Here is a “stealth” anthropomorphic animated feature that has just appeared. Psiconautas (Psychonauts), directed by Alberto Vázquez and Pedro Rivero, and produced by ZircoZine in Santiago de Compostela & Basque Films in Bilbao, has just premiered at the 63rd (2015) San Sebastián Film Festival (September 18 to 26) on the 24th. No word yet on when or where it will be generally released.
Psiconautas is based upon the graphic novel by Alberto Vázquez. The synopsis is “Teenagers Birdboy and Dinky have decided to escape from an island devastated by ecological catastrophe: Birdboy by shutting himself off from the world, Dinky by setting out on a dangerous voyage in the hope that Birdboy will accompany her.” This may be an animated cartoon, but it is clearly not a “cute” film for children.
NSFW warning: The trailer does contain some violent imagery.
The release date of Disney’s forthcoming theatrical feature Zootopia (Zootropolis in the U.K., Portugal, Turkey and other countries; Zootropola in Croatia and Zwierzogród in Poland) is March 4, 2016. But on January 19, 2016, the Disney merchandising machine will release a slew of tie-in books, published by Disney print subsidiaries or licensed by it. Most, but not all of them, will be juvenile-oriented. Some of them, such as the Disney Zootopia Ultimate Sticker Book or Judy Hopps and the Missing Jumbo-Pop, will be little more than picture books featuring the leading characters. Others, such as the Zootopia Big Golden Book, will also be picture books but will show a condensation of the movie’s plot. And a few, such as Zootopia: The Official Handbook, Zootopia Junior Novelization and DK’s Disney Zootopia: The Essential Guide, will be of interest to the adult enthusiast. No lavish The Art of Zootopia coffee-table art book has been announced yet, but there will undoubtedly be one by next March – or sooner.
It’s interesting when full-fledged fine artists turn their attention to something more whimsical, like cartoon illustration. Such is the case with painter Richard D. Sweatt, who in addition to his gallery works has taken time to write and illustrate a softcover children’s book, Fuzzy Friends. “A story about a little girl that makes friends with the little animals from the nearby woods. Everyday the little Fuzzy Friends wait for the little girl to arrive home on the school bus to greet her. The little girl loves to play with her friends and at the same time learns some valuable lessons about making good choices when it comes to choosing friends.” Check it out over at Lulu.com, then check out Mr. Sweatt’s other fine art paintings at his Enjoygram site.
It is with great sadness that I must report on the passing of one of the giants of the voice-acting world.
Christine Cavanaugh passed away on December 22, 2014 at the young age of 51. She is perhaps best-remembered as the voice actress of (in no particular order) Babe, Dexter (Dexter's Lab), Bunnie Rabbot (Sonic the Hedgehog), Chuckie Finster (Rugrats), Oblina (Aaahh!!! Real Monsters) and Goslyn Mallard (Darkwing Duck, Raw Toonage).
While her voiceography is not as long as other veteran voice actors and actresses, she more than made up for it with quality acting and defining fan-favourite characters, bringing them memorable personalities that lasted long after their shows completed their runs.
It seems to be a hot time to re-imagine 1980’s toy and cartoon lines for a the new millenium. Next up? Popples. Here’s the pitch from the masters themselves, Saban Brands: “Popples are fun, lovable, brightly-colored and adorable creatures that transform from fluffy balls to furry friends and back again. Saban Brands will re-launch the franchise with a fresh and modern look for a new generation of kids. The launch will be paired with a line of consumer products including apparel, accessories, plush and more. Popples made its original debut in the U.S. in 1985 with a Saturday morning television show, followed by a successful toy line.” Saturday morning, eh? Are they gonna try to bring that back too? Either way, look for it at a TV or toy store near you in 2015.
An Ode to Saturday Mornings Past, by JessKat
I'm not quite sure how to explain this… especially to younger viewers who grew up in the 500-channel universe of cable television and satellite services and Netflix streaming… but for those of us old enough (or geeky enough) to watch cartoons over-the-air with a rabbit-ears antenna, Saturday mornings and weekday afternoons after school were the only times when animation fans could watch their favourite shows… especially where cable channels such as Nickelodeon, Cartoon Network, YTV or Toon Disney weren't available.
September 28, 2014 was the day the animation died - ending a long and painful decline on broadcast television in the United States, with The CW (the newest broadcast network) being the final holdout… the last man standing, as it were. This was the final Saturday morning with cartoons in America.
From here on out, animation fans in the United States will have to follow the path their Canadian counterparts took in 2001 to get their animation fix: a cable television or satellite subscription. If there is any consolation, it is that the ecosystem of Saturday morning cartoons seems healthier in Australia and Mexico.
To understand how we got to this point, we'll need to review the chain of events leading to the demise of animation on over-the-air television.
This is the fifth volume in Sofawolf Press' Artistic Visions series of art-sketch format albums. The first four each showcase one (or two) of the best artists in furry fandom; Kenket (Tess Garman), Brian and Tracy Reynolds, Ursula Vernon and Henrieke Goorhuis. Each is a professional artist, but is especially well-known in furry fandom for convention conbook covers, badge art and other commissioned art, and trades with other Furry artists; many of which are posted on DeviantART, FurAffinity and other art websites.
Hibbary (Hillary Leutkemeyer) has been a member of DeviantART for over a decade, and she was Artist Guest of Honor at Furry Weekend Atlanta 2013, but otherwise she is little known in furry fandom. This large (8½” x 11”) volume of Artistic Visions should change that.
St. Paul, MN, Sofawolf Press, July 2014, trade paperback $14.95 (99 pages).
There are at least five title pages and subtitles, all different, plus a foreword by Craig Yoe and short essays or tributes by comic book and animation experts, historians and, in the book’s term, aficionados Mark Evanier, Jerry Beck, David Gerstein and Paul Castiglia. The most important subtitles are A collection of paintings from the prolific imagination of the Felix the Cat guy and Curated, designed and edited by Rod Ollerenshaw. Another is The Felix the Cat Paintings of Don Oriolo.
Included are full-page photographs of Don Oriolo with Craig Yoe, two of the essayists, actor-artist Tony Curtis and some of his paintings.
This is the fourth volume in Sofawolf Press’ Artistic Visions series of art-sketch format albums, each showcasing one of the best artists in furry fandom. Each is a professional artist, but is especially well-known in furry fandom for convention conbook covers, badge art and other commissioned art, and trades with other Furry artists; many of which are posted on DeviantART, Fur Affinity and other art websites.
The art in these albums emphasize anthropomorphized-animal cartoons and similar humorous work, rather than realistic animal depictions. Other Artistic Visions albums have showcased the work of Hibbary (Hillary Leutkemeyer), Brian and Tracy Reynolds, Kenket (Tess Garman) and Ursula Vernon. These are all American artists.
The Art of Henrieke is the first to feature a European artist. Henrieke Goorhuis, a Dutch artist born in 1990, has become very popular in just the last five years for European Furry convention art and T-shirts, commissioned art featuring fans’ personal icons and for commissioned art for European zoos. Her most popular character is her own cartoon icon, Kiki the ring-tailed lemur.
Good artbooks speak for themselves. Almost every page of The Art of Henrieke: Sketches, Works in Progress, and Commentary by the Artist is crammed with sketches and finished line art.
St. Paul, MN, Sofawolf Press, January 2014, trade paperback $14.95 (75 [+ 1] pages).
Funny Animals and More: From Anime to Zoomorphics, based on Fred Patten’s weekly columns from Jerry Beck’s Cartoon Research animation website, was published March 26 by Theme Park Press. It is available in paperback and digital formats, and on Amazon.com.
The book is about animation and comic books rather than specifically anthropomorphic animals, but cartoon and CGI funny animals are a major theme. Topics include anime cat girls; Pokémon and Monster Rancher; Astro Boy and Atomcat; how a popular 1970s anime TV series led to the import of thousands of baby North American raccoons into Japan as pets, whose descendants are ruining thousand-year-old Buddhist and Shinto shrines today; animated Summer Olympics mascots like Misha the bear cub, Sam the eagle, Hodori the tiger, and Cobi the sheepdog, from 1972 to 2012; Patten’s favorite childhood comic-book funny animals like Amster the Hamster, Doodles Duck and his nephew Lemuel, Nutsy Squirrel, Dunbar Dodo, and SuperKatt, and how he would still like to see them animated; Crusader Rabbit; rats in animation; Reynard the Fox in animation; and Disney’s forthcoming 2016 Zootopia.
Korean cinema: Toilet-paper Merlin turns pianist into cow, who's saved from incinerator by com-sat in robot girl formPosted by Fred on Thu 27 Mar 2014 - 16:59
Korean animation looks enough like Japanese animation that it is usually lumped together as anime. But I don’t think that even the Japanese have made an animated feature like The Satellite Girl and Milk Cow, directed by Jang Hyung-yun and released in February in Seoul.
Jerry Beck’s Animation Scoop announces this South Korean release about a pianist (male), transformed into a cow (female) by Merlin the Magician in the form of an anthropomorphic roll of toilet paper, and pursued by a villainous incinerator that wants to incinerate him/her; while a communication satellite falls from space, becomes an Astro Boy-like robot girl, and saves the cow from the incinerator and its secret agents. It falls into the you-have-to-see-it-to-believe-it category -- and Jerry has the trailer, so you can see 1'22" of it.
Read more: Review at TwitchFilm.com
Here is the final ballot for the 2013 Ursa Major Awards. The voting is among the five titles in each category getting the most nominations. In several categories, there are six finalists because of ties for fifth place. In the Best Short Fiction category, only four finalists are listed because of too many ties for fifth place.
Voting is now open. Due to a technical issue, nominators will need to acquire a new key. The deadline is April 30.
As is not unusual, there were so many nominations for the fourth, fifth, and sixth place nominees in most categories that one more nomination could have made the difference between a title’s getting on the final ballot or not. Please nominate next year.
The 2013 Ursa Major Awards will be announced and presented at a ceremony at the CaliFur X convention, May 30-June 1, 2014, at the Irvine Marriott Hotel, 18000 Von Karman Avenue, Irvine, CA 92612.
Nominations for the 2013 Ursa Major Awards, for the best anthropomorphic movies, novels, comic strips, games, etc., will close on February 28. Voting for the winner will begin on March 15 and will close on April 30. The awards will be presented at CaliFur X on May 30 to June 1, at the Irvine Marriott Hotel, Irvine, California.
If you have not nominated yet, you have only a few more days to do so. All titles first published or released during the 2013 calendar year are eligible. The awards are given in eleven categories: Motion Picture, Dramatic Short Work or Series, Novel, Short Fiction, Other Literary Work, Graphic Novel, Comic Strip, Magazine, Published Illustration, Website, and Game. The final ballot includes the top five titles nominated in each category.
Animation Breakdown Roundup!, a one-day 90+-minute animation festival of 25 brand-new animated experimental shorts, will play on Saturday, March 8 at 9:30 p.m. at The Cinefamily, a.k.a. The Silent Movie Theatre, 611 North Fairfax Avenue, Los Angeles, CA 90036; (323) 655-2510. Tickets are $12.
Co-curator Alex MacDonald says to expect something like past compilations such as Spike and Mike’s Festival of Animation, The International Tournée of Animation, or The Animation Show. Animation Breakdown Roundup! will feature “over 90 amazing minutes of animation filled with world premieres and exclusives.”
What makes it of interest to us is that half or more of the 25 shorts feature anthropomorphic animals and even Furries, counting the psychedelic duck musicians, the wolfman or werewolf bikers, and indescribable but clearly sentient "things". How many can you find in this 1’07” trailer?
The January 23 issue of India’s Animation Xpress reports that the makers of anti-pimple cream Garnier Pure Active have hired the FoxyMoron digital advertising agency in Mumbai and Gurgaon to create a Hindi Facebook and YouTube advertising campaign for it. FoxyMoron has used “layered animation” to create “illustrated comic strips of iconic Bollywood characters” disfigured by pimples. It’s not anthro, but it is truly you-have-to-see-it weird. [Video 1 - 2]
There is nothing anthropomorphic about this except the name of the creative studio. Are we insulted by the name “FoxyMoron”? Have they ever done anything with cartoon foxes in it? (It probably started out as a play on "oxymoron", but still ...)