These are books 2 and 3 of M.C.A. Hogarth’s Her Instruments space opera trilogy. Earthrise, book 1, was reviewed in Flayrah in June 2013.
The fact that Maggie Hogarth commissioned professional s-f cover artist Julie Dillon to paint the covers of this trilogy instead of doing their covers herself, as she usually does for her books, shows that Hogarth considers them especially good (or at least especially salable). And you know how good her fiction usually is.
Rose Point, by M. C. A. Hogarth, Tampa, FL, Studio MCAH, October 2013, trade paperback $16.99 (349 [+1] pages), Kindle $5.99.
Laisrathera, by M. C. A. Hogarth, Tampa, FL, Studio MCAH, May 2014, trade paperback $16.99 (402 pages), Kindle $5.99.
Roz Gibson's Kickstarter campaign for the novel Griffin Ranger reached its goal of $6000, and its stretch goal of $6500, meaning the book will now have five to six interior illustrations by artist Katie Hofgard. Seventy-five backers combined for a total of $6,525, including 10 backers who donated over $100.
Ever since I was little, I loved reading books with animal protagonists. There’s a decent range of books like that written for a juvenile audience, but not a whole lot for people who’ve reached drinking age. Even if I found one, most of the time it was meant to be a statement on the human condition, or a silly parody. Poor griffins fared even worse in fantasy books. They were either portrayed as dangerous monsters, flying war horses, or ‘noble companions’ to the human protagonists (basically—glorified houseboys with feathers.) I wanted to write something different, something that could be enjoyed by an adult audience, with an older protagonist, living in a world that was advanced beyond medieval level, where the nonhuman characters were not reduced to supporting roles.(Kickstarter page)
The book is planned to be released in January of next year, depending on editing and when the editing and art for the cover can be finished. The book is already written, and a part two is also planned.
Mousenet and Mousemobile are recommended for readers 8 to 12, grades 3 to 7. They are clearly juvenile fiction, but are well-written and imaginative enough that “all ages” might be a better recommendation. Megan Miller, the protagonist, who was 10 years old in Mousenet, is 11 years old here. The series is not just spinning its wheels; this is a true sequel.
In Mousenet, Megan and three others – her slightly older step-cousin Joey Fisher and two adults, Megan’s inventor uncle Fred Barnes who made the mouse-sized Thumbtop miniature computer, and Joey’s father Jake who invented the solar blobs that are its power supply – become the only humans who learn that all mice are intelligent, and want the Thumbtop for all mice around the world so they can communicate instantly via a Mouse Internet. They obviously need more than a single miniature computer curiosity if this is to happen, so Mousenet is about the two children and the mice – particularly Trey, the Talking Mouse, and the officious but smart head of the Mouse Nation, the Chief Executive Mouse (a.k.a. Topmouse, known as the Big Cheese behind his back) – persuading Fred and Jake to mass-produce the Thumbtop. The mice come up with the fiction that enables the two adults to get away with this, by creating a “cute” small company, Planet Mouse, to purportedly make miniature computers as novelty keychain fobs, in Megan’s and Uncle Fred’s home city of Cleveland, Ohio.
Illustrated by Stephanie Yue, NYC, Disney•Hyperion Books, October 2013, hardcover $16.99 (282 pages), paperback $7.99, Kindle $9.99.
Dean Koontz first came to the public’s attention in the early 1970s. He was originally considered a science-fiction author (his 1975 far-future Nightmare Journey contains talking evolved descendents of animals), but he soon established a reputation as one of the leading authors of horror/suspense fiction with s-f, fantasy, or supernatural elements.
Watchers, his most popular novel, straddles the border between science-fiction and “realistic” suspense fiction involving genetic engineering. In a detailed analysis in Critical Companions to Popular Contemporary Writers (1996), Joan G. Kotker argues that it is a successful combination of science-fiction, suspense, a technothriller, a love story, a police procedural, gangster fiction and:
… overriding all of this, an inspiring dog story whose suspense is based on a series of threats to a very special dog.
NYC, G. P. Putnam’s Sons, February 1987, hardcover $17.95 (352 pages).
"Every now and again I sit back and wonder what it would be like if other animals could really fight back against the egregious violence to which we subject them in a wide variety of venues ranging from research laboratories and classrooms to zoos, circuses, rodeos, factory farms, and in their own homes in ours and in the wild. This thought experiment takes life in The Awareness and reflects their points of view, and it's clear they do not like what routinely and thoughtlessly happens to themselves, their families and their friends. By changing the playing field Gene Stone and Jon Doyle force us to reflect how we wantonly and selfishly abuse other animals and the price we would pay if they could truly fight back. This challenging book also asks us to reflect on the well-supported fact that we need other animals as much as they need us. It should help us rewild our hearts, expand our compassion footprint, and stop the reprehensible treatment that we mindlessly dole out." - Marc Bekoff, Professor Emeritus of Ecology and Evolutionary Biology, University of Colorado (quoted blurb)
Suspense/terror/horror stories in which all animals, or all of certain species, turn against mankind go back at least to Arthur Machen’s unreadable “The Terror” (1917). Probably the best-known is Daphne du Maurier’s “The Birds” (1952). I recently reviewed Steven Hammond's Rise of the Penguins (2012). In movies, the terror-animals have ranged from rats to all of the giant mutations like Them and Night of the Lepus.
How successful any of these are usually depends on two factors. The skill of the author (or the director) in building a mood of terror, and the plausibility of the reason given for the animals to turn against humanity. In The Awareness, both of these fail.
NYC, The Stone Press, March 2014, paperback $14.95 (ix + 221 [+3] pages), Kindle free.
The man stared through the trees, not listening.
"There – thought for a moment it had vanished."
An old wooden beehive stood camouflaged against the trees. The woman drew back.
"I won’t come any closer," she said. "I’m a bit funny about insects." (p. 1)
The reader knows from the beginning that the orchard hive is on an old, out-of-business farm being sold, to be demolished so its land can be added to a light-industrial complex. But the bees in the old wooden beehive don’t know it.
Bees are controlled so much by instinct that it is very difficult to realistically anthropomorphize them. But it has been done, in A Hive for the Honeybee by Soinbhe Lally (original Irish edition, February 1996; U.S. edition, March 1999), and the award-winning 1998-1999 five-issue comic book Clan Apis by Dr. Jay Hosler, a neurobiologist specializing in the study of honeybees, collected into a 158-page graphic novel in January 2000. And now there is Laline Paull’s complex dystopian The Bees.
Front., bee illustrations from Meyers Konversations-Lexikon 1897, NYC, HarperCollinsPress/Ecco, May 2014, hardcover $25.99 (340 pages), Kindle $12.74.
Red Devil, a sequel to Kyell Gold's Green Fairy, is both the second volume of his Dangerous Spirits series, and part of his Forester series (Out of Position, Isolation Play, Waterways, Bridges and others), set in an alternate contemporary America inhabited by anthropomorphic animals. Solomon Wrightson, the homosexual teenage wolf who was the protagonist of Green Fairy, is the best friend of Alexei Tsarev, the fox protagonist here.
Alexei, a young Siberian in the States on a student visa that expires in two months, hopes to impress the Vidalia Peaches semi-professional soccer team enough to become a member.
If they sponsored Alexei, he could apply for a visa that would allow him to stay in this country indefinitely. (p. 3)
Besides being good athletes, everyone on the Peaches is gay. Alexei has only recently come to the States from his hometown of Samorodka, Siberia, partially to play soccer but really to escape the brutal anti-gay attitude prevalent in Siberia. (Gold is clearly using Siberia to refer to all Russia in this anthropomorphic world.) Alexei misses his sister Caterina, with whom he was especially close. They were exchanging letters, but she has not answered his last few missives. Alexei is sure that their abusive parents are preventing her from writing.
Alexei is rooming with Sol at the house that Sol shares with Meg, the mannish teenage otter from Green Fairy, in Sol’s room where his portrait of Niki, the murdered 19th-century fox transvestite is hanging. Alexei, who semi-believes in ghosts, already is influenced by the spirit of his great-grandmother “Prababushka”, whom he feels may have followed him to the States to protect him. In addition to worrying about Cat back in Samorodka, and getting onto the Peaches soccer team to stay in the States, Alexei has developed a crush on one of the Vidalia amateur players, Mike, a friendly Dall sheep; but the insecure, withdrawn Siberian fox is always being shoved aside by Kendall, a more brash and self-assertive pine marten also on the local amateur team. Alexei is unsure whether Mike is just being polite to Kendall, or if he really prefers the more outgoing marten. Or whether Alexei should continue to concentrate on his feelings for Mike, rather than looking for another boyfriend in Vidalia and the States’ more open and relaxed straight and gay sexual atmosphere.
Illustrations by Rukis, St. Paul, MN, Sofawolf Press, January 2014, trade paperback $19.95 ([iii +] 269 [+ 2] pages), Kindle $9.99.
Spies in Their Midst by Alflor Aalto is listed as the third book in The Llyrian Wars: Act One series, following The Prince of Thieves and The Streets of His City and Other Stories. The series is also referred to as "The Llyrian Wars tetralogy”, so apparently there is at least one more book to come. There is no information about what will follow Act One.
Hmmm. The Prince of Thieves includes a Rabbit Valley advisory notice that “This book deals with homoerotic themes and descriptions of erotic acts.” You had better consider that Spies in Their Midst needs one, also.
Spies in Their Midst stands well on its own. The protagonist of The Prince of Thieves and The Streets of His City and Other Stories is Prince Natier of Llyria, a red fox; the heir to the throne. The protagonist of Spies in Their Midst is Orrin, Lord Vintaa, a raccoon and Llyran nobleman. Yet he is not a new character. He was an important supporting character in “The Looking War”; a short story in The Streets of His City and Other Stories. This is his novel-length story, starting before the other two books.
Illustrated by Robbye "Quel" Nicholson, Las Vegas, NV, Rabbit Valley, December 2013, trade paperback $20.00 (303 pages).
Watership Down tries to be as realistic as possible except for its intelligent, talking rabbits.
The Heavenly Horse is much more fantastically complex, with its structured organization of equine herds into formal officers, the concepts of the Army of One Hundred and Five (a representative of each of the domesticated breeds of horses) who live in the horsey heaven known as the Courts of the Outermost West and the equine equivalents of Satan: the Dark Horse, his lieutenant, the fanged horse Anor the Destroyer, and the Soul Taker, who tempts horses into betraying themselves.
The Heavenly Horse from the Outermost West, by Mary Stanton, illustrated by Judith Mitchell, Riverdale, NY, Baen Books, June 1988, [4 +] 344 pages, 0-671-65410-1, paperback, $3.95.
Piper at the Gate, by Mary Stanton, illustrated, Riverdale, NY, Baen Books, May 1989, [6 +] 306 [+ 2] pages, 0-671-69820-6, paperback, $3.50.
Miara is a humanimal, a woman just like anyone else, except with feline features and some feline abilities … (blurb for Fuzzy Business)
I cannot help remembering A.I.P.’s July 1977 movie of The Island of Dr. Moreau, with Burt Lancaster as Dr. Paul Moreau, the Mad Scientist who was uplifting animals into humanimals™, and downlifting humans into humanimals™. I don’t think that A.I.P. put out a single bit of publicity without emphasizing that humanimals™ was its own trademarked word. Fortunately, A.I.P. is gone now, and its trademark doubtlessly expired long ago.
Miara Cooper is a cat-girl.
I am mostly human, of course. I walk upright, have two breasts, and wear clothing. But it is impossible not to notice the domestic feline in my appearance. My eyes are green and my pupils are vertical instead of rounded, at least in the daylight. My pointed, hairy ears are on top of my head. My nose is small, upturned and moist. I have a small set of whiskers at the corners of my upper lip; just a little less than would make me look like one of those Chinamen in an old Looney Tunes cartoon. My skin is white, but it is barely visible under thick, dark hair. At least the hair is human-like: fine and light brown.Just longer and thicker than most human women have on the rest of their bodies. And I have a tail. It isn’t very long; only about seventeen inches from the base of my spine, but it was enough to get in the way of sitting and learning how to pee on a toilet when I was a child. (p. 5)
Miara’s parents were hippies who took part in a scientific experiment in gene splicing before her birth. Now, twenty-four years later, society is still figuring what to do about Doctor Finchley’s and his colleagues’ essays into cat-people, dog-people, fox-people, bear-people and so on.
I even heard of one poor kid in Canada whose parents spliced him to be part moose. Must have been painful giving birth to that one. (p. 6)
Fuzzy Business, by Amelia Ritner, Seattle, WA, CreateSpace, May 2013, trade paperback $7.95 (271 pages), Kindle $1.99.
Fuzzy Business 2: Fuzz Harder, by Amelia Ritner, Seattle, WA, CreateSpace, December 2013, trade paperback $7.95 (178 pages), Kindle $1.99.
Phil Geusz is famous in furry fandom for his fiction featuring genengineered anthro-rabbits. They are usually highly intellectual and non-violent. This makes the beginning of Evolutionary Action rather startling: Dr. Rusty Harrison, a professor of “the University” and a personal friend of the dean, is complaining about the mess in his brown fur that killing two assassins at close range has made.
I wrung out my sponge. There was a nasty bit of scalp lodged in it, and I didn’t want to get hair all over the place. I used hollowpoints in my .357, and the explosive effect tended toward the spectacular at close range. The least I could do for poor Alice was stick around and help with the cleanup. Even if I was working nasty little balls of coagulating blood so deep into my pelt that I’d have to soak for hours to get them out. I counted Alice as a friend, after all. (p. 5)
This is one of those novels that is difficult to summarize without giving away spoilers. Over 99% of mankind has died in the catastrophe known as the Breakdown, the Plague, the Collapse or the Outbreak, and the survivors are struggling to keep up some form of civilization. There are not enough to maintain the United States of America, and it has broken apart into many tiny independent state-based countries like the West Coast Confederation, the Sooner Republic, the Colorado Republic, Iowssouri, the Arkansas Free State, the Lone Star Republic and so on. Most of them are friendly and trying to maintain good relations with each other, but at least one is out for a war of conquest against the others, executing the governments of the conquered states.
The University, which was experimenting with genengineering before the Breakdown, has all of the intelligent Rabbits left in the world, and is one of the remaining practitioners of research. It is a politically independent enclave located in the Sooner Republic, which supports it. However, the armies of one of the aggressors are approaching the Sooners and neighboring Texas, and both the Sooner and Lone Star governments and the University administration are wondering what to do.
Dallas, TX, FurPlanet Productions, September 2013, trade paperback $9.95 (187 pages).
This is book 4 of The Fall of Eldvar by Jim Galford. I reviewed book 1, In Wilder Lands, here in March 2012; book 2, Into the Desert Wilds, in November 2012, and book 3, Sunset of Lantonne, in February 2014.
The first two are a two-part subseries, “the wilding story arc”, within the larger saga of The Fall of Eldvar. Sunset of Lantonne is a standalone adventure. The Northern Approach, which debuts at Rocky Mountain Fur Con 2014 this month, continues roughly where both Sunset of Lantonne and Into the Desert Wilds end. The planned book 5, Bones of the Empire, will wrap up and complete the series.
What this means is that it is assumed the reader is familiar with the events in at least Sunset of Lantonne. The Northern Approach begins almost a year after the fall of Lantonne at its climax; but in terms of the action it follows immediately, without any synopsis.
Eldvar is a world of humans, elves, dwarfs, talking dragons and more, including wildings which are anthropomorphic animals. The story’s focus on the wildings is why the novels of The Fall of Eldvar qualify for review on Flayrah.
Seattle, WA, CreateSpace, August 2014, trade paperback $13.99 (432 pages), Kindle $2.99.
M.R. Anglin’s author’s page on Amazon.com identifies her as a young Jamaican resident of the U.S.
“Fanfiction” has a particular place in her heart since she started by writing fanfics. She enjoys writing YA and middle grade fiction.
She has a different definition of “fanfics” than most other people, since her amateur fiction is all original, without anyone else’s copyrighted characters in it.
She says on FaceBook about Prelude to War:
Even though the main characters are animals, it is meant for an audience of 13+. I'd consider it Christian (or at least inspirational) fantasy fiction.
I assume that means she considers fiction with talking animals as being for young children; e.g., she is not familiar with furry fiction.
Besides these three Silver Foxes novels, she has written Lucas, Guardian of Truth, a Christian fantasy with a human 11-year-old protagonist. Anglin’s first two Silver Foxes books were self-published through Lulu.com. She has recently transferred them to CreateSpace, and finished the third novel.
This year , I've been working on revising and revamping book 3 in the series for print.
And it is here.
Silver Foxes, by M. R. Anglin, Raleigh, NC, Lulu.com, April 2008, trade paperback $12.00 (134 pages).
Winds of Change, by M. R. Anglin, Raleigh, NC, Lulu.com, June 2009, trade paperback $14.99 (216 pages).
Prelude to War, by M. R. Anglin, Seattle, WA, CreateSpace, October 2013, trade paperback $11.99 (viii + 298 [+ 1] pages), Kindle $2.99.
This is the conclusion of M.C.A. Hogarth’s The Dreamhealers Duology. I reviewed the first book, Mindtouch, here on September 1, 2013.
In that novel Jahir Seni Galare, the colorless elflike Eldritch esper, has just entered interstellar Seersana University. His roommate is Vasiht’h, a short, skunk-furred centauroid winged Glaseah. They are both espers, but Jahir is an involuntary telepath to whom the impact of other minds is painful. In the course of Mindtouch, the two aliens develop a strong friendship, Jahir learns to control his talent – somewhat – and the two graduate.
Jahir intends to use his telepathic talent to become the galaxy’s first xenotherapist, reading his patients’ minds to help heal them. The question is whether there is any danger of the esper medic’s becoming overwhelmed by his patient’s mind.
It would be just his luck to begin his residency by reporting to the hospital as a patient. Jahir Seni Galare, nascent xenotherapist, Eldritch noble and apparently complete lightweight, sat on a bench just outside the Pad nexus that had delivered him to the surface of the planet Selnor. He had his carry-on in his lap and was trying to be unobtrusive about using it as a bolster until the dizziness stopped. (p. 1)
Tampa, FL, Studio MCAH, January 2014, trade paperback $15.99 ([1 +] 341 [+ 7] pgs.), Kindle $5.99.
These are the first two volumes of T.R. Brown’s Reflections series. Amazon.com has a special subcategory for them: Genetic Engineering Science Fiction. They should be required reading for every furry author who plans to write human-into-anthropomorphized-animal fiction. They are also good reading for everyone else.
The two are narrated by the protagonist, Todd Hershel. The setting is an unspecified future, but there are automatic/robot cars, artificial islands (“Libertarian Colonies”) for dissidents, personal computers that unfold from pocket-size, artificially-grown organ harvesting, references to a second American Civil War in the recent past and “the Vatican in exile” and bioengineered animal people grown for soldiers in wars. For legal reasons, these humanoid “neos” are required to look like the animals they are based upon.
I was driving back from a meeting with a supplier and there was a semi pulling a load of scrap metal slightly ahead of me in the next lane. My car alerted me to be ready to take over manual control, pulling me away from the e-mails I had been working on. I saw the reason immediately. An accident a couple of miles ahead. An ambulance and other emergency personnel were already on site. That probably saved my life. […] the semi next to me had a blowout in the front wheel. […] Autopilots are good, but they can’t handle an emergency like that and, before the operator could take over, the semi jerked into my lane […] (p. 1)
Todd wakes up in a hospital two months later. His body was completely crushed by the scrap metal. Since this was an unplanned medical emergency, no substitute body has been prepped for him. The only suitable usable body that can be found on emergency notice is a brain-dead felis neo – a female, at that. Todd’s wife Colleen is not happy about that, but she agrees that the important thing is to save his life. They can worry later about getting a new human body, or at least a sex-change operation back to male and cosmetic surgery to make him look more human, later.
The first 50-odd pages are filled with the details of Todd’s exploring his new body, bioengineered from a panther to be a brawny feline soldier.
“We considered just putting your head on the new body,” Walt [a doctor] continued, “but, in addition to the aesthetic problem of a human head on a felis body, there would also have been tissue rejection to deal with.” (p. 9)
The Face in the Mirror; A Transhuman Identity Crisis, by T. R. Brown, Seattle, WA, CreateSpace, August 2012, trade paperback $17.40 (501 pages), Kindle $2.99.
Chained Reflections, by T. R. Brown, Seattle, WA, CreateSpace, August 2013, trade paperback $19.99 (558 pages), Kindle $2.99.