Rights to Brian Jacques' Redwall series of novels have been purchased for adaptation by Netflix; there are plans to create a feature movie from the first, Redwall, as well as an "event series" based on the character of Martin the Warrior. The movie is being written by Patrick McHale.
The series spans 22 books (with a few picture books thrown in for the Dibbuns); if the first movie and/or series works out, Netflix has plenty of material to use. Redwall is popular among furry fans, as its entire world is filled with dressed, talking animals. The stories usually center around the titular Redwall Abbey and the adventures of its (mostly) rodent inhabitants, though the world is not limited to this one setting.
In this third season of Aggretsuko, we move further away from the focus of the stress of work-life in and of itself and instead cover the fulfilment of one’s dreams through the side gigs adults do to try and find money in their passions. This season, the characters come to find that these new avenues may come with stresses of their own; work is still work.
Given this the office itself plays even less of a role than the prior seasons. Without going into too many details in this summary, the conclusion of this season is one that will probably strike an intense chord with furry fans given the passion that we have for our fandom “side gig”.
If you enjoyed the prior seasons then you’ll find enjoyment in this season. Spoilers ahead, so watch before continuing should you wish to go in blind.
It has been two decades since the triangle shirt wearing wallaby had aired on Nickelodeon. Things have changed a lot since then. The world had a recession, Starbucks is a thing, smartphones are now an integrated part of life, there was the 3D film craze, and social media is now a primary source of communication. All of these elements are introduced quickly in the show’s opening.
If you are a fan of the show it’ll be well worth the watch, but you can enjoy it without having watched the 90s run. I myself was not a religious watcher of the show, which may be deemed as blasphemous due to my Kangaroo fursona, but my parents did not have cable television during the Nickelodeon hay-day. That changed with the invention of satellite television, though. So change can be good.
Static Cling’s theme is very heavy handed, dealing with life and the changes that take place there-in. As someone who wasn’t a devoted watcher of the show, it is a decent attempt to cover the more modern life of the modern life we live in at this point. The main review will have spoilers and synopsis so if you want to enjoy it blind, watch before proceeding to the next sections.
And now a rather different take on Dreamworks’ How To Train Your Dragon universe, this time in a new Netflix TV series for young viewers. Animation World Network gave us the scoop: “DreamWorks Animation has just unveiled the high-flying trailer and cast of its new animated preschool series, Dragons Rescue Riders. This all-new chapter in the Oscar-nominated How to Train Your Dragon franchise follows the adventures of twins, Dak and Leyla, raised by dragons, who share a unique ability to communicate with them. The brother and sister lead a team of five young dragons, Aggro, Winger, Summer, Cutter, and Burple, with whom they spend their days rescuing other dragons and helping people in their adopted town of Huttsgalor. All 14 episodes of the new series debut September 27 exclusively on Netflix.” Check out the preview trailer as well.