We are now in the fourth year of reviewing the dramatic shorts category based on the recommendations submitted to the Ursa Majors along with random ones I may have seen during the year, or items that maybe the algorithms caught that only get recommended at this time of year for some reason. The choices here are, once again, polished and only one or two in the whole list had missing elements. Without you all curating your choices these lists would not happen so thank you for your efforts this year.

New to the format this year is that I’ll lean toward sectionalizing so that the text before the video doesn’t go too much into spoiler territory and any text afterwards will go more into elements I liked that address the content itself as to not spoil any desire to view without being painted by those thoughts.

(Prior Years: 2024, 2023, 2022)

The Monkey King (trailer) is a 96-minute 3D animated film produced by Netflix along with several studios in East Asia. It was directed by Anthony Stacchi and written by Steve Bencich, Ron J. Friedman, and Rita Hsiao.

When the film came out in August 2023, supposedly it was the most streamed film on Netflix that month; but IMDB rates it a 5.8 out of 10, and Rotten Tomatoes gives it 56% / 63%. For animation and visuals I think it should score slightly higher; story-wise I think that's a good assessment.

Ernest and Celestine: A Trip to Gibberitia (trailer, pronounced "Gibberish-ia") is an 80-minute 2D animated children's film from 2022, a sequel to a 2012 film previously reviewed on Flayrah. They're part of a larger franchise based on a book series, that later got a TV series and a couple of specials.

Originally produced in France, it's been dubbed into English by GKids, however this new film has a completely different set of directors and writers. The producers and studios remained largely the same. In French the title was Ernest et Célestine: Le voyage en Charabie, based on the French word "charabia" that means gibberish or gobbledygook.

You can watch this film without having seen the first one! Ernest is a grumpy, kind-hearted musician (a bear), who adoped Celestine (a young mouse), despite bears and mice not typically getting along. The story begins with Ernest waking from his long winter sleep, when Celestine accidentally breaks his prized violin. Trying to make things right, she embarks on a journey to Ernest's hometown to get it repaired. In panic, Ernest chases after her, and they arrive in Gibberitia together.

What an enormously strange but wonderful year it has been! Welcome to the last episode of 2025! This episode we have:

• A wonderful interview with furry musician Cosmik with a K
• Animation news, how Zootopia 2 shattered all expectations, and how you can get one of those shiny Lorcana Cards!
• And of course, a whole bunch of charities

So...lets start with those!

Chickenhare and the Hamster of Darkness (trailer) is a 90-minute 3D kids animated adventure-comedy film. Released in 2022, it's important to note that this is an nWave Studios producion, a Belgian company whose output since 2008 has consistently ranged from "awful" to "thoroughly meh".

It's rare for their average IMDB score to go higher than 6 out of 10. This one was directed by Benjamin Mousquet and Ben Stassen, written by Dave Collard, and was very loosely inspired from graphic novels by Chris Grine.

I think Chickenhare has been the studio's... "best" work so far, but that's not saying much. Their second-best would probably be either The House of Magic (2013) or Son of Bigfoot (2018).

What I find fascinating about Chickenhare is that it's just on the edge of being okay. Most of its elements use well-worn tropes that you typically get in kids films, but other things are... different. Cheerfully absurd. It's not taking itself entirely seriously. It's solidly aimed at a young audience - but there's this odd, subtle undercurrent that only adults might notice, when they're not being bored. It's really difficult to put into words.

Mahavatar Narsimha (clip) is the first in an intended series of 3D animated films from India, with the goal of telling the stories of the ten avatars of Vishnu. Released in 2025, it's directed by Ashwin Kumar, written by Jayapurna Das, and produced by Kleem Productions.

First and foremost, this is a religious film that takes its spiritual roots from Hindu mythology pretty seriously. It clocks in at over two hours long, and honestly I didn't have the patience to watch it from start to finish. I don't think I can objectively review such a film. I don't know the mythology, the religion, the symbolism or the culture that it's based upon.

It's struck a strong chord in India, becoming its highest-grossing domestic animated film in less than two weeks! So that's a positive sign. Whether you should try watching it - I can't say. This review will be a short summary that points out the anthropomorphic beings that appear.

Goldbeak (trailer) is a 90-minute 3D animated kids film. Although it came out in China in 2021 (original title: 老鹰抓小鸡), it's taken an unusually long time to get distributed, sometimes pretending that its year of release is more recent. It was produced by Liang Zi Film and Nigel W. Tierney, directed by Tierney and Dong Long, and written by Robert N. Skir, Jeff Sloniker, and Vivian Yoon.

In a world of mildly anthropomorphized birds, Goldbeak is an orphaned eagle who's raised by chickens in a rural village. He wants to fly, but most of the villagers don't help. They treat him as an outsider and eventually kick him out. Accompanied by his adoptive sister Ratchet (a gadgeteer genius), he makes the journey to the capital, the creatively-named Avian City.

Along the way he finds a mentor hermit who teaches him to fly. It turns out that Goldbeak is the long-lost nephew of the city's mayor. Then he wants to join the Eagle Scouts, an elite flying squad, but their leading member hates his guts. The mayor turns out to have sinister plans...

Furry Halloween recommendation! Night of the Zoopocalypse is a 92-minute film from 2024, co-produced between Canada, France and Belgium by... quite a lot of animation studios (we'll get to that). It was written by James Kee and Steven Hoban, and directed by Rodrigo Perez-Castro and Ricardo Curtis.

This is an animated comedy horror film for kids. It walks the fine line between those genres with perfect precision (specifically zombie apocalypse), and it works! It appeals to adults too; I'm not a fan of horror at all, and I loved it! Rotten Tomatoes rates it 88% / 82%. I'm not linking to a trailer, because I'd like to keep some things a surprise.

If you're looking to introduce kids to the horror genre, this is the film to do it with. In the past I might have said - reluctantly - Coraline, from the Laika studio. Most of their animated films tend to get... dark, but I'd also say they veer into the grotesque, and that's not so fun. Zoopocalypse doesn't do that. It's got slobber and slime here and there, yet surprisingly, no blood. And still, it works!

The basic premise is that a meteor fragment lands in a zoo during the night, turning an animal into a contagious, evil zombie monster who soon converts most of the other animals, except for a small group who must figure out how to survive. There are no humans in the movie, aside from some families and one zookeeper at the beginning, who leave at closing time.

Welcome to a new episode of Digging Up Positivity, this month we have a very special guest: Chipflake, known for his very cute and silly animations and we will be talking about his upcoming game as well! Furthermore we have some animations, and of course, oh man, we have so many charities, it is really showing that convention season is gearing up! So lets get started!

In a sequel to a pair of stories I wrote many years back (good god, I'm old now), we're now seeing things play out in reverse. Childrens' animation on Canadian television is now on life support or effectively dead, thanks to a slew of channels from Corus Entertainment and WildBrain Studios (representing the vast majority) getting the plug pulled as of September 1, as reported by Montréal broadcaster Steven Faguy's blog.

The Bad Guys 2, directed by Pierre Perifel, is the latest theatrical release from DreamWorks Animation, and is the sequel to 2022's The Bad Guys, which has gone on to become very popular with furries. The titular "Bad Guys" are a gang of "scary" animal ex-thieves featuring Mr. Wolf (voiced by Sam Rockwell), Mr. Snake (voiced by Marc Maron), Miss Tarantula a.k.a. "Webs" (voiced by Awkwafina), Mr. Shark (voiced by Craig Robinson) and Mr. Piranha (voiced by Anthony Ramos), plus Diane Foxington (voiced by Zazie Beetz), the current fox governor of the state of California and also secretly an ex-thief known as the "Crimson Paw", who, unlike the Bad Guys, was never caught. Having given up their lives of crime last movie, this movie begins with the Bad Guys living the trials and tribulations of ex-cons.

The movie is already available for digital purchase, despite the movie only being out a little over two weeks. However, DreamWorks Animation has been playing Moneyball recently, spending about half as much as most of the other major studios on their theatrical releases, so they've already made back most of their money domestically, and are in the black (more or less) counting international grosses. It's not a big hit, but it is a "base" hit, and that's what DreamWorks is aiming for. DreamWorks Animation has never gotten past the billion mark (Shrek 2, way back in 2004, was the closest), and the company seems to have accepted this fact. If anything, when they make a "big swing" anymore, it's an Oscar play rather than box office, like last year's The Wild Robot, which ultimately did not win (once again, Shrek is DreamWorks's only Best Animated Feature, despite being the second most nominated studio in the category).

But the point of bringing up this "inside baseball" bit about box office is that this has already been earmarked as a DreamWorks franchise. Ironically, they were bumped by The Wild Robot in the studio's logo sequence this year, but that seems to be more about DreamWorks wanting to avoid having them appear in front of their own movie than lack of confidence. I'm very confident there will be a The Bad Guys 3, and am looking forward to it, because both movies have been a lot of fun.

Welcome to a new episode of Digging Up Positivity! In this episode:

• A very special guest from Honduras
• Animation news
• An upcoming furry indy game
• And of course a whole load of charity!

So let’s get started!

What furry animated films might be coming out since our last list? (You can find some non-furry films discussed in the comments section.) As usual it's difficult to know for certain what's coming up, since a lot of films show up with unpredictable marketing, or might never reach completion, or might be a Warner Bros tax write-off.

Let's start with a little non-furry news! Ne Zha 2 (China, 2025) now holds the record for being the highest-grossing animated film ever, having earned over $2.2 billion. KPop Demon Hunters (Sony, 2025) on Netflix got over 33 million views in two weeks, and is still going strong.

The news site Cartoon Brew has a new owner and chief editor, who hopefully will be less snooty and won't accidentally create Brony fandom. Director Brad Bird is now over at SkyDance and might finally get to make Ray Gunn, a project he's wanted to do for 30 years.

Laika isn't leaking any information about Wildwood. DreamWorks' The Bad Guys 2 is just around the corner, and Zootopia 2 (Disney, 2025) is aiming at a Late November release for U.S. Thanksgiving and any cinema foolish enough to be in range of Midwest FurFest.

Nimona (trailer) is a 99-minute American animated movie released in 2023. It was eventually directed by Nick Bruno and Troy Quane, with a script by Robert Baird and Lloyd Taylor (plus additional writers), and was adapted from a webcomic/graphic novel by ND Stevenson. Originally it was produced by Blue Sky Studios, whose parent company was acquired by Disney before the project was finished. Disney cancelled it, likely due to its overt LGBTQ+ themes, and closed down Blue Sky to focus on their own, pre-existing animation studios. Luckily, they were willing to let Netflix acquire the rights, and it was completed by DNEG Animation and Annapurna Pictures.

And I am the wrong person to be reviewing this movie.

In my years of writing reviews, this is the second time this has happened. The first time was when Kyell Gold sent me a copy of Green Fairy to review. By no fault of Kyell's, or the story itself, aspects of the book set off multiple buttons in my head due to personal experiences from my past. This caused my brain to mis-map story elements, and it didn't work for me. I tried writing a review, and I couldn't bring myself to publish it at the time. It wasn't fair to the book, nor to Kyell's writing craft.

And so now I'm facing a similar dilemma with Nimona. This time, I'm going to attempt a review, but without all of my internal brain slop. You'll be getting some of it, but believe me when I say I'm leaving a lot out. (Deep breaths. Focus on the positive.) At this point the film is two years old and I'm assuming that most folks here have seen it, so I'm not going to be shy about major plot details.

However, despite my personal opinions, let me be clear: If you haven't watched this film, it's worth a watch. It's good. It's just I'm not the audience it's for. And that's ok! I still appreciate it for what it is. Stop reading here to avoid spoilers.

Welcome to the April edition of Digging Up Positivity, this month we are interviewing two amazing beans from the virtual world, however their friendship influenced their lives much more than anyone expected!

We also feature a new furry game, some lovely animation news and of course, our charities, because my dear friend, we sure had a lot of those in April, so lets gooo!