(Full Disclosure: I have a story in this book: Unbalanced Scales, the 6th story in the book. It takes place in the same universe as last year's Brooklyn Blackie and the Unappetizing Menu, just 40 years later. I will "review" that story last. I mean, I could skip it entirely, but I do so like talking about myself and my stories.)
Mary Lowd returns to the helm of ROAR for another collection of "all audience" Furry stories. This time the theme is Legends. There are all sorts of Legends and there was only one story out of the following seventeen whose legend worthiness I questioned.
Edited by Furry Fandom's most beloved Eagle, Fred Patten, An Anthropomorphic Century reprints stories ranging from 1909 to 2008, including the talents of Peter S. Beagle, Philip K. Dick, Michael H. Payne, Phil Geusz, Renee Carter Hall, and more… including myself.
Starting with "Tobermory" by Saki in 1909, Fred does an excellent job putting these stories in a historical and social context. Around the midpoint, however, the historical context begins to soften just a little. The stories are excellent, but not all are milestones, so I would have enjoyed a bit more perspective in what was going on in the real world when they saw print.
Fred may have decided to let the newer stories stand on their own rather than distracting readers from the work themselves. Perhaps this was a good decision; the collection puts on no airs that of a textbook, after all – but Fred Patten is an expert historian of two fandoms (the other being anime). I couldn't imagine a person better suited to bringing external context to these stories.
Disclaimer: I have a story in this anthology. I'll address that story last.
Fred Patten’s newest anthology, Gods with Fur, goes on sale this week at Anthrocon 2016. Published by FurPlanet Productions, the 453-page trade paperback contains 23 original stories by Kyell Gold, Mary E. Lowd, Michael H. Payne, and many more – featuring gods of anthropomorphic worlds, and our anthropomorphic gods.
You may know of Egyptian mythology’s jackal-headed Anubis, but have you heard of wolf-headed Wepwawet? We're familiar with China’s Monkey King and the native North Americans’ Coyote (who say they’re gods), but what of the Aztecs’ 400 drunken rabbits?
I read this back in 2006; it was a present from a friend who I swapped books with. I had forgotten that I had a detailed review of the stories on Bookcrossing.com.
I'm sharing old news, sure, but the book's still available in many formats and you'll enjoy it.
It makes me smile thinking how in 2006, I didn't know any of these Furries, and thanks to the Furry Writers' Guild I know many of them. At least virtually so.
- Living Together: Furries and Humans
- Living Apart: Alternate Furry Worlds
- Living Within: Transformation
In its 4th year of operation, Biggest Little Fur Con lived up to its name. When the count was tallied, BLFC 2016 had set another record, drawing 3,651 attendees; making it the largest furry event in the Western United States, and the third-largest furry convention in the world.
What animal stereotype in media do you (take most offense to, think should continue, find confusing)?Posted by CassidyTheCivet on Mon 9 May 2016 - 18:05
When people are bored, they may begin to dig through old bookmarks, go through old emails, and rustle through things with a slight sense of nostalgia. This is what brought about the discovery that the domain Furbid.ws was for sale.
Older furries may have used furry auction sites such as this site from years ago. Furries used auction sites almost exclusively for many years before many found that announcing commissions on FurAffinity got noticed more than an auction. FurBid was founded in 1999 when it was owned and run by Aatheus.
No information on why it is being sold is available, though WikiFur suggests it stopped its run December 5 of last year.
We're looking for a select group of staff for the new Gaming Furever. GF has been active in the furry gaming community since 2012, and is looking to revamp its mission and directive over the next few months with a new staff.
The GF staff is a place for driven, fun-loving-yet-serious gamers with an interest in running events, being social, and staying in the know about recent news around the gaming industry, specifically animal/furry related news. Our staff will be a tight-knit team of 3-4 people who will be responsible for contributing their opinions on site decisions, helping plan and staff events over the Internet on Steam or other platforms, and staying active on the site itself. Being visible online is a big plus. We don't want the staff on our site to be invisible, and you'll need to be able to interact with people. This means having a sound mind, and being able to deal with all types of situations and reporting them to upper admins if necessary.
There is a quite widespread idea that the furry fandom is a uniquely creative group of people. We say it in our own documentaries, we say it in our own comment sections and the more senior members of the fandom such as Unci and Uncle Kage say it when they talk about the fandom. This majority opinion can be summarized in a single paragraph from the Furry Writer's Guild:
The furry fandom can be difficult to describe succinctly because, unlike media-based fandoms, furries aren’t fans of any one particular television show, film, or even genre. Many furries do find their way to the fandom through overlap with fandoms of mass media properties like The Lion King and My Little Pony, but for the most part, furries create their own original content to be fans of. It’s an incredibly creative community, and the boundaries between creator and fan are often slim to nonexistent.
But is it really true? Let's be clear, I am not saying that the furry fandom is not creative or original, but I do not think that we are uniquely so and, hopefully, by the end of this, I will have convinced you of that.
Razzmic Productions presents Into the Bayou.
Roquin the fox has lost all his passion and desire. He discovers an entry about an exotic and nearly extinct plant in an old botany textbook. He travels to the furthest swamps to find this mysterious plant overcoming various obstacles along the way in this 3 minute video.
This video was created for the Furry Drama Show at Texas Furry Fiesta 2016 convention which had the theme of "Bayou", unfortunately, they ran out of time and weren't able to show it. So it is being presented here for your enjoyment.
William Earl Haskell in Houston, TX, who has been Rowrbrazzle’s Official Editor since 2007, is stepping down because of worsening health. He will continue to be an ordinary member, but the Official Editor’s office and duties are being transferred to Edd Vick at 1505 SW Alaska Street, Seattle, WA 98106.
Rowrbrazzle, published every January, April, July, and October, was founded in February 1984 by Marc Schirmeister of Los Angeles fandom. At the time furry fandom was not considered to be separate from s-f fandom or comics fandom yet. It was Rowrbrazzle's discussions of the new funny-animal social events, along with the amateur sketches and cartoons (mostly of funny-animal cheesecake art), that established that a new fandom was coming into existence.
Schirmeister continued to serve as ‘Brazzle’s Official Editor until 1989, when Fred Patten in Los Angeles took over. Patten was the Official Editor until his incapacitating stroke in March 2005. It was unexpected, and no clear successor had been set up. ‘Brazzle limped along with several volunteer O.E.s for a couple of years until Bill Haskell accepted the post permanently with #94 in July 2007. Now Haskell is passing it along to Edd Vick with #125 in April 2016.
Rowrbrazzle is technically an amateur press association (APA or apa) rather than a traditional magazine. It has a set number of members (currently 30, with a few openings) who each print their own pages and send them to the Official Editor. He staples them together into the quarterly magazine in January, April, July, and September, and sends a copy to each member. There are some other APAs that have produced extra copies for sale to the public, but ‘Brazzle produces only enough for its own membership.
If any of you readers are like me, then you only follow Flayrah when it comes to furry news. I saw an article shared around a year ago about furry music, and that's how I found this site.
But amidst the posts about cons being cancelled and the abundance of Zootopia reviews came a shining light no one saw coming. Mostly because even on a site about the very subject it is meant to educate on, it got no attention.
This film is Fursonas, a documentary about the furry lifestyle. A detailed look at the friendly fandom that CSI ruined public perception of all those years ago, such that we still feel repercussions today. It wasn't until my best bud crossaffliction mentioned this movie in, of course, a Zootopia-related post that I became aware of it. I started to dig, and realized what a gem we'd been missing.
Dogpatch Press (who I've now since started to follow alongside Flayrah) posted an incredible article on this film, which I suggest all members read, as this post is just to drum up hype for this film. One line from that article holds substantial water for me; Zootopia is the film we want, but Fursonas is the film we need.
Yes, we know, we all saw the box office figures. Zootopia is a big hit, and seems to be the establishing mass-media beachhead for "furry fandom". But please, please spare a moment to think about how best to interact with people arriving into the world of anthropomorphic-fiction. Consider this conversation you may well have in the near future ...
"Hey, is that Zootopia fan art? I loved that movie."
"No, it's actually my fursona."
"Oh, like a Zootopia OC, yeah I have one of those."
"No, No, this is from before Zootopia, from the furry fandom."
"Oh. No, I'm not into that stuff."
Stop right there ... Now, this is where you do not rant.
In 2002, I wrote an article here about the problematic side of furry fandom, and what we needed to do about it. In 2007 I gave the fandom positive grades for progress made. In 2011 I praised the fandom for it's growth and outreach while also cautioning that growth can also come with its own difficulties. But now I fear that I need to talk to the fandom again.
The fandom has grown. With that comes a growth in the number of idiots and trouble makers, so risk isn't a hypothetical anymore. Damaging chairs, wrecking public areas, inappropriate conduct and a return to the "squick the mundanes" attitude that I'd hoped we'd moved beyond. This has already resulted in the failure of one major convention, Rainfurrest, and we need to all act to prevent it from happening to another.
Have you nominated your choices for the 2015 Ursa Major Awards, for the best new anthropomorphic releases of 2015 in eleven categories? Nominations close on February 29, in only two weeks.
The categories are Best Anthropomorphic Motion Picture, Best Anthropomorphic Dramatic Short Work or Series, and so on for Novel, Short Fiction, Other Literary Work (anthologies, collections, non-fiction and art books), Graphic Story, Comic Strip, Magazines, Published Illustration, Game and Website. Works first published or released during the 2015 calendar year are eligible. You may make up to five nominations in each category.
Nominations opened on January 14 (the first day of Further Confusion 2016) and have been going on for a month. The nominations will be tallied between March 1 and March 14. The final ballot, consisting of the five titles in each category that receive the most nominations, will be announced on March 15, and voting will take place until April 30. All those who send in nominations will be registered as eligible to vote on the final ballot. Those who did not nominate but wish to vote on the final ballot may register to do so.