In January 2015, FurPlanet Productions published the first volume of Roz Gibson’s s-f novel “Griffin Ranger”. Now, as of August 2017, the rest of the novel is now available.
Gibson has been a furry fan favorite since the 1980s, but as a comic-book artist, not a novelist. She wrote and drew “Jet: 2350” for the Rowrbrazzle in 1987, and went on to create one of his most popular characters, the antihero Jack Salem, the sable psychotic killer, in a series of comics published first by Radio Comix in the 1990s and later republished and continued by FurPlanet, notably in the “City of Ice” series.
In 2014 Gibson turned to writing. Her first Jack Salem novelette, “The Monkeytown Raid”, published in the anthology “What Happens Next” edited by Fred Patten, won that year’s Ursa Major Award for the Best Anthropomorphic Short Fiction of the year. She has written a few more stories since then, the most recent being the time-travel thriller “Matriarch: Elephant vs. T-Rex”, published as an original Kindle novella in April 2017.
Update 10/15: A statement made about FurPlanet publication on the original article was found to be inaccurate and removed.
Gre7g Luterman self-published his furry science-fiction novel Skeleton Crew though Amazon's CreateSpace in August 2014. The cover art was designed by his wife, H. Kyoht Luterman, and inside were over a dozen full-page illustrations, mostly by Rick Griffin. It got excellent reviews. It's now been picked up and re-published in a new, expanded edition by Thurston Howl Publications, with a new cover by Rick Griffin (seen here, to the right) and new illustrations.
The backstory to Skeleton Crew is that four centuries earlier, the giant Krakun race came to the primitive planet of Gerootec and offered to hire thousands of the over-populated Geroo as their starship crews. The Geroo who went into space (and their descendants) would never see Gerootec again, but they would live in luxury compared to the backward conditions on their homeworld.
DISCLAIMER: I have a story in here. Way deep down in the sloth section.
This a collection of dark and often adult tales (or tails, if you pre-fur) that explore the Seven Deadly Sins of Christian fame: pride, greed, lust, envy, gluttony, wrath, and sloth. Trouble makers all, to be sure. It's a rich field of study has reveled countless bumper crops of stories (true and fictional) and offers a handy umbrella to pull together the best of the worst of us storytellers.
Even Dr. Who has a Seven Deadly Sins themed anthology out there.
Still, for all the familiar ground these most famous of sins represent, this was an ambitious collection.
Overall, the anthology itself felt a little rushed. Not the stories themselves, mind you. I don't think there were any clunkers here. There were a few stories, however, that left me wondering what they were saying about their selected sin. Each story feels like it got the right amount of editorial attention.
My quibble is of a Macro sort. Seven Deadly Sins: Furry Confessions called for a sharper editorial eye then I think it got. Too often, very similar themes and acts follow too closely in one story to the next. That's bound to happen in the close quarters of the pages between a book cover.
And, I have to admit, part of my kvetch, might be my fault. I read all the interludes first. They knocked my socks off and I skipped every story to get to the mystery tormenting our hosts. As a result, I'm complaining about the holes in a magic show when I went out of my way to see how the tricks were set up before watching the magicians perform.
So, take my quibble with a few grams of a salt lick. THP is a new publisher and they've made quite a commitment to themed anthologies. I feel they are going to get better with each one. I know I'm looking forward to being there to watch them grow.
Presenting my story thoughts in the order that they appeared, with the interludes excluded and withheld to the end.
You might think, on first glance, that you might not enjoy this 1987 book due to its similarity to Richard Adam's 1972 classic, Watership Down. That's why it sat on my shelf for almost a decade collecting dust, until recently when I felt the need to dip into some more children's literature.
The barebones plot has a group of small, harmless animals, displaced from their homes by man. A group of survivors venture out into the unknown (and very British) countryside with a Moses-like leader. There are trials and tribulations, including a conflict with their own kind, and eventually they find the promised land where they can live in peace... at least for a few generations.
In the days before mobile phones and the Internet, people would have to have conversations with their pets to keep themselves from going insane. That's how it is with the Monroes, a nuclear family with two young children, two careers, and two pets: a cat (Chester) and a dog (Harold).
And every day, when the family members head out of the house, they leave their pets unsupervised to indulge in their vices. Chester reads horror stories; Harold daydreams about food. Life is perfect.
Until the day the Monroes go to a Dracula film, and come home with a little fluffy bundle of a rabbit in a shoebox full of dirt.
They called Marvin a chicken. And he was. (But only 5%.) He also plays the piano.
In the far-flung, space-traveling future, genetic manipulation has created a small subculture of modified humans that aren't exactly well-respected, but people will at least have sex with them and pay for the privilege. Marvin is pilot of the Pussy Pod, a small ship that safely transports people to and from the Henhouse, a brothel that sits just outside the limits of a space station's jurisdiction.
Legion Printing, May 2012, 78 pages. Available in eBook from Amazon.
Marvin's not a sex worker, but he respects them and cares about them. If he's a trifle ambivalent about his cattle car full of Johns, who can blame him? He's an excellent pilot and deserves more in his life. He shouldn't need to be covered in feathers, but his boss insisted because of the Henhouse's name. For Marvin, every day is a struggle to do his job well and not be bitter. He simply doesn't have the connections to find better work. But a man's got to make a living, even if it's just chicken feed.
Five Fortunes, edited by Fred Patten (FurPlanet), is a collection of five novellas from some of the best writers who write for general audiences in the Furry Fandom. The five stories provided in this anthology are as follows:
- Chosen People by Phil Geusz
- Huntress by Renee Carter Hall
- Going Concerns by Watts Martin
- When a Cat Loves a Dog by Mary E. Lowd
- Piece of Mind by Bernard Doove
I am not sure how well the the term "fortune" applies to the five works, so on that level the collection doesn't feel as if it is all that well tied together as a theme. However, with five long works here it's not too problematic to have them each be their own thing. It's not like there's a lot of "destiny" fans out there. Each story approaches the nugget of self-determination from a different angle: from being mindful of doing the right thing (Geusz), to the finding one's self (Hall), to finding a way to survive the week (Martin) or the condition of one's life overall(Doove).
It's a furry sampler of novel sized works. This size is perfect for people who don't always like short stories because the story's over just as they get to know a character, but also don't wish to invest in story cover to cover. If, somehow, you don't know these writers or their universes, then this is a good place to start learning.
A Left-Handed Sword is a novella by Phil Geusz in which the characters used to be human beings. All of them have contracted a singular disease called the Lokiskur virus (Lokie for short), which has transformed them into animals. Lokie not only leaves its victims dehumanized and physically handicapped in their new forms, but often brain-damaged and depressed. They are also highly contagious; Lokie is an affliction that never lets go.
At first, the book cover resembles the Kokopelli rock-drawing designs from the American Southwest. But if you look closely, you'll note that there are hooves and horns and, by gosh, that's furry enough for me!
Luke loves two things: his land and Sally. He pours a lot of magic and effort into one of them. The other he pretends to just like as a friend. Nobody is fooled except Luke.
This book is actually a collection of three novellas about your worst nightmare: A WEREWOLF WITH A BADGE.
OK, I know for some of you (me included), the image that first comes to mind might be more erotic than horrific... but I assure you that your ride along is going to take you into some deeply, darkly, disturbing places.
Highridge is a cop that became a werewolf in an Urban Fantasy Setting where lycanthropes have a subculture and are an accepted part of modern society. And the revelation of their existence is no recent thing.
As is often the case when the werewolves are (mostly) good guys, there are worse things out there than wolfmen.
Legion Printing and Publishing, 2010, ebook $2.66 (194 pages).
Edited by Furry Fandom's most beloved Eagle, Fred Patten, An Anthropomorphic Century reprints stories ranging from 1909 to 2008, including the talents of Peter S. Beagle, Philip K. Dick, Michael H. Payne, Phil Geusz, Renee Carter Hall, and more… including myself.
Starting with "Tobermory" by Saki in 1909, Fred does an excellent job putting these stories in a historical and social context. Around the midpoint, however, the historical context begins to soften just a little. The stories are excellent, but not all are milestones, so I would have enjoyed a bit more perspective in what was going on in the real world when they saw print.
Fred may have decided to let the newer stories stand on their own rather than distracting readers from the work themselves. Perhaps this was a good decision; the collection puts on no airs that of a textbook, after all – but Fred Patten is an expert historian of two fandoms (the other being anime). I couldn't imagine a person better suited to bringing external context to these stories.
Disclaimer: I have a story in this anthology. I'll address that story last.
Based in a far future where humans have conquered the stars, this 7 volume space opera follows the life of David Birkenhead, slave rabbit.
The star-faring human race, finding no aboriginals to oppress on the various colonized worlds, create their own non-human slaves. Rabbits, dogs and horses are as nearly as intelligent as humans. The margin is so thin that only their limited education and indoctrination make it seem like a big difference. The House of Marcus, the creator of the rabbit line, has always endeavored to treat rabbits as free as the law allows, but all over the Empire, they see rabbits reduced to mere property status. They begin to secretly manipulate the gene pool so that rabbits might one day be seen as equals ... despite the fur. Their plan is cautious and will take several generations to bear fruit. David Birkenhead is one of two rabbits to be secretly tinkered with, but before he is even born, three houses and their worlds revolt. The Empire begins a series of battles with this new Imperial Nation. Plans to uplift the rabbits further go on the back burner. And then David turns 12 ...
So, you may ask (as many readers on Goodreads.com or Amazon have), why rabbits? Well, I really don't see cats making good slaves. And ther's heavy European influences here, so I wouldn't expect to see birds, which I might if we had more Asian influences. Rabbits are simply cute and make good foils for the violence and turmoil that unfolds. Plus, Phil Guesz is a lapine master.
Ship's Boy (The David Birkenhead Saga Vol. 1), Legion Printing and Publishing, Inc, June 4, 2012, trade paperback $5.99 (90 pages).
Midshipman (The David Birkenhead Saga Vol. 2), Legion Printing and Publishing, Inc, August 8, 2012, trade paperback $8.99 (193 pages), eBook $0.99.
Lieutenant (The David Birkenhead Saga Vol. 3), Legion Printing and Publishing, Inc, September 10, 2012, trade paperback $9.99 (167 pages), eBook $2.99.
Commander (The David Birkenhead Saga Vol. 4), Legion Printing and Publishing, Inc, October 5, 2012, eBook $2.99 (167 pages).
Captain (The David Birkenhead Saga Vol. 5), Legion Printing and Publishing, Inc, October 31, 2012, trade paperback $7.99 (133 pages), eBook $1.99.
Commodore (The David Birkenhead Saga Vol. 6), Legion Printing and Publishing, Inc, November 21, 2012, trade paperback $13.99 (302 pages), eBook $2.99.
Admiral (The David Birkenhead Saga Vol. 7), Legion Printing and Publishing, Inc, November 30, 2012, trade paperback $8.99 (119 pages), eBook $2.99.
Review: 'The Dragons of Krynn' ('Dragonlance Dragons' #1) anthology edited by Margaret Weis and Tracy HickmanPosted by Greyflank on Tue 26 Jan 2016 - 23:43
Almost 30 years ago, Dragonlance exploded into the role-playing world with new sets of player characters and a fresh take on monsters. In my circle of friends, reading about Dragonlance proved more interesting than actually playing in the setting.
It's my understanding that there are over 200 novels and collections in the Dragonlance universe. I believe the last new Dragonlance novel was released in 2010, with the last reprint released in 2011. Along with Dungeons & Dragon's world of the Forgotten Realms, Dragonlance was one of the most popular shared worlds in fiction. I wouldn't be surprised if there were more of these books waiting for us in the future.
When I last set foot on Mount To-Be-Read (what I call my queue of unread books) this old classic was waiting for me. I have had mixed experiences with the Dragonlance books and I hesitated at reading it for a moment.
But then I wondered how the dragons of Dragonlance would stand up to a furry eye? That made me curious as I tended to read the TSR novels as I would read any other fantasy novel. Maybe I shouldn't have a different mind set when reading different sub-genres but I do. I look for more logic and more relationship in furry stories either with the environment or with other people/creatures. While in a different sword and sorcery fantasy realm, I care more about mood and the character's struggle to reach his goal.
So, I set out to read The Dragons of Kyrnn with a furry eye, looking and hoping for anthropomorphic tales that elevated a dragon from monster to character.
Interestingly enough, some of the best of the stories had very little dragon in them. Still, there were five stories in the collection that I will recommend to my fellow furries and scalies.
Wizards of the Coast (TSR), March 1, 1994; trade paperback (390 pages, 15 stories, 3 poems).
While I could say that Song of the Summer King by Jess E. Owen is a very satisfying action adventure young adult book played straight (which is true; it follows a coming of age story formula and it knows it), there's a lot of subtle choices made by the writer which makes this book stand out: how inaction is in itself implicit action; how listening can appear to be a prophetic power to those who have never attempted empathy; how refusing to choose between two bad options can be a valid choice.
From the beginning of the novel, Shard lives passively: he's enthralled by a patriarchal society of fascist conqueror griffins who believe only the strongest survive. He lives in constant (well-founded) fear of never being trusted and eventual exile, which are his driving influences to seek strength and social accolades. But when Shard's own heritage gets foisted upon him, he has to choose between being comfortable or being ethically consistent with what he finds to be the truth, all the while reconciling his racial differences from the dominant griffin tribe.
Shard has to question everything when he discovers that the world is more complicated than he once thought, and that it is incredibly frustrating when those closest to him continue to live trapped in their oversimplifications about what it means to live a good life.
Spoiler warning: This review does discuss plot elements some may consider spoilers below the break.
Five Elements Press, 2012, $4.99 Kindle, $25 hardcover, $12.99 paperback (264 pages). Illustrated by Jennifer Miller.
When I finished God of Clay by Ryan Campbell, I described the experience as "satiating something I was hungry for." And usually when I read genre fiction, I have to take bits and pieces of things I want from the books I read and make compromises. "Well, this book had gay protagonists at least, even if the conflict didn't let you forget that, and the characters paid for it." Or "this book has people of color as opposed to the assumption of a main character's innate whiteness, but it is overshadowed by western mores and still exhibits egregious exoticism." Or "well, there's a woman over 40 who plays a significant role, but she's more or less window dressing."
God of Clay, on the other hand, was a buffet of the things I was hungry for: colorful sensory splendor; anthro and human presence; smart character decisions the fueled further conflict; a non-white cast of main characters; gay protagonists with sexuality not intrinsically tied to the main conflict; a world where you can still be older than 40 and be a woman and make life changing decisions for yourself and your tribe.
See also: Review by Fred.