Kao the Kangaroo 2 is a classic platformer, that wasn’t really a part of my childhood, that came out in 2003. It has now been reformatted for the PC and is available on Steam for two dollars. While I hadn’t heard of the character myself, it apparently has enough of a following where it is getting a new game which is slated to come out in 2021. A trailer for which you can see below. Since they didn't put a '3' at the end of the title, I wonder if it's a remaster or a reboot?
But perhaps the best way to determine if on would want to pick up this new game is to go back and look at it's predecessor. Is Kao 2 worth even the partly entry price? Let’s give it a look.
The story is quite simple. There is a hunter that has kidnapped some of Kao's animal pals and now the kangaroo has to kick some poacher rear to free them. There is one problem though, and that is the Hunter has a goon blocking the route who wants 3,000 coins to grant entry. So now Kao will travel though forests, tundra, and seas to collect the cash needed to bribe his way in. I guess beating them up is out of the question in this case... for some reason.
In this third season of Aggretsuko, we move further away from the focus of the stress of work-life in and of itself and instead cover the fulfilment of one’s dreams through the side gigs adults do to try and find money in their passions. This season, the characters come to find that these new avenues may come with stresses of their own; work is still work.
Given this the office itself plays even less of a role than the prior seasons. Without going into too many details in this summary, the conclusion of this season is one that will probably strike an intense chord with furry fans given the passion that we have for our fandom “side gig”.
If you enjoyed the prior seasons then you’ll find enjoyment in this season. Spoilers ahead, so watch before continuing should you wish to go in blind.
A new furry social media site has come forth called FurryLife Online. It seems it’s an annual occurrence these days when a new furry site comes forth with dreams of taking the title of the main furry hub.
FLO is trying to be as broad as its predecessors; and with art galleries, written works, music, clubs, and streaming, there appears to be a lot to offer. But given how many of these sites exist now, can this new one stand out? If so, how? We’ll review the site’s layout and its strengths and weaknesses for each of the main classes of art they support.
This review was published September 2 and is written about the site at this time. Site features are malleable, so may have changed after publication.
The game has single player & couch co-op modes; Steam's version also includes co-op remote play.
Its story is fairly simple. Two foxy parents (Rikki & Vikki) get an unexpected visit from the Misery Dragon (demon lord of inconvenience), who steals their kids, forcing them to go through 100 different levels down to the center of the earth to rescue them. What ensues from then onward is an arcade-style gameplay that looks similar to Bubble Bobble (1986), but plays more like Mario vs. Donkey Kong (2004). In some instances, the puzzle-solving is combined with quick action, with a challenging difficulty level very much in line with Cuphead (2017) and older-style arcade games.
A Furry created hashtag trend, #SocialistTeeth, ended up as the top trending tag in the United States after Conservative Bots picked it up to launch criticism at the concept of Socalist policies in general. A Twitter thread by Dream Hyena shows some examples of some of these bot blunders.
A recent study conducted at Harvard University (scientific paper) to examine working visual memory found that an African grey parrot was able to outperform 6-8-year-old human children. That might not be so amazing on its own — research has already shown various bird species to perform on par with human children — if it weren't for the third group in the comparison. The parrot also performed equally or better than a group of 18-30-year-old undergraduate students in 12/14 trials.
The Fandom is certainly not the first documentary to be done by furries about our own fandom. Over the past decade a handful have been made. Sometimes they focus on a particular incident surrounding an individual such as Rukus. Or perhaps they talk about the group in a way that may be more useful for political discussion within the community rather than introducing us and where we came from such as Fursonas.
I can say that if you were to want to introduce someone to the concept of what the foundations of the community are and its growth in the modern era, then this would be the one you would want to show. It covers our history in the same vein that Joe Strike’s Furry Nation did in book form.
Its release comes at a very appropriate time as the world has been set on pause, so it is a great time to reflect on where we came from and where we are going. This certainly appears to be the goal of this film as it explores the growth of our communal spaces in the world from the 70s to today. You can help support their efforts by buying a copy here.
Released in November 2019, Cassel Games’ Ratropolis sets players in the role of the leader of a post-apocalyptic rat society, attempting to rebuild their once-great civilization after scientific experiments caused its collapse. But in order to grow, the new settlement must defend itself - first from mutated rats that caused the apocalypse, then as the settlement grows, from predators. The goal is to survive 30 waves of enemies using cards that provide an array of tactics, and with the leader’s special ability.
Furries of past connected mostly via the internet behind avatars and characters of varying species. In chat rooms they would engage in discussion and role play. However, many folks of color found opportunity through being through a world where interaction was through text and art alone. That if they did not discuss or indicate their race then they could see the world in a whole new way. They could finally escape their skin and put on a new one here.
However, no one can live on the internet alone. A systemically racial bias in justice systems throughout America came to a head, once again, in the death of George Floyd, a black citizen of Minneapolis. The cruelty of this death was of grueling note as video was released of Officer Chauvin knelled down on his neck for many minutes until Mr. Floyd stopped breathing.
It has been two decades since the triangle shirt wearing wallaby had aired on Nickelodeon. Things have changed a lot since then. The world had a recession, Starbucks is a thing, smartphones are now an integrated part of life, there was the 3D film craze, and social media is now a primary source of communication. All of these elements are introduced quickly in the show’s opening.
If you are a fan of the show it’ll be well worth the watch, but you can enjoy it without having watched the 90s run. I myself was not a religious watcher of the show, which may be deemed as blasphemous due to my Kangaroo fursona, but my parents did not have cable television during the Nickelodeon hay-day. That changed with the invention of satellite television, though. So change can be good.
Static Cling’s theme is very heavy handed, dealing with life and the changes that take place there-in. As someone who wasn’t a devoted watcher of the show, it is a decent attempt to cover the more modern life of the modern life we live in at this point. The main review will have spoilers and synopsis so if you want to enjoy it blind, watch before proceeding to the next sections.
If you were to Google the definition of a comedian you would see it defined by Dictionary.com as an entertainer whose act is designed to make an audience laugh. Likewise the New York Times has a comedy critic, Jason Zinoman, who defines comedy in a moment of reflecting on his own career of analyzing them.
This often dictates the form of my column, since while the goal of comedy is to make you laugh, what’s fascinating about the art form — especially these days, when it’s so fragmented and aesthetically diverse — is that there are many ways artists accomplish that goal.
However, if you were to ask one furry who considers himself one, 2 Gryphon, you’d find an entirely different etymology of the word, and what the job of a comic is.
It's the JOB of the comic to bring forth uncomfortable things and question them in a way that makes people think about them.Since that has become "wrong", expect that the Western world will not be laughing as much. https://t.co/EIExUX5W2h— 2, The Ranting Gryphon (@2_gryphon) June 9, 2019
It is this quote that we are going to be over-analysing today. I have broken this down into three main points as to why this definition of the job of a comedian is not only a fundamental misunderstanding of the role, but also a resignation of the foundational principles of comedy.
Fortnite Battle Royale (or just Fortnite) is a “battle royale” shooter that has been around since 2017, and while its getting a bit long in the tooth, it’s still hanging around and still free to play. Last year, the game finally implemented skill-based matchmaking, which means for casual and new players, it’s never been easier to get into. In many ways, it is comparable to Nintendo properties such as Super Smash Bros. or Mario Kart, taking a more traditionally “hardcore” video game genre and making it more accessible with gimmicky gameplay, goofy items, cartoony visuals and massive amounts of RNG.
Of course, the game isn’t exactly furry in and of itself, but the game makes its money selling cosmetic upgrades to player’s in game characters, and quite a few of them feature either characters in animal costumes, or, more recently, straight up anthropomorphic animals. In the time-honored tradition of clickbait listicals, here is my ranking of those skins.
Animal Crackers (trailer) is a 94-minute computer-animated children's movie. The brainchild of Scott Sava, it caught the early attention of furry fandom at least as far back as 2015. Concept animation showed a guy haphazardly munching on animal-shaped cookies that turned him into the animals. As time went on, Sava brought in financial backers, a co-director (Tony Bancroft, who'd worked on several Disney movies), and a co-writer (Dean Lorey). The finished product premiered at the Annecy Film Festival in 2017... and then vanished.
It turns out that Sava had made the mistake of not securing a distributor ahead of time. With very little bargaining power, it eventually got shown in China in 2018, and some other countries in 2019.
The Internet was seen as a major catalyst for the furry fandom finding one another during the times before we held conventions. During that earlier period in the 1990s, conventions and meets were rare, and finding one another was done mostly through the chat rooms and message boards of the past. There was no bandwidth for video or sharing major animation projects, therefore most of our intimate conversations were textual.
For many younger furries, it was a time that was lost in the annals of a distant history. Instead they found themselves joining in amongst a wave of growing conventions being held in various places around the world on any given weekend. Ones where those in custom fursuits march out in the streets openly rather than feeling a stifling isolation of being cooped up in hotel spaces, with a handful of home made creations, being wary of a hostile media looking for a freak show.
Coming out of 2019, it seemed that the time where furry was just an Internet thing was fully behind it. However a series of unfortunate events were in line for 2020, a year that has led humanity to be forced into their rooms by an irate Mother Nature as an easily spread virus has forced governments around the globe to take drastic measures to slow its spread and put strict limits on social gatherings. A situation which has forced both the furry fandom, and the internet that brought it together, back to their roots.
A furry fan drew an inflated skunk embroidered with the emblem for the Industrial Workers of the World union squishing a hamster in a top hat with the caption of “squash the boss”. Such a piece is not anything too unusual. The oddity that caught the eye of the Daily Dot was that the union itself posted the piece to their Facebook page.
Soon thereafter, the IWW's Twitter account joined in. Though, for some reason, they quietly back out later, as the original Tweet referenced in the Daily Dot article appears to be deleted. (Its text remains in the article despite this – a feature of the standard embedding code for other sites. Tweeters, be wary of this.)
But has furry reached a point where we need to squash the boss and organize? Or are unions barking up the wrong tree? The answer, like the fandom, may be complex.