These are the first two volumes of T.R. Brown’s Reflections series. Amazon.com has a special subcategory for them: Genetic Engineering Science Fiction. They should be required reading for every furry author who plans to write human-into-anthropomorphized-animal fiction. They are also good reading for everyone else.
The two are narrated by the protagonist, Todd Hershel. The setting is an unspecified future, but there are automatic/robot cars, artificial islands (“Libertarian Colonies”) for dissidents, personal computers that unfold from pocket-size, artificially-grown organ harvesting, references to a second American Civil War in the recent past and “the Vatican in exile” and bioengineered animal people grown for soldiers in wars. For legal reasons, these humanoid “neos” are required to look like the animals they are based upon.
I was driving back from a meeting with a supplier and there was a semi pulling a load of scrap metal slightly ahead of me in the next lane. My car alerted me to be ready to take over manual control, pulling me away from the e-mails I had been working on. I saw the reason immediately. An accident a couple of miles ahead. An ambulance and other emergency personnel were already on site. That probably saved my life. […] the semi next to me had a blowout in the front wheel. […] Autopilots are good, but they can’t handle an emergency like that and, before the operator could take over, the semi jerked into my lane […] (p. 1)
Todd wakes up in a hospital two months later. His body was completely crushed by the scrap metal. Since this was an unplanned medical emergency, no substitute body has been prepped for him. The only suitable usable body that can be found on emergency notice is a brain-dead felis neo – a female, at that. Todd’s wife Colleen is not happy about that, but she agrees that the important thing is to save his life. They can worry later about getting a new human body, or at least a sex-change operation back to male and cosmetic surgery to make him look more human, later.
The first 50-odd pages are filled with the details of Todd’s exploring his new body, bioengineered from a panther to be a brawny feline soldier.
“We considered just putting your head on the new body,” Walt [a doctor] continued, “but, in addition to the aesthetic problem of a human head on a felis body, there would also have been tissue rejection to deal with.” (p. 9)
The Face in the Mirror; A Transhuman Identity Crisis, by T. R. Brown, Seattle, WA, CreateSpace, August 2012, trade paperback $17.40 (501 pages), Kindle $2.99.
Chained Reflections, by T. R. Brown, Seattle, WA, CreateSpace, August 2013, trade paperback $19.99 (558 pages), Kindle $2.99.
The War of the Species has begun. An ancient race of penguin has reemerged. From this race a powerful leader declares himself Overlord and unites the penguin clans of the world. His goal: to drive the human presence away from Antarctica and to exact revenge for the atrocities of the past against penguinkind. (Rise of the Penguins blurb)
Killer penguins are rising up in a war against humans for world domination! Is Steven Hammond serious? Judging by his hilarious Facebook page, hell, no! But his Rise of the Penguins series (published through CreateSpace, no matter what he says about Rockhopper Books), is so straight-faced that it is a good example of Rambo-type take-no-prisoners military fiction. With spear-carrying penguins.
Rise of the Penguins, December 2012, trade paperback $19.99 (8 + 722 pages), Kindle $3.99.
The Warlord, The Warrior, The War, September 2013, trade paperback $6.99 (6 + 112 pages), Kindle $1.99. Both by Steven Hammond, Clovis, CA, Rockhopper Books.
Lauri and Jaakko Ahonen created an Indiegogo campaign for their darkly comic full-color graphic novel Jaybird. Evidently it was quite successful, as now it’s been published! “Little Jaybird lives in a very large house alone with his bedridden mother. Portraits of dignified ancestors look down upon him from dusty walls. At times also a curious spider peeks from between the cobwebs. Even though it’s safe inside the house, with its doors barred and windows boarded up, reality can’t be shut outside forever.” It’s available now for download (complete with original soundtrack music), and this September Dark Horse Press will release it in a hardcover book edition.
This short but deadly satire is set in the U.S., but has never been published there. Does it cut too close to home?
In 2000 (this was written in 1978), God decides to wipe out all life on Earth by covering everything instantly with giant glaciers. (Actually, He intended to wipe out all life in 1000 A.D., but He forgot.) He misses one two-square-mile valley in the center of North America, inhabited by two field mice, Adamus and Evemus. Because God also scraps the laws of evolution, the mice immediately develop intelligence. Not knowing that God missed them by accident, they decide that they are God’s new chosen people; and since the small valley has a town with a radio and TV station, an automobile factory, and lots of back issues of newspapers, they assume that He wants them to model themselves upon humans.
In no time at all, because mice breed fast, there are enough of them for Adamus to appoint a Board to help him guide the common mice.
‘I mean,’ continued Adamus, ‘it is obvious to all that this wonderful world in which we live did not just happen by accident. There has to be a Divine Plan and we are part of that Plan. We have a destiny which we must fulfill.’
The mice all looked at each other and nodded wisely.
‘Well,’ said Adamus, ‘I have discovered what it’s all about. What happened was this: the source of all being is God, who made the Valley and everything else in the universe. To prepare the way for mousekind God sent a sort of vanguard of creatures He called Men, who might best be thought of as sort of supermice. These Men prepared the Valley for us and left us all these marvelous technological aids for our existence. They also left us a vast body of literature for our guidance. Our destiny in life is to fulfill the plan of God by making the Valley an extension of Heaven. To guide us in this task we have the Word of Man, so we just can’t go wrong.’ (p. 12)
Needless to say, the mice go wrong with almost every decision that Adamus makes. One mouse on the Board, Logimus, thinks for himself and has doubts about Adamus’ pronouncements about what God wants. But Adamus, backed by his Board of yes-mice, steamrollers right over him.
This is Book 3 of the Tails from the Upper Kingdom; the direct sequel to To Journey in the Year of the Tiger and To Walk in the Way of Lions. In those two, Captain Kirin Wynegarde-Grey, a genetic lion-man (yes, he has a tail) and commander of the Empress’ personal guard in a far-future post-apocalypse dynastic China (with touches of feudal Japan) that has forgotten its past, leads an expedition consisting of his geomancer brother, his snow leopard-woman adjutant, a young tiger-woman scholar, a cheetah-woman alchemist, and a mongrel-man (mixed feline) priest into unknown western lands. They encounter canine nomads in what was Mongolia, and really exotic animal-peoples in what was Europe; and they learn the true history of the world and the apocalypse that destroyed it. The expedition is much smaller when the survivors return to the Empress’ court in the Upper Kingdom two years later, just as the Year of the Tiger has ended.
In the Oriental Zodiac, the Year of the Tiger is followed by the Year of the Rabbit – except in Vietnam, which recognizes the Year of the Cat. (True; look it up.) In this novel, the future Vietnam is called simply Nam, and there is no word for rabbit. (In the real world and the present, the Vietnamese word for rabbit is ‘tho’.)
And so, we begin our story with the birth of a baby, the weeping of a dog and a cup of hot sweet tea, naturally in the Year of the Cat. (p. 1)
There were no moral implications in Arthur Green’s watering the Scotch; it was purely an executive maneuver. A less efficient administrator might simply have apologized for having forgotten to stock his trailer with whiskey, but Arthur knew that his particular victims would then merrily have forgiven him and produced their own. If they were to drink, as they surely were, it was obviously better to have them do so from his unproofed stock than from their own authentic supply. (p. 1)
Arthur is the Hollywood producer of a Western being filmed on location somewhere in the Mexican desert. In the production company are Arthur, the harried producer; George McKaye, the matter-of-fact director; Jonathan Cartwright, the reluctant scriptwriter and Carol Holloway, his loyal secretary; Max, the practical horse wrangler; Bruce Gentry, the egotistical cowboy star; Melissa Drummond, the self-centered leading lady; and Beverly Dawn, a ditzy starlet. And Lightning, Gentry’s noble steed, who is in reality Gladiola, a well-trained but dimwitted and oversexed mare.
Jonathan, a heavy drinker and practical joker, is only at the production in the desert because his contract forces him to be there for on-the-spot rewrites. Jonathan loathes being away from “civilization” (the largest metropolises where alcohol is readily available), so he brought a large supply with him. He also loathes the vain Gentry, who takes advantage of his stardom as much as he can. Jonathan has been trying unsuccessfully to get Arthur Green to film one of his non-Western screenplays for three years. Jonathan seldom travels anywhere without Carol, his super-efficient secretary who is his pal in his binges, keeps him from getting fired, and has a crush on him.
NYC, Appleton-Century-Crofts, March 1959, 214 pages, $3.75. Based on an idea by Ann Noyes Guettel. Frontispiece by Doug Anderson.
Just running at first. Nothing before that. No memories of childhood and family. No early struggles. No career. No friends. No opinions. No country, city, neighborhood, no home where I laid my head at day’s end. No idea how I spent those days.
Running. One minute oblivion and the next I’m in a forest, shafts of the dying day falling through the trees and dappling the ground with patterns of light and dark. Quail scurry, small animals freeze as I pass. I have no questions about my place in the scheme of things. The wind is in my face and nothing seems more natural than running. It’s the beginning and the end and everything in between.
But there’s something wrong. I detest exercise. If it didn’t send the wrong message, I’d step from the Rolls and ride a sedan chair across Wall Street to the lobby elevators. The times what they are, my bearers would be a multicultural lot, a rainbow of muscular young men raising me above the mob. So some fragments of memory flash like strobe lights in a vast and dark chamber.
The flicker of feet beneath catches my eye. But they aren’t feet. They are paws. Something soft and wet bangs the side of my face. My tongue. The realization slowly dawns as I run. I’m a dog, a huge dog. (Top Dog, p. 1)
One day, William B. Ingersol sat in an office high above Wall Street conducting corporate takeovers.
The next day, he was a big dog, surviving by instinct alone in a strange new world.
Same difference. (Top Dog, back-cover blurb)
William “Bogey” Ingersol is a notoriously ruthless financier under investigation by the SEC; a corporate raider who has bought companies to gain their assets then closed them, sending hundreds of people out of work. His guiding interest has always been, how can I make the most out of this? So when he becomes a mastiff-sized feral dog in the wild, he is too busy trying to survive at first to spend time worrying about what has happened to him. His human mind combined with canine instincts enables him to come out on top in fights with wolves and other predators.
Top Dog; NYC, Ace Books, September 1996, 0-441-00368-0 trade paperback $12 (330 pgs.)
Dog Eat Dog; NYC, Ace Books, February 1999, 0-441-00597-7 trade paperback $12 (297 pgs.)
A Dog’s Life; Garden City, NY, Science Fiction Book Club, April 1999, SFBC #18131 hardcover $12.98 (490 pgs.)
Let’s stick with the bird theme for the moment. Pengey Penguin is an orphaned flipper-bird who is the star of two new hardcover novels for young readers — both created by author John Burns. In The Many Adventures of Pengey Penguin, our smooth-feathered hero ventures out into the Big World, encountering many dangers yet making friends at the same time. In The Further Adventures of Pengey Penguin that “Big World” becomes New York City, as Pengey moves in with his adoptive human friend — and both of them learn to make the situation work. Visit the official Pengey web site and you’ll find not only the books and several tie-in items like Pengey t-shirts, but also a collection of nature documentary shorts and even links to penguin-themed cartoons. These books are not available in stores: Only on-line, so visit the web site to get them.
As we get closer to the summertime release of Marvel Comics’ Guardians of the Galaxy movie, we’re likely to see more and more of Rocket Raccoon — and his buddy Groot, the anthropomorphic tree. Next up: Marvel’s “first in-house original prose novel”, Rocket Raccoon and Groot Steal the Galaxy by Dan Abnett — one of the original creators of Guardians of the Galaxy in 2008. “Rocket Raccoon and the faithful Groot are the baddest heroes in the cosmos, and they’re on the run across the Marvel Universe! During a spaceport brawl, the infamous pair rescues an android Recorder from a pack of alien Badoons, Everyone in the galaxy, however, including the ruthless Kree Empire and the stalwart Nova Corps, seems to want that Recorder, who’s about as sane as a sandwich with no mustard.” Check out the interview with Mr. Abnett at Comic Book Resources, and check out Steal the Galaxy when it arrives in hardcover this July.
Roz Gibson reviews fiction of furry interest she read in 2013; her favorites included:
- The Tails from the Upper Kingdom series, by H. Leighton Dickson
- Sunset of Lantonne by Jim Galford
- Kavishar: Reflections In A Wolf's Eyes by Laura Kyle
- Rise of the Penguins by Steven Hammond
- Pandemonium by Warren Fahy
- I Was An Alien Cat Toy by Ann Somerville
- Nezumi's Children by T.L. Bodine
- Skyfire by Jess E. Owen
- Dragon Stones by James V. Viscosi
- Island 731 by Jeremy Robinson
Next month Archaia Press is re-releasing the novelization of Jim Henson’s Labyrinth, the 1986 fantasy feature (with David Bowie and Jennifer Connelly) which was later adapted as a novel by A.C.H. Smith — and illustrated by well-known fantasy artist Brian Froud, who of course also designed the movie and many of its characters. This new hardcover edition features a brand new collection of Froud’s goblin artwork and sketches for the film, recently uncovered, as well as notes and sketches by Jim Henson himself. USA Today has the story on this and other Jim Henson-inspired projects currently in the works at Archaia.
Here is the final ballot for the 2013 Ursa Major Awards. The voting is among the five titles in each category getting the most nominations. In several categories, there are six finalists because of ties for fifth place. In the Best Short Fiction category, only four finalists are listed because of too many ties for fifth place.
Voting is now open. Due to a technical issue, nominators will need to acquire a new key. The deadline is April 30.
As is not unusual, there were so many nominations for the fourth, fifth, and sixth place nominees in most categories that one more nomination could have made the difference between a title’s getting on the final ballot or not. Please nominate next year.
The 2013 Ursa Major Awards will be announced and presented at a ceremony at the CaliFur X convention, May 30-June 1, 2014, at the Irvine Marriott Hotel, 18000 Von Karman Avenue, Irvine, CA 92612.
Nominations for the 2013 Ursa Major Awards, for the best anthropomorphic movies, novels, comic strips, games, etc., will close on February 28. Voting for the winner will begin on March 15 and will close on April 30. The awards will be presented at CaliFur X on May 30 to June 1, at the Irvine Marriott Hotel, Irvine, California.
If you have not nominated yet, you have only a few more days to do so. All titles first published or released during the 2013 calendar year are eligible. The awards are given in eleven categories: Motion Picture, Dramatic Short Work or Series, Novel, Short Fiction, Other Literary Work, Graphic Novel, Comic Strip, Magazine, Published Illustration, Website, and Game. The final ballot includes the top five titles nominated in each category.
This is Book 3 of The Fall of Eldvar. I reviewed Book 1, In Wilder Lands, here in March 2012, and Book 2, Into the Desert Wilds, in November 2012. Those were a two-part subseries, “the wildling story arc”, within the larger saga of The Fall of Eldvar. Galford said on his website that Book 3 would feature new characters, an elf and a human; and no wildlings (furries). Yet Darryl Taylor’s cover for Sunset of Lantonne clearly features Raeln, a seven-foot tall wolf wildling, with Ilarra, his elf “sister” by his side. Did Galford lie?
Not exactly. The main characters in Sunset of Lantonne are Ilarra, the young elf wizard-in-training, and Therec, the older human Turessian necromancer. Raeln is only a supporting character – but you woudn’t guess it from this cover. Or from the first chapter, which plays up Ilarra and Raeln. Galford debuted Sunset of Lantonne at Rocky Mountain Fur Con 2013. Featuring a furry on the cover was a good marketing move.
And a justified one, if it will get furry fans to read Sunset of Lantonne. It is an excellent novel; Raeln is a memorable character even if he is not the star; and there are plenty of wildling incidental characters. Read it; you will not be disappointed. Also read Jim Galford’s website, especially if you have not read In Wilder Lands and Into the Desert Wilds yet. It contains a tremendous amount of background information on this series.
3 years after the events of Bound to Play, chakats Midsnow, Blacktail, and their family have made the move and immigration to Chakona the self proclaimed home world for the chakat species.
With intentions of opening their own business they are unaware of the many obstacles and challenges they will face. All while Midsnow's troubled past atempts [sic.] to catch up to hir." (back-cover blurb)
The Cat's Eye Pub, like Bound to Play and the forthcoming A Chakat in the Alley, is set (with permission) in Bernard Doove's Chakat Universe. It features those hermaphroditic centauroid felines, along with the humans, Caitians (bipedal felines), Rakshani (bipedal like Caitians but taller and more tigerlike), skunktaurs, and other species of Doove's 24th-century interstellar civilization.