Cartoon Brew recently pointed us at a new upcoming animated film called Leo, being created for Netflix by Adam Sandler and his production company. “Netflix describes the film as ‘a coming-of-age animated musical comedy about the last year of elementary school – as seen through the eyes of a class pet. Jaded 74-year-old lizard Leo has been stuck in the same Florida classroom for decades with his terrarium-mate turtle. When he learns he only has one year left to live, he plans to escape to experience life on the outside, but instead gets caught up in the problems of his anxious students – including an impossibly mean substitute teacher. It ends up being the strangest but most rewarding bucket list ever…’ Leo’s animation is being produced by Netflix Animation and Animal Logic (The Lego Movie, DC League of Super-Pets)”. Look for it streaming on November 22nd.
In honor of Indigenous Peoples’ Day, Netflix recently premiered an interesting new animated TV series for young viewers. “Spirit Rangers explores the beauty of nature through the eyes and adventures of half-Chumash, half-Cowlitz siblings Kodi, Summer, and Eddy Skycedar, who all share a secret: They are ‘Spirit Rangers’ who help protect the land and spirits of the national park they call home in California. Taking on new perspectives as a grizzly bear cub, red-tailed hawk, and spunky turtle, the Skycedar kids face every challenge — from helping a lost thunderbird to waking a sleepy sun — with courage and compassion.” The series is created by Karissa Valencia, herself a member of the Samala Chumash tribe. Animation World Network has an extensive article.
Just today we learned of a new urban-fantasy miniseries streaming later this month: “Netflix has shared an official trailer and key art for the upcoming four-part animation/live-action hybrid series Lost Ollie, inspired by the book Ollie’s Odyssey by prolific author, illustrator, and Oscar-winning filmmaker William Joyce (The Fantastic Flying Books of Mr. Morris Lessmore). All four parts of the limited series hit the streamer on August 24… The series is an epic adventure about a lost toy who braves the many dangers of childhood as he searches the countryside to reunite with the boy who lost him; and the story of the boy who lost more than a best friend… Shannon Tindle (Kubo and the Two Strings, Coraline) serves as creator, writer, and executive producer. The series was directed by Academy Award winner Peter Ramsey (Spider-Man: Into the Spider-Verse), who also serves as executive producer.” Animation World Network has more information and the official trailer. Interestingly, the last time Mr. Ramsey directed a William Joyce story, it was Rise of the Guardians.
The long running My Little Pony is introducing its latest toyline "generation" with what was supposed to be a theatrical movie. Due to the whole "ongoing pandemic" thing, that was mostly canceled (it was released theatrically in a few regions) and the whole thing moved to the streaming service Netflix, where any further spin-offs will also be held. My Little Pony: A New Generation is directed by Robert Cullen and José Luis Ucha with co-director Mark Fattibene, and has been available on Netflix since September 24 in most regions.
Not to beat around the bush, but the last time My Little Pony launched, it was kind of a thing. I'm sure the vast majority of Flayrah's readership is well aware of the "brony" subculture, but if you somehow missed it, or would just like a refresher, this Ursa Major-nominated video by YouTuber Jenny Nicholson is recommended – though you could always troll through Flayrah's "My Little Pony" tag. The upshot: there are higher expectations attached to this series relaunch than usual.
A Whisker Away (trailer) is an anime film about a young Japanese teenager who gains the ability to turn into a cat. Released in the summer of 2020, it was written by Mari Okada, directed by Junichi Sato and Tomotaka Shibayama, and animated by Studio Colorido. Its original title is Nakitai Watashi wa Neko o Kaburu, which translates to "Wanting to cry, I pretend to be a cat".
The main protagonist is a girl in her early teens, nicknamed Muge. She's madly in love with Hinode, a boy in her class who doesn't appreciate her advances. One night, she encounters a mysterious anthropomorphic feline who offers to sell her a magical mask. With it, Muge can turn into a cat and spend time with Hinode, getting to know him better. As she switches back and forth, she begins to wonder if she'd prefer to be a cat, rather than a human - but doesn't know what it might cost her.
Hayop Ka! ("You Animal!") is an adult 2D animated film from the Philippines, in which all the characters are anthropomorphic animals. Released in 2020, it was directed by Avid Liongoren, who co-wrote it along with Manny Angeles and Paulle Olivenza, and was produced by Rocketsheep Studio and Spring Films.
The story revolves around a cat named Nimfa (played by Angelica Panganiban), who works at a perfume counter in a department store in the city of Manila. She's been living with her boyfriend for over a year, a large, burly mongrel named Roger (played by Robin Padilla) who works as a janitor. She has doubts about their long-term prospects, so when she meets Inigo, a rich, tycoon husky (played by Sam Milby), a love triangle quickly develops. This is a very adult movie! All three want to have an active sexual life, with varying degrees of commitment.
Wish Dragon (trailer) is a computer-animated film from the Sony Pictures Animation International Initiative, a fancy way of saying "international co-production", in this case between Sony and several studios in China. Concept art made the rounds in 2018, and they hoped to finish it in 2019. For whatever reason, it didn't get released until January 15, 2021 - in China - so this review is of the Chinese dub with English subtitles.
A little backstory. When Kung Fu Panda came out in 2008, it had so much artistic attention to cultural detail that China kicked their animation industry into high gear. In the twelve years since then, they've become a powerhouse of animation. Recently, there's been a slow-growing effort to make their films more exportable. Some efforts have fallen flat, like the sadly-overlooked Rock Dog; but with Mosley and Wish Dragon I'm optimistic that there'll be more co-productions to come!
Rights to Brian Jacques' Redwall series of novels have been purchased for adaptation by Netflix; there are plans to create a feature movie from the first, Redwall, as well as an "event series" based on the character of Martin the Warrior. The movie is being written by Patrick McHale.
The series spans 22 books (with a few picture books thrown in for the Dibbuns); if the first movie and/or series works out, Netflix has plenty of material to use. Redwall is popular among furry fans, as its entire world is filled with dressed, talking animals. The stories usually center around the titular Redwall Abbey and the adventures of its (mostly) rodent inhabitants, though the world is not limited to this one setting.
In this third season of Aggretsuko, we move further away from the focus of the stress of work-life in and of itself and instead cover the fulfilment of one’s dreams through the side gigs adults do to try and find money in their passions. This season, the characters come to find that these new avenues may come with stresses of their own; work is still work.
Given this the office itself plays even less of a role than the prior seasons. Without going into too many details in this summary, the conclusion of this season is one that will probably strike an intense chord with furry fans given the passion that we have for our fandom “side gig”.
If you enjoyed the prior seasons then you’ll find enjoyment in this season. Spoilers ahead, so watch before continuing should you wish to go in blind.
It has been two decades since the triangle shirt wearing wallaby had aired on Nickelodeon. Things have changed a lot since then. The world had a recession, Starbucks is a thing, smartphones are now an integrated part of life, there was the 3D film craze, and social media is now a primary source of communication. All of these elements are introduced quickly in the show’s opening.
If you are a fan of the show it’ll be well worth the watch, but you can enjoy it without having watched the 90s run. I myself was not a religious watcher of the show, which may be deemed as blasphemous due to my Kangaroo fursona, but my parents did not have cable television during the Nickelodeon hay-day. That changed with the invention of satellite television, though. So change can be good.
Static Cling’s theme is very heavy handed, dealing with life and the changes that take place there-in. As someone who wasn’t a devoted watcher of the show, it is a decent attempt to cover the more modern life of the modern life we live in at this point. The main review will have spoilers and synopsis so if you want to enjoy it blind, watch before proceeding to the next sections.
And now a rather different take on Dreamworks’ How To Train Your Dragon universe, this time in a new Netflix TV series for young viewers. Animation World Network gave us the scoop: “DreamWorks Animation has just unveiled the high-flying trailer and cast of its new animated preschool series, Dragons Rescue Riders. This all-new chapter in the Oscar-nominated How to Train Your Dragon franchise follows the adventures of twins, Dak and Leyla, raised by dragons, who share a unique ability to communicate with them. The brother and sister lead a team of five young dragons, Aggro, Winger, Summer, Cutter, and Burple, with whom they spend their days rescuing other dragons and helping people in their adopted town of Huttsgalor. All 14 episodes of the new series debut September 27 exclusively on Netflix.” Check out the preview trailer as well.