Katie Cook is well-known these days as one of the main writers and sometimes artist of IDW’s My Little Pony: Friendship is Magic comic book series. Well, she has also created her own on-line comic series called Gronk: A Monster’s Story, which follows the adventures of a young and rather adorable monster… living out in the human world. Unable to make it as a scary thing that bumps in the night, she instead moves in with a young woman, her mischievous cat, and her friendly but very large dog. After several years on line, this full-color all-ages comic has now been collected into three softcover volumes by Action Lab Entertainment — all of them currently available at the Gronk web site.
Furry comics to appear in the top 100 bestsellers list for November 2014 include:
Writer and artist Ian Jay refers to his on-line black & white comic Crossed Wires as an “anthro cyberpunk hacker romance action” story. We’d be hard-pressed to find a better description! Visit his official Crossed Wires page to see what he means. While you’re at it, take a look at his on-line store. There you will find (among other things) collections of Ian’s previous anthropomorphic comics, including Epiphany and Megahertz.
For many Furry Fans who grew up in the 1960’s and 70’s, Kamandi, The Last Boy On Earth held a special place in their hearts. Now, IDW Publishing have brought us this: “Of all Jack Kirby’s celebrated DC Comics creations, perhaps none has struck such an enduring chord with readers as his post-apocalyptic adventure Kamandi: The Last Boy on Earth. Now, to the delight of fans far and wide, this much-anticipated series joins the esteemed ranks of Jack ‘King’ Kirby’s Artist’s Editions! Long after the age of super heroes, Kamandi triumphed as humanity’s last beacon in a world ruled by beasts. Traveling the remnants of civilization after a great disaster, the Last Boy on Earth found both friends and foes among the irradiated animal kingdom that now inhabited the world. Written and drawn by Kirby, the series was unique to comics and completely unlike anything else readers had seen. This enthralling Artist’s Edition features some of the most influential complete issues from the revered series, including issues 1, 2, 5, 6, 7, and 9, along with additional covers and other bonus material. At 160 pages and measuring 12” by 17,” this Artist’s Edition will amaze and delight fans this May!”
It’s time we caught up with The Humans. Which is to say Keenan Marshall Keller and Tom Neely’s new full-color comic book series from Image. Take the violent biker culture of the early 1970′s. Set it in dusty Bakersfield, California. And make the protagonists all walking, talking, humanoid apes. In leather. On big bikes. There you go. “The Humans is one long and twisted ride through biker gang warfare, drug running, corrupt cops, semi-truck hijackings, Vietnam flashbacks, Skin Fights (homosapien cockfighting), major ultra-violence, a strip club called The Forbidden Zone, and bloody vengeance.” Sounds like quite a party. Check out theinterview with the creators over at The Nerdist, and look for the first issue to come out this November.
Tooth & Claw is a new severely-anthropomorphic full-color comic book series from Image Comics, coming our way this November. Check out the preview pages over at Image’s web site. “Tooth & Claw, the exciting new series from bestselling writer Kurt Busiek (Marvels, Astro City), artist Benjamin Dewey (I Was the Cat, Tragedy Series), Eisner-winning colorist Jordie Bellaire (The Manhattan Projects, Pretty Deadly), and letterer John Roshell of Comicraft that was announced at Image Expo in July, will launch on November 5. The highly anticipated fantasy epic can best be described as Conan meets Kamandi with a Game of Thrones-style storytelling experience. In Tooth & Claw, a secret conclave of wizards brings a legendary champion forward through time from the forgotten past to save the world—with disastrous consequences. Featuring swords, sorcery, beast-wizards, gods, sprawling animal empires, golems of radioactive decay, crystalline badlands, con women, ancient armories, young love, mystery, blood and death and treachery and destiny… Tooth & Claw is the sprawling, world-building fantasy series readers have been waiting for.” It should be noted that this new comic is being marketed as aiming for mature readers — meaning it will not scrimp on the violence or the nudity. And this is from Image!
Sometimes things are described in a very straightforward manner: “The Adventures of Aero-Girl. It’s the story of a young jet-pack wearing sidekick who must not only deal with the death of her father & mentor, but also that his powers (and her destiny) have been transferred to a silverback gorilla.” It’s also a new self-published 4-issue comic book miniseries, written by DeWayne Feenstra and illustrated in full color by Axur Eneas and Juan Pablo Riebeling. After a successful Kickstarter campaign this summer the first issue is available now, so check it out over at Fan Girls Are We.
With interest in Howard the Duck rising again after his *Spoiler Alert!* momentary cameo in a recent hit movie from Marvel, they’ve decided that this October the time is right to re-release the Howard the Duck Omnibus — which has been out of print for more than six years. A massive hardcover (more than 800 pages) written entirely by Howard’s creator Stever Gerber — with artistic contributions from the likes of Val Mayerik, Frank Brunner, Gene Colan, Carmine Infantino, and John Buscema. This classic collection of the foul-mouthed foul “trapped in a world he never made” brings together stories from Adventures into Fear #19, Man-Thing #1, Giant-Size Man-Thing #4 – 5, Howard the Duck #1 – 33, Marvel Treasury Edition #12, and Marvel Team-Up #96. Read all about it at The Nerdist.
DC is doing a digital release of Captain Carrot And His Amazing Zoo Crew! this year. First issue was released in 1982... now rereleased August 19th, 2014!
Captain Carrot and His Amazing Zoo Crew! is a DC Comics comic book about a team of funny animal superheroes called the Zoo Crew. The characters first appeared in a special insert in The New Teen Titans #16 (February 1982), followed by a series published from 1982 to 1983. The Zoo Crew characters were created by Roy Thomas and Scott Shaw!. Although the series, which was the last original funny animal property created by DC Comics, proved short-lived, it is still fondly remembered by many comic fans of its generation, and the characters appear occasionally in cameos in the mainstream DC Universe (this is made possible due to the existence of a "multiverse" in the DCU, which allows the Zoo Crew characters to exist on a parallel Earth).
These are the first two collections of the wacky fantasy Slightly Damned full-page, full-color internet weekly comic strip by Sarah “Chu” Wilson. She has won the Ursa Major Award for both the Best Anthropomorphic Other Literary Work (these book collections) and for the Best Anthropomorphic Graphic Story, for both 2012 and 2013. If you haven’t read “Slightly Damned” yet, these are a lot more fun than reading through the strip’s online archives a page at a time.
The back-cover blurb, which establishes the mood as well as the plot, says:
Rhea has a big problem: SHE’S DEAD. Too burdened with sin for Heaven or Purgatory, yet not quite bad enough for Hell, Rhea is sentenced by the grim reaper to the obscure Ring of the Slightly Damned. There she finds that death is only the beginning of her worries as she contends with dysfunctional Demons and their perplexing pets, a socially awkward Angel with a cute ‘n cuddly curse, a goofy god, and even… herself. The afterlife just ain’t what it used to be!
Slightly Damned, Book One, by Sarah “Chu” Wilson, Phoenix, AZ, Slightly Damned Comics/Orlando, FL, Ka-Blam Digital Printing, June 2012, trade paperback $39.95 (unpaged [276 pages]), digital download $4.99.
Slightly Damned, Book Two, by Sarah “Chu” Wilson, Phoenix, AZ, Slightly Damned Comics/Orlando, FL, Ka-Blam Digital Printing, May 2013, trade paperback $39.95 (unpaged [318 pages]), digital download $4.99.
This is a review of the original French edition. My thanks to Lex Nakashima for getting and loaning it to me.
The young Alfred Bigoodee is only an assistant when he embarks on the seaplane of Lady Rozenbilt, the fabulously rich woman with tastes as fantastic as they are dangerous. This voyage will forever change his life.
A complete story about the man who will become Captain Bigoodee, one of the most striking characters of the series District 14, the prize-winning series of the International Comics Festival of Angoulême. (French blurb; my translation)
The French publisher’s American subsidiary in Hollywood has published the English translation, The Fantastic Voyage of Lady Rozenbilt, almost simultaneously with the original edition, but has declined to send me a review copy; so this review is of the French edition alone.
This 124-page hardcover album starts out as a prequel, so to speak, of Pierre Gabus and Romuald Reutimann's District 14, Season 1, which I described in my review as:
a Ridley Scott Blade Runner megalopolis (Reutimann’s art convincingly portrays a huge but crumbling early 20th-century city) with Humphrey Bogart as the cynical private eye; and the inhabitants, each of whom has a dark secret, divided roughly into one-third humans, one-third anthropomorphic animals, and one-third outer-space immigrants in their flying saucers.
The humans are the upper classes of society, but that doesn’t mean that the humanoid animals are not at least as active when it comes to really running things.
One of this world’s supporting characters is the mysterious cat-man Captain Bigoodee; American- or English-accented in the French edition or French-accented in the American edition. This is the story of his youth, and of how he loses his innocence.
Paris, Les Humanoïdes Associdés, October 2013, hardcover €15.99 (124 pages).
We’ve got three issues from what are becoming the core books of this Pull List series of articles.
The oldest title in the series is Teenage Mutant Ninja Turtles, which has been around since the first Pull List and 14 issues have appeared in 14 other pull lists, counting this one. Eight spin-off issues, including the original Micro-Series, the Villains Micro-Series and The Secret History of the Foot Clan have also appeared in seven Pull Lists, bringing the total TMNT number to 23 issues in 22 Pull Lists.
My Little Pony: Friendship is Magic began at the beginning with #1 in Pull List #6. Since then, 10 other issues have appeared in nine other Pull Lists, with seven issues of its Micro-Series featuring in seven Pull Lists, bring the franchise’s total up to 18 issues in 17 Pull Lists.
The new kids on the block are the Guardians of the Galaxy, with seven issues in seven Pull Lists and no spin-offs, so they’re also the easiest to keep track of.
IDW has put out this comic to celebrate the fact that the Teenage Mutant Ninja Turtles have turned 30 this year, an age which is not only well beyond teenaged, but also past the point where pointing that out can be considered witty, but that’s not going to stop me.
The book contains a brief history of the ninja turtles, starting with their beginnings as a self-published comic in May of 1984, with various pieces of turtle nostalgia, including the sketch of what is now considered the “first turtle,” ads, posters and press releases for the first ever issue, as well as full page tribute art by Steve Lavigne, Michael Dooney, Ken Mitchroney, Ben Bates, T-Rex, Ross Campbell, Mark Torres, David Petersen and Daniel “Pez” Lopez, with a cover by Kevin Eastman and Peter Laird with a back cover by Mateus Santolouco, not to mention a variety of alternate covers.
The book covers the history of the TMNT in the comics exclusively; it features brand new stories taking place in five comic book continuities: the early Mirage years, the Archie TMNT Adventures, the Image “third volume”, the later Mirage years and the newest IDW series, with a limited cover gallery showing the first issue of each of these eras.
May 2014, IDW Publishing, San Diego, CA, trade paperback $7.99, Kindle $1.99.
I reviewed volumes 8-10 here in May 2013. My review was so favorable that part of it is quoted in the back-cover blurb on volume 12. Here are volumes 11 and 12, equally enjoyable and not-to-be-missed.
These two pocket-sized books contain the Doc Rat daily Internet comic strips from #1427 to #1558 (December 13, 2011 to June 13, 2012), and #1559 to #1758 (June 14, 2012 to March 20, 2013). Volume 11 is a normal one, collecting six months of the comic strip. Volume 12 is a giant-sized one, collecting more pages to take the story to the conclusion of a long story-arc.
Dr. Craig "Jenner" Hilton has been simultaneously an active furry fan and an Australian doctor since the early 1980s. His anthropomorphic cartoons were published in the progress reports and program book of the 1985 World Science Fiction Convention in Melbourne.
For about twenty years after graduating from medical college, Hilton was assigned to provide medical services for a series of small towns around western Australia, from which he sent his furry cartoons to America. During a stay as the doctor for the coal-mining town of Collie, he drew an anthropomorphic comic strip, DownUnderGround, for the local newspaper. He finally settled in permanently as a GP in a suburb of Melbourne. His character of Doc Rat began appearing in individual cartoons in medical and non-medical publications during the 1990s. On June 26, 2006 he launched Doc Rat as a Monday through Friday comic strip on the Internet. Since then Doc Rat has picked up an international following, including placing as one of the five finalists in the Best Comic Strip category for the Ursa Major Awards for 2009, 2011, 2012 and 2013 voted upon this year.
Doc Rat is a combination of stand-alone comedy strips, usually emphasizing medical humour of the groaner-pun variety, and urban drama in an anthropomorphic world where carnivores are allowed to hunt and eat the herbivores, although they have to do it legally. This involves a lot of red tape and filling-out of forms. Often the carnivores are too impatient to do this, and they hunt illegally, which provides much of the drama of the strip. The herbivores are working politically to make all predation of intelligent citizens illegal, which is also a plot point.
Doc Rat. Vol. 11, "I’m Fair Off Me Tucker, Doc", by Jenner, June 2013, Platinum Rat Productions, Melbourne, Vic., Australia, trade paperback AUS $16.00 or US$12.95 ([76 pgs.])
Doc Rat. Vol. 12, "It Hurts To Swallow, Doc", by Jenner, December 2013, Platinum Rat Productions, Melbourne, Vic., Australia, trade paperback AUS$18.00 or US$14.95 ([110 pgs.])
For all the hubbub about Marvel Studios deciding to go with an obscure team featuring a talking raccoon with a machine gun for their latest movie, they’re only continuing on as they started.
Think about it; not counting serials, what was the first DC universe character to get his own movie? Batman, followed by Superman (followed by Batman, Batman again, even more Batman, Superman, Superman and next Batman and Superman together). That’s their two biggest guns, and barring that weird Ryan Reynolds thing and Vertigo adaptations, that’s about it.
What was Marvel’s first superhero to get his own theatrical movie? Howard the Duck, followed by Blade, a character who struggles to headline his own comic books, but somehow managed a trilogy of movies. Yeah, Howard the Duck was the first obvious warning sign George Lucas wasn’t perfect, but now that Guardians of the Galaxy movie doesn’t sound so weird, does it?
Anyway, this is a special edition of Pull List; we’re taking a look back at one of the odder cult characters in mainstream comics. Howard the Duck got his start in a horror comic, of all places, created by weird writer extraordinaire Steve Gerber (four words: elf with a gun). Howard would have been a nobody in his home universe, where everybody is a duck, but he got stuck in our world, “trapped in a world he never made,” as the series’ tagline goes (which kind of applies to everybody, but whatever), so he got his own comic book series here.
His comics’ introduction describes him:
From the time of his hatching, he was … different. A potentially brilliant scholar who dreaded the structured environment of school, he educated himself in the streets, taking whatever work was available, formulating his philosophy of self from what he learned of the world about him. And then the Cosmic Axis shifted … and that world changed. Suddenly, he was stranded in a universe he could not fathom. Without warning, he became a strange fowl in an even stranger land.