Toonstruck is a 1996 third-person point-and-click adventure game, still available on modern PCs! It's a celebration of cartoon humor, and you can tell a lot of love and effort went into making it. Toony animal side-characters are everywhere.
Originally conceived of in 1993 as a children's game, a decision was made to gear it towards adults instead. Officially it's rated 'T' (Teens) for "Comic mischief, Mild animated violence" - but there is some very adult humor you won't see coming. Virgin Interactive, who made the game, spent over $8 million on it. Some of this was wasted due to changing the engine during development. Otherwise they were able to pay well for its programming, animation and dialog, with (mostly) little executive interference.
The main character of Toonstruck is a burnt-out artist named Drew Blanc, played by Christopher Lloyd, who's been stuck animating The Fluffy Fluffy Bun Bun Show for ten years. When his boss (played by Ben Stein) demands even more rabbits, so he can keep milking the franchise as Fluffy & Friends, Drew despairs - only to find himself accidentally sucked into a cartoon world. His only hope of escape relies on completing a quest to help the locals.
Fairly early on while watching this movie, I came to an epiphany: I really don't like Jerry.
Seriously, he's a jerk. I mean, it'd be one thing if he violently thrashed his onscreen partner, Tom, because, after all, Tom is a cat, and cats eat mice. It'd be self-defense. I don't hate the Road Runner when Wile E. Coyote gets squished yet again, even if do feel sorry for Wile. But Tom rarely seems to have any interest in eating Jerry. Neither is Jerry like Bugs Bunny, who doesn't go looking for trouble. In the old shorts, Jerry frequently attacks Tom first, without provocation.
Take, as an example, how Tom and Jerry meet in their latest movie, released this weekend. Tom is busking in New York City's Central Park, when Jerry rudely interrupts him. Now, Tom is not without his own flaws; he's pretending to be blind to attract more customers, which is not cool. But Jerry doesn't seem to be bothered by this; his beef with Tom is clearly that Tom is making money, and he's not. So, he tries to steal his crowd, and then, in a bout of inevitable slapstick violence, breaks Tom's keyboard, which is clearly important to Tom beyond just a means of money. I'm on Tom's side, here.
Well, anyway, Tom & Jerry is a movie about Tom and Jerry. Tom is a cat. Jerry is a mouse. They starred in a bunch of cartoon shorts together starting in 1940, meaning that 2020 was their 80th anniversary. This movie was supposed to commemorate that milestone, but, well, COVID-19. It's mostly a live-action film; only the animals are animated (it wasn't submitted for consideration in the Academy Awards' 2020 Best Animated Feature category, which it would've qualified for under the extended "awards year", which implies the filmmakers consider it live-action). Besides Tom and Jerry (who are basically mute, and charmingly credited as "Themselves"), the movie stars Chloë Grace Moretz and Michael Peña.
Mosley (trailer) is a 2019 computer-animated children's film that showed up on furry fandom's radar about six years ago as Beast of Burden. Written and directed by American animator Kirby Atkins, it was a labor of love that had been in various stages of development for over 15 years. The movie was finally brought to life thanks to a collaboration between animation studios in New Zealand and China. I enjoyed it!
The story takes place in an alternative, pre-industrialized Earth, that includes "thoriphants", an intelligent, quadrupedal, elephant-like species forced into servitude by mankind to do labor like horses and donkeys. Fully sentient and able to talk, Mosley, along with his pregnant mate Bera and his young son Rue, are the property of a disgruntled farmer. When Rue discovers a cave with drawings of bipedal, anthropomorphic thoriphants, Mosley must confront the possibility that the legendary tales of the "Uprights" might be true. Soon he'll be on a quest to find out.
Dragon Rider (trailer) is a 2020 computer-animated children's film, a German production (Drachenreiter) whose UK English dub was recently released online. Adapted from a best-selling children's book by Cornelia Funke, it's the story of a young dragon in the modern-day world, searching for a refuge where dragons can stay safe from mankind. Short version: You can skip this one.
The film was directed by Tomer Eshed (Flamingo Pride) who doesn't seem to have worked on anything this big before. The production company, Constantin Film, appears to have outsourced the animation to several studios, so it's not clear if there was a unified vision. The screenplay was adapted by... John R. Smith? Who, according to IMDB and its scoring system, is the genius behind Gnomeo & Juliet (5.9 out of 10), Sherlock Gnomes (5.2), and The Queen's Corgi (4.8).
Spirit of the North is a casual adventure game with light puzzle elements, where you play as a fox accompanied by a spirit. I played the Steam version which was released in May 2020, although it debuted on the Playstation in November 2019. It is listed on Steam as a Windows-only game, but I was able to play it on Linux using Steam Proton without any problems.
Picking up from where the 2020 documentary The Fandom left off, Ash "Coyote" Kreis' new 44-minute film, Hero: A Furry Story takes a deeper look into the fandom's disability community, particularly its less-looked-at subset with cancer and chronic illness, where people have found that fursuiting and its networks can create a source of happiness during a time of pain and illness. Hero is the film's star, a canine-identifying fan, diagnosed with cancer at age 22, who receives a new fursuit from the talent at Waggery Costumes.
As viewers are slowly introduced to all of the different people it takes to make a fursuit, Hero's story demonstrates what furry fans have already come to know: affirming that people in the fandom can be as family, loved ones, and mentors. Pulling itself away from the criticism that Kreis received after The Fandom, this new film's attention to disability, illness, and networked connections provides another interesting gateway into something that will surely be enjoyed by fans and non-fans alike.
Cartoon Saloon is an Irish animation studio, and they're absolutely world class. They first gained world attention right out of the gate, when The Secret of Kells became a nominee for Best Animated Feature in the 2009 Academy Awards. It wasn't the first time a foreign movie made it on the list, but it was a surprise for many casual Oscar watchers.
Of course, if you actually watched the movie, it was a no-brainer; it not only deserved to be nominated, it's part of the reason 2009's list of Best Animated Feature nominees is still one of the all time best for the category. Since then, every feature by Cartoon Saloon has been nominated in the category; Tomm Moore, director of The Secret of Kells and now Wolfwalkers, was further personally nominated for Song of the Sea.
Both earlier films feature furry elements, especially Song, which deals with selkies (Cartoon Saloon is also responsible for the very furry, very good Skunk Fu! series). However, with Wolfwalkers, Moore and co-director Ross Stewart have created the studio's most furry-friendly film yet. The titular Wolfwalkers could be considered a variety of werewolf; but this time, they're the good guys.
Did you know that while Flayrah provides furry news to the fandom on a volunteer basis, that anyone can submit an article to be looked over and edited? There is more information on what we look to publish on the site here.
However, one may feel it intimidating to share their works with an editor review board, or with the fandom in general, especially given how free range the comment section can get. Or perhaps you don’t have anything you feel you can contribute on a regular basis to assist your fandom.
There may be one solution to this age old problem of not knowing what kind of content to provide, and that is in the transcribing of furry non-fiction videos on YouTube for readers to consume here on Flayrah. I have started doing this for the monthly show “Digging Up Positivity”, which you can see here as an example.
Kao the Kangaroo 2 is a classic platformer, that wasn’t really a part of my childhood, that came out in 2003. It has now been reformatted for the PC and is available on Steam for two dollars. While I hadn’t heard of the character myself, it apparently has enough of a following where it is getting a new game which is slated to come out in 2021. A trailer for which you can see below. Since they didn't put a '3' at the end of the title, I wonder if it's a remaster or a reboot?
But perhaps the best way to determine if on would want to pick up this new game is to go back and look at it's predecessor. Is Kao 2 worth even the partly entry price? Let’s give it a look.
The story is quite simple. There is a hunter that has kidnapped some of Kao's animal pals and now the kangaroo has to kick some poacher rear to free them. There is one problem though, and that is the Hunter has a goon blocking the route who wants 3,000 coins to grant entry. So now Kao will travel though forests, tundra, and seas to collect the cash needed to bribe his way in. I guess beating them up is out of the question in this case... for some reason.
In this third season of Aggretsuko, we move further away from the focus of the stress of work-life in and of itself and instead cover the fulfilment of one’s dreams through the side gigs adults do to try and find money in their passions. This season, the characters come to find that these new avenues may come with stresses of their own; work is still work.
Given this the office itself plays even less of a role than the prior seasons. Without going into too many details in this summary, the conclusion of this season is one that will probably strike an intense chord with furry fans given the passion that we have for our fandom “side gig”.
If you enjoyed the prior seasons then you’ll find enjoyment in this season. Spoilers ahead, so watch before continuing should you wish to go in blind.
A new furry social media site has come forth called FurryLife Online. It seems it’s an annual occurrence these days when a new furry site comes forth with dreams of taking the title of the main furry hub.
FLO is trying to be as broad as its predecessors; and with art galleries, written works, music, clubs, and streaming, there appears to be a lot to offer. But given how many of these sites exist now, can this new one stand out? If so, how? We’ll review the site’s layout and its strengths and weaknesses for each of the main classes of art they support.
This review was published September 2 and is written about the site at this time. Site features are malleable, so may have changed after publication.
The game has single player & couch co-op modes; Steam's version also includes co-op remote play.
Its story is fairly simple. Two foxy parents (Rikki & Vikki) get an unexpected visit from the Misery Dragon (demon lord of inconvenience), who steals their kids, forcing them to go through 100 different levels down to the center of the earth to rescue them. What ensues from then onward is an arcade-style gameplay that looks similar to Bubble Bobble (1986), but plays more like Mario vs. Donkey Kong (2004). In some instances, the puzzle-solving is combined with quick action, with a challenging difficulty level very much in line with Cuphead (2017) and older-style arcade games.
A Furry created hashtag trend, #SocialistTeeth, ended up as the top trending tag in the United States after Conservative Bots picked it up to launch criticism at the concept of Socalist policies in general. A Twitter thread by Dream Hyena shows some examples of some of these bot blunders.