RetroCrush has rated their top 50 sexiest cartoon babes. Amongst the predictable winners such as Lara Croft and Wonder Woman are some more intriguing ones from the series that have anthros. For example, Bugs Bunny is number 24 (click the link for the explanation on that one) and slot thirteen is occupied by Cheetara of Thundercats fame. Other furries are in the ranks as well, but I won't spoil them here -- go check the list out for yourself.

Jim Groat's GraphXPress website, home of the popular and infamous "West Corner of the Park" comic strip, has gone down. It appears that the site has become unavailable due to differences of opinion between the web/sitemaster and Jim Groat. The webmaster's side of things can be seen by clicking on the link above.

This is Part 2 of my commentary on furry conventions, in relation to geography, demographics and statistics. Reading Part 1 might provide more about my perspective and understanding this in context.

Introduction

Furry conventions are hard to organize, put together, and run. They require staff, a venue, and many other complicated things. One aspect that isn't brought up enough is something that con staff don't necessarily "need" to worry about: transportation. Besides the hotel cost, transportation is perhaps the most prohibitively expensive barrier to someone attending. The low focus on this is partially because cars are the most common (and often most convenient) way to get around in the United States and Canada. I would argue that due to the sheer dominance of the car in these countries, it's hard for a lot of people to realize just how disadvantageous cars can be - on both an individual and societal level. I won't focus much on the societal level, but I will focus on the individual level, to show why I care so much about transit, even in a furry context. I'll also talk about how it relates to poverty, and what we can do about it.

There’s a problem comparing Space Jam: A New Legacy to the original Space Jam. I could say the new movie lives up to old one; but the thing is, despite its popularity over the last quarter century, the verdict of whether or not it’s any good is still very much undecided.

That’s always been a bit of a mystery to me, however, because the original Space Jam is fine. It’s a movie for kids, and I was actually a bit old for it when it first came out, but I remember smaller kids than me absolutely loved it, so instant pass right there. Target audience likes it, you win. I rewatched it last year while binging a bunch of Looney Tunes stuff while in pandemic lockdown. I enjoyed it. Lots of the jokes held up. You’re a comedy. You make me laugh. There’s another instant pass. It’s fine. That’s my mini stealth review of the original Space Jam in my Space Jam: A New Legacy review. So you got two Space Jam reviews for the price of one. You’re welcome.

The movie Space Jam: A New Legacy is about LeBron James (charmingly credited as “Himself”) playing basketball with a bunch of Looney Tunes. It is a mixture of live action, CGI animation and hand drawn animation, directed by Malcolm D. Lee. It is playing in theaters now, or is available to stream until August 15 on HBO Max for those with a subscription to that service. It is also fine.

This is the part of the review where I should say which Space Jam is better, but actually if you get the HBO Max subscription, they also have the original to stream, plus a decent collection of the original shorts, some of the more modern iterations of the property, including the The Sylvester and Tweety Mysteries, The Looney Tunes Show, New Looney Tunes (a.k.a. Wabbit!), the HBO Max original Looney Tunes Cartoons and even something called Baby Looney Tunes: Musical Adventures – which I don't think shares a common target audience with Flayrah, but if that's your jam, you do you. So I'd recommend doing that.