Before we even begin, what is some of y'all's problem with Chris Pratt as a voice actor?

He's a fine actor who can do comedy sidekick (his breakout role in the sitcom Parks and Recreation), character actor in supporting role (he had small but important roles in Best Picture nominees three years in row with Moneyball, Zero Dark Thirty and Her), full on movie star (he's great in Guardians of the Galaxy and, remember, I liked Jurassic World), and, yes, voice actor (The Lego Movie). And by all accounts he's a nice guy people like working with, and that does matter. He's hardly the only guy who does a lot of voice work, either. Since theaters like to play ten trailers before a movie before, I was able to notice a lack of Chris Pratt (or another personal favorite who people like to complain about online, Awkwafina), but not Keegan-Michael Key, who is way more ubiquitous as Pratt in voice work, and is often even in the same movie as both Pratt and Awkwafina, but who never gets this sort of backlash when cast. And, not to be too mean to Key, who I mostly like, but I've already noted Pratt is actually a pretty versatile actor and Awkwafina has a Golden Globe, while Key is the half of Key & Peele that is starting to look like he got carried by the other half. I'm sure he'll actually be great as Bumblebee, though.

But, to bring the movie I'm supposed to be reviewing into the picture, I really do not get why people were upset Chris Pratt was cast as Garfield, because, come on, it's freaking Garfield. Bill Murray voiced the role in 2004, and Murray went on to bash the movie in his cameo playing himself in 2009's Zombieland, picking it as his life's greatest regret. On the basis of that, if you don't like Chris Pratt, you should be thrilled he got the role! Garfield's creator, Jim Davis, has always been a pretty open about the commercial aspirations of the character. I mean, kind of like Keegan-Michael Key, I like the character fine, but he barely stands out as a comic strip and Saturday morning cartoon star, mediums that are known for producing mostly safe, crowd-pleasing pablum. And that's basically this movie.

One of the surprise hits at this year’s Cannes Film Festival was an animated film called Flow. It’s a CGI feature written and directed by Gints Zilbalodis, which features no humans and no dialogue. The synopsis goes like this: “The world seems to be coming to an end, teeming with the vestiges of a human presence. Cat is a solitary animal, but as his home is devastated by a great flood, he finds refuge on a boat populated by various species, and will have to team up with them despite their differences. In the lonesome boat sailing through mystical overflowed landscapes, they navigate the challenges and dangers of adapting to this new world.” And now, Cartoon Brew have let us know that Sideshow Pictures and Janus films have picked up Flow for distribution in North America.

image c. 2024 Sideshow / Janus Films

Kingdom of the Planet of the Apes is the fourth movie in the current continuity of the Planet of the Apes series of movies, and the tenth overall. It follows the adventures of intelligent chimp Noa (performed with motion capture technology by Owen Teague) some generations after the last movie, War for the Planet of the Apes. Directed by Wes Ball, it features a variety of apes, including gorillas and orangutans in addition to chimps (gibbons are also mentioned in passing).

It begins with a quick prologue to the funeral of Caesar, the ape protagonist of the previous trilogy of movies. I felt like those movies came to a definitive end with the last movie; Kingdom is less a direct sequel to War and more the start of a new story set in the same world, so it feels a bit like the proverbial cake that you can both have and eat, too, as far as previous trilogy endings are concerned.

Robot Dreams (trailer) is a 102-minute animated film released in December 2023, made by Arcadia, Lokiz and other studios. Based on a 2007 graphic novel (Amazon US - UK - Spanish edition) by Sara Varon, this Spanish-French production was written and directed by Pablo Berger, who had never worked in animation before, so he collaborated closely with art director José Luis Ágreda and storyboard artist Maca Gil for a year and a half to plan the project. It worked out really well!

Two neat things: it's a 2D film in an overbearingly 3D market, and there's no dialog. It takes place in a slightly alternative version of New York City in 1984, a funny-animal one. The main character, "Dog", lives in a Manhattan apartment. He's extremely lonely. One day he sees a TV ad for robot friends, so he orders one; after putting it together - he's not lonely anymore! Aside from this modern leap in artificial intelligence and robotics, the film is as early-80s as it gets: boomboxes, cassettes, VCRs, and Walkmen.

"I don't get the joke. Is it dirty, or what?"
-Gerald Ford, 38th President of the United States of America (attributed)

You guys remember Bitter Lake?

Way back in the before times, when dinosaurs roamed the land, there was a tiny, micro-budget, barely feature-length "fan-movie" known as Bitter Lake, featuring a cast entirely clad in fursuit to represent its anthropomorphic animal characters, made by furries, for furries.

Before Bitter Lake, I'd never considered this method to realize a furry movie, and after Bitter Lake, well, I still haven't. Noble experiment, sure. Quality movie? Well, we're not reviewing Bitter Lake now, so let's just move along…

Hundreds of Beavers is a sort of outside the fandom take on the "fursuit movie" that, after playing film festivals last year, had a very short theatrical release this year before launching on various streaming services. It is a black-and-white, mostly dialogue-free slapstick comedy featuring newbie fur trapper Jean Kayak (co-writer Ryland Brickson Cole Tews) as he struggles to survive in the wilderness around the Great Lakes region of pre-United States America. Fellow co-writer Mike Cheslik directs. The movie features beavers, raccoons, rabbits, dogs, skunks and wolves, all played by actors in mascot costumes.

Let's review some computer-animated films! Here are trailers for:

Short version: The Tiger's Apprentice, action, one character has a tiger form, lots of Chinese culture, story is nothing great. Heroes of the Golden Mask, terrible. Rumble, wrestling-sponsored sports comedy, very formula loser-wins story, maybe of interest to furry macro fans.

The Animal Kingdom (trailer) is a 128-minute live-action French film released in 2023 (Le règne animal). It's the second movie directed by Thomas Cailley, and co-written with Pauline Munier.

Set in modern-day France, there's been a worrying development: some people are slowly mutating into animals, and society has not been adjusting well. The story follows a small family, Émile (Paul Kircher), a disaffected and conflicted teenager, and his father François (Romain Duris), who move to the south-west of France to be near the family's mother, Lana, who's been in government care ever since she began to change. A road accident makes her fate unclear, adding stress to an already stressful situation. With many people heavily biased against the mutations, Émile finds himself starting to change too.

Despite the fantastical premise, it's primarily a drama about the relationship between Émile and his father. I'd hesitate to call it a coming-of-age film, because Émile isn't going to become an adult - at least, not a human one.

I've already seen this movie twice, paying full price both times. Kung Fu Panda 4 is the first movie I've watched multiple times in theaters since Zootopia. I liked it, is what I'm saying. It is part of the Kung Fu Panda series of movies, which would be important to furry movie fans even if they weren't very good. No other fully-anthropomorphic-animal-populated movie franchise out there has gotten to four movies. Fortunately, the series has consistently been one of the better animated franchises, furry or not.

In this fourth instalment, directed by Oklahoma's own Mike Mitchell (with co-director Stephanie Ma Stine), the titular Kung Fu Panda, Po (voiced by Jack Black), first Dragon Warrior of the Valley of Peace, is tasked with finding his replacement by Master Shifu (Dustin Hoffmann) – explicitly identified as a red panda for the first time in the series. Unwilling to accept giving up his role as protector of the Valley, he instead joins sneaky fox thief Zhen (voiced by Awkwafina, Zhen is not one of the "big three" fox species of red, Arctic and fennec, but a rarely-seen Corsac fox) on a quest to defeat the Chameleon (Viola Davis; no bonus points for guessing her species), an evil sorceress with the ability to shapeshift and steal kung fu powers, like a PG funny animal version of Mortal Kombat's Shang Tsung.

"Can a robot turn a canvas into a beautiful masterpiece?"
"Can you?"
-The one good part of I, Robot

Bogged down in all the recent controversy about "generative AI" is that one of the reasons the research began was, in creating a program that can "create" a painting, we are theoretically trying to answer the evergreen science fiction question of whether a machine can become, well, perhaps not "human". Maybe a better word would be "anthropomorphic".

DreamWorks Animation's The Wild Robot will be coming to theaters September 20 of this year. Pretentious preambles aside, this movie is not just of furry interest because it has a robot that can be described as anthropomorphic; the trailer reveals plenty of animal characters who can also be described as anthropomorphic.

We caught this announcement from several places. Here it is from World of Reel: “Pixar is developing a new movie, this one set to be the first musical in the toon company’s history. The movie is titled Ducks and its main characters are exactly what the title suggests. Pixar’s upcoming slate already includes Elio, Toy Story 5, and Inside Out 2 — the latter being released this summer, the other two in 2026. Ducks seems to be eyeing a 2027 launch.” You’ll know when we do!

image c. 2024 Pixar Animation Studios

More from that article at Cartoon Brew. This time it’s a new “hybrid” (live action / CGI) feature called Woody Woodpecker Goes To Camp. “Netflix hasn’t released many details about the film yet, but the streamer did say that accomplished kids and family TV director Johnathan Rosenbaum (Fraggle Rock: Back to the Rock, R.L. Stine’s The Haunting Hour) is helming from a screenplay by Cory Edwards, Jim Martin, and Stephen Mazu… A brief logline reads: ‘After getting kicked out of the forest, Woody thinks he’s found a forever home at Camp Woo Hoo — until an inspector threatens to shut down the camp’. The only casting details shared so far indicate that Eric Bauza is involved, presumably as Woody’s voice.” We can all find out more when the film arrives on April 12th.

image c. 2024 Netflix

Thanks to Cartoon Brew, we found out about several interesting new animated films coming soon to Netflix. Among them is Thelma the Unicorn. “Thelma is a small-time pony who dreams of becoming a glamorous music star. In a pink and glitter-filled moment of fate, Thelma is transformed into a unicorn and instantly rises to global stardom. But this new life of fame comes at a cost.” Don’t know much about this one otherwise, but it’s directed by Jared Hess (Napoleon Dynamite, Nacho Libre) and Lynn Wang (Unikitty!), and it’s due on May 17th.

image c. 2024 Netflix

We stumbled across this announcement in Variety recently: “Germany’s Studio 100 Media and Spain’s 3Doubles Producciones have teamed to develop animated adventure comedy Flamingo Flamenco. The script has been written by Rob Sprackling, whose credits include Shaun the Sheep Movie, Gnomeo & Juliet, and The Queen’s Corgi. Flamingo Flamenco follows the journey of Rosie, a young and exuberant flamingo, as she navigates personal loss and seeks to rediscover the joy of dance. The action is set against the backdrop of the beautiful Fuente de Piedra lagoon in Andalucía, Spain… The family-friendly entertainment feature ‘promises an enchanting and passionate blend of adventure, comedy and heartwarming moments’, according to a statement from Studio 100 Film, adding that the film ‘…emphasizes the importance of perseverance, self-discovery and the power of determination’. ” No word yet about any possible distribution in North America, but the film’s not scheduled to be completed until the fall of 2026. In the meantime, check out that poster! (Girl!)

image 2024 Studio 100 Media

This year’s list contains movies directed by Wes Anderson, Greta Gerwig, Hayao Miyazaki, Christopher Nolan and Martin Scorsese.

It also contains two adaptations of toy properties and two Marvel movies! Got to let people know it’s still me.

Three foreign animated film reviews! Behold the trailers for:

All of these films successfully blend 3D and 2D animation in their own different styles.

White Fang is the most 3D, applying a brush-like texture to characters to create a 2D, painted look. Angel's main characters are 2D, with 3D designs used for the settings. Bears uses 3D for almost everything, then alters its visuals to look as 2D as possible.