The Secret Life of Pets [trailer] is Illumination Entertainment's latest CG animated film offering, released on July 8, 2016. It's an entertaining comedy that's been doing quite well at the box office. I went to a weekday early evening screening, and the theater was packed with about an equal mix of adults and kids. Everyone seemed to enjoy it!
The story starts in an apartment building in Manhattan. Max (voiced by Louis C.K.) is a terrier who adores his owner, a young woman named Katie. One day she brings home a second dog, a huge, shaggy brown Newfoundland named Duke. Max and Duke don't get along at all. Their conflict results in them getting lost in the city, avoiding animal control officers and a gang of abandoned pets led by an insane white rabbit named Snowball. Meanwhile, the other pets from the apartment building embark on a quest to find them, led by Gidget, a white pomeranian.
April and the Extraordinary World [trailer] is the English dub of a 2015 French animated film, originally titled Avril et le monde truqué. There was a limited North American theatrical release in April 2016.
Furry-wise, it's borderline: a likeable talking cat sidekick, plus a little extra anthropomorphism that I can't discuss without spoiling. Its main appeal is for steampunk fans. If that's your thing, it's definitely worth a look!
Monster Trucks. Do the trucks become anthropomorphic, or do the trucks become inhabited by anthropomorphic monsters? It’s hard to tell from this first trailer; but the movie, coming on January 13, 2017, does look like something that anthro fans will enjoy.
All of the information is in this Cartoon Brew article, so just read it there.
If there is a difference between anthro fans and furry fans, this movie may make it clearer. The monsters in Monster Trucks aren’t furry at all.
The new Chinese 100-minute animated feature Big Fish & Begonia now has a music video as well as a trailer for promotion. Directed by Liang Xuan and Zhang Chun, and produced by their B&T Studio, the hand-drawn/CG hybrid feature will be released July 8 throughout China. No word on a U.S. release yet.
There's nothing unique about being a Disney fan. It's very easy to say you like something that was obviously meant to have mass appeal. So in my everlasting attempt to stand out, I decided that rather than become the billionth sale for Disney's big furry flick of the year, I'd try and vouch for the underdogs – those dark-horse films such as Rock Dog, Sly Cooper, and what we're discussing here: Angry Birds.
It's a lot harder to make a case for a movie when no-one has any expectations for it. It was like fighting a losing battle, but I was happy to at least give these some attention.
And now, the first of these films which I championed has been released! I was fortunate enough to see it on release weekend and I can say that the theater was definitely packed. Was this film the embodiment of perfection or did it leave something to be desired? Let's see.
We came across this announcement from Screen Daily: “Kaleidoscope Film Distribution (KFD) is handling world sales on animated feature Danny Diamondback, which Aardman Animation alumni Darren Walsh (Shaun The Sheep TV series) will direct. It’s the story of a young rattlesnake with a musical talent in his tail. The film is based on the children’s novella of the same name, first published by Harper Collins and written by illustrator and production designer Barry Jackson (How The Grinch Stole Christmas). Jackson has written the script and will be heading up production design on the project. Siege Train Studios’ Curtis Augspurger (Valiant), Matthew Hampton, and Cora Palfrey will produce the film alongside Jackson. Bibo Bergeron (Shark Tale) will serve as executive producer.” That’s one heck of a lotta veteran anthropomorphic talent on one project. No word yet on if the film is to be CGI or claymation. Guess we’ll find out after they give us a projected release date!
Padak, a 2012 South Korean CGI feature, is coming to America – but not to theaters. EigoMANGA, a San Francisco-based media publisher, has announced that it has been acquired from Lionsgate to be distributed beginning on June 6 on Linux, Mac, SteamOS, Windows, and all other online Steam-supported platforms.
The 78-minute feature, directed and written by Lee Dae-Hee and produced by the E-DEHI studio, will be released with the original Korean voice actors including Kim Hyeon-ji, Si-Yeong-joon, Ahn Yeong-mi-l, Hyeon Kyeong-soo, and Ho-san Lee, and subtitled in English. It was first shown at the Jeonju International Film Festival on July 25, 2012, and has also been shown at international film festivals in Warsaw, Dallas, Melbourne, Vladivostok, Seoul, and other cities, winning awards at many of them.
Okay, here’s another stealth movie.
Billu Gamer, a 90 plus minute live-action/animated Hindi comedy-fantasy feature from director/producer/writer Pankaj Sharma at Astute Media Vision, coming in India in May 2016. Sharma says that it’s slightly over half VFX and 3D animation.
Patty is a live-action teenage boy at a school where a lot of Bollywood-style singing and dancing goes on. When he’s depressed from being bullied, the animated Billu from his favorite video game comes to life to be his best friend. Everything seems great, until the video-game villains follow Billu into the real world. Patty and Billu have to team up in the video world to win. The first half of the trailer is live-action; then the animated Billu and some dog-headed humans appear, and there are an animated tiger and an angry elephant. There’s more information at The Hans India.
The Chinese aren’t finished with releasing animated anthropomorphic features almost on top of us – in China, anyway. Big Fish and Begonia (Da Hai), 100 minutes, directed by Liang Xuan and Zhang Chun, produced at Studio Mir (maker of The Legend of Korra) in Seoul, South Korea in traditional cartoon animation, and distributed by Enlight Media, is scheduled to be released in China on July 8.
The story is from a traditional Taoist legend, taken from Zhuangzi. The gods – or celestial beings, anyway – control time, tides, and the changing of the seasons of the Middle Kingdom (a.k.a. our Earth). When the young Chun is 16 years old, she is turned into a dolphin to experience our world at first hand. She is engulfed by a storm and gets caught in a fishing net, from which she is rescued by a human boy at the cost of his life. Chun is moved by his sacrifice and determines to restore him to life. To do this she must give his soul rebirth as a tiny fish, and protect him as he grows. Over time Chun grows to love the fish, but when he is grown, she must release him to become human once more.
The synopsis does not say where the story is set, but the boy is noticeably blond, implying that the feature is intended for international audiences.
Good news, everyone! Rock Dog is not dead! It even has a release date, again, at least for China; July 8. The movie still doesn't have a North American release date yet (though IMDB has some further international dates); however, the movie is a Chinese/American co-production, and features a cast of Americans with an American director (Ash Brannon), so the plan has always been to release the movie in America, apparently. Eventually. Probably.
If it does get that American release date, it will be the fourth confirmed fully anthropomorphic animal world movie released here in 2016, counting (fellow Chinese/American co-production) Kung Fu Panda 3, Zootopia and Sing (with Spark and Sly Cooper bringing the possible total up to six, if they, like Rock Dog, could be bothered to get a release date out there).
Let us not forget, Disney is a corporation. To a certain extent, we hold the 55 (and counting) full length animated movies produced by the Disney Animation Studios to a different standard than, say, the 32 (and counting) full length animated movies produced by DreamWorks Animation, or even the 16 (and counting) full length animated movies produced by Pixar, despite the fact that there really isn't much reason to, at this point. Just the fact that the brand is much older maybe should count for something, but, let's face it, just because it is so old, Snow White and the Seven Dwarfs has less in common with Zootopia than Kung Fu Panda 3 does (even when factoring out the furry aspects and the use of CGI).
We still treat many of those early animated Disney movies almost like sacred texts, despite the fact that Disney never has. Disney has always treated them like what they are; products to be sold. So, you've got annual theatrical re-releases for most of last century, a practice that only died when home video became a thing. To combat that, they introduced the "Disney Vault", which basically extended the "re-release" strategy indefinitely even with home video. Then came the direct-to-video sequels; finally, when those became a bit too damaging to the brand, the live action adaptations began. And the most recent movie to get that treatment is Jungle Book.
Whine all you like about originality and creativity, but Disney's got a business to run. This strategy is pretty much a brand-strengthening exercise, but at least part of the branding is based on "quality," so at least they're going to try and do right by the old movie (if not exactly Rupyard Kipling). And, hey, most of the older Disney movie's are based on properties that are public domain; if Disney doesn't do it, someone else will (and in fact, Warner Bros. has its own Jungle Book movie planned). And its not like Disney hasn't done this before (or, for that matter, that they were even the first movie studio to adapt The Jungle Book). If you want originality from Disney, go watch Zootopia again.
If you want to watch a good movie, well, actually, watching Zootopia again is okay, but do take some time to watch this version of The Jungle Book. It's actually really good.
Toho Films has just released an aw-it’s-cute trailer for its August 6 CGI theatrical feature adaptation of author Hiroshi Saitō’s children’s book Rudolph and Ippaiattena. But Toho has also added a mention of one of its other big summer releases, Godzilla: Resurgence. Japan still has theatrical monopolies, so these features released by Toho Films will only play in the Toho Cinemas theatrical chain.
Anime News Network has news on the film’s voice actors, Saitō’s original children’s book series, and a translation of the trailer’s text.
So, anyway, earlier this year, a movie came out called Zootopia. We, uh, might have mentioned it. Despite being anticipated, or even known, by just about nobody who wasn't a furry or, perhaps, a major Disney fan, the movie managed to become a rare hit at both the box office and with professional critics (though gathering up Flayrah reviews, the consensus was more in line with Metacritic's "good, but whatever" score, because furries, am I right?).
One thing that was repeatedly and pointedly not mentioned by anyone involved with the movie was another movie a little over a decade old, called Chicken Little. Lots of interviews, and even a semi-independently produced 45-minute making of documentary, all went on at length at how this Disney's first fully anthropomorphic animal world since Robin Hood, and the first set in the furry equivalent of a modern world, despite the fact that it, well, wasn't. Chicken Little became the animated equivalent of a "disappeared non-person" in some sci-fi dystopia.
Which makes it incredibly interesting, in a weird kind of way; in a company that mines its past productions for nostalgia like there is no tomorrow (only yesterday, repeated), Disney has gone out of its way to avoid reminding anyone this movie exists. And this is actually a fairly important movie in the history of the company; it was the first full length computer animated feature by Disney (and not Pixar). So, is it really that bad?
Yes. Yes it is really that bad.