AlectorFencer (Claudya Schmidt) was recently awarded the Best Artist prize for Artwork in the 2020 Rudolph Dirks Award, named after German-American cartoonist Rudolph Dirks, for her comic Haunter of Dreams.
Haunter of Dreams - released at Eurofurence 25, where she was Guest of Honour - is just one of several comics and illustrations set in the world of Yria which have earned AlectorFencer honours. She received a Rudolph Dirks Award in 2018 for her work on MYRE - Chronicles of Yria Volume 1. Earlier this year, she won a silver Spectrum Award in the comic category for her illustration Flora, depicting a mythical being from Yria.
First Second brings us a popular fantasy comic from France, collected now in one hardcover graphic novel. Kairos is written and illustrated by Ulysse Malassagne. “Nills and Anaelle are looking forward to their first night in their rustic cabin in the woods. But the couple’s idyllic vacation is suddenly thrown into turmoil when a strange flash of light bursts from the fireplace. A portal appears, and out of it spill dragon-like creatures that are armed to the teeth. They grab Anaelle and flee back through the portal, leaving a distraught Nills with a sudden decision: Stay behind, or leap through after her? He leaps. And that’s when things get really weird.” This new English translation is available now.
Can I Pet Your Werewolf? is a 160-page comics anthology that came out in 2017, after a successful kickstarter by Kel McDonald. Recently there was a second kickstarter to make a new print run, so I got in on the PDF version, and my hardcopy should be shipping pretty soon.
The project is described as "A light-hearted anthology featuring tales of friendship, family, and romance shared between those who get hairy under a full moon. Just because they have sharp teeth and claws doesn't mean they have to be a monster out for blood."
There are 13 stories, black and white, from mostly women cartoonists of many backgrounds and art styles. They're short popcorn tales, ranging from 8 to 19 pages in length. Not a lot of time for deep world-building, but in each one you're seeing a personal little snippet of a larger setting.
IDW has a new anthology comic sure to catch the interest of TV animation watchers — and furry fans: Disney Afternoon Giant. According to them, “It’s the first issue of a brand-new series featuring stories from your favorite Disney Afternoon shows! It’s a blast from the past in the present as we feature classic DuckTales, Chip ‘n’ Dale Rescue Rangers, and Darkwing Duck stories, all together in one place for the first time!” The first issue features stories by Warren Spector and Ian Brill, with art by Leonel Castellani, Jose Massaroli, James Silvani, Jake Myler, and Braden Lamb.
I'm sorry to report that Vicky Wyman passed away on August 3, 2018. According to a post by Defenbaugh on Fur Affinity, she'd recently found out that she had a very bad case of intestinal cancer. After an attempted surgery failed to improve her prospects, she made the choice to let go. She was in her 60s.
I'm not really qualified to write an obituary about Vicky Wyman, so if there are details and memories you'd like to share, please post a comment! I can update this article as necessary. What follows is some history with personal reflections.
Nominations for the 2017 Ursa Major Awards will open on January 11, the first day of Further Confusion 2018. The awards celebrate the best anthropomorphic literature and art first published during the previous calendar year.
Find out more details at how to participate at our webpage: http://www.ursamajorawards.org/
The awards are selected through a two-stage process of nomination and voting. Members of the public send in up to five nominations in each of the twelve categories. The top nominations in each category are then presented for a public vote.
Though it was originally published back in March, the Zootopia fan comic "I Will Survive", drawn and written by Deviant Art artist "Borba", has recently garnered a lot more attention out of nowhere, and not just for its artwork. The comic, which was already notorious among fans of Zootopia for its themes of abortion and spousal abuse, has come to the attention of the wider world, and it even caused a movie nearly two years old to momentarily pop up on Twitter's trending list earlier this week.
A gay western centaur romance isn't the kind of story I encounter enough, even in furry fandom. Hotblood! A Centaur In the Old West is a webcomic by Toril Orlesky that ran from 2013-2016. The color artwork is as stark as the landscape, but the story is a bit more complicated than the black-and-white world that the western genre is known for.
The art is lovely enough that I was mostly able to put aside the sometimes uneven pacing. As the story circles around the action, it digs deeper into its characters' pasts - and their hearts. The two main characters are not morally whole men, and therefore they caught my interest.
Rook is a centaur. In the story universe, centaurs are an integrated part of American society. There's some social stigma, but not as much as you might think for someone who looks half-animal. There's at least one centaur in the U.S. Senate, for example. Rook is employed by Asa, a human steel tycoon. We don't get to see much of the world outside of their relationship, and it's only by the second half of the story that we really start seeing the two of them bond, sexually and romantically.
ABlueDeer is a gifted artist on Furaffinity, SoFurry, Inkbunny and other venues. He been a full-time anime, manga, video game, and anthro artist since 2007. Throughout his career, he has also diligently pursued a childhood dream to create his own ongoing webcomic series. With this goal in mind he created Dark Blue Comics, an illustration and writing production house a few years ago. It currently hosts The Depths, Moonlace, and Bethellium for free reading. Contributors to his Patreon page receive sneak-peeks of upcoming pages, high-quality art, pin-ups, scripts, and much more.
I have worked in the past with ABlueDeer and other professional artists as a writer and social media expert on several comic projects, including The Depths. With that I was fortunate to be able to speak to ABlueDeer recently about Dark Blue Comics, his artistic dreams, and plans for the future as an artist and a father.
Leilani: First, my thoughts and prayers to your friends and family caught in the devastating Mexico City earthquake recently. I'm relieved they're all safe and accounted for.
ABlueDeer(ABD): Thank you so much. Yes, I was able to visit mine and Shana, my wife's, families and check on them. There was another earthquake while we were there but luckily this one was minor. We also wanted to see if the houses had any cracks or anything. Apparently, most of the damage was done in the south, which is a little far from our families’ houses. Some areas had a lot of damage. Most buildings that went down were old and supposedly preserved because they were of Hispanic heritage, and they were in the very center of the city.
Looks as if IDW gets the honor of publishing the tie-in comic for Disney’s new DuckTales animated series. After a preview “issue #0” this last summer, the first issue of Disney DuckTales hit the shelves recently. “In ‘The Great Experiment of the Washing Machine,‘ Donald and the Nephews visit a top-secret lab, chock-full of crazy inventions to make life easier… but might make them shorter, instead! And then, learn ‘The Chilling Secret of the Lighthouse!'” The comic is written by Joe Caramagna and illustrated by Luca Usai and Gianfranco Florio.
The Syfy (formerly Scifi) channel will be airing Happy! beginning Dec. 6. The show will be adapting Grant Morrison's 2012 comic of the same name, and will feature Patton Oswalt as the voice of the titular role, a possibly real, possibly imaginary (comic readers familiar with Morrison's work will note these are not entirely contradictory descriptors for him) flying blue unicorn who can only be seen by a washed up hitman. A short teaser trailer, giving a small glimpse of Happy, has been made available.
As noted in January, Archie's Sonic the Hedgehog comics (including Sonic Universe and Overdrive) have been delayed for unspecified reasons, with suspicion falling on a renewed contract dispute with SEGA.
Today, the official Sonic the Hedgehog Twitter account announced that SEGA of America were "parting ways" with Archie; promising that it was not "the end of Sonic in comics", but a "decision to take a different direction for the series that will be announced at a later date".
Not just fans, but current and former staff of the series were stunned by the news.
The Autumnlands is the creative result of writer Kurt Busiek and artist Benjamin Dewey, with help from colourist Jordie Bellaire and typesetter John Roshell and published by Image. Started in 2014, it is still in continuation with a recent release of a second volume.
The story revolves around the city of Keniel, one of seventeen great floating cities above the earth, resides a relatively peaceful community of anthropomorphic people living in a world of sorcery. In the eyes of Dunstan, a young bull terrier lad, life is going fairly well as he learns from his father to take on the family trade business.
Though not all is well as it seems in the world. Magic fades at an alarming rate and the great mages seek to desperately restore it. In relative secret a group of mages seek to bring back a great hero of legend to restore the world’s magic, despite the warnings of their council superiors.
Unfortunately for them, things don't play out as planned.
It’s a phenomenal story collecting the first six issues of the action/fantasy series featuring primarily anthropomorphic animal characters. While these topics of talking animals and magic seem like the things a child would like to read about, it’s noted that this comic touches into more mature territory pretty quick.
In this series you will find nudity, racial segregation and stereotyping, violent impalement and disembowelment. And this is just within the very first chapter!
It immediately sets itself up as being a story for mature readers, and a clear reminder that some comic books aren’t written for children.
The 2016 Ursa Major Awards have been announced on Friday afternoon, June 30th at the Anthrocon convention in Pittsburgh. The Ursa Major Awards, for the best anthropomorphic fiction of the past calendar year, are presented in twelve categories by the Anthropomorphic Literature and Arts Association (ALAA), and are voted upon by the public on the Ursa Major Awards website.
Legend is a graphic novel by Samuel Sattin and Chris Koehler. It combines the popular post-apocalyptic story setting with talking animals - giving it furry appeal - and wonders how domesticated animals would survive after humanity is wiped out in a biological attack. To be fair, not all the humans are dead, but the only ones that we encounter have been turned into flesh-hungry zombies.
The first volume of Legend begins after humanity has already fallen. We meet a pack of dogs living in The Grounds, an open patch of a land next to a city. They need to choose a new leader as their previous one has just been killed by a mysterious creature in the ruins of the city. Vowing revenge, the new leader of the pack, Legend, begins a journey which leads him to ally with a clowder of cats and traverse a dangerous world which is undergoing dramatic changes.
Much of the comic is dedicated to setting up the world, introducing us to its cast of characters, the land they inhabit, and the back stories that underlie their motivations and mythology. This is all done well. Volume 1 contains the first five chapters of Legend and at the beginning of each chapter is a map. Chapter-by-chapter more of the “fog of war” gradually disappears as we learn the surrounding geography. The flashbacks, too, are entertaining and each one is visually distinct; based on the emotions of the character. It is only in one happy flashback that we ever see the world brightly lit and in full colour.
Throughout the entire comic, the artwork is excellent and does a good job of conveying the tone of the story. The majority of the scenes are highlighted in specific colours to convey mood and were a deliberate choice by the artist to limit his palette to better reflect the dogs’ limited colour range. However, the dark tone that falls over most of the story also makes it challenging at times to make out what is happening.