This has been a long time coming.
The movie? No, not the movie itself, but my review of it. To people who are only reading this review to get to my thoughts on the movie, I suggest skipping my little prologue. For those that would like some context, then read on.
Rock Dog has been on my radar for well over a year, potentially two years, though it's kind of hard to pin down the exact date. I saw the original trailer when it leaked at around the end of 2015 and was immediately interested.
The film was directed by Ash Brannon, a co-director of Toy Story 2 and the underrated masterpiece that is Surf's Up. I grew up with the latter film and was curious of this new project since Ash hasn't done a ton in the animation field since 2007.
I was so hyped for the film that I felt that it would surpass Zootopia. This belief had caused debates with many of the avid fans the film had garnered in the fandom. While my stance has softened on the Disney film, I still stand by some of the grievances I had with it. That being said I have decided that despite my desire to compare the two films, I decided to purely look at Rock Dog as it's own film and judge it on its own merits.
The first time I was introduced to NIIC was on Flayrah. I think it was during the time we were discussing definitions of furry. Someone linked to an interview, republished on Flayrah, where NIIC shared his definition of furry music; one I referred to in my own article on the subject. However, I still didn't really listen to his music until someone linked me to "Paws To The Wall (Fursona version)."
Moving forward a few months, I looked for more of NIIC's work and found his newest album, Beast, released last month, available on Soundcloud. I decided to give it a listen, ripped everything out of the cloud and started listening to it at work. I quickly found that I was really enjoying it and decided to buy the album and help support him. Well, I ended up buying all of his CDs at once, but it does give me the perfect opportunity for a review!
Monster, monster… no-one knows this thrilling feeling. Dizzy how, dizzy how - it's TeleMonster time!
The single is written by Sia Furler, and definitely sounds like it.
Zootopia is coming out soon; so enjoy this song while you wait!
It's too bad they went for a self esteem anthem for this song. With such a wide premise and world they built for Zootopia with all the rich environments and backgrounds, it's too bad we don't hear her name drop animals or anything in the song once. I think it's a big opportunity missed, maybe that's just me.
Let me know what you all think of it!
Pop star Shakira has put up a 30 second preview of "Try Everything," a song she is singing in character as Gazelle, a, well, gazelle pop star from the furry world of Zootopia (or Zootropolis to our non-American friends), Disney's forthcoming animated feature due March 4.
An ongoing New Years celebration (which of course is called "Zoo Year's Eve") will culminate with a new trailer (which is referred to as a "gnu" trailer, obviously) being released soon. The last trailer wasn't received particularly well by furries at first, but was met with near universal approval from non-furries when played in front of Star Wars: The Force Awakens.
Update 1/5/16: Sorry, folks, preview's over. Have a placeholder image for now.
The famous electro swing group Caravan Palace released a new, anthro filled video for their single "Lone Digger".
Directed by Double Ninja, most famous for directing "Magic" by Mystery Skulls, the video depicts a gang war but with the classic cats and dogs 'hating each other' motif. The showdown takes place in a performance bar of sorts.
This is the group's second single from their new album < I°_°I > (pronounced 'Robot').
NSFW warning: This video isn't exactly SFW. It gets a little intense towards the end.
It was filmed at the Imaginarium, the digital motion capture studio set up by Andy Serkis and Jonathan Cavendish in London. Is this the first of many realistic anthropomorphic mo-cap music videos that we can see in the future?
An advert for EZ Cooldown cooling vests for suiting peformers was released by EZ Wolf. The scolling shot features many fursuiters performing a wide variety of wacky tasks slowed down dramatically while the accompanying music by Fox Amoore and Pepper Coyote of Look Left encourages the audience to "Stay as You Are".
EZ Wolf is well known for his works in furry cinemtography, including the "infamous" Room 366 video which caused controversy in the fandom when it was leaked back in 2011. If you look hard enough, you may find an Easter egg referencing that particular video towards the end.
When Anthrocon started in Albany in 1997, the humble gathering went by the name of “Albany Anthrocon”. Two years later the convention found itself moving out of New York State and into Pennsylvania. Through that was learned the first major mistake a fledgling convention could make. Naming your new convention after the city it is hosted in is like someone getting their lover’s name tattooed to their arm. Ironically, it’s a mistake that other conventions still make to this day.
But living through mistakes is what makes one stronger in the end. It has now been about one decade since the largest furry convention had made its home in Pittsburgh. At this point I think it’s a much safer bet to commit to being inked.
As there were 6,389 recorded attendees to this convention, there are just as many stories and perspectives on the convention. So this review will focus on three sections I focused my experiences around: fursuiting, performances, and writing. It is essential to note that reviewing a convention is unlike reviewing any other medium where you can experience a full package. Many panels run concurrently so one has to make a choice, usually based upon one’s preferences.
Anthrocon is exceptionally supportive of furry music. The following performances – by Amadhia, Bucktown Tiger, Fox Amoore, "Bandthro", Matthew Ebel, Pepper Coyote and Rhubarb & Cosmik – can be seen at this year's event, running July 9–12 in Pittsburgh, PA.
The furry fandom is, by-and-large, a visual fandom. Internally, we elevate visual art to the point where sites like Fur Affinity and SoFurry are often referred to as "art sites", despite hosting various kinds of content. Similarly, outside attention on the fandom has tended to exaggerate fursuiting, another highly visual aspect of the fandom.
This focus on visual aspects is quantified in The State Of The Fandom 2008. Although this is far from the most recent set of results available from the Furry Survey it is the most complete report on the results. It shows that approximately 90% of furries consider artwork, 59% consider writing and only 23% consider music to be important to the furry fandom. In addition, 36% said that music was unimportant to the fandom, compared to 7% and 6% for writing and art respectively.
Playwright Jeff Goode's Fursona Non Grata is to appear at Fangcon on the weekend of November 7-9 in Knoxville, Tennessee. This play premièred at Wild Nights last year in the Central US, and also played on the West coast at Califur IX. The performance will be a radio play featuring many of the performers in their roles at Wild Nights. There will be some casting, as well as a rehearsal.
This play is just one of the performances the convention will be offering. Fangcon's musical Guest of Honor is NIIC The Singing Dog, who is both a stage and studio performer. He will be presenting his newest album "Instinct". Another musician, Buck (or Husky in Denial) is debuting the album "Kay". These two are just the tip of the iceberg for entertainment. Rhubarb The Bear will be returning to Fangcon; and on stage for their first Eastern appearance is A Dozen Dead Furs - a metalcore band from Oklahoma.
Joann Sfar is probably best-known in the furry community as the author of Le Chat du Rabbin/The Rabbi’s Cat (art by Antoine Delesvaux); the 2003-2006 five-album bandes dessinés, and especially the 2011 animated feature which he directed, released in the U.S. in 2013, featuring a talking cat in Algiers in the 1920s.
Sfar has written other unusual anthropomorphic comics drawn by other artists, such as the 2003-2009 three-volume Socrates the Half-Dog/Socrate le Demi-Chien with art by Christophe Blain, about Héraclès’ semi-divine dog in mythological ancient Greece. In Jeangot, Sfar has begun a new, all-funny-animal cartoon-art series, drawn by Clément Oubrerie, that carries “bizarreness” to a new extreme.
Paris, Éditions Gallimard, November 2012, hardcover €14.50 (54 pages).
Hah! I have always said that Estonian animation is ununderstandable! Incomprehensible, even. Here is a 4’47” trailer for a 72-minute 2013 stop-motion animated grand opera about the star-crossed love affair between an anthropomorphized rich-girl lemon and a poor refugee orange, directed by Mait Laas. Lisa Limone’s cruel father (a lemon with a comic-relief moustache) runs a slave-labor tomato plantation and ketchup factory.
Don’t worry if you don’t speak Estonian. Nobody understands the lyrics in opera, anyway. Besides, the trailer is subtitled in English.