Nimona (trailer) is a 99-minute American animated movie released in 2023. It was eventually directed by Nick Bruno and Troy Quane, with a script by Robert Baird and Lloyd Taylor (plus additional writers), and was adapted from a webcomic/graphic novel by ND Stevenson. Originally it was produced by Blue Sky Studios, whose parent company was acquired by Disney before the project was finished. Disney cancelled it, likely due to its overt LGBTQ+ themes, and closed down Blue Sky to focus on their own, pre-existing animation studios. Luckily, they were willing to let Netflix acquire the rights, and it was completed by DNEG Animation and Annapurna Pictures.

And I am the wrong person to be reviewing this movie.

In my years of writing reviews, this is the second time this has happened. The first time was when Kyell Gold sent me a copy of Green Fairy to review. By no fault of Kyell's, or the story itself, aspects of the book set off multiple buttons in my head due to personal experiences from my past. This caused my brain to mis-map story elements, and it didn't work for me. I tried writing a review, and I couldn't bring myself to publish it at the time. It wasn't fair to the book, nor to Kyell's writing craft.

And so now I'm facing a similar dilemma with Nimona. This time, I'm going to attempt a review, but without all of my internal brain slop. You'll be getting some of it, but believe me when I say I'm leaving a lot out. (Deep breaths. Focus on the positive.) At this point the film is two years old and I'm assuming that most folks here have seen it, so I'm not going to be shy about major plot details.

However, despite my personal opinions, let me be clear: If you haven't watched this film, it's worth a watch. It's good. It's just I'm not the audience it's for. And that's ok! I still appreciate it for what it is. Stop reading here to avoid spoilers.

Welcome to the April edition of Digging Up Positivity, this month we are interviewing two amazing beans from the virtual world, however their friendship influenced their lives much more than anyone expected!

We also feature a new furry game, some lovely animation news and of course, our charities, because my dear friend, we sure had a lot of those in April, so lets gooo!

On the menu today is: Cult Of (The) Lamb with a side of Science Dog.

Sound good? Well then, let's partake of a somewhat kosher dinner of allegory. Notice that these works have firm connections to other media. As is only right, we'll open with the appetizer.

Welcome to the April[sic - should have been March] edition of Digging Up Positivity, this month:

• An update on all the furry charities around the world
• How Coyote vs Acme got saved from the Shelf
• Cattbutt controllers (who writes this stuff)
• And our special guest is the amazing pie-tactic Duino Duck!

But first, lets start it with our charity update!

"We'll meet again, don't know where, don't know when, but I know we'll meet again some sunny day."
-Chikn Nuggit, "An episode made for Tik Tok in case the app gets banned for real"

"I missed."
-Pepé Le Pew, "For Scent-imental Reasons"

Animation, at least in America, feels a bit weird right now. Maybe a bit unhealthy, but not in a "sick and dying" kind of way, but in a "your diet is messed up" kind of way. My most recent review besides this one is Flow, a micro-budget independent movie from Latvia made with Blender, while The Day the Earth Blew Up is the latest iteration of major studio Warner Bros.'s most famous IP, featuring marketable characters older than World War II. And yet, somehow, the former review feels like an unnecessary noting of something everyone was already aware of anyway, while this review feels more like a spotlight on a small unknown that deserves a wider audience.

Fresh back from a convention, still dealing with the concrud, but welcome all to an amazing packed episode filled with good news from the furry fandom! Covering not just the charity numbers with a highlight of Nordic Fuzzcon, but also a lovely interview with Chester the Geroo. I mean, not only does this little critter have the voice of an angel... he sings operas— in fursuit. But first the charities!

Three reviews today, starting with the trailers for:

The first two can be skipped, and the third is a maybe.

It’s time for the third annual review of furry shorts released the prior year. In these I go through the previous year’s released animation shorts released, typically on YouTube, to see which ones stood out to me. I will note however that this year really was all kill and no fill on the recommendation list. I’m glad to see that there are so many passionate fans finding good content out there and the improvement over all.

I will admit I did miss a bit of the “what the heck did I just watch” surprises for this year. Hopefully things don’t get too sterile. But when it comes to short stories worth a watch there is no shortage of goodness this year.

So without further ado, let’s continue.

(Prior Years: 2023, 2022)

Welcome to my top ten list of movies for 2024. It's pretty self explanatory, and I've explained "the rules" plenty of times in the past, but I think I should explain one qualification for what constitutes a "2024" movie for my list, as it applies to one movie this year and has caused confusion in the past. Basically, I'm going by theatrical release, not festival premiere, like IMDB does.

Other than that, just a reminder that this isn't supposed to be a specifically furry list, even if this is a furry site, but I will award a Best Furry Movie, with this year going to The Wild Robot. At the start of the decade, this had a pretty high correlation with the Ursa Major Award for Best Anthropomorphic Motion Picture, with victories for Wolfwalkers and Raya and the Last Dragon, but in the last two years, I seem to have lost my short status as furry middlebrow tastemaker, as Turning Red lost to Puss in Boots: The Last Wish and Guardians of the Galaxy Vol. 3 lost to Nimona. All four of my picks for Best Furry Movie also ended up being my number one pick those four years, as well (spoilers for this year's list?). I also, just for fun, as a fox fan, give out a Cutest Vixen Award, and this year that goes to Zhen from Kung Fu Panda 4. In less furry accolades, I do sometimes list a movie from the previous year that might have made the list if I'd seen it before publication (not that this is a correction) and for 2023 I'll say The Holdovers was pretty good.

Sirocco and the Kingdom of Winds (trailer) is a 2D children's animated fantasy film, a Franco-Belgian production released in 2023, directed by Benoît Chieux who co-wrote it with Alain Gagnol. Imdb rates it 7/10.

Carmen and Juliette are sisters, whose mother drops them off with her friend Agnes to babysit for a day. Agnes has forgotten they'd be coming, and asks if they can be quiet for a half-hour while she takes a much-needed nap. She's the author of a long-running book series called Sirocco, and had been staying up all night writing.

Unable to sit still, Juliette rifles through one of Agnes' books, weird stuff happens, and the sisters end up in the world of the book, transformed into cats. After Juliette gets them in trouble with the local mayor, they embark on a quest with an avian opera singer named Selma to find the elusive Sirocco, a mysterious, reclusive, and mercurial sorceror.

Flow is about a black cat who lives alone, and then one day, it doesn't anymore. Because one day water came, too much water, and all the land was flooded. The cat ran away from the water, but it couldn't run forever, so it went to live on a boat with a friendly capybara. Together, the cat and the capybara followed the water, which flowed towards a giant pillar in the sky. It seemed like this would be the last dry land in all the world. Along the way, the capybara and the cat met a lemur, a dog and a secretary bird. Did they become friends? Probably.

There is no dialogue in this movie. Nobody explains anything to each other, for the convenience of the audience, because all the characters are animals, and they only say cat things like "meow" and dog things like "woof woof" and capybara things. If man could talk the animals, perhaps they would only find out that these animals don't really know what's happening either. Where did the water come from? Where did all the humans go? This is a world that has passed on.

Well, the last month sure was something, time for a palet cleanser in this extra packed episode!

• A huge milestone for the Dutch Furry Fandom
• The Good Furry Awards!
• An interview with Val, a Dutch Furry, an excellent fursuiter, about how the fandom changed her life
• Of course a whole bunch of awesome charities from all over the world.
• Some cool animation news

The last month of 2024 is going to be exciting! So many amazing things in not just the Dutch Furry Fandom and beyoooooond!

If there's one furry series I should be completely behind, but have always been a bit down on, it's Illumination's Sing franchise. The series is set in a completely furry world, with a complete lack of humans – something I can always get behind. And yet, I can't ever quite get behind them.

I think if I had to put my finger on what's wrong, it's that the Sing movies feel like the Illumination version of Oscar bait, being behind the scenes musicals that ostensibly celebrate the performing arts, something Academy Awards voters should, in theory, love; and yet, they can't even get the easy lay up of Best Original Song, which is straightforwardly embarrassing for movies called, well, Sing. It's not that they're failed Oscar Bait, it's that they're not going for Best Picture, or even Best Animated Feature, but simply seem to be aiming to be nominated in that category. They're not aiming for the top, and they're still missing!

Or maybe I'm just being too hard on them, and displacing my own Oscar obsessions on this otherwise innocuous series of jukebox musicals with no higher goal than to be entertaining bits of fluff. The newest entry in the franchise, if it can be called that, is just that. Sing: Thriller is a short available on Netflix, and it features a simple take on a nightmare zombie apocalypse, but furry and kid-friendly; an obvious homage to Michael Jackson's Thriller. It's definitely for kids, with a rating of TV-Y, for "fear", which I think would only apply to the absolute youngest viewers.

In this episode!

• This episode can hold so much charities!Breaking last years record! But by how much?
• Animations from around the web
• An interview with Labb Rat, known for her commentary videos, about the importance of caring about mental health and escaping toxic environments.

But first, the latest charity news from the fandom in this October edition of Digging Up Positivity and boy are here a lot of them! Do keep in mind, all amounts are converted to US dollars.

Chris Sanders has only directed four animated features (plus a live action adaptation Call of the Wild), and the previous three (Lilo & Stitch, How to Train your Dragon and The Croods put him in four way tie for most nominations without a win in the Best Animated Feature category at the Oscars. It feels pretty certain that The Wild Robot will be the movie that finally wins him that Oscar, but we'll keep such speculation to a minimum.

Sanders's first feature, Lilo & Stitch, is probably the only truly great movie to come out of Walt Disney Animation Studios in the first decade of this century. (To be clear, you're allowed to like other movies from that decade, but most were flawed.) Anyway, the upshot of Lilo & Stitch becoming a beloved classic is that its directors, Sanders and his writing and directing partner, Dean Deblois, were driven out of Disney by John Lasseter a few years later (I don't like that guy).

Sanders and Deblois took their talents to DreamWorks Animation, where they delivered How to Train Your Dragon to the studio, often seen as one of the highlights of its output.

I've often seen Sanders cast as the "idea guy" in the Sanders/Deblois partnership, as well as being the guy who brings a lot of unique visual aspects to his projects, while Deblois is the more story-driven member of the partnership, bringing in the emotional aspects. I'm not so sure about that, especially after this movie, which features an emotional story just as potent as Lilo & Stitch and How to Train Your Dragon, sans Deblois. The Wild Robot also features a visual design that echoes the original illustrations of the book it's based on, by Peter Brown, showing Sanders is more than just a recognizable art style.