AlectorFencer (Claudya Schmidt) was recently awarded the Best Artist prize for Artwork in the 2020 Rudolph Dirks Award, named after German-American cartoonist Rudolph Dirks, for her comic Haunter of Dreams.
Haunter of Dreams - released at Eurofurence 25, where she was Guest of Honour - is just one of several comics and illustrations set in the world of Yria which have earned AlectorFencer honours. She received a Rudolph Dirks Award in 2018 for her work on MYRE - Chronicles of Yria Volume 1. Earlier this year, she won a silver Spectrum Award in the comic category for her illustration Flora, depicting a mythical being from Yria.
Volume 1 of a planned three-volume trilogy focuses on Amon and the circle of characters that surround him as he lives out his days on the chain of islands known as the Matta’atel Shanivaar (or String of Tears) as a professional male prostitute.
The work alludes to racial tensions between two warring nations and the conflicts that inevitably arise from such a situation. It is on sale at Sofawolf’s website for $29.95.
At Anthrocon this year, I was able to get a brief time with Rukis (while she was busy manning her dealer’s booth) to discuss her most recent publication; Red Lantern, Vol. 1: The Crimson Divine, out now as a graphic novel for $29.95 from Sofawolf. Among plot and time zone complications, we were able to discuss Bollywood, slavery and chance meetings.
Earl: Again, thanks for this.
Rukis: No problem.
Earl: Appreciate it; we’ll start with a simple one. Where did the idea for Red Lantern come from? What was the idea for that story?
Rukis: Um, I am really fond of documentaries and NatGeo programming and History channel programming and stuff like that. And, um, I was actually watching a documentary on a slum, in India, that’s on an island where this sort of prostitution ring actually exists, today. And it’s the type of ring that’s been around for a really long time and people don’t actually realize this still exists in the world, now. And a lot of the time, the reason they have them on islands is because escape is, uh, very difficult that way.
So, I’d seen this and knew I wanted to do a comic with really, with a really serious storyline. And I’ve always had, I guess, kind of a morbid fascination with the sex trade, so it just kind of spoke to me...and it’s kind of how the whole idea came about.