These are the first two volumes of T.R. Brown’s Reflections series. Amazon.com has a special subcategory for them: Genetic Engineering Science Fiction. They should be required reading for every furry author who plans to write human-into-anthropomorphized-animal fiction. They are also good reading for everyone else.
The two are narrated by the protagonist, Todd Hershel. The setting is an unspecified future, but there are automatic/robot cars, artificial islands (“Libertarian Colonies”) for dissidents, personal computers that unfold from pocket-size, artificially-grown organ harvesting, references to a second American Civil War in the recent past and “the Vatican in exile” and bioengineered animal people grown for soldiers in wars. For legal reasons, these humanoid “neos” are required to look like the animals they are based upon.
I was driving back from a meeting with a supplier and there was a semi pulling a load of scrap metal slightly ahead of me in the next lane. My car alerted me to be ready to take over manual control, pulling me away from the e-mails I had been working on. I saw the reason immediately. An accident a couple of miles ahead. An ambulance and other emergency personnel were already on site. That probably saved my life. […] the semi next to me had a blowout in the front wheel. […] Autopilots are good, but they can’t handle an emergency like that and, before the operator could take over, the semi jerked into my lane […] (p. 1)
Todd wakes up in a hospital two months later. His body was completely crushed by the scrap metal. Since this was an unplanned medical emergency, no substitute body has been prepped for him. The only suitable usable body that can be found on emergency notice is a brain-dead felis neo – a female, at that. Todd’s wife Colleen is not happy about that, but she agrees that the important thing is to save his life. They can worry later about getting a new human body, or at least a sex-change operation back to male and cosmetic surgery to make him look more human, later.
The first 50-odd pages are filled with the details of Todd’s exploring his new body, bioengineered from a panther to be a brawny feline soldier.
“We considered just putting your head on the new body,” Walt [a doctor] continued, “but, in addition to the aesthetic problem of a human head on a felis body, there would also have been tissue rejection to deal with.” (p. 9)
The Face in the Mirror; A Transhuman Identity Crisis, by T. R. Brown, Seattle, WA, CreateSpace, August 2012, trade paperback $17.40 (501 pages), Kindle $2.99.
Chained Reflections, by T. R. Brown, Seattle, WA, CreateSpace, August 2013, trade paperback $19.99 (558 pages), Kindle $2.99.
This is a mature content book. Please ensure that you are of legal age to purchase this material in your state or region. (publisher's advisory)
Synopsis: Carson really likes meeting guys over Knotz, his favorite smartphone app. He has little patience for conversation and even less for the idea of a relationship. However, after a hot bear quite literally knocks him off his feet, it seems there might be more to life than his job and searching for one night stands. (publisher’s blurb)
Carson, as the cover by Soro shows, is a young male red fox (usually more dressed in public) who works in a bookstore in St. Marx. He meets Peter Belov, a handsome and ridiculously rich Russian black bear, when the latter’s expensive car knocks over his bicycle in a minor traffic accident. Carson’s cell phone, ruined in the crash, is frozen on Knotz, a gay erotic site, so there is no doubt as to his sexual orientation. Peter offers to drive him home, and since Carson’s preference is obvious, Peter proposes a gay date.
All Tied Up in Knotz is well-written, but it is 100% for the gay male eroticism market. St. Marx appears to be a city inhabited entirely by handsome gay male anthros looking for friendly sex with no long-term attachments. Females and even families with children appear later, but the reader sees things from Carson’s point of view, and he notices little but the roving gay males.
Dallas, TX, FurPlanet Productions, July 2013, trade paperback $9.95 (105 pages).
This is the fourth volume in Sofawolf Press’ Artistic Visions series of art-sketch format albums, each showcasing one of the best artists in furry fandom. Each is a professional artist, but is especially well-known in furry fandom for convention conbook covers, badge art and other commissioned art, and trades with other Furry artists; many of which are posted on DeviantART, Fur Affinity and other art websites.
The art in these albums emphasize anthropomorphized-animal cartoons and similar humorous work, rather than realistic animal depictions. Other Artistic Visions albums have showcased the work of Hibbary (Hillary Leutkemeyer), Brian and Tracy Reynolds, Kenket (Tess Garman) and Ursula Vernon. These are all American artists.
The Art of Henrieke is the first to feature a European artist. Henrieke Goorhuis, a Dutch artist born in 1990, has become very popular in just the last five years for European Furry convention art and T-shirts, commissioned art featuring fans’ personal icons and for commissioned art for European zoos. Her most popular character is her own cartoon icon, Kiki the ring-tailed lemur.
Good artbooks speak for themselves. Almost every page of The Art of Henrieke: Sketches, Works in Progress, and Commentary by the Artist is crammed with sketches and finished line art.
St. Paul, MN, Sofawolf Press, January 2014, trade paperback $14.95 (75 [+ 1] pages).
The bad news: The Mystic Sands by Alflor Aalto is a funny animal novel. The characters, all anthropomorphized animals, are interchangeable surrogate humans. There is no reason for any of them to be raccoons, rabbits, foxes, weasels, squirrels, or anything other than humans. They are all human-sized, wear regular human clothes (imagine a human-sized squirrel wearing Victorian clothes), eat human diets, etc. They do occasionally refer to their animal natures:
And don’t you worry your fluffy ringed tails, my friends. (p. 36)
The good news: The Mystic Sands by Alflor Aalto is a ripping good page-turner, a guaranteed attention-holding light thriller of the 1930s Weird Tales sort with anthropomorphized animals that will have you wanting to finish it in one session. Go buy it!
Spanish writer Juan Díaz Canales and artist Juanjo Guarnido met while working at an animation studio in Madrid in the early 1990s. After both moved to Paris, they met again and agreed to collaborate for the French comics market on this anthropomorphic crime noir/hardboiled detective series set in America in the 1950s, featuring feline private investigator John Blacksad.
The first album, Somewhere Among the Shadows was published by Dargaud in November 2000. The multiple prize-winning comics series has been published in 23 languages. So far there have been five 56-page cartoon-art novels, set in Hollywood, Chicago, amidst the Red paranoia/nuclear bomb-shelter craze, New Orleans and now the Midwest.
Paris, Dargaud, November 2013, hardcover €13.99 (56 pages), Kindle €9.99.
Here is the 1’32” trailer for the Swedish 79-minute Resan Till Fjäderkungens Rike, or Beyond Beyond, directed by Esben Toft Jacobsen, released March 21 in Sweden, and expected to screen at international animation festivals throughout the year.
Judging by the publicity so far, this is a strong contender to become the Ernest et Célestine of 2014. It’s got seagoing and circus-performing rabbits, and a giant furry bird, and a frog sea-captain, and… trolls? And what are those little blue things? Anyway, it looks like a feature that furry fans will love.
Pillgrim: Okay, I think we are ready to go. First of all, I would like to thank you for your decision to give an interview for our magazine - it is very awesome! So, I've met lots of singing dogs and can say I like howling myself, because I am a wolf you know, but what makes you NIIC, the singing dog? Please, tell us your story - when, how and what for you've discovered furry fandom and a dog in you.
NIIC: Well, I discovered the fandom back in February 2013. It began as a research project of sorts - I had recently graduated from The University of the Arts and loved working on unconventional music projects for different audiences (before NIIC, I was working on a puppet music episode series for college kids working at Starbucks, with a similar crude but charming vibe to BBC's Mongrels). I was given advice by a music professor of mine to get my feet wet in one of the East Coast's underground music scenes, specifically the emerging Nerdcore scene. But after getting a bit sidetracked and with an accidental click on the internet, I stumbled upon the world of furry animal avatars! But I suppose it was only an accidental click if we don't believe Fate played a part in all this.
I had written a couple of short fantasy musicals while I was in college, so I was already getting a thrill out of constructing larger-than-life characters. But a whole subculture where its members re-invented themselves through humanoid animal characters? I was instantly intrigued by what new world I had stepped into!
Fred Patten will have a new anthology, Anthropomorphic Aliens, on sale at Anthrocon 2014. The 301-page book, published by FurPlanet Productions, presents eleven short stories and novellas featuring “furry” aliens from 1950 to 2013:
- “Mask of the Ferret” by Ken Pick & C. Alan Loewen
- “The Inspector’s Teeth” by L. Sprague de Camp
- “Specialist” by Robert Sheckley
- “In Hoka Signo Vinces” by Poul Anderson & Gordon R. Dickson
- “Point of Focus” by Robert Silverberg
- “Novice” by James H. Schmitz
- “What Really Matters” by Elizabeth McCoy
- “Kings and Vagabonds” by Cairyn
- “The King’s Dogs” by Phyllis Gotlieb
- “A Touch of Blue: A Web Shifters Story” by Julie Czerneda
- “Fly the Friendly Skies” by Bryan Feir
East coast artist David DePasquale is a visual development and character designer, with a notable talent for designing animal-based characters. His latest project is an alphabet flash-card series of prints with different animals from different countries all over the globe. His blogspot web site has many of his most current sketches, and his 2014 portfolio was recently uploaded as well.
The front cover blurb reads: An Erotic Historical Tale. It is rated NC-17. Isaac Ellison, a part-albino cheetah (with unusually pale fur and a beefy physique like a Marine), and his inventor buddy, Raziel, a humanoid reptile (“He looked quite draconic, but slender as opposed to the more bulky builds of lore. Small spines dotted his scalp where eyebrows would be, and two long, black horns swept back almost uniformly with his fire colored mane that consisted of fur and light feathering, before the mane started springing out wildly in any direction it damn well pleased.” –p. 7), go back in time to an anthropomorphic Ancient Egypt. The Egyptians mistake them for warrior and fertility gods, and a tremendous amount of enthusiastic sex is had by all. In fact, until the ending, The Jackal Queen hardly offers anything but. Isaac and Raziel worry about changing history, but not much.
This is a mature content book. Please ensure that you are of legal age to purchase this material in your state or region. (publisher's rating)
We’ll let the creators of Beast’s Fury speak for themselves:
Beast’s Fury will be a 2D, arcade-style fighting game featuring anthropomorphic characters. It is currently being developed by a small, passionate team of individuals who are both gaming enthusiasts and professional programmers. The game will not only involve action, but also features engaging story lines, intriguing characters, exotic arenas, and a killer soundtrack! Inspired by famous 2D fighters such as the Street Fighter series and Skull Girls. If you have any burning questions about the project, drop us a line on our Facebook page!
They also have a current Kickstarter campaign, seeking out funding to help them hire more animators, which in turn will help them get their game demo up and running and out in the wider world much quicker.
The first 26 pages of this novella and the next ten or so establish the slice-of-life daily routines of the cast of buddies: Ted the hyena, his foster brother Reggie (who prefers to be called Venti) the nine-foot-tall black jackal, Regis the zebra and his teen brother Lee, Kevin the tiger, and Art the lion. Most of them are gay, but that’s only incidental in this novella; it isn’t erotically heavy. The zombie plague doesn’t get serious until around page 40.
The main characters are Regis and Lee the zebras, Ted the hyena, and new characters that are introduced on the way. Some of the buddies make it. Some succumb to the zombie plague, or are eaten by the zombies. Some go to rescue their friends, without knowing if they are already too late.
So I managed to watch this ancient movie and see if it was any good for others out there. I didn't see many anthropomorphic movements; I missed most of the first movie, but I've seen footage and snaps of them standing up like humans and acting like them. I was disappointed that they didn't use that much in the sequel; I suspect the directors avoided it. Unfortunately, Alpha and Omega 2 is short; the whole thing was about 40 minutes long, without counting the credits. It wasn't very surprising; I'd heard people complaining. While I hope the third one will be longer [one whole minute longer], let's start by talking about the graphics.
This is my first review on Flayrah; also, don't expect my English to be that great, I lack certain words I need I think, and it's a bit of my style, especially if I had to extract nearly everything.
Also, spoiler alert! If you don't want to get spoiled, watch it first or skip them somehow.
Brian Lee Cook’s Allasso Furry book series/magazine was started in 2011, announcing two volumes per year. (He and I had argued over whether this meant semi-yearly or bi-yearly. He says bi-yearly and I say semi-yearly.) Vol. 1 was published in November 2011 as a 116-page trade paperback with 14 stories and poems [review], and vol. 2 in May 2012 as a 134-page trade paperback with 11 stories and poems [review]. Frequent contributors include Mary E. Lowd, Renee Carter Hall, and Tristan Black Wolf.
Vol. 3 was promised for December 2012, but never appeared, and e-mails to Cook were not answered. It was assumed that this was another “little magazine” that had ceased publication almost as soon as it had started. But vol. 3 has finally appeared without fanfare, dated by Amazon.com as May 13, 2014, in a 140-page trade paperback edition for $8.00 (Amazon.com’s discounted price is $7.20) with 12 stories and poems, all Furry.
Furry artist FilthyRotten Jackalope (Tangela Parten, née Harris) has been reported dead following complications from emergency surgery at the age of 35.
A long-time resident of Atlanta, Georgia, and a long-time participant in the local furry community, FilthyRotten served as Volunteer Coordinator at Furry Weekend Atlanta from 2008 to 2013. She moved in June 2013 to Vancouver, Washington, with her husband DarkPatu (Paul Parten) and their three children.
On April 1, 2014, FilthyRotten posted pictures to her Twitter account from her stay at the Peace Health Services Hospital for a blood transfusion (due to a history of chronic internal bleeding), but by April 4, she posted that she would be heading to emergency surgery the next day. According to DarkPatu, "Complications after an emergency hysterectomy led to an infection in her brain and cranial bleeding."