As repeated media victims we furs are always on the lookout for furry references— good, bad or indifferent— on TV and elsewhere. There are two distinct styles in which our fandom is covered: bluntly by name, and more subtly. It’s easy to identify the former, but sometimes it’s more fun when they don’t use the 'F-word' to describe the group in which they are referencing in their content. In those instances, it seems more a stealthy shout-out for our animal-ears only, designed to fly over the head of anyone who doesn’t get it.
Today I wish to go over some of those moments in furry media that seem to hold general fandom idioms and how fun 'situational nuance' can be.
We haven’t heard of Flying Bark Productions before, but according to Animation World Network it sounds like we should start paying attention to them! The studio is hard at work on a CGI feature film called 100% Wolf, which they plan to follow with a TV series of the same name immediately after. The plot? “Lovers of surreal, laugh-out-loud animation should enjoy this comedy series about Freddy Lupin, an 11-year-old boy set to turn into a werewolf, just like everyone else in his family. But things don’t go as planned when Freddy turns into an adorable poodle instead.” Got that? Interesting thing is the feature and series are based on a popular Australian children’s novel by Jayne Lyons. No word yet on distribution, but the film and series are scheduled to be complete in 2019.
Mary and the Witch's Flower (メアリと魔女の花 or Mary to Majo no Hana in Japanese) is the first feature-length film to be released by Studio Ponoc. The film was released in Japan in July 2017 and had a limited theatrical run in the United States in early 2018 prior to its home video release. It is based on the 1971 children's novel The Little Broomstick by Mary Stewart (which I haven't read and cannot comment on how closely it follows). At a high level, the film could be described as a sort of Harry Potter meets Kiki's Delivery Service. Some anime fans have noted similarities to the anime series Little Witch Academia.
This is the third film directed by Hiromasa Yonebayashi. It is no coincidence that the art style of the film closely resembles the works of Studio Ghibli, as Yonebayashi had previously worked there and was director of The Secret World of Arrietty and When Marnie Was There. Producer Yoshiaki Nishimura and many others who worked on the film were also alumni of Studio Ghibli, which had largely disbanded its creative department following the release of Marnie in 2014. The characters of Mary, Madam Mumblechook, and Doctor Dee are voiced by Ruby Barnhill, Kate Winslet, and Jim Broadbent respectively in the English dub (Hana Sugisaki, Yuki Amami, and Fumio Kohinata respectively in the original Japanese).
Have you ever had that moment at a convention? You know, that moment? You’re walking around, minding your own business when a random attendee walks up to you. They start chatting it up well enough, but several minutes later you realize that their story isn’t all that interesting. You’re bored and listening to an uninteresting person drivel on about their life story that you never asked for.
That experience is basically a summary of what you are in for with Netflix’s mockumentary Mascots. Scores of minutes wasted on backstories of uninteresting characters, going to an only slightly interesting competition, told in the most uninteresting way imaginable.
While some confuse fursuiting with mascotting, as some reviewers for this film have they are two completely different things. One fur on my twitter feed had requested if this was any good. To them I can say, no, no it is not.
To begin, a little bit of justification as to why I'm reviewing this. In addition to being the 19th movie in the Marvel Cinematic Universe and Avengers three ... point five ... ish, this movie is also essentially Guardians of the Galaxy volume 2.5. And seeing as how that team just won its second motion picture Ursa Major by a pretty good margin over historically fierce competition, well, this is a team furries apparently care about, even if it's really just Rocket (voiced by Bradley Cooper) bringing the furry.
Next, a little bit of warning. This movie ends on what could be a cliffhanger which may totally be retconned out of existence by the end of next year's Untitled Avengers Film, or maybe not, in which case there is a lot, a lot, of stuff to spoil. Now, people have a tendency to act, well, spoiled about spoilers, which basically didn't exist before Alfred Hitchcock invented the idea to promote Psycho, despite the fact that the trailer consists of Hitchcock giving the game away, since it doesn't matter.
However, there's no need to be rude, so I'm not going into the ending, other than I think I will reveal Rocket's fate, so you know whether or not, as a furry, you should just give up on this Marvel Cinematic Universe or not.
But I'll do that after the break, so if you don't want to know, well, don't click "read more".
Ivan Tsarevich and the Gray Wolf (Иван Царевич и Серый волк / Ivan Tsarevich i Seriy volk / trailer) is a Russian 2D animated children's film that came out in 2011. It's the 7th film produced by Melnitsa Animation Studio, and although it took 12th place that year in Russia's box office, 9 of the top 11 films were all foreign imports, so for a domestic film it did really well! It made back 8 times what it cost to produce, enough to get sequels in 2013 and 2016. I've not watched the studio's other films, but they've definitely got an in-house animation style down to something that works well for them.
A lot of foreign animation companies don't bother exporting their films into the North American market because it's expensive, although Netflix and other streaming services are rapidly changing that. Sometimes it's a case of whether foreign audiences will be able to relate to the content. Ivan Tsarevich and the Gray Wolf feels very Russian, culturally. I get the impression it's poking fun at a lot of fairy tales, and I have no idea what they are. Still, it was an ok watch.
Director Wes Anderson has a lot of cinematic trademarks that make his movies, well, Wes Anderson movies. There's the whole love of more or less symmetrical shots, for instance. A frame from a Wes Anderson movie is often recognizable as such for this reason alone. He's the writer of all his own movies (with occasional co-writers, of course). In tone, his writing features normal to the point of banal dialogue in unusual circumstances. This is reflected in his movie's art direction; for instance, in The Life Aquatic with Steve Zissou, he filmed parts of the movie on an actual boat at sea, and other parts on a flagrantly obvious sound stage. The thing about doing this is that creating a huge stage and filming at sea are both difficult things to do that also don't really complement each other. He creates comedies, but they are often very dark; at one point in The Grand Budapest Hotel, for instance, an innocent woman's severed head is held up, and the primary emotion felt is relief. Under normal circumstances, the standard critique would be his films are tonally inconsistent, but, as even the sets are at war with themselves, this is obviously on purpose.
Also, he is known for violently killing off dogs in his movies. That's a thing he does.
Which brings us to Isle of Dogs. There is literally a plot to kill off every dog in the movie. Turns out, Wes Anderson might actually like dogs, however, because that's the villains plot, not the movie's.
The Shape of Water (trailer) is a 2017 fantasy-drama film from director Guillermo del Toro, based on an idea he'd had since childhood. Essentially he wanted to make a happier version of the 1954 horror film Creature from the Black Lagoon, with the humanoid fish monster and the female lead falling in love.
And that's exactly what happens in The Shape of Water! It takes place in 1962, starring a mute woman named Elisa who's part of the cleaning staff at an American government research facility. In one of the labs, she learns of "the asset", an intelligent humanoid amphibian creature who's being tortured. Falling in love with him, she wants to set him free with the help of a small group of collaborators.
Robert Downey Jr. took the still unusual step of announcing the cast of his upcoming movie, The Voyage of Doctor Dolittle via his personal Twitter account. Downey Jr. will play the titular character, Doctor Dolittle, a children's book character created by Hugh Lofting who has the ability to talk with the animals. The character has been played in previous film adaptations by Rex Harrison and Eddie Murphy.
"Paddington 2 honors its star's rich legacy with a sweet-natured sequel whose adorable visuals are matched by a story perfectly balanced between heartwarming family fare and purely enjoyable all-ages adventure."
- Rotten Tomatoes Paddington 2 Critics Consensus
"I'm gonna wait for the goofy gorilla review."
- the late ba, Internet commenter
Reviewing Paddington 2 at this point is less an exercise in reviewing a movie than reviewing the very idea of a reviewing a movie.
It broke the record on the review aggregate site Rotten Tomatoes for most reviews for a movie that still managed to retain a "100% positive" rating on the site with 187 "fresh" reviews, beating the previous record holder, Toy Story 2, which had 163. And though Flayrah reviews do not count towards the 'Tomato-Meter', even if they did, I have no intention of Armond White-ing the movie. It's a good movie. See it.
Though The Shape of Water is not traditionally furry (by either the "covered in fur" or the fandom definition), rarely does a movie about the romantic relationship between a human and a humanoid fish monster score 13 Oscar nominations. Writer and director Guillermo del Toro's science fiction fable, inspired by a famous scene in the classic Universal horror picture Creature from the Black Lagoon, is the odds-on favorite to win the Best Picture prize, which will make it the closest thing to a furry movie to claim that prize if it does.
In addition to its Best Picture nomination, it also gained nominations for del Toro in Best Directing and Best Writing (Original Screenplay) (along with screenwriting partner Vanessa Taylor). Del Toro had been previously nominated in the Best Original Screenplay category for Pan's Labyrinth (which was also nominated for Best Foreign Language Film, which is often credited as a second nomination for del Toro, though technically the nominee there was the country of Mexico due to the odd rules of the category). If del Toro wins for Directing, he will be third of a trio of Mexican directors nicknamed "The Three Amigos" to win the award this decade, after Alfonso Cuarón (winner for 2013 with Gravity) and Alejandro G. Iñárritu (winner for 2014 for Birdman or (The Unexpected Virtue of Ignorance) and 2015 for The Revenant).
Update: March 4, 2018: The Shape of Water has won Best Picture (Guillermo double-checked the envelope), making it the first science fiction movie to win the prize, with additional wins in the categories of Directing, Production Design and Original Score, giving it four total Oscars from its 13 nominations.
Nominations for the 2017 Ursa Major Awards will open on January 11, the first day of Further Confusion 2018. The awards celebrate the best anthropomorphic literature and art first published during the previous calendar year.
Find out more details at how to participate at our webpage: http://www.ursamajorawards.org/
The awards are selected through a two-stage process of nomination and voting. Members of the public send in up to five nominations in each of the twelve categories. The top nominations in each category are then presented for a public vote.
Surely, readers don't need the rules for a simple year end top ten list explained to them, but in case someone does, you can find them in one of the older lists.
"Well, we folks of the animal kingdom have our own version."
-Roger Miller, folk singer
Organized Christian theology has never really answered the question whether or not animals can be saved, but popular Christianity, as practiced by people rather than priests, has always seemed to think that salvation is available as much to animals as to humanity. A frequent way to tell the story of the Nativity is via the use of anthropomorphic animals. As a young child, I was at one time or another a lion and a firefly in various church Christmas pageants. Lions have traditionally been used in Christian art to symbolize Christ as King, though fireflies have never been very associated with Christmas in specific or Christianity in particular. I remember singing "This Little Light of Mine", anyway.
Which brings us to the original little light of Christianity and titular object of The Star. This is yet another retelling of the Nativity through the eyes of the animal kingdom, this time updated to slick CGI animated comedy. It's the same old story, but approximately 2.2 billion Christians around the world would attest it's a pretty decent story. So, it's got that going for it.
Sheep & Wolves (trailer) is an 85-minute Russian CG-animated movie that came out in 2016, also known as Волки и овцы (Volki i ovtsy). The writing and production took five years by Wizart Animation, whose earlier film had been The Snow Queen (2012).
Sheep & Wolves didn't quite break even at the box office, and received mixed reviews. After I watched it, I have to agree it's a middle-of-the-road film. It's not bad, it's not great - it's thoroughly so-so. On the positive side, the animation is good and very furry! But the writing... it's for kids aged six and above. There's not much in it to appeal to adults; it's what I call a "babysitting film". Plunk your tykes down in front of it and keep them distracted for a while. Still, I'd rank it a notch or two above Alpha & Omega.