'Detective Pikachu' becomes the first widely-released "fresh" video game adaptation in Rotten Tomatoes' historyPosted by 2cross2affliction on Mon 20 May 2019 - 11:19
No well-reviewed film adaptation of a video game has ever achieved a combined positive review score of 60%, the threshold needed to count as "fresh" on Rotten Tomatoes. Until now.
With 158 of 242 reviews from professional movie critics at least somewhat positive, the first live action Pokémon movie, Detective Pikachu, has managed to squeak into the "good" side of the Tomato-meter with a score of 65%. Its average critical rating is lower, at 5.97 out of 10 - not every critic assigns a movie rating. However, its Audience Rating is much higher at 83%! (Although the Audience Score is notoriously vulnerable to "review bombing", Detective Pikachu was never likely to be deliberately targeted.)
"I am Iron Man."
- Black Sabbath, "Iron Man"
As I'm writing this, Avengers: Endgame has made $2,272,706,419 in theaters around the world, according to Box Office Mojo, making it currently the second highest grossing movie in cinematic history, with the number one spot well within it's sights. It only has approximately half a million dollars to go to take that spot, and that's a lot of money, but it's been out only one full week.
Whether it ends it's theatrical run first or second, one thing is certain. A review on a small news-site (with readers in the high double digits!) catering to a niche demographic will not be the deciding factor. There is no world where I write a rave review that sends everyone back to the theater, nor is there a world where I so utterly critically destroy this movie that theaters empty like, well, like what happened at the end of the last Avengers movie. Of course, the real reason to review this movie is because I reviewed the last one, and I reviewed that one because it's got a talking raccoon in it, and the coming possibility that the biggest movie ever might soon feature an anthro character is something that should be noted on a furry site.
SPOILER ALERT: The Russo brothers say I can spoil the movie now, but don't worry, I won't. However, if you haven't seen Avengers: Infinity War and want to see it unspoiled, hold off on hitting read more.
Fun fact: no movie directly adapted from a video game has ever scored as "fresh" on the review aggregate site Rotten Tomatoes. Oh, there have been movies about video games that have reached the "fresh" side of the Tomato-meter. And we may have a soft place in our heart for, say, the oeuvre of Paul W.S. Anderson, but most of us will admit 46% for Mortal Kombat is probably fair, if a bit harsh. The point is, unless Detective Pikachu somehow lives up to the surprisingly positive amount of hype it's gotten, there may not be a "fresh" video game adaptation for a while yet.
But, a new challenger approaches! Starring James Marsden and Jim Carrey (as Dr. Robotnik), Sonic the Hedgehog, an adaptation of the classic series of Sega games, will hit theaters November 8 of this year. The newly released trailer is below.
Update 5/2: The director of the movie has Tweeted that the design for the titular character will, in fact, be changed before the final movie is released. Also, while we're here, quick correction; 2018's Rampage did garner a score of 52% on RottenTomatoes, and the article has been edited to more accurately reflect this.
How to Train Your Dragon: The Hidden World (2019) is the latest film in the HTTYD series, the first of which came out in 2010 and was followed by a second film in 2014. Now, after a four-and-a-half-year gap, we have a third one, presumably (?) the last, but even if DreamWorks decides to keep the film franchise going, The Hidden World feels like the completion of a trilogy, all of which have involved Dean DeBlois as screenwriter and director.
I'm going to try and avoid major spoilers, so I'll summarize the plot points introduced in the early part of the film. I won't be linking to trailers, because they give away some of the locations and scene gags that are better kept a surprise. I watched a 2D screening, and I haven't kept up with any of the franchise spinoffs or shorts. I'm not a fan of most of the dragon designs or of several secondary characters, but regardless, I've happily enjoyed Hiccup and Toothless' adventures together.
Well, I managed to keep the number of superhero movies way down from last year, just one instead of five, and that's only because there was a late entrant.
Perhaps it was me, but I sensed a smidgen of negativity towards my review of Avengers: Infinity War. Like, just featuring Rocket Raccoon on the poster (he's in there somewhere, I'm sure) just wasn't enough for some of you. To be fair, if Infinity War ends up winning the Ursa Major Award for Best Anthropomorphic Motion Picture, as billion dollar box office blockbusters from Disney are known to do, well, that would be both bad and also probably completely my fault, so preemptive apologies if it does!
Now I'm reviewing another Marvel movie with a supporting character who's totally furry, but that's about it. In this case, it's Spider-Man: Into the Spider-Verse and that character is Peter Porker, the Spectacular Spider-Ham (voiced by John Mulaney), an anthropomorphic spider (bitten by a radioactive pig, see). On one hand, despite being a part of a much larger cast, I feel Rocket got a slightly bigger role in his movie. He has his own subplot with a bit of an arc to it, while Peter Porker is basically just another member of the team; the movie's focus is on other teammates.
On the other hand, Spider-Ham is part of a much smaller ensemble, so though his role is smaller, his screentime is bigger, and though the movie focuses more on the three versions of Spider-Man that are the most "normal" (Miles Morales, Peter Parker and Gwen Stacy) rather than the "gimmicky" characters (Spider-Man Noir, Peni Parker and Spider-Ham), Spider-Ham gets the most attention of that trio, being the last of the three to leave and the one who gets the stand-out action beat (as well as being just a scene-stealer in general).
And on the gripping hand, Spider-Man: Into the Spider-Verse is just a way better movie than Avengers: Infinity War.
This is a triple movie review! Three animated films for kids from 2017, all of them originally French, that have been dubbed into English (or soon will be): The Jungle Bunch, Sahara, and The Big Bad Fox and Other Tales. The last one is the best by far, but isn't available in English yet. Coming soon!
The Jungle Bunch
Original title: Les as de la jungle (literally "The Aces of the Jungle"; here's the trailer). When my nephew was little, I took him to see the Thomas and the Magic Railroad movie, because he loved the whole Thomas The Tank Engine thing. I knew it was a franchise with loads of characters, and the movie relied on familiarity. I know I watched it, but to this day, I have no memory of it.
Similarly, The Jungle Bunch is based on a lot of television episodes, plus an earlier movie or two. You don't need to have followed any of them to watch the 2017 movie, but it probably helps to connect with it more. Personally I didn't find the characters particularly deep, and they're not meant to be. I liked some of their designs more than others. It's a computer-animated film, and the animation and backgrounds came out well. Visually it looks very good!
Detective Pikachu will be hitting theaters May 10 of next year. Hopefully, Pikachu talking goes down a little better with the fans this time.
As repeated media victims we furs are always on the lookout for furry references— good, bad or indifferent— on TV and elsewhere. There are two distinct styles in which our fandom is covered: bluntly by name, and more subtly. It’s easy to identify the former, but sometimes it’s more fun when they don’t use the 'F-word' to describe the group in which they are referencing in their content. In those instances, it seems more a stealthy shout-out for our animal-ears only, designed to fly over the head of anyone who doesn’t get it.
Today I wish to go over some of those moments in furry media that seem to hold general fandom idioms and how fun 'situational nuance' can be.
We haven’t heard of Flying Bark Productions before, but according to Animation World Network it sounds like we should start paying attention to them! The studio is hard at work on a CGI feature film called 100% Wolf, which they plan to follow with a TV series of the same name immediately after. The plot? “Lovers of surreal, laugh-out-loud animation should enjoy this comedy series about Freddy Lupin, an 11-year-old boy set to turn into a werewolf, just like everyone else in his family. But things don’t go as planned when Freddy turns into an adorable poodle instead.” Got that? Interesting thing is the feature and series are based on a popular Australian children’s novel by Jayne Lyons. No word yet on distribution, but the film and series are scheduled to be complete in 2019.
Mary and the Witch's Flower (メアリと魔女の花 or Mary to Majo no Hana in Japanese) is the first feature-length film to be released by Studio Ponoc. The film was released in Japan in July 2017 and had a limited theatrical run in the United States in early 2018 prior to its home video release. It is based on the 1971 children's novel The Little Broomstick by Mary Stewart (which I haven't read and cannot comment on how closely it follows). At a high level, the film could be described as a sort of Harry Potter meets Kiki's Delivery Service. Some anime fans have noted similarities to the anime series Little Witch Academia.
This is the third film directed by Hiromasa Yonebayashi. It is no coincidence that the art style of the film closely resembles the works of Studio Ghibli, as Yonebayashi had previously worked there and was director of The Secret World of Arrietty and When Marnie Was There. Producer Yoshiaki Nishimura and many others who worked on the film were also alumni of Studio Ghibli, which had largely disbanded its creative department following the release of Marnie in 2014. The characters of Mary, Madam Mumblechook, and Doctor Dee are voiced by Ruby Barnhill, Kate Winslet, and Jim Broadbent respectively in the English dub (Hana Sugisaki, Yuki Amami, and Fumio Kohinata respectively in the original Japanese).
Have you ever had that moment at a convention? You know, that moment? You’re walking around, minding your own business when a random attendee walks up to you. They start chatting it up well enough, but several minutes later you realize that their story isn’t all that interesting. You’re bored and listening to an uninteresting person drivel on about their life story that you never asked for.
That experience is basically a summary of what you are in for with Netflix’s mockumentary Mascots. Scores of minutes wasted on backstories of uninteresting characters, going to an only slightly interesting competition, told in the most uninteresting way imaginable.
While some confuse fursuiting with mascotting, as some reviewers for this film have they are two completely different things. One fur on my twitter feed had requested if this was any good. To them I can say, no, no it is not.
To begin, a little bit of justification as to why I'm reviewing this. In addition to being the 19th movie in the Marvel Cinematic Universe and Avengers three ... point five ... ish, this movie is also essentially Guardians of the Galaxy volume 2.5. And seeing as how that team just won its second motion picture Ursa Major by a pretty good margin over historically fierce competition, well, this is a team furries apparently care about, even if it's really just Rocket (voiced by Bradley Cooper) bringing the furry.
Next, a little bit of warning. This movie ends on what could be a cliffhanger which may totally be retconned out of existence by the end of next year's Untitled Avengers Film, or maybe not, in which case there is a lot, a lot, of stuff to spoil. Now, people have a tendency to act, well, spoiled about spoilers, which basically didn't exist before Alfred Hitchcock invented the idea to promote Psycho, despite the fact that the trailer consists of Hitchcock giving the game away, since it doesn't matter.
However, there's no need to be rude, so I'm not going into the ending, other than I think I will reveal Rocket's fate, so you know whether or not, as a furry, you should just give up on this Marvel Cinematic Universe or not.
But I'll do that after the break, so if you don't want to know, well, don't click "read more".
Ivan Tsarevich and the Gray Wolf (Иван Царевич и Серый волк / Ivan Tsarevich i Seriy volk / trailer) is a Russian 2D animated children's film that came out in 2011. It's the 7th film produced by Melnitsa Animation Studio, and although it took 12th place that year in Russia's box office, 9 of the top 11 films were all foreign imports, so for a domestic film it did really well! It made back 8 times what it cost to produce, enough to get sequels in 2013 and 2016. I've not watched the studio's other films, but they've definitely got an in-house animation style down to something that works well for them.
A lot of foreign animation companies don't bother exporting their films into the North American market because it's expensive, although Netflix and other streaming services are rapidly changing that. Sometimes it's a case of whether foreign audiences will be able to relate to the content. Ivan Tsarevich and the Gray Wolf feels very Russian, culturally. I get the impression it's poking fun at a lot of fairy tales, and I have no idea what they are. Still, it was an ok watch.