von Karman Avenue, Irvine, CA 92612.
On January 24, my sister Sherry took me in my wheelchair to see The Nut Job at the Pacific Theatres 18-Plex at the Glendale Americana at Brand “shopping community”.
The movie was released on January 17, and for over a week I had been reading reviews on animation-community websites that were uniformly negative. They did not just pan it, they hysterically reviled it. Rotten Tomatoes gave it a 12% favorable professional rating:
Hampered by an unlikable central character and source material stretched too thin to cover its brief running time, The Nut Job will provoke an allergic reaction in all but the least demanding moviegoers. (RT critic consensus)
“Anyone who doubts the truth of the bromide that January is the time studios trot out films that would otherwise be unreleasable should take a look at The Nut Job, a CG feature that has all the originality and individuality of a Dixie Cup,” begins Charles Solomon’s review on Animation Scoop. “[…] Numerous, predictable contretemps ensue […] the storytelling is simply inept […] The animation is unimpressive at best. […] The Nut Job was made in Canada and Korea, reportedly in association with the Ministry of Culture, Sports and Tourism of the Republic of Korea - probably because sitting through the film makes the 12-hour flying time between Los Angeles and Seoul seem brief.”
Conversely, the box office of The Nut Job has been good – fortunately, or I would have wondered whether the critics were talking about the same feature that I saw.
Nominations for the 2013 Ursa Major Awards, for the best anthropomorphic movies, novels, comic strips, games, etc., will close on February 28. Voting for the winner will begin on March 15 and will close on April 30. The awards will be presented at CaliFur X on May 30 to June 1, at the Irvine Marriott Hotel, Irvine, California.
If you have not nominated yet, you have only a few more days to do so. All titles first published or released during the 2013 calendar year are eligible. The awards are given in eleven categories: Motion Picture, Dramatic Short Work or Series, Novel, Short Fiction, Other Literary Work, Graphic Novel, Comic Strip, Magazine, Published Illustration, Website, and Game. The final ballot includes the top five titles nominated in each category.