"I guess I just sort of ... grew up."
— Ask Jappleack
It's been seven years to the day since My Little Pony: Friendship is Magic was first aired, and the geek world changed that day.
So let's talk about the 2017 movie. As far as the story goes, it's pretty bog-standard at this point for MLP:FiM. Bad guy appears (the Storm King, voiced by Liev Schreiber), three of the four magical alicorn princesses prove themselves worthless by getting instantly captured, so it's up to the fourth princess and series protagonist, Twilight Sparkle (voiced by Tara Strong), with her six friends - Applejack (voiced by Ashleigh Ball), Fluttershy (voiced by Andrea Libman), Pinkie Pie (also voiced by Libman), Rainbow Dash (also voiced by Ball), Rarity (voiced by Tabitha St. Germain) and Spike (voiced by Cathy Weseluck) - to save the land of Equestria with the magic of friendship. Which they used to be able to straight-up shoot people with, but they lost that ability back in season four.
A pair of trailers came out within hours of each other last week for future furry features; Wes Anderson's Isle of Dogs, a stop-motion animated movie featuring talking dogs, and Peter Rabbit, a live action movie featuring CGI animals who wear clothes in addition to talking.
I kept plugging it quietly in the background all throughout 2015 and early 2016 (and you guys thought I only covered Zootopia that year). I mean, what if 2016 had been a year where we had six wide release, fully anthropomorphic world movies ranging in genre from buddy cop, to martial arts, to backstage musical, to crime caper, to space opera, and also Rock Dog?
As it ended up, we got, by my count, one great movie, one good movie, one movie that was kind of meh, one movie that turned out to not exist, one terrible movie and also Rock Dog.
Happy Family (IMDB page) is a 2017 animated movie from Germany, about a family that gets turned into monsters by a witch. It looks like a mashup of The Addams Family, The Munsters, and Hotel Transylvania.
Warner Bros. funded the production, and are distributing it in Europe and Latin America, presumably to be followed by direct-to-DVD sales in the U.S. in 2018. It's based on a book by David Safier.
Is it furry? Well, the family includes a kid who's a wolf-boy, there are talking bats, and VAMPIRES! (Boo.)
“Kemono Friends” (けものフレンズ) began in Japan in 2015 as a mobile game. A manga was serialized in “Monthly Shōnen Ace” (one of Japan’s “telephone book”-sized comics magazines) from May 2015 to March 2017, and a 12-episode anime TV series was broadcast from January 10 to March 28, 2017 on Wednesdays. Sequels are currently in production.
The plot is that Japari Park is a huge island zoo of real, extinct, and mythological animals. A mysterious substance, Sandstar, turns all the young female animals into “Friends”, Japanese cute girls about 10 to 12 years old with furry ears and tails. Kaban is a girl who wakes up in Japari Park with no memory of who she is or how she got there. Her first friend is Serval, a girl with serval ears & tail, who names her Kaban (bag) because of her backpack. Other characters they meet include Raccoon, Fennec, Alpaca, Crested Ibis, Jaguar, Beaver, Prairie Dog, Moose, Gray Wolf, and others. Lucky Beast, a mysterious robot rabbit, seems to be in charge. Kaban is helped by Serval and Fennec through the Park to learn who she really is.
Everyone expects “Kemono Friends” (in English, “Animal Friends”) to come to American TV and DVD soon. But for now, if you like Japanese animal girls (ears and tails only) of more species than just cats, dogs, and bunnies, then you can watch “Kemono Friends” on Steam's gaming service, or Crunchy Roll.
"So much for peaceful protest."
- Surly, squirrel
Currently, this movie sits at a paltry 11% at Rotten Tomatoes, from 47 reviews (not a big number of reviews for a wide release movie). A grand total of five professional reviewers found enough decent in the movie to muster "fresh" ratings there. This 11% percent matches the original's score, though it had double the positive reviews with 10 of its 89 reviews finding something nice to say about it. So, obviously, not the most critically beloved movie franchise ever.
However, I didn't exactly follow the critics' consensus with the first movie, what with giving it a spot on my annual top ten list. Fred liked it too, in his review of the movie for Flayrah. And I won't be agreeing with the critics again for the sequel (you'll have to ask Fred if he's even seen this second one, though).
But, you know what, who cares? I mean, as I write this, the top story on Flayrah Lamar's article on the alt-right, while Equivamp's take is a little bit below it. Who cares if the cartoon squirrel movie is good or not; it's not like it has anything to say about the real world and the things that are happening in it right now.
GKIDS, an American distributor of foreign animated films, has gained release rights for The Big Bad Fox & Other Tales. The film is co-directed by Benjamin Renner and Patrick Imbert, based on a graphic novel created by Renner. The movie does not yet have an English language trailer, but a French trailer with English subtitles has been released.
The movie tells three different connected stories; the titular story features a fox who tries to raise chickens in order to eat them, while other stories include a rabbit trying to deliver a baby, stork-style, and various animals playing Santa Clause. GKIDS has traditionally created an English language version of the movies they distribute, though no announcements of possible English voice actors have been made (or even planned at this early stage).
Previously on Flayrah's My Little Pony movie trailer coverage, we noted a distinct lack of actual ponies in the pony movie advertised. But not this time. They're bringing pony back.
Meh, needs more Applejack.
The DVD and Blu-ray came out in late March of 2017. It's a straightforward comedy with light story arcs and anthropomorphic animals, in which a koala named Buster Moon organizes a singing competition to save his financially-failing theater. By mistake, the publicity leaflets say the prize money is $100,000 instead of $1,000. For the rest of the film, things gradually spiral out of control, as he selects and deals with the five acts who will eventually take the stage at the end.
I enjoyed it! Although it didn't perform as well as The Secret Life of Pets at the box office, I liked it more. Partially because of the wider range of species - plus it didn't plug the Minions franchise as much - but mostly because it felt fun, didn't get bogged down in itself, and I liked the music.
This movie had just the worst timing.
Is it fair to review a movie that came out half a year ago now, just because I was Making A Point about … something or other … when that half a year ago came and went? I don’t know, but if the review had come out then, it would have been a thumbs up. Now, this is a negative review, by the way.
Sing’s well out of the theaters and available to rent or own, and it’s nominated for an Ursa Major award. Maybe it’ll win it, for all we know. Everybody could have just gotten tired of the at this point assumed and basically all but destined winner; of course, 2016 was not a great year for presumed and basically all but destined winners. If you voted for Sing, however, I don’t blame you; it’s still okay. There is a difference between a pan and savaging, and, honestly, this barely rates pan. I used to like it, after all. Still kind of do. Just not as much anymore.
Part of the reason for this downturn in my affections is due to another movie; yes, there’s an elephant in the room we’re going to need to talk about, and I’m obviously not talking about the characters in the movie. Actually, there are a lot of elephants I’m planning on discussing, but set that aside right now because, when I rented Sing recently and rewatched it, I realized I liked Rock Dog better. So, there’s that.
Since Dronon recently posted the trailer for “Bigfoot Junior” on Newsbytes, it seems like a good time to take a deeper look into nWave Pictures. Their main animation studio is located in Brussels, Belgium, while their regional office in Burbank, California has been working diligently to get its pictures distributed theatrically in English in North America for the past decade. They do get theatrical releases in much of the rest of the world-- but usually have to settle for them going direct-to-DVD as "kid’s cartoons" in the United States. Despite being “family” movies, they’re good ones, and they do feature talking animals. Let's take a look at their history in the animated featured film business to date.
nWave was founded by director Ben Stassen in 1994. Its first animation projects were for amusement park attractions and video games. Their first theatrical feature, “Fly Me to the Moon”, which was about housefly astronauts, was released in January 2008.
Wes Anderson, the writer/director best known in the furry fandom for his 2009 movie Fantastic Mr. Fox, will be returning to the stop-motion talking animal genre for his next movie Isle of Dogs, whose poster and release date (of April 20, 2018) was announced via Twitter on April 25.
The bare bones premise announced so far is that the movie will feature a Japanese boy searching for his lost dog. Though this premise isn't necessarily anthropomorphic, an earlier video posted by Anderson confirmed the dogs will have speaking roles. Though hard to make out, it has also been pointed out that some of the dog characters on the poster also appear to be wearing clothes.
The cast for the movie, listed on the poster, has been previously confirmed. It includes many recurring actors in Anderson's movies. Newcomers include Bryan Cranston and Scarlett Johansson, as well as multiple Japanese actors, including Yoko Ono.
Isle of Dogs will be Anderson's ninth feature, and only his second animated feature, after Fantastic Mr. Fox, which was nominated for an Ursa Major award as well as an Oscar for Best Animated Feature. In addition to the Best Animated Feature Oscar nomination, Anderson has been personally nominated three times for Best Original Screenplay and once for Best Director at the Oscars. All but the latest of his movies have also been added to the prestigious Criterion Collection, and his film Rushmore was added to the National Film Registry last year.
This has been a long time coming.
The movie? No, not the movie itself, but my review of it. To people who are only reading this review to get to my thoughts on the movie, I suggest skipping my little prologue. For those that would like some context, then read on.
Rock Dog has been on my radar for well over a year, potentially two years, though it's kind of hard to pin down the exact date. I saw the original trailer when it leaked at around the end of 2015 and was immediately interested.
The film was directed by Ash Brannon, a co-director of Toy Story 2 and the underrated masterpiece that is Surf's Up. I grew up with the latter film and was curious of this new project since Ash hasn't done a ton in the animation field since 2007.
I was so hyped for the film that I felt that it would surpass Zootopia. This belief had caused debates with many of the avid fans the film had garnered in the fandom. While my stance has softened on the Disney film, I still stand by some of the grievances I had with it. That being said I have decided that despite my desire to compare the two films, I decided to purely look at Rock Dog as it's own film and judge it on its own merits.
If you were around in 1961, you may have seen an obscure animated feature titled Alakazam the Great, about three friendly monsters – Son Goku (monkey), Sir Quigley Brokenbottom (Pigsy), and Sandy – escorting Prince Amat from China to India.
This was part of the first wave of Japanese animated films, known as anime, to enter the United States. The other two features in that wave were Panda and the Magic Serpent and Magic Boy. They were box-office failures at the time, and because of this the anime film genre is still fighting to enter the American theatrical market.
Alakazam the Great was also America’s first cinematic introduction to the ancient Chinese story Journey to the West or Monkey King, as it is better know in America. This legend is over a thousand years old in the oral form. It was written into a novel, probably by the scholar Wu Cheng’en in the 16th century. The first Oriental animated feature, the Chinese Princess Iron Fan (1940), is an adaptation of part of Journey to the West. Alakazam the Great, more specifically, is a movie adaptation of Osamu Tezuka’s 1952-59 My Son Goku manga version of Journey to the West.