It’s over! This is Book 6 and the conclusion of Jobling’s Wereworld series, which began with Wereworld: Rise of the Wolf, and continued through Rage of Lions, Shadow of the Hawk, Nest of Serpents, and Storm of Sharks.
The Wereworld Young Adult series is set on the island-continent of Lyssia on a fantasy world, in which each of the kingdoms and their dutchies, counties, and baronies are ruled by a Werelord who can transform into an animal, including birds and fish. School Library Journal has called the series “Game of Thrones for the tween set”.
It could also be called the Lyssian civil war saga. The island-continent of Lyssia is divided into seven kingdoms (see Jobling’s map), often called the Seven Realms, dominated by Westland which was ruled by the wolflords.
A generation before the series began, King Wergar of Westland was murdered and the dynasty of the wolves was overthrown by the lionlords, whose leader, Lionel, became the new King of Westland and began exterminating the wolflords. The other six realms of Lyssia, each ruled by a different werelord dynasty – bears, boars, and others – grumbled but accepted the new order.
Anomaly Productions have released a new full-color hardcover graphic novel called Shifter. It’s the first in a planned new series. “What if you could soar with the birds – not in a man-made contraption or by using virtual reality, but as an actual bird? What if you could literally be a fly on the wall in a top-secret meeting? What if you could become any animal in the world or, better yet, anybody in the world? What if you could become any creature that has ever existed (and some you never believed could exist)? Find out the answers to these questions and more in Shifter, the latest full-color graphic novel from Anomaly Productions. Shifter is a sci-fi murder mystery with a unique perspective, a pulse-pounding thriller that explores the depths of humanity’s evil and the tremendous powers of the animal kingdom.” You can find out more, and see more sample pages, at Anomaly’s Shifter page. Written and illustrated by Brian Haberlin (assisted by Brian Holguin), like many Anomaly Productions products Shifter features an available app to download. Aim your smart phone at the page, and animated characters leap out of the book and dance before you.
These are Books 4 and 5 in Jobling’s Wereworld saga. Book 1, Rise of the Wolf, was reviewed here in May 2012, and Books 2 and 3, Rage of Lions and Shadow of the Hawk, were reviewed in January 2013. The final volume, War of the Werelords, will be published on October 8.
The Wereworld Young Adult series is set on the island-continent of Lyssia on a fantasy world, in which each of the kingdoms is ruled by a therian Werelord who can transform into an animal, including birds and fish. School Library Journal has called the series “Game of Thrones for the tween set”. In Wereworld: Rise of the Wolf, teen farmboy Drew Ferran learns that he is adopted and is really the werewolf son of the murdered Wolf King Wergar of Westland, Lyssia’s most powerful nation, which has been usurped by Lion King Leopold who has replaced the old wolf aristocracy with his own lion nobility.
In Rage of Lions and Shadow of the Hawk, the animal nations of Lyssia fall into civil war over whether to acknowledge Drew’s claim to the Westland throne, or whether they should acknowledge any ruling nation rather than declaring their independence; while the supporters of the Lions try to reconquer the whole island-continent. Drew gains allies, but he is betrayed several times, and loses his left hand.
How complex the series has become is shown by Nest of Serpents beginning with a Cast of Characters that takes four pages. Wolflords, Lionlords, Catlords, Staglords, Hawklords, Ratlords, Crowlords, Jackallords, Bearlords, Foxlords, Horselords – you name the animal, and there is probably a werelord for it. (I don’t think there are any Skunklords or Raccoonlords – but those are North American animals, and these are American editions of British books.) And lots of human commoners.
“Wereworld: Nest of Serpents”, Jan. 2013, hardcover $16.99 ([xiv] + 494 +  pgs.), Kindle $9.78.
“Wereworld: Storm of Sharks”, May 2013, hardcover $16.99 ([xvi] + 454 +  pgs.), Kindle $9.78.
Both by Curtis Jobling, published by The Penguin Group/Viking, with a map by the author.
Victoria Gannon is a self-taught artist who creates works under the name of Leptailurus. For a long time she has toyed with the idea of creating her very own Tarot deck, and now she has begun work on that very project. Savage Divination is its name, and it’s “a full 78-card tarot deck inspired by myth, lore, and legend focusing on the profound spiritual connection between man and beast”. For a little more than one week from now, Leptailurus is running a Kickstarter campaign to finance the creation of the final product, including the rendering of the art and the printing of the cards — with lots of perks for contributors, including original sketches and prints of the various cards themselves. There’s a video at the Kickstarter page explaining it all, and showing many more examples in completed and work-in-progress form.
Housepets! Are Gonna Sniff Everybody is the fourth annual collection of Rick Griffin’s award-winning (Ursa Major Awards, Best Anthropomorphic Comic Strip, 2009 to 2012) Internet full-color comic strip, following Housepets! Are Naked All the Time, Housepets! Hope They Don’t Get Eaten, and Housepets! Can Be Real Ladykillers. Book 4 collects the strips from June 6, 2011 to June 4, 2012. These are the story-arcs #43, “The Great Water Balloon War” to #55, “The Trial in Heaven”, plus all the one-off gag strips between those.
Book 4 is back to lacking a real title page. Boo, hiss!
Two popular and well-known anthropomorphic art calendars are completed again, and taking orders for 2014. The Rare Calendar is dedicated to anthropomorphic species that are less usually drawn. This year, the theme is “festivities”, which each of 13 artists drawing anthro characters celebrating various holidays from around the globe. Artists like: Ashalind, Bloodhound Omega, Heather Bruton, Centradragon, Alector Fencer, Firefeathers, Golden Druid, Katmomma, Nimrais, Donna Quinn, Rhyu, ShinigamiGirl, and Windfalcon. The Rare Calendar web site has more details and order information. Meanwhile the Werewolf Calendar (which speaks for itself!) includes lycanthropic art from the likes of Maria Anisimova, Balaa, Blotch, Dark Natasha, Sarah Finnigan, Goldenwolf, Katie Hofgard, Kyndir, Nambroth, Nimrais, Synnabar, Tachit, and Vantid. Check out their web site to order a copy, or to order last year’s calendar if you missed it.
Zootopia (working title). A Disney animated movie about talking animals. How original!
Amid Amidi reports on his Cartoon Brew website about Disney’s plans to produce a 2016 animated feature about a fox and rabbit “odd couple” in a world of talking animals. Let’s hope this gets farther than Silly Hillbillies on Mars. (Hey, Disney, whatever happened to that?)
Disney still has to go some in the odd couple teamups to beat Roger Rabbit & Eddie Valliant. Ah, but "The twist is that the entire film is set in a world in which humans never existed (a la Pixar’s Cars) and animals have built everything." How original! Hmmm -- Robin Hood? The Lion King?
This could be interesting, depending on whether Disney does anything with the predator-prey situation as in Bill Holbrook’s Kevin & Kell setting. It’s too early to tell.
Endtown has been a black-&-white Monday-Friday webcomic since January 18, 2009. Its popularity has grown fast, and it was shortlisted for the 2011 Ursa Major Award in the Best Anthropomorphic Graphic Story category. A rave review by Bill Sherman in the Seattle Post-Intelligencer (June 24, 2011) [originally on Blogcritics] began:
A snappy blend of Boy and His Dog sci-fi plus funny animal comics, Aaron Neathery's Endtown is one of the underseen gems in web comics. Originally debuting on the Modern Tales site - and more recently migrated to GoComics - the weekday series charts the travails of the beleaguered underground survivors of a mutant spawning radiation plague.
Endtown is set six years after a cataclysmic war has destroyed almost all life on Earth, leaving only a lifeless, desertlike surface and a few subterranean towns. The survivors are divided between the airtight-suited Topsiders, ruthless 100% human purists who kill other survivors on sight because they may be mutants, and the mutants and “impure” humans who try to survive in the underground enclaves. The “mutagenic plague” transformed its human victims into horrific monsters or, what makes this strip of Furry interest, anthropomorphic animals.
“Endtown 4”, by Aaron Neathery. [Introduction by Steve Gallacci.] Bellevue, WA, Jarlidium Press, July 2013, trade paperback $15.00 (131 [+3] pages).
C. Edwards reports on the Cartoon Brew website that Amazon Studios, which produces childrens’ animation for streaming on Amazon Prime Instant Video and the U.K.’s LOVEFiLM, has greenlit pilots for four new animated series to begin in fall 2013. Two of the four contain anthropomorphic characters, and a third has monsters and mutants, probably anthro.
Still working our way through San Diego Comic Con discoveries, but now we have this BIG news from Disney’s D23 Expo to talk about. During the opening day presentation on upcoming animated movies (including Disney’s Frozen and Pixar’s The Good Dinosaur), Disney made an announcement about a new animated film called Zootopia, which is scheduled for release in 2016. Check out this summary from Slash Film: “Tangled director Byron Howard will direct the film from a script by Jared Bush. They’ve been working for the last year and a half on the project, spurred in in part by a love of the Disney Robin Hood feature. Howard wanted to do a film with animals in clothing. They hope to continue ‘Disney’s amazing legacy of animal-based animated films’… We’ve seen movies featuring animals in the natural world, and in the human world, but we’ve never seen animals in a modern world designed by animals. What would animals do differently than humans would? So the filmmakers talked to experts, from anthropologists to safari guides to imagineers as they began to design an animal civilization which is ‘distinctly animal’.” Are you excited yet? We are! Here’s the plot: “In the animal city of Zootopia, a fast-talking fox who’s trying to make it big goes on the run when he’s framed for a crime he didn’t commit.
The Darkness, a.k.a. “Arraborough, Book 2”, has a two-page “The Story So Far” synopsis of Book 1, The Unimaginable Road, but it seems more confusing than enlightening. Basically, The Darkness jumps right into the story in progress. If you have not read The Unimaginable Road, you should start there. If you have, even when Book 1 was first published over a year ago, the events will swiftly come back to you.
The Darkness is a darker story, no joke intended. In Book 1, the community of Arraborough is created with high hopes for its success. Unknown forces are clearly working against it, but there is a feeling that if the animal community will continue to trust each other and work together, they will prevail against the shadowy obstacles. In Book 2, that unity is broken. Deaths occur, some possibly natural but ominous, and others definitely murder. The Arraboroughans now wonder who is the murderer in their midst; which of their close friends is secretly working to sabotage their community. And the agencies opposed to Arraborough seem stronger.
Tust and Kelly are in earnest discussion with Slither. Fespin, Hillany, and Inkwell are playing with Taj as Arlafette looks on proudly. Albin is sharing some opinion with Mander. Breth and Barelle are setting out plates and cutlery. From the kitchen, Hylan is bringing out a large garden salad. Dhenzi and Brady are whispering to themselves, glancing covertly at Spiny, who sits off by himself. Slick’s face hardens as he realizes that one of these people is a traitor and a murderer. (p. 37)
Some people have weird hobbies. Video editor Trevor Carmick’s is animating beer labels. The Cartoon Brew’s Chappell Ellison has an article on Carmick and his animated beer labels, including a link to them. Since the labels include anthropomorphic animals, real animals, and fantasy monsters, I am including it here.
Besides, I suspect that most Flayrah readers like beer, whether it is anthropomorphic or not.
Chappell Ellison reports for the Cartoon Brew on a regional Canadian airline's use of a jetsetting raccoon businessman mascot, Mr. Porter.
More importantly, Ellison documents how this goes against the trend of airlines like American Airlines and Qantas replacing their familiar animal mascots with impersonal, stylized mascots, and why this is a big mistake in his opinion. An animated TV commercial featuring Mr. Porter is included.
Members of the Anthropomorphic Research Project have launched a new online survey about fursonas, to answer "questions furries (and psychologists alike) have been asking", covering the relationship between:
[…] furries and their fursonas, including the perceived functions of fursonas, the ways they manifest themselves for different furries, and the extent to which furries see their fursonas as being similar or different from their own personality.
Participants, who must be 18 or over, have the option to enter a draw for a $50 Amazon gift certifiate in return for the 20-30 minute survey. The group is also running reaction time tests at Anthrocon 2013 in the Westin on Friday and Saturday, focused on how furs see:
[…] the complex relationship between human beings and animals on this planet.
The team is still signing participants up for their existing longitudinal survey.
My brother (an artist himself) texted me a while back: “Hey! I think the fandom should have a dose of fine art maybe? Check out Beth Cavener Stichter. Art reviews may not be your thing, but art exposure could be fun.”
He’s right; art reviews are not (usually) my thing, but art exposure can be fun. Especially when the art in question features anthropomorphism of this quality. As my brother’s follow up text put it, “And she is just that @#$%ing good.”
According to quotes from Stichter’s Wikipedia article (I told you I was bad at art reviews), her sculptures:
… are simply feral animals suspended in a moment of tension. Beneath the surface, they embody the consequences of human fear, apathy, aggression, and misunderstanding.
Basically, she is using the term “feral” in exactly the same way furries use it, though completely incidentally. Probably. However, her sculptures are made in such a way that we can’t help but anthropomorphize them – just like “feral” characters drawn by furries.