Just today the trailers for the upcoming sequel to Peter Rabbit have hit the Internet. Peter Rabbit 2: The Runaway is coming to theaters next April, once again directed by Will Gluck. According to Wikipedia, “The film stars the voice of James Corden as the title character, with Rose Byrne, Domhnall Gleeson, Margot Robbie, Elizabeth Debicki, Daisy Ridley, and David Oyelowo also starring.” Meanwhile The Hollywood Reporter says, “The sequel to 2018’s Peter Rabbit catches up with Thomas, Bea and the rabbits that have become a makeshift family. Despite his best efforts, Peter can’t seem to shake his mischievous tendencies. When adventuring out of the garden, Peter finds himself in a world where his mischief is appreciated. Conflict ensues when his family risks everything to come looking for him, which forces Peter to figure out what kind of bunny he wants to be.” Check out the trailer for yourself.
According to convention chairman Rizzorat, "configuration changes to our payment systems" which include switching payment providers necessitated a delay to "reliably implement and test" them. ConFuzzled registration, previously expected to open tomorrow (Friday, October 11), is now to open November 1 at 20:00 GMT/UTC+0 – British Summer Time to have ended October 27.
Organizers apologized to those who may have "made special plans to be available tomorrow evening to ensure you secure your registration", going further to justify and explain the change, which was felt to be "absolutely necessary to ensure your peace of mind" ahead of the event's 13th instance:
Why are we making this decision? As a result of uncertainty surrounding the UKs departure from the European Union, our banking & credit card handling partners have imposed additional conditions that we’re having to work through. Unfortunately, this is resulting in various operational changes, including (but not limited to), switching our payment partners to ensure we can maintain our normal operations.
We’d like to reassure you all that registration will be going ahead on the new date, and that ConFuzzled is not financially impacted by the above changes. Furthermore, we are fully confident that we can continue to welcome those of you who visit ConFuzzled from EU countries. Whilst we expect travel documentation requirements may change, as long as these are satisfied, we see no reason you should be unable to visit ConFuzzled.
Here’s more from Animation World Network: “Channel 4, Lupus Films, and HarperCollins have announced the voice cast for their upcoming animated film, The Tiger Who Came to Tea… Based on the classic children’s book by Judith Kerr OBE, the half-hour film will bring the vivid images and irresistible story of this classic picture book to life. Benedict Cumberbatch (Sherlock, Avengers: Infinity Wars), Tamsin Greig, David Oyelowo, David Walliams, and Paul Whitehouse will portray the characters of Daddy, Mummy, Tiger, Narrator and Milkman respectively, while seven-year-old newcomer Clara Ross will make her TV debut as Sophie. Published by HarperCollins Children’s Books and produced by Lupus Films, The Tiger Who Came to Tea tells the story of what happens when the doorbell rings as Sophie and her Mummy are sitting down to tea in the kitchen. Confronted with an unexpected guest – a big, furry, stripy tiger – they invite him inside where he proceeds to eat everything in sight before making a timely exit, just before Daddy gets home. Inspired by the author’s daughter, The Tiger Who Came to Tea was first published in 1968 and has sold over 5 million copies. Lupus Films’ distinctive, hand-drawn animated style will bring the story to life, introducing the characters to a whole new audience. Channel 4 will broadcast the one-off half-hour special this Christmas.” Now we’ll see if it becomes available in North America after it airs in the UK.
From the oldest active fur con, to one of the newest: Wild North, held in Northumberland, just shy of the Scottish Borders, is looking to spread its wings, with falconry, archery and the cult game of Werewolves taking place at the venue over September 27-30.
Staying Friday 3 PM to Monday 11 AM costs £150 for buffet food, soft drinks and beds, but not bedding. A recent announcement added two-day weekend and single-day residency options, for £100 and £50. But prospective castle-dwellers must hurry; registration and payment is to close this Saturday, August 31.
Furry photographer Exodus Arias was not impressed upon reading the pictured note:
[…] the worst attempt at hiring a Cameraman for a convention ever. Clearly they want some specific footage yet unclear as to what.
That's curious, there was a guy on the boat party and later the meet in London who was in a business suit, not interacting, just dropping of their business card (the photo attached) to random people...a tad weird.
Even more weird: said card, shown below, came with a teasing mention of hard cash.
Update (31 Jul): The person behind the offers has given a response, published below.
His animation studio, that is. The original Danger Mouse was produced by Cosgrove Hall Films in Manchester, England, U.K., for Thames Television from September 1981 to March 1992. The new Danger Mouse is being produced by Boulder Media in Belfast, Northern Ireland, U.K. from September 2015 to who knows? DM, Penfold, Baron Greenback and the whole gang are back. With some differences.
Baron Silas Greenback is now Baron Silas von Greenback, mit ein Cherman agzent. Professor Squawkencluck is now female, the niece of the original Professor. A new character is Jeopardy Mouse, an American equivalent of the British DM, and a female. Count Duckula, star of another Cosgrove Hall series of the 1980s, is a supporting character in the new DM.
Journalist Maria Margaronis interviewed furry fans at a Cambridge Furs meet last month for next week's episode of The Why Factor, a programme exploring "the extraordinary and hidden histories behind everyday objects and actions" through the voices of those involved.
In stories, cartoons, advertisements and our everyday lives, we project human thoughts and emotions onto animals—and claim their strength and style for ourselves in the brand names of cars and cosmetics. Why do we do that, and what do we get out of it? Can we ever know what animals really feel? And are we as different from other species as we like to imagine? Maria Margaronis meets the furry fandom, who put on “fursonas” and cartoonlike animal costumes to meet and socialise. Neuroscientist Bella Williams upends some assumptions about animal brains and explains how to read a mouse’s facial expression; children’s author Michael Rosen sportcasts an insect race. Farmer Helen Reeve reflects on how she feels about eating her own cows. And historian Harriet Ritvo poses a thornier question: what makes our species think we are secure in our dominance over the natural world?
The 18-minute show "Animals Are Us?", which received input from furry artists, fursuiters, fursuit-builders and other fans, is to be broadcast on the BBC World Service on Friday 24 at 18:32 and 23:32 GMT (EDT+4, BST-1), with re-broadcasts on Sunday (21:32) and Monday (04:32, 12:32).
Update (23 April): A four-minute clip featuring several furs is available (transcript below).
Update 2 (24 April): The full episode has been published. There is no additional content featuring furries, but you may find the rest interesting, as it's all about anthropomorphism.
The Mysterious Affair of Giles is an Agatha Christie-styled murder-mystery and is best read with a cup of tea nearby. (publisher’s blurb)
Kyell Gold already has the reputation of being the preeminent author of high-quality erotica in Furry fandom. Now it seems that he is trying to establish a similar reputation as furry fandom’s number one mystery author, at least of what is usually called the British “cozy” mysteries, or the country-house murder mysteries of which Agatha Christie was the acknowledged mistress.
The Mysterious Affair of Giles makes no secret of this. It is advertised as an Agatha Christie-styled murder-mystery. It is dedicated “To Dame Agatha for all the inspiration.”
An acknowledgement thanks London furry fan Alice "Huskyteer" Dryden for “Brit-picking” the manuscript, making sure that it, and especially the dialogue, are correctly British. The furry characters are all English animals except where they are noted as coming from British India. Most tellingly, the title The Mysterious Affair of Giles is an obvious pastiche of Christie’s first novel, the 1920 The Mysterious Affair at Styles, which introduced both her as a mystery author and her most famous private detective, Hercule Poirot.
Yet do not think that Gold’s novella is a point-by-point imitation. There is no Famous Detective in it. The year is 1951; not exactly the present, but not the old-fashioned past, either. Tremontaine is a large manor house a couple of hours’ drive from London. The cast is Mr. Giles St. Clair, an aristocrat but also an up-to-date industrialist, his wife, and their son and daughter in their early twenties, all red foxes, and Martin Trevayn, Giles’ business partner, a stoat, their guest at Tremontaine on a business visit, plus the manor staff, a deer senior housemaid, two weasel cooks, a rabbit and an Indian otter housemaid, an Indian brown rat butler and Mr. Giles’ dhole valet.
Twelve characters. One of them is murdered.
The principal investigators are a badger police Inspector and his wolf Sergeant. The mystery’s protagonist is Ellie Stone, the young weasel assistant cook, a reader of murder-mystery novels who has never wanted to live in a real one, but who can’t help comparing the actual police’s sleuthing with her fictional police’s detecting. Naturally, everyone has a secret, and during the course of the story they all come out. Some are pertinent; others are not.
Kyell Gold’s stories often come with “Adults Only” readers’ advisories. The Mysterious Affair of Giles does not need one – quite – but its cast are all adults, and some of the secrets revealed are adult ones. I do not recall Agatha Christie ever delving into this territory, but it feels natural here and it helps to keep the story from being a period-piece.
Illustrations by Sara "Caribou" Miles,Dallas, TX, FurPlanet Publications, February 2014, trade paperback $9.95 (107 [+2] pages), Kindle $6.99.
The bad news: The Mystic Sands by Alflor Aalto is a funny animal novel. The characters, all anthropomorphized animals, are interchangeable surrogate humans. There is no reason for any of them to be raccoons, rabbits, foxes, weasels, squirrels, or anything other than humans. They are all human-sized, wear regular human clothes (imagine a human-sized squirrel wearing Victorian clothes), eat human diets, etc. They do occasionally refer to their animal natures:
And don’t you worry your fluffy ringed tails, my friends. (p. 36)
The good news: The Mystic Sands by Alflor Aalto is a ripping good page-turner, a guaranteed attention-holding light thriller of the 1930s Weird Tales sort with anthropomorphized animals that will have you wanting to finish it in one session. Go buy it!
In 1931 on the Isle of Man, the Irving family claimed that their farm was home to a spectral talking mongoose. Many British tabloids carried stories on Gef and various psychic investigators visited, searching for evidence of the creature. Was is a hoax, paranormal activity, or some combination of them?
Furries gives a candid commentary that reveals details about 'fursuits', 'fursonas' and the 'furry fandom'. Award winning photographer Carmen Dobre continues her examination of 'furries', who they are and how they perceive themselves. Documentary style portraits alongside one-to-one interviews reveal the intriguing passions of people whose human identity is challenged by their love of their chosen animal persona/fursona. The first colour illustrated book featuring an international cross-section of individuals who choose to dress as animals and why. (blurb)
Leave it to Academia to get it almost but not quite right. Furry fandom is about more than just the furry lifestylers, of course, but this artistic collection of photo-interviews with fifteen fursuiters (and their mates) does get all genuine furry lifestylers. Each portrait identifies the British, Dutch, French, or German lifestyler in an average of two pages of text, followed by eight pages of beautifully-posed full-colour photographs; two of the fan posed in his home or apartment, a closeup or two of his fursuit, and four or five of his messy home. Most of the fursuiters look like typical college students living in batchelor apartments, including those married and long out of college.
Reviews: 'Wallace & Gromit: The Complete Newspaper Comic Strips Collection. Volume 1, 2010-2011', by variousPosted by Fred on Wed 27 Nov 2013 - 05:34
Aardman Animations’ Wallace & Gromit stop-motion clay (or plasticine) films should need no introduction to Flayrah’s readers. The first, A Grand Day Out, released in Great Britain for Christmas 1989, almost immediately became a sensation in both Britain and America. New short films, the Curse of the Were-Rabbit feature, the Shaun the Sheep TV series, and a steady stream of merchandising have kept the pair (for Flayrah, especially Gromit) alive for almost twenty-five years.
It seems bizarre that there was no Wallace & Gromit newspaper comic strip until May 17, 2010. As an American, I had assumed that there was a comic strip in Britain long ago, but apparently not. Here is its announcement:
Titan Comics and Aardman Animations have teamed up with The Sun newspaper to produce a daily Wallace & Gromit comic strip!
From May 17th, the inventive duo will feature in their very own daily comic strip in the newspaper, with each adventure running for 6 days, from Monday – Saturday. The comic strip comes after the success of Titan and Aardman’s Wallace & Gromit iphone comic, which was brought out to celebrate 20 years of the famous pair.
Don't miss the start of the first adventure, out on May 17th and let us know what you think!
From 1969 to 1972, BBC-TV presented a series of 26 10-minute stop-motion animated children’s episodes about the Clangers, tiny pink mouse-like denizens of another planet, and their cook, the Soup Dragon. The series was popular with British children and parents alike.
The Cartoon Brew has announced, in an article by Neil Emmett, that Clangers (or The Clangers) will make a comeback in 2015, with 52 new episodes for CBeebies in Britain and the preschool channel Sprout in the U.S. The new series will be produced in stop-motion animation of knitted puppets by Peter Firmin, the original puppet maker and puppeteer (now 84), with writing supervision by Daniel Postgate, the son of the creator and original writer, Oliver Postgate. The article contains one of the original 10-minute episodes.
Ben Walker, a British undergraduate student at Keele University in Staffordshire, is conducting research on the design of online social spaces. He has created a brief survey for members of the fandom and is seeking candidates for interviews and focus groups.
[The] point of this research is to aid the design of online social spaces. If forums and community sites can be made to fit their communities better, the experience users get from them improves.
This project combines my two degree subjects, Computer Science and Geography (the human centric stuff) with the aim of utilising both to provide some tangible benefits to online communities. Being on the edge of the fandom I thought looking at Furries would be more interesting.
On 3 October, the statues were auctioned to raise money for an expansion of Bristol Royal Hospital for Children. One lot, Gromit Lightyear, designed by animation studio Pixar and depicting Gromit as Buzz Lightyear from the Toy Story franchise, sold for £65,000.
The eighty-one statues, depicting Gromit in a variety of styles, were designed by several artists, including Nick Park (creator of Wallace and Gromit), and Simon Tofield (animator of Simon's Cat). In total, £2.3 million was raised for the hospital. Nick Park said he was "stunned" by how successful the auction was.