A non-furry organization is asking the fandom to have a fursuit creator design a pair of costumes in time for Anthrocon 2020. This will be a commission for their cat mascot "Fiddlesticks". This feline character is used by the Pittsburgh Symphony Orchestra in order to inspire children with the beauty of music. They are looking for a pair of suits (copies) that can fit multiple performers. One will be for travel, while the other will be a home body suit. They'd also like to be able to accessorize, such as adding a suit jacket.
Those fursuit creators interested can find more information and apply using this Google Form. So if you are a fursuit designer in search of work, be sure to fill out their application. If you know one, forward them the form to fill out.
It is September 21st, 2019 and the long awaited weekend spurned on by internet memes has arrived for Nevada as the raid Area 51 festivities are underway. As with most things on the internet, the actual event of raiding the facility seemed to not gain as much traction on the ground as it did by the wire.
But that didn't stop one furry rock band from making a song that could have easily been performed at the music festival proposed. The rock band called Scratch 21 released a single called Ayleeyuns. It is in the style called 'butt rock', which most furries may know from Crush 40, the band that does the themes for many 3D Sonic games. For those not in the gaming community, it falls in the Blink182 or Green Day style of rock you'd hear on the radio in the 1990s.
Disney has been revisiting soundtracks to their classic films in recent years through what they are titling “The Legacy Collection” series. Each volume has contained a CD of the remastered original score along with a second disc of demos, outtakes and other curious rarities that enriches the listening experience. The series was kicked off in 2014 with its inaugural volume: The Lion King. Considering the Collection’s release schedule had been dormant for a couple of years it was with pleasant surprise that the series was unexpectedly revitalized earlier this month with its 13th volume: Robin Hood! Packaged in a small hardbound book with sleeves to house the CDs and generous pages of liner notes and art, this release is a winner in both content and presentation.
The DVD and Blu-ray came out in late March of 2017. It's a straightforward comedy with light story arcs and anthropomorphic animals, in which a koala named Buster Moon organizes a singing competition to save his financially-failing theater. By mistake, the publicity leaflets say the prize money is $100,000 instead of $1,000. For the rest of the film, things gradually spiral out of control, as he selects and deals with the five acts who will eventually take the stage at the end.
I enjoyed it! Although it didn't perform as well as The Secret Life of Pets at the box office, I liked it more. Partially because of the wider range of species - plus it didn't plug the Minions franchise as much - but mostly because it felt fun, didn't get bogged down in itself, and I liked the music.
This movie had just the worst timing.
Is it fair to review a movie that came out half a year ago now, just because I was Making A Point about … something or other … when that half a year ago came and went? I don’t know, but if the review had come out then, it would have been a thumbs up. Now, this is a negative review, by the way.
Sing’s well out of the theaters and available to rent or own, and it’s nominated for an Ursa Major award. Maybe it’ll win it, for all we know. Everybody could have just gotten tired of the at this point assumed and basically all but destined winner; of course, 2016 was not a great year for presumed and basically all but destined winners. If you voted for Sing, however, I don’t blame you; it’s still okay. There is a difference between a pan and savaging, and, honestly, this barely rates pan. I used to like it, after all. Still kind of do. Just not as much anymore.
Part of the reason for this downturn in my affections is due to another movie; yes, there’s an elephant in the room we’re going to need to talk about, and I’m obviously not talking about the characters in the movie. Actually, there are a lot of elephants I’m planning on discussing, but set that aside right now because, when I rented Sing recently and rewatched it, I realized I liked Rock Dog better. So, there’s that.
This has been a long time coming.
The movie? No, not the movie itself, but my review of it. To people who are only reading this review to get to my thoughts on the movie, I suggest skipping my little prologue. For those that would like some context, then read on.
Rock Dog has been on my radar for well over a year, potentially two years, though it's kind of hard to pin down the exact date. I saw the original trailer when it leaked at around the end of 2015 and was immediately interested.
The film was directed by Ash Brannon, a co-director of Toy Story 2 and the underrated masterpiece that is Surf's Up. I grew up with the latter film and was curious of this new project since Ash hasn't done a ton in the animation field since 2007.
I was so hyped for the film that I felt that it would surpass Zootopia. This belief had caused debates with many of the avid fans the film had garnered in the fandom. While my stance has softened on the Disney film, I still stand by some of the grievances I had with it. That being said I have decided that despite my desire to compare the two films, I decided to purely look at Rock Dog as it's own film and judge it on its own merits.
The first time I was introduced to NIIC was on Flayrah. I think it was during the time we were discussing definitions of furry. Someone linked to an interview, republished on Flayrah, where NIIC shared his definition of furry music; one I referred to in my own article on the subject. However, I still didn't really listen to his music until someone linked me to "Paws To The Wall (Fursona version)."
Moving forward a few months, I looked for more of NIIC's work and found his newest album, Beast, released last month, available on Soundcloud. I decided to give it a listen, ripped everything out of the cloud and started listening to it at work. I quickly found that I was really enjoying it and decided to buy the album and help support him. Well, I ended up buying all of his CDs at once, but it does give me the perfect opportunity for a review!
Monster, monster… no-one knows this thrilling feeling. Dizzy how, dizzy how - it's TeleMonster time!
The single is written by Sia Furler, and definitely sounds like it.
Zootopia is coming out soon; so enjoy this song while you wait!
It's too bad they went for a self esteem anthem for this song. With such a wide premise and world they built for Zootopia with all the rich environments and backgrounds, it's too bad we don't hear her name drop animals or anything in the song once. I think it's a big opportunity missed, maybe that's just me.
Let me know what you all think of it!
Pop star Shakira has put up a 30 second preview of "Try Everything," a song she is singing in character as Gazelle, a, well, gazelle pop star from the furry world of Zootopia (or Zootropolis to our non-American friends), Disney's forthcoming animated feature due March 4.
An ongoing New Years celebration (which of course is called "Zoo Year's Eve") will culminate with a new trailer (which is referred to as a "gnu" trailer, obviously) being released soon. The last trailer wasn't received particularly well by furries at first, but was met with near universal approval from non-furries when played in front of Star Wars: The Force Awakens.
Update 1/5/16: Sorry, folks, preview's over. Have a placeholder image for now.
The famous electro swing group Caravan Palace released a new, anthro filled video for their single "Lone Digger".
Directed by Double Ninja, most famous for directing "Magic" by Mystery Skulls, the video depicts a gang war but with the classic cats and dogs 'hating each other' motif. The showdown takes place in a performance bar of sorts.
This is the group's second single from their new album < I°_°I > (pronounced 'Robot').
NSFW warning: This video isn't exactly SFW. It gets a little intense towards the end.
It was filmed at the Imaginarium, the digital motion capture studio set up by Andy Serkis and Jonathan Cavendish in London. Is this the first of many realistic anthropomorphic mo-cap music videos that we can see in the future?
An advert for EZ Cooldown cooling vests for suiting peformers was released by EZ Wolf. The scolling shot features many fursuiters performing a wide variety of wacky tasks slowed down dramatically while the accompanying music by Fox Amoore and Pepper Coyote of Look Left encourages the audience to "Stay as You Are".
EZ Wolf is well known for his works in furry cinemtography, including the "infamous" Room 366 video which caused controversy in the fandom when it was leaked back in 2011. If you look hard enough, you may find an Easter egg referencing that particular video towards the end.
When Anthrocon started in Albany in 1997, the humble gathering went by the name of “Albany Anthrocon”. Two years later the convention found itself moving out of New York State and into Pennsylvania. Through that was learned the first major mistake a fledgling convention could make. Naming your new convention after the city it is hosted in is like someone getting their lover’s name tattooed to their arm. Ironically, it’s a mistake that other conventions still make to this day.
But living through mistakes is what makes one stronger in the end. It has now been about one decade since the largest furry convention had made its home in Pittsburgh. At this point I think it’s a much safer bet to commit to being inked.
As there were 6,389 recorded attendees to this convention, there are just as many stories and perspectives on the convention. So this review will focus on three sections I focused my experiences around: fursuiting, performances, and writing. It is essential to note that reviewing a convention is unlike reviewing any other medium where you can experience a full package. Many panels run concurrently so one has to make a choice, usually based upon one’s preferences.