For many furries, the Fourth of July weekend would be a time that many would make their way to the city of Pittsburgh, Pennsylvania in order to partake in the convention of Anthrocon. Due to the current pandemic, most conventions have been canceled for the year of 2020. For those furries looking to reconnect with their community, though, a full length documentary by Ash Coyote is set to release that weekend.
The furry producer did a series of shorter furry non-fiction for her channel which we reviewed here.
Animal Crackers (trailer) is a 94-minute computer-animated children's movie. The brainchild of Scott Sava, it caught the early attention of furry fandom at least as far back as 2015. Concept animation showed a guy haphazardly munching on animal-shaped cookies that turned him into the animals. As time went on, Sava brought in financial backers, a co-director (Tony Bancroft, who'd worked on several Disney movies), and a co-writer (Dean Lorey). The finished product premiered at the Annecy Film Festival in 2017... and then vanished.
It turns out that Sava had made the mistake of not securing a distributor ahead of time. With very little bargaining power, it eventually got shown in China in 2018, and some other countries in 2019.
After the bumper here, the review will get into spoiler territory. I will say that if you are a Sonic fan this movie will give you a sense of pride as it is far better than it should have had any right in being. Taking the franchise’s lore and resetting it to tell its own story, but retaining the strong characterization and quip heavy personalities of Sonic and Robotnik that makes their rivalry such a strong one. It also keeps the first entry simple with the hedgehog and doctor being the only two characters from the universe being in the film. This makes the story stronger since it can develop those two far more and not have to worry about any other kind of side character fan service for now.
Hey, at least now Sonic fans can brag to Mario ones that Mario may still be the king of games, but Sonic blew the plumber’s cinematic pieces out of the water. Not that that was a high bar I suppose. Then again, having better quality games than Sonic these days isn’t one either (the author quips while using a quote from Sonic Forces for his review’s headline).
In the video game Sonic the Hedgehog, timing is everything. While at the heart of the game is a fast paced platformer, its foundation has always been learning the layout of a level and timing your actions appropriately. In a twist, the timing of this film and its release had quite a bit of impact on my view of it.
On Wednesday, May 1, 2019, Flayrah contributor 2cross2affliction wrote in the article 'Sonic the Hedgehog' ... the movie ... the trailer:
Fun fact: no movie directly adapted from a video game has ever scored as "fresh" on the review aggregate site Rotten Tomatoes. [...] But, a new challenger approaches! [...] The question of whether this movie is going to be any good, perhaps unfairly, has mostly already been answered by the Internet. The answer so far has been no. No. Just no. Okay, maybe Jim Carrey? But otherwise, why? Why the human teeth? Why ten times?
Underdog (언더독, trailer) is a South Korean animated film from 2018, written and directed by Oh Sung-yoon at Odoltogi Studio, and co-directed by Lee Chun-baek who previously directed Leafie, A Hen into the Wild.
The main character is Moongchi, a dog who loves and trusts his owners, so he's understandably confused when he's deliberately left behind in the woods. Luckily he soon meets a group of other abandoned dogs who take him in, surviving in an empty slum on the edge of the nearby town.
While his fellow strays beg and scrounge to survive, Moongchi is still figuring things out. Wandering up the mountain into the forest, he meets a small group of wild dogs and wants to impress one of them, a female named Bami. Trouble is brewing for both groups, and soon they must unite and find a new place to live.
They say hindsight is 20/20, and its 2020, so that must mean a look back is in order. In lieu of the usual top ten best movies of the year, let's actually, for once, do a furry list on the furry site and countdown the ten best furry movies (or at least the ones I liked the most) from the last decade.
Cats is such a bizarre phenomenon, I don't really know where to even start.
It's not just the movie. That a stage play based on a series of children's nonsense poems would not only be made, period, but that it would go on to be one of the most popular plays in some of the biggest venues is one of those things that make people say things like "well, it was the 80s" and "cocaine is a hell of a drug". Heck, there isn't even a lot of anecdotal evidence that drugs were involved any more than usual, if at all.
But, of all the inexplicable things, I'd like to point out the original tagline of the movie, which is so generic for such a weird property, stood out to me. "You Will Believe".
I will believe what, exactly? Neither the poems, play nor, it turns out, this feature length film has much in the way of thematic content, other than maybe "cats". Certainly, questions of faith or belief are not addressed. You could say the "jellicle cats" are a sort of feline cult to the moon, but there is no interest in the philosophy or theology of this possible cult. Certainly, I didn't come away believing there is some "Heaviside Layer" that would grant cats an extra life if they sing a song really good. Furthermore, I don't think the movie was trying very hard to make me a "believer".
So let's actually talk about the movie. The very first shots are set at a human level, as a canvas bag with a cat inside that we will learn is named Victoria (Francesca Hayward) is thrown out the window of a moving vehicle, apparently abandoned by her human owners, who we never see. This departure from the stage play, where we are given a point of view character who is new to the world of movie to have stuff explained to, is a welcome addition.
It's also the only thing the opening scene gets right.
Disney launched its new streaming service, Disney+, earlier this week, though not without its share of hiccups (fortunately, the Pirates of the Caribbean did not eat the tourists). However, one strange glitch involving the popular furry movie Zootopia has people believing they've found proof of an alternate dimension where the movie is known as Zootropolis.
Could it be a "Mandela effect", where people remember history in a way that doesn't quite match up with our current universe? Named after Nelson Mandela, who apparently did not die in a South African prison the way some people seem to remember. Mandela effects are taken by believers to be signs of alternative realities, and that people with these kinds of memories are somehow sliding between different realities. Non-believers tend to think that they're caused by people inventing imaginary superpowers and pop sci-fi quantum realms rather than just admitting they don't know as much about South African history as they thought they did.
I had some friends over recently, both furry and dragon fans, to show them a retro and entertainingly stupid 1991 anime mini-movie called Capricorn. We poked holes and made fun of it. The following day, in a spirit of— amicable masochism I guess, my friend Dav treated me to the recent movie trailer for A Dragon Adventure:
Confused and somewhat alarmed by the quality levels, I started to look into where it came from.
I am well-aware that computer-animated films with talking animals are churned out all over the world, and most of them are of pretty terrible quality. The theory is that kids will watch anything. So if you believe that, then who cares about quality? Just work on a small budget and make money. What I hadn't done was to take a look down this particular rabbit hole. Now, having done so, I regret it.
So, the premise of the movie is that there is a fox who really wants to be a dog. I'm sorry, but I'm having trouble understanding who thought this was a good idea.
In case you don't want to read a whole different review on top of this one, I'll just spoil that one for you and say that I did not like Spark very much. But, Aaron Woodley now has the unique distinction of having directed two fully furry movies, featuring fully-anthropomorphic animal characters without any humans, theatrically released to American cinemas. That's a notable achievement. We now seem to have a mainstream director who specializes in furry movies. That's good!
Pity about the movies.
Just today the trailers for the upcoming sequel to Peter Rabbit have hit the Internet. Peter Rabbit 2: The Runaway is coming to theaters next April, once again directed by Will Gluck. According to Wikipedia, “The film stars the voice of James Corden as the title character, with Rose Byrne, Domhnall Gleeson, Margot Robbie, Elizabeth Debicki, Daisy Ridley, and David Oyelowo also starring.” Meanwhile The Hollywood Reporter says, “The sequel to 2018’s Peter Rabbit catches up with Thomas, Bea and the rabbits that have become a makeshift family. Despite his best efforts, Peter can’t seem to shake his mischievous tendencies. When adventuring out of the garden, Peter finds himself in a world where his mischief is appreciated. Conflict ensues when his family risks everything to come looking for him, which forces Peter to figure out what kind of bunny he wants to be.” Check out the trailer for yourself.
Here’s more from Animation World Network: “Channel 4, Lupus Films, and HarperCollins have announced the voice cast for their upcoming animated film, The Tiger Who Came to Tea… Based on the classic children’s book by Judith Kerr OBE, the half-hour film will bring the vivid images and irresistible story of this classic picture book to life. Benedict Cumberbatch (Sherlock, Avengers: Infinity Wars), Tamsin Greig, David Oyelowo, David Walliams, and Paul Whitehouse will portray the characters of Daddy, Mummy, Tiger, Narrator and Milkman respectively, while seven-year-old newcomer Clara Ross will make her TV debut as Sophie. Published by HarperCollins Children’s Books and produced by Lupus Films, The Tiger Who Came to Tea tells the story of what happens when the doorbell rings as Sophie and her Mummy are sitting down to tea in the kitchen. Confronted with an unexpected guest – a big, furry, stripy tiger – they invite him inside where he proceeds to eat everything in sight before making a timely exit, just before Daddy gets home. Inspired by the author’s daughter, The Tiger Who Came to Tea was first published in 1968 and has sold over 5 million copies. Lupus Films’ distinctive, hand-drawn animated style will bring the story to life, introducing the characters to a whole new audience. Channel 4 will broadcast the one-off half-hour special this Christmas.” Now we’ll see if it becomes available in North America after it airs in the UK.
"No, hold on. Sorry, that's The Lion King."
- Doctor Who, "The Christmas Invasion"
The Lion King is a 2019 movie directed by Jon Favreau. It is a faithful adaptation of the 1994 animated movie of the same name, using cutting edge, realistic CGI animation to create it's cast consisting entirely of talking animals.
The original version is considered a classic of animation; this movie follows the original closely enough that most of its positive attributes are contained. There is enough deviation from the original that those familiar may get something new from the experience. Like most adaptations, most viewers will find the "original" is preferable, however.
So, that's the review, okay, bye!
Just two months after the live action Sonic the Hedgehog movie's character design caused such a backlash that the movie was delayed to 2020 to fix it and on the very day the controversial "live action" Lion King hits theaters, we have yet another entry in 2019's "was 'live action' really a good idea here?" canon. The trailer for Cats is out now, and to quote the villain of the aforementioned Lion King (which is also a Boy Scout motto), "Be prepared."