In command of his family's star freighter, foxen noble Lord Rolas Darktail finds himself a captive of the infamous pirate, the Red Vixen. Drawn to her easy freedom, he finds himself torn between staying with her, and honoring his duties to his family, who must escape the cruel countess they serve.
Come along with Rolas as he experiences love and adventure in this science fictional take on a traditional Age of Sail romance novel.(blurb)
It's rare that I come across a story that not only makes me get massively pissed off at a character or laugh out loud in public, but Captive of the Red Vixen by Royce Day did that and so much more. Day has crafted a wonderful story that contained every element of a story I personally look for and enjoy in a tale. It also reminded me a lot of what brought me into the furry fandom to begin with.
Amazon Digital Services, Inc., August 2011, Kindle $2.99 (106 pages).
When the results of Earth's genetic experiments fled for their makers, they took their own name as they left humanity behind; centuries later, the Pelted have spread into a multi-world alliance of cultures and languages, cribbed from Terra or created whole-cloth. Claws and Starships collects six stories of the Pelted, ranging from the humor of a xenoanthropologist on the wrong side of mythology to more serious works considering the implications of genetic engineering in a far-future classroom seeded with the children of those laboratories. Come stamp your passport and visit the worlds of the Pelted Alliance in all their variety!
Includes the novella "A Distant Sun," and the short stories "Rosettes and Ribbons" (Best in Show anthology), "The Elements of Freedom," "Tears" (Pawprints), "Pantheon," and "Butterfly" (Anthrolations magazine).
This book is a warm blanket, hot chocolate, and cuddles by a fire.
I had read a short story of M.C.A. Hogarth's before, and was curious about how she would handle a larger work. Stumbling across this collection of short stories, I decided to give it a try.
See also: Review by Fred Patten
Taboo is a work of anthropomorphic fiction for adult readers only. (publisher’s advisory)
It is rated NC-17.
Every society has taboos, from sacred vows which must never be broken to the limitations of sexual expression. These [fourteen stories answer] the question, "Which line would you cross?" (blurb)
This is a longer book review than usual, since it covers 14 individual short stories. If you don’t want to read a review this long, my critiques are all at the end.
Since this is a furry NC-17 anthology, you can guess that all fourteen stories feature explicit sex. Whether it fits the story or not.
"That Red Panda Girl" by Tarl "Voice" Hoch"
Raven, the almost-40 panther, is a high school teacher happily married to the beautiful nympho Holly the jaguar, who sets up some kinky sex activity for him almost every night. But that doesn’t keep him from lusting after one of his students, the red panda Leah. She’s gorgeous, she’s over 18, and she’s already unmarried-but-pregnant. Raven knows that a sexual liaison between a teacher and his student is taboo, and jeopardizing his relationship with his wife is really foolish. But Leah is also a nympho lolita, and she desperately wants him …
Illustrated by Kadath’s cover.
Miara is a humanimal, a woman just like anyone else, except with feline features and some feline abilities … (blurb for Fuzzy Business)
I cannot help remembering A.I.P.’s July 1977 movie of The Island of Dr. Moreau, with Burt Lancaster as Dr. Paul Moreau, the Mad Scientist who was uplifting animals into humanimals™, and downlifting humans into humanimals™. I don’t think that A.I.P. put out a single bit of publicity without emphasizing that humanimals™ was its own trademarked word. Fortunately, A.I.P. is gone now, and its trademark doubtlessly expired long ago.
Miara Cooper is a cat-girl.
I am mostly human, of course. I walk upright, have two breasts, and wear clothing. But it is impossible not to notice the domestic feline in my appearance. My eyes are green and my pupils are vertical instead of rounded, at least in the daylight. My pointed, hairy ears are on top of my head. My nose is small, upturned and moist. I have a small set of whiskers at the corners of my upper lip; just a little less than would make me look like one of those Chinamen in an old Looney Tunes cartoon. My skin is white, but it is barely visible under thick, dark hair. At least the hair is human-like: fine and light brown.Just longer and thicker than most human women have on the rest of their bodies. And I have a tail. It isn’t very long; only about seventeen inches from the base of my spine, but it was enough to get in the way of sitting and learning how to pee on a toilet when I was a child. (p. 5)
Miara’s parents were hippies who took part in a scientific experiment in gene splicing before her birth. Now, twenty-four years later, society is still figuring what to do about Doctor Finchley’s and his colleagues’ essays into cat-people, dog-people, fox-people, bear-people and so on.
I even heard of one poor kid in Canada whose parents spliced him to be part moose. Must have been painful giving birth to that one. (p. 6)
Fuzzy Business, by Amelia Ritner, Seattle, WA, CreateSpace, May 2013, trade paperback $7.95 (271 pages), Kindle $1.99.
Fuzzy Business 2: Fuzz Harder, by Amelia Ritner, Seattle, WA, CreateSpace, December 2013, trade paperback $7.95 (178 pages), Kindle $1.99.
Phil Geusz is famous in furry fandom for his fiction featuring genengineered anthro-rabbits. They are usually highly intellectual and non-violent. This makes the beginning of Evolutionary Action rather startling: Dr. Rusty Harrison, a professor of “the University” and a personal friend of the dean, is complaining about the mess in his brown fur that killing two assassins at close range has made.
I wrung out my sponge. There was a nasty bit of scalp lodged in it, and I didn’t want to get hair all over the place. I used hollowpoints in my .357, and the explosive effect tended toward the spectacular at close range. The least I could do for poor Alice was stick around and help with the cleanup. Even if I was working nasty little balls of coagulating blood so deep into my pelt that I’d have to soak for hours to get them out. I counted Alice as a friend, after all. (p. 5)
This is one of those novels that is difficult to summarize without giving away spoilers. Over 99% of mankind has died in the catastrophe known as the Breakdown, the Plague, the Collapse or the Outbreak, and the survivors are struggling to keep up some form of civilization. There are not enough to maintain the United States of America, and it has broken apart into many tiny independent state-based countries like the West Coast Confederation, the Sooner Republic, the Colorado Republic, Iowssouri, the Arkansas Free State, the Lone Star Republic and so on. Most of them are friendly and trying to maintain good relations with each other, but at least one is out for a war of conquest against the others, executing the governments of the conquered states.
The University, which was experimenting with genengineering before the Breakdown, has all of the intelligent Rabbits left in the world, and is one of the remaining practitioners of research. It is a politically independent enclave located in the Sooner Republic, which supports it. However, the armies of one of the aggressors are approaching the Sooners and neighboring Texas, and both the Sooner and Lone Star governments and the University administration are wondering what to do.
Dallas, TX, FurPlanet Productions, September 2013, trade paperback $9.95 (187 pages).
This is the conclusion of M.C.A. Hogarth’s The Dreamhealers Duology. I reviewed the first book, Mindtouch, here on September 1, 2013.
In that novel Jahir Seni Galare, the colorless elflike Eldritch esper, has just entered interstellar Seersana University. His roommate is Vasiht’h, a short, skunk-furred centauroid winged Glaseah. They are both espers, but Jahir is an involuntary telepath to whom the impact of other minds is painful. In the course of Mindtouch, the two aliens develop a strong friendship, Jahir learns to control his talent – somewhat – and the two graduate.
Jahir intends to use his telepathic talent to become the galaxy’s first xenotherapist, reading his patients’ minds to help heal them. The question is whether there is any danger of the esper medic’s becoming overwhelmed by his patient’s mind.
It would be just his luck to begin his residency by reporting to the hospital as a patient. Jahir Seni Galare, nascent xenotherapist, Eldritch noble and apparently complete lightweight, sat on a bench just outside the Pad nexus that had delivered him to the surface of the planet Selnor. He had his carry-on in his lap and was trying to be unobtrusive about using it as a bolster until the dizziness stopped. (p. 1)
Tampa, FL, Studio MCAH, January 2014, trade paperback $15.99 ([1 +] 341 [+ 7] pgs.), Kindle $5.99.
These are the first two volumes of T.R. Brown’s Reflections series. Amazon.com has a special subcategory for them: Genetic Engineering Science Fiction. They should be required reading for every furry author who plans to write human-into-anthropomorphized-animal fiction. They are also good reading for everyone else.
The two are narrated by the protagonist, Todd Hershel. The setting is an unspecified future, but there are automatic/robot cars, artificial islands (“Libertarian Colonies”) for dissidents, personal computers that unfold from pocket-size, artificially-grown organ harvesting, references to a second American Civil War in the recent past and “the Vatican in exile” and bioengineered animal people grown for soldiers in wars. For legal reasons, these humanoid “neos” are required to look like the animals they are based upon.
I was driving back from a meeting with a supplier and there was a semi pulling a load of scrap metal slightly ahead of me in the next lane. My car alerted me to be ready to take over manual control, pulling me away from the e-mails I had been working on. I saw the reason immediately. An accident a couple of miles ahead. An ambulance and other emergency personnel were already on site. That probably saved my life. […] the semi next to me had a blowout in the front wheel. […] Autopilots are good, but they can’t handle an emergency like that and, before the operator could take over, the semi jerked into my lane […] (p. 1)
Todd wakes up in a hospital two months later. His body was completely crushed by the scrap metal. Since this was an unplanned medical emergency, no substitute body has been prepped for him. The only suitable usable body that can be found on emergency notice is a brain-dead felis neo – a female, at that. Todd’s wife Colleen is not happy about that, but she agrees that the important thing is to save his life. They can worry later about getting a new human body, or at least a sex-change operation back to male and cosmetic surgery to make him look more human, later.
The first 50-odd pages are filled with the details of Todd’s exploring his new body, bioengineered from a panther to be a brawny feline soldier.
“We considered just putting your head on the new body,” Walt [a doctor] continued, “but, in addition to the aesthetic problem of a human head on a felis body, there would also have been tissue rejection to deal with.” (p. 9)
The Face in the Mirror; A Transhuman Identity Crisis, by T. R. Brown, Seattle, WA, CreateSpace, August 2012, trade paperback $17.40 (501 pages), Kindle $2.99.
Chained Reflections, by T. R. Brown, Seattle, WA, CreateSpace, August 2013, trade paperback $19.99 (558 pages), Kindle $2.99.
If you’re not familiar with Larry Niven, you should be. For one thing he was Guest of Honor at Further Confusion once — largely for his creation of the brutal tiger-like aliens known as the Kzin. In 1970 his novel Ringworld received both the Hugo and Nebula Awards for Best Novel. Now, many years later, Tor Books is creating a series of black & white manga-style graphic novel adaptations of the book. “Two-hundred-year-old human Louis Wu is recruited by a two-headed alien named Nessus to join him, a felinoid warrior alien named Speaker-to-Animals, and the infinitely lucky human Teela Brown to explore an alien artifact. They find a Ringworld, a ribbon millions of miles long built around a distant sun. The civilization has fallen into savagery, though, and after crashing into the Ringworld, Louis must come up with a clever plan to get back to known space, hundreds of light years away.” Adapted by Robert Mandell (script) and Sean Lam (illustration), Part 1 is available now in paperback at Amazon.
[And with that, we'll see you after Comic Con!]
When the results of Earth's genetic experiments fled their makers, they took their own name as they left humanity behind; centuries later, the Pelted have spread into a multi-world alliance of cultures and languages, cribbed from Terra or created whole-cloth. Claws and Starships collects six stories of the Pelted, ranging from the humor of a xenoanthropologist on the wrong side of mythology to more serious works considering the implications of genetic engineering in a far-future classroom seeded with the children of those laboratories. Come stamp your passport and visit the worlds of the Pelted Alliance in all their variety! (back-cover blurb)
If you want to say that I have a conflict of interest reviewing this collection as I wrote the afterword to it, go ahead. I have been a fan of M.C.A. Hogarth’s “Pelted Alliance” furry science fiction stories since I discovered them in YARF! and other furry fanzines in the late 1990s and early 2000s. I included one, “Rosettes and Ribbons” from Yarf! #58, January 2000, in Best in Show, the first anthology of furry fiction. I was glad to see this first collection of Pelted short fiction, along with six illustrations by the author, in an e-book in December 2011, and I felt honored to be asked to write this afterword, for this new trade paperback edition in June 2013.
Claws and Starships consists of the novella “A Distant Sun” and the five short stories “Rosettes and Ribbons”, “The Elements of Freedom”, “Tears”, “Pantheon” and “Butterfly”. These are the Pelted stories that do not feature Alysha Forrest, Hogarth’s feline-based Karaka’An woman, the main character in the series. The first Alysha Forrest stories were rewritten into Hogarth’s novel Alysha’s Fall (Cornwuff Press, September 2000), and she has starred in most of the Pelted short fiction since then.
But there have been these six other stories that show the Pelted universe is more than just Alysha’s adventures. Claws and Starships packages them together neatly for the fans of the Pelted universe, and of really good furry interstellar science fiction.
The War of the Species has begun. An ancient race of penguin has reemerged. From this race a powerful leader declares himself Overlord and unites the penguin clans of the world. His goal: to drive the human presence away from Antarctica and to exact revenge for the atrocities of the past against penguinkind. (Rise of the Penguins blurb)
Killer penguins are rising up in a war against humans for world domination! Is Steven Hammond serious? Judging by his hilarious Facebook page, hell, no! But his Rise of the Penguins series (published through CreateSpace, no matter what he says about Rockhopper Books), is so straight-faced that it is a good example of Rambo-type take-no-prisoners military fiction. With spear-carrying penguins.
Rise of the Penguins, December 2012, trade paperback $19.99 (8 + 722 pages), Kindle $3.99.
The Warlord, The Warrior, The War, September 2013, trade paperback $6.99 (6 + 112 pages), Kindle $1.99. Both by Steven Hammond, Clovis, CA, Rockhopper Books.
This is Book 3 of the Tails from the Upper Kingdom; the direct sequel to To Journey in the Year of the Tiger and To Walk in the Way of Lions. In those two, Captain Kirin Wynegarde-Grey, a genetic lion-man (yes, he has a tail) and commander of the Empress’ personal guard in a far-future post-apocalypse dynastic China (with touches of feudal Japan) that has forgotten its past, leads an expedition consisting of his geomancer brother, his snow leopard-woman adjutant, a young tiger-woman scholar, a cheetah-woman alchemist, and a mongrel-man (mixed feline) priest into unknown western lands. They encounter canine nomads in what was Mongolia, and really exotic animal-peoples in what was Europe; and they learn the true history of the world and the apocalypse that destroyed it. The expedition is much smaller when the survivors return to the Empress’ court in the Upper Kingdom two years later, just as the Year of the Tiger has ended.
In the Oriental Zodiac, the Year of the Tiger is followed by the Year of the Rabbit – except in Vietnam, which recognizes the Year of the Cat. (True; look it up.) In this novel, the future Vietnam is called simply Nam, and there is no word for rabbit. (In the real world and the present, the Vietnamese word for rabbit is ‘tho’.)
And so, we begin our story with the birth of a baby, the weeping of a dog and a cup of hot sweet tea, naturally in the Year of the Cat. (p. 1)
Fred Patten will have a new anthology, Anthropomorphic Aliens, on sale at Anthrocon 2014. The 301-page book, published by FurPlanet Productions, presents eleven short stories and novellas featuring “furry” aliens from 1950 to 2013:
- “Mask of the Ferret” by Ken Pick & C. Alan Loewen
- “The Inspector’s Teeth” by L. Sprague de Camp
- “Specialist” by Robert Sheckley
- “In Hoka Signo Vinces” by Poul Anderson & Gordon R. Dickson
- “Point of Focus” by Robert Silverberg
- “Novice” by James H. Schmitz
- “What Really Matters” by Elizabeth McCoy
- “Kings and Vagabonds” by Cairyn
- “The King’s Dogs” by Phyllis Gotlieb
- “A Touch of Blue: A Web Shifters Story” by Julie Czerneda
- “Fly the Friendly Skies” by Bryan Feir
The front cover blurb reads: An Erotic Historical Tale. It is rated NC-17. Isaac Ellison, a part-albino cheetah (with unusually pale fur and a beefy physique like a Marine), and his inventor buddy, Raziel, a humanoid reptile (“He looked quite draconic, but slender as opposed to the more bulky builds of lore. Small spines dotted his scalp where eyebrows would be, and two long, black horns swept back almost uniformly with his fire colored mane that consisted of fur and light feathering, before the mane started springing out wildly in any direction it damn well pleased.” –p. 7), go back in time to an anthropomorphic Ancient Egypt. The Egyptians mistake them for warrior and fertility gods, and a tremendous amount of enthusiastic sex is had by all. In fact, until the ending, The Jackal Queen hardly offers anything but. Isaac and Raziel worry about changing history, but not much.
This is a mature content book. Please ensure that you are of legal age to purchase this material in your state or region. (publisher's rating)
The last time I met Osamu Tezuka was at Daicon V, the 25th Japan National Science Fiction Convention, in Osaka on August 24-25, 1986. He was in a good mood, and told me through a helpful fan interpreter that he had just started a new manga that I was sure to like, considering my fondness for funny animals. It was a new version of Astro Boy – turned into a cat! “WHY?”, I asked. He chuckled and said something like, “Why not? It’s important to not take yourself too seriously.”
Tezuka had created Tetsuwan Atom (Astro Boy) in 1952 and drawn his adventures until 1968, including the five intense years of the TV series (1963-1966, with production starting in 1962). After that, Tezuka was “Astro Boyed out”, and turned down numerous requests to create new adventures of the robot little boy. He had other stories that he wanted to develop in manga and anime. So, when he got a request from the children’s Smile Comics in 1986 to produce a new manga for young readers, why did he return to Astro Boy, but as a kitten; besides “Why not?”
Well, Atomcat never pretended to be more than a humorous trifle. It was a self-parody, and also a parody of all the talking animal comics where a human little boy or girl has an animal companion to help him or her out. In Atomcat, young Tsugio is the only human who knows that Atom the kitten is not an ordinary kitten, and Atom protects Tsugio from being bullied. Yet Tsugio is such a coward and crybaby that Atom, exasperated, has to take the lead most of the time. Tezuka was very proud of having worked out the English pun Atomcat = A Tomcat, since he claimed not to speak English. He probably also delighted in naming the school bully who always picks on Tsugio, “Gaddafi”. Atomcat was published in the monthly Smile Comics for seven months, seven self-contained stories, from July 1986 to February 1987. The last couple of stories lacked the freshness of the first stories. I suspect that Tezuka had lost interest in Atomcat and was just hacking out the last few stories; he was probably glad to end the series.
I “read” Atomcat in Kodansha’s 400-volume Japanese Osamu Tezuka Complete Manga Works around 1997; that is to say, I looked at the artwork. This current Atomcat edition from Digital Manga’s Platinum Manga has enabled me to read it in English for the first time.
Gardena, CA, Digital Manga Publishing, April 2013, trade paperback $12.95 (194 [+ 9] pages).
This is generally well-written, if poorly proofread. But the science/technology seems wonky. And the main character, Dr. Cooper Barnes, M.D., the civilian Chief Medical Officer of the International Space Program’s ISP Frontier in 2065, is surprisingly negatively introduced. Most novels with a medical protagonist state their long-range goal of eliminating disease and putting themselves out of business. Cooper complains on the first page that the last serious disease, ebola, has just been eliminated, and he is out of a job. When he is asked to become the head doctor on an exploration spaceship that will land on new planets with unknown diseases, he asks for medical supplies and trained assistants that are presented as arrogant demands rather than requests.
No one had come to see him in the last few weeks, except for those particularly stupid people convinced that they were sick, and just needed a doctor to tell them that they weren’t. (p. 1)
You can guess that Cooper does not have a good bedside manner.
Novels that feature unpleasant main characters that gradually become likeable are hard but not impossible to bring off successfully. Think of Ebenezer Scrooge in A Christmas Carol. Unfortunately, M. Andrew Rudder is no Charles Dickens. You have to take it on faith, and the reviewer’s promise, that Cooper Barnes will become a better man.