What is it with cartoon dinosaur movies and migrating?
Ever since The Land Before Time1 featured a group of dinosaurs migrating through a barren wasteland, animated prehistoric animals have been moving en-mass just ahead of some sort of astronomical, geological or climactic cataclysm – all three at once, if they’re unlucky – that is implied will lead to the extinction of all creatures not our heroes, whose species will die out with them. A rather bleak fate, actually.
Let’s see… Disney’s Dinosaur featured a mass migration after an asteroid strike and a horrible drought. And this doesn’t just extend to dinosaurs; when I said prehistoric animals, I meant prehistoric animals. The first Ice Age and at least two of its sequels featured mass migrations ahead of disaster (I still haven’t seen the one with actual dinosaurs, but I assume migration plays some part); even prehistoric humans are not immune, as The Croods proved last year.
Now comes Walking with Dinosaurs (sometimes retitled Walking with Dinosaurs: 3D or Walking with Dinosaurs: The Movie), which is about dinosaurs putting on a prehistoric stage production of Les Misérables.
Just kidding, they migrate.
1 I’m sure there are earlier examples, but as child of the eighties, my knowledge of pop culture abruptly begins circa 1985; nothing, as far as I know, exists before - just like the rest of the Internet.
Word is spreading fast that the creators of the Ursa-Major-nominated film Ted are facing a lawsuit. “The creators of web series about a foul-mouthed teddy bear with a penchant for drinking, smoking and prostitutes have filed a copyright infringement suit against Seth MacFarlane, Universal Pictures and the producers of Ted, the 2012 film about a foul-mouthed teddy bear with a penchant for drinking, smoking and prostitutes. Bengal Mangle Productions claims that Ted ‘is an unlawful copy’ of its own animated teddy, who was featured in two different web series, Charlie The Abusive Teddy and Acting School Academy. The suit, filed today in U.S. District Court in Los Angeles, states that those web series aired in 2009 and 2010 on You Tube, FunnyOrDie.com and other streaming websites.” Any merit to this? So far the targets of the lawsuit haven’t responded, but you can visit Charlie’s official web site and check things out for yourself.
What more could you ask for on the weekend? Somehow we missed this: Empire of the Apes, directed by Mark Polonia. “In a distant galaxy three escaped female convicts crash land on a primitive world inhabited by a race of warlike apes. They fight for survival as the humanoid apes fight for their possession, body and soul. A daring escape is their only way out. Hot on their heels are the blood lusting gorillas and a prison warden bent on their return to the prison ship they escaped from.” Got it? You have got to see the trailer for this thing! Could its release on DVD have anything to do with the new Apes movie coming to theaters this summer? Nah! Well anyway, the DVD is available on Amazon.
Here is the 1’32” trailer for the Swedish 79-minute Resan Till Fjäderkungens Rike, or Beyond Beyond, directed by Esben Toft Jacobsen, released March 21 in Sweden, and expected to screen at international animation festivals throughout the year.
Judging by the publicity so far, this is a strong contender to become the Ernest et Célestine of 2014. It’s got seagoing and circus-performing rabbits, and a giant furry bird, and a frog sea-captain, and… trolls? And what are those little blue things? Anyway, it looks like a feature that furry fans will love.
Hah! I have always said that Estonian animation is ununderstandable! Incomprehensible, even. Here is a 4’47” trailer for a 72-minute 2013 stop-motion animated grand opera about the star-crossed love affair between an anthropomorphized rich-girl lemon and a poor refugee orange, directed by Mait Laas. Lisa Limone’s cruel father (a lemon with a comic-relief moustache) runs a slave-labor tomato plantation and ketchup factory.
Don’t worry if you don’t speak Estonian. Nobody understands the lyrics in opera, anyway. Besides, the trailer is subtitled in English.
I went back and forth on whether I was going to review this movie for Flayrah. I meant to when I watched it, as I knew it would contain quite a few talking animals, including the titular dragon, but then I got behind, and I wrote my top ten list, where it fell at number eight, so I figured that was good enough.
Then it was nominated for the Ursa Majors (which I called early, by the way), and wound up as the second-most-furry nominee of the year (after the still-not-very-furry My Little Pony: Equestria Girls), so I decided to review it for Flayrah after all. Better late than never. That doesn’t mean I’ll be reviewing the other nominees, even though I did enjoy three quarters of them (and, surprisingly, it’s not the Pixar movie I’m hating on here); I just didn’t find them sufficiently furry, or even furry at all, and am a bit perplexed at their nomination over furrier fare like Ernest and Celestine, Epic, Turbo, Free Birds, or even The ABCs of Death.
Jerry Beck’s Animation Scoop has the first trailer for DreamWorks Animation’s The Penguins of Madagascar feature, now scheduled for release on November 26, 2014; trading places with DreamWorks’ Home, which is now coming on March 27, 2015.
Does this look funny to you? It certainly is furry. The four Penguins of Madagascar are back: Skipper (Tom McGrath), Kowalski (Chris Miller), Rico (John DiMaggio), and Private (Christopher Knights), adding to the cast the rival North Wind, a task force of an anthropomorphic wolf (Classified, the leader - Benedict Cumberbatch), snow owl (Eva, intelligence analyst - Annet Mahendru), seal pup (Short Fuse, explosives expert - Ken Jeong), and polar bear (Corporal - Peter Stomare). Their motto: "Nobody breaks the North Wind" -- a fart joke; ho-ho! They are all fighting Dave, a.k.a Dr. Octavius Brine, an evil octopus (John Malkovich) who is out to kill all penguins on his way to taking over the world. Who will win? Who do you think?
Word has gotten around that Dreamworks Animation has pulled a switch: The aliens-land-on-Earth comedy Home, originally scheduled for release this winter, has been pushed back to 2015, while the Penguins of Madagascar movie has been moved up to this coming November. To that end Dreamworks has just released the first trailer for the penguin movie. It seems that our military-style black and white team meets up with a secret agency known as The North Wind, a collective of high-tech armed animals from the arctic. The film is directed by Eric Darnell, who of course directed all three of the Madagascar movies. Fine, fine, but what we wanna know is: Will Marlene the otter be in the movie too??
Here it is, straight from Variety this morning: “Disney is looking to get new mileage out of its Lion King franchise with a new animated series and TV movie planned for its Disney Channel and Disney Junior cablers. Disney Television Animation is producing The Lion Guard, a series that continues the storyline of the Mouse’s boffo 1994 hit feature. Lion Guard will bow next fall with a TV movie and transition to a regular series in early 2016. ‘We look forward to introducing a whole new generation of kids to both the Disney legacy characters and to new friends and heroes,’ said Nancy Kanter, exec VP of original programming and G.M. of Disney Junior Worldwide. The series incorporates strong environmental and conservation messages as it revolves around lion cub Kion’s role as a member of the Lion Guard group tasked with preserving his family’s natural habitat. Series will revive Lion King characters including Simba, Nala, Timon and Pumbaa. Ford Riley developed Lion Guard and is exec producer.” Keep watching this space for news of the premier!
Both are round, orb-like fruits, while one is usually red on the outside (though green, yellow and even orange are possibilities), its smooth, thin skin usually eaten, with firm, off-white flesh that ranges from sweet to sweet with varying degrees of tartness in flavor, with small brown seeds found inside the core of the fruit, while one is orange, obviously, with dimpled, but still smooth to the touch skin that, while edible, is rarely eaten directly, with much juicier flesh that is usually tarter, but not always, and still very sweet, with small tannish seeds throughout.
What am I doing? Oh, just comparing apples to oranges. Anyway, here are ten movies from 2014 you should watch sometime.
[Back from CaliFur, and we have so much to talk about!]
Over at Cartoon Brew they have premiered the brand-new trailer for the upcoming animated film Song of the Sea, directed by Tomm Moore. Like Moore’s previous film The Secret of Kells, this new feature will be hand-drawn in a traditional 2D fashion with a highly stylized design. And, like that first film, this new one is based on the legends and lore of Ireland — in this case, the story of the Selkies, magical beings who are seals in the ocean but can shed their furry skins to become humans on the land. “Song of the Sea tells the story of Ben and his little sister Saoirse – the last Seal-child – who embark on a fantastic journey across a fading world of ancient legend and magic in an attempt to return to their home by the sea. ” As with The Secret of Kells, Songs of the Sea has been picked up by GKIDS for distribution in North America. Now if we could just get a firm date for its release!
So I managed to watch this ancient movie and see if it was any good for others out there. I didn't see many anthropomorphic movements; I missed most of the first movie, but I've seen footage and snaps of them standing up like humans and acting like them. I was disappointed that they didn't use that much in the sequel; I suspect the directors avoided it. Unfortunately, Alpha and Omega 2 is short; the whole thing was about 40 minutes long, without counting the credits. It wasn't very surprising; I'd heard people complaining. While I hope the third one will be longer [one whole minute longer], let's start by talking about the graphics.
This is my first review on Flayrah; also, don't expect my English to be that great, I lack certain words I need I think, and it's a bit of my style, especially if I had to extract nearly everything.
Also, spoiler alert! If you don't want to get spoiled, watch it first or skip them somehow.
There were no moral implications in Arthur Green’s watering the Scotch; it was purely an executive maneuver. A less efficient administrator might simply have apologized for having forgotten to stock his trailer with whiskey, but Arthur knew that his particular victims would then merrily have forgiven him and produced their own. If they were to drink, as they surely were, it was obviously better to have them do so from his unproofed stock than from their own authentic supply. (p. 1)
Arthur is the Hollywood producer of a Western being filmed on location somewhere in the Mexican desert. In the production company are Arthur, the harried producer; George McKaye, the matter-of-fact director; Jonathan Cartwright, the reluctant scriptwriter and Carol Holloway, his loyal secretary; Max, the practical horse wrangler; Bruce Gentry, the egotistical cowboy star; Melissa Drummond, the self-centered leading lady; and Beverly Dawn, a ditzy starlet. And Lightning, Gentry’s noble steed, who is in reality Gladiola, a well-trained but dimwitted and oversexed mare.
Jonathan, a heavy drinker and practical joker, is only at the production in the desert because his contract forces him to be there for on-the-spot rewrites. Jonathan loathes being away from “civilization” (the largest metropolises where alcohol is readily available), so he brought a large supply with him. He also loathes the vain Gentry, who takes advantage of his stardom as much as he can. Jonathan has been trying unsuccessfully to get Arthur Green to film one of his non-Western screenplays for three years. Jonathan seldom travels anywhere without Carol, his super-efficient secretary who is his pal in his binges, keeps him from getting fired, and has a crush on him.
NYC, Appleton-Century-Crofts, March 1959, 214 pages, $3.75. Based on an idea by Ann Noyes Guettel. Frontispiece by Doug Anderson.
The world of movies lost another big name this week when actor Bob Hoskins passed away at the age of 71. Though he was known throughout much of the world for his dramatic roles (and earned award nominations for several of them), here in the United States he will perhaps forever be best known for his role as gumshoe detective Eddie Valiant, playing opposite a crazed toon bunny in the groundbreaking 1988 live action/animated film Who Framed Roger Rabbit?, which went a long way towards putting animation back on the American landscape after a long slump in the previous decade. But not even counting that, Hoskins had numerous roles in movies with more than a bit of Furry Fandom interest. Some of them cringe-worthy (Mario Brothers, anyone?), some of them wonderful (like the voice of Boris the goose in Balto), and some of them rather obscure (he played Badger in a 2006 British TV movie of The Wind in the Willows). Check out his page at the Internet Movie Database to find out just how diverse his career was. He will be missed.