Perlimps (trailer) is a Brazilian 2D animated film, the second from animator and director Alê Abreu. After seeing his earlier film, Boy and the World (O Menino e o Mundo, 2013), I really wanted to see what his next project would be like. I wasn't expecting to wait nine years!
Abreu's films definitely do not adhere to typical Hollywood narrative structures, veering towards the artsy without being self-indulgent. Boy and the World, for example, has no dialog at all, and conveys things entirely with sounds and visuals. (As well as being an abstract statement about growing up and the poverty that comes from the exploitation of labor.)
Perlimps is way more approachable in comparison. On the surface, judging by its trailer, I thought it was going to be another film about the devastation of the environment by humans. It does some of that, sure, but that's just surface stuff.
The rest of the film's surface is all in the trailer. Claé (an orange wolf) and Bruô (a blue bear) are secret agents from the opposing kingdoms of the Sun and the Moon, trying to find the Perlimps, mysterious entities who can help save the forest from the encroachment of man.
Between the time I went to see DC League of Super-Pets and writing this, things got weird at Warner Bros. Two movies that were reportedly near completion were suddenly shelved. Most mainstream movie press outlets covered this as "What does this mean for this group of comic book superhero movies?". Even Flayrah's Newsbyte on the subject only mentioned Batgirl, despite the fact that Scoob! Holiday Haunt, an actual movie featuring anthropomorphic animals, rather than just one superhero in a pseudo-fursuit, was also cancelled.
And that has some bearing on my thoughts on this movie. Warner Animation Group is looking like it could be in trouble. Even though it appears that the studio will survive in some capacity, people are going to lose jobs in this area. So, it doesn't feel like a good time to take a look at their latest output, shrug, and say, "It was okay, I guess?"
DC League of Super-Pets was directed by Jared Stern and Sam Levine, and stars Dwayne Johnson as Krypto, Superman's superpowered pet dog. When the evil guinea pig Lulu (voiced by Kate McKinnon) manages to depower Krypto, he must lead a team of newly-empowered shelter pets in order to rescue his kidnapped master.
It was okay, I guess?
The story follows Sam, an extremely unlucky 18-year-old. After years in an orphanage and never being adopted, she moves into her first apartment. When she encounters a black cat, her luck suddenly changes, becoming good - and when it reverts to her previous bad luck, she follows the cat into the magical Land of Luck, the source of all luck in our world (both good and bad).
Most of the film revolves around Sam trying to regain luck - not for herself, but to help a younger girl at the orphanage - while a series of evasions and accidents escalate into circumstances that threaten the Land of Luck itself.
It's an ok film, with a really nice magical world, although the story has tons of holes if you think about it too much. Furry-wise, besides the cat, most of the characters are leprechauns. Here and there are some cartoony bunnies and pigs, plus a couple of other background creatures that you don't often see anthropomorphized (goats and root vegetables). And a large, pink, six-limbed dragoness, in charge of good luck. She's not in too many scenes, but she's definitely one of the highlights!
Interestingly, this film lacks a clear antagonist; most of the conflict is situational in nature. I wouldn't say this movie is a must-see, but it's fine to pass the time with, and I think it shows a lot of potential for what Skydance could make in the future, if they polish up their writing a bit.
(Spoilers and griping under this cut.)
"You couldn't make a Mel Brooks movie today. I saw Blazing Saddles yesterday."
-SR-71, "Politically Correct"
With all the delayed releases for movies in the last couple of years, Paws of Fury: The Legend of Hank fits right in. Of course, it's been delayed a bit longer than most. It was originally supposed to come out in August of 2017. It's been juggled around distribution companies in the last five years, and somehow managed to avoid the straight-to-video route, or the more modern straight-to-streaming path that even Pixar couldn't avoid recently. It's managed to keep hope alive, and now it's finally hitting theaters, and with a plushy summer month release date, too.
Directed by the duo of theatrical feature first time directors Chris Bailey and Mark Koetsier along with veteran Rob Minkoff (with directing credits on The Lion King and Mr. Peabody and Sherman), the movie is set in a cartoon version of feudal Japan inhabited by anthropomorphic cats. When an evil local governor (voiced by Ricky Gervais) decides he wants to get rid of a small village, he finds out he is tasked with finding them a new samurai to help them fight off his own thugs. Thinking outside the box, he decides to send them a replacement samurai that will, by his very nature, offend the sensibilities of the townsfolk so much that he might be the last straw that finally destroys the town. He sends Hank (voiced by Michael Cera), a dog.
If this set up sounds familiar, it should. The movie is a funny animal take on the 1974 Mel Brooks Western spoof Blazing Saddles, but also for some reason set in Japan. Paws of Fury was originally even entitled Blazing Samurai. What the heck are you worried about? This is Edo Japan! You'll be able to sue him! Mel Brooks even shows up to voice the shogun, so he seems to be well aware of what they are doing and completely fine with it. Who says you can't make a Mel Brooks movie today?
Chip 'n Dale: Rescue Rangers is the Disney+ streaming service's newest exclusive movie, directed by Akiva Schaffer and starring John Mulaney as the voice of Chip and Andy Samberg as Dale, the titular pair of cartoon chipmunks. The movie is mostly live action, but features cartoon characters interacting with this live action world. The movie's relationship with the Chip 'n Dale: Rescue Rangers animated television show is a bit complicated. This movie is not a sequel or reboot, but instead takes as its premise that the characters of that show were actors playing parts in a world where cartoons and humans coexist.
The obvious point of comparison is the movie Who Framed Roger Rabbit, made even more obvious by the fact that Roger Rabbit himself makes a small cameo in this movie. If anything, a few people have interpreted this as taking place in the same world as Who Framed Roger Rabbit, though I'd argue it's actually a bit more meta than that. Unless I'm getting this wrong, the Roger Rabbit that cameos here is another actor who played himself in a movie that is equally fictional in both our world and the world of this movie. Cartoon actors share their names with their characters, for whatever reason. But, the point is, the movie is very meta like that, and though it never explicitly acknowledges it's own fictionality, it's showbiz savvy characters are likely to treat their situation as if it were a movie.
Also like Who Framed Roger Rabbit, a major appeal of the movie is nostalgia for its animated characters, both specifically for its titular duo, as well as a series of cameos and walk-ons from others. While this sort of thing can be fun, it can also come off as a cynical branding exercise. However, the movie manages to avoid the pitfalls of this sort of thing better than most.
With a voice cast of personal favorites such as Sam Rockwell, Awkwafina and Craig Robinson? Full of anthropomorphic animal characters in a kid-friendly Tarantino take-off? And there's even a furry vixen in the mix? What, is it my birthday? (Actually, that's Saturday.) [Happy Birthday! --The editors]
After a television interview with the local governor, a vixen named Diane Foxington, Mr. Wolf is goaded into carrying out a ridiculously difficult heist. Which correspondingly goes ridiculously wrong. The gang are put in the care of Professor Marmalade (Richard Ayoade), a guinea pig who tries to teach them how to be good guys.
Sonic the Hedgehog 2 is that thing which, as a furry reviewer, I feel like I should run into more, but actually don’t. It is a perfectly acceptable kid’s movie. Which is a bit of a problem, because that makes it the worst type of movie to review. A movie that’s just okay. It’s fine. Alright, even.
I’m tempted to write more about how the Sonic the Hedgehog movies bookend the Covid-19 pandemic, which is just a coincidence, than this movie. I'll keep it short, but I want to make clear I’m a guy who reviews kid’s movies for adults, not a virologist, so while I may feel safe enough to go back to theaters, you do what you feel comfortable with.
It’s okay enough, and the Sonic franchise has a passionate enough fanbase, if you want to spend full price for a movie ticket, I won’t judge too much. But it’s not so good I don’t still recommend waiting until it hits streaming.
Though it’s the baby of Oscar categories, the Best Animated Feature Academy Award will turn 21 this Sunday, meaning it would be old enough to drink alcohol in America, if it could actually do that. Encanto, Flee, Luca, The Mitchells vs. the Machines and Raya and the Last Dragon will compete to become the next recipient of the award.
First introduced in 2001, Best Animated Feature is the only “new” category to be introduced this century so far. Like many new categories, a few animated features had earned "Special Achievement" Oscars, starting with the original American made animated feature, Snow White and the Seven Dwarfs, with another going to 1997’s Toy Story, as well as one to the live action/animated hybrid Who Framed Roger Rabbit. Other movie awards followed the Oscars, adding their own animated categories, though the Annies, which are for animation, had obviously been awarding Best Feature for a few years.
Since 2001, 20 movies have won the award, which is a nice round number for doing a countdown, worst to best. The following ranking is based on my opinions, and my opinions only. But, even if you think my rankings are horrible, no good, absolutely wrong, well, I’ve also included a lot of factoids and trivia, so that might be worth reading. Also, not all of the winners have been particularly furry, but most have something of interest to furries going on in them.
Pixar's newest movie is a woman-directed, coming-of-age film where a red-headed daughter finds herself rebelling against an overbearing mother during the course of an adventure involving human-to-animal transformation of a bear-like nature; that worked out so well for all involved last time.
Let's see: they replaced Brenda Chapman half-way through production, and her career still hasn't recovered; the movie was the first non-Cars Pixar movie to not reach a 90% on Rotten Tomatoes; and, most importantly, readers didn't like my review of it very much. Seriously, the best thing to come out of Brave was the line "She's from the other studio." in Ralph Breaks the Internet, which unfortunately was the best thing to come out of Ralph Breaks the Internet.
I've been pretty quiet here lately - my life got turned upside down last year, and I've not had much time for fandom. That includes my interest in animated films! Still, I thought I'd throw together a selection of titles, both recent and possibly up-coming.
I suspect there are many more I've probably skipped over. (I'm avoiding the really popular ones, they've already received plenty of attention.) For example, Aardman is working on another Chicken Run and Wallace and Gromit film. And of course there are lots of TV series, like Samurai Rabbit: The Usagi Chronicles in the works.
I really wanted to put in more international films, but it's difficult to find out about those in advance. In any case, hopefully these all have some kind of talking animal critter in them, regardless of quality. If you've seen any of the released titles, post your impressions in the comments - or write us a full review!
Streaming services such as Disney+, HBO Max and Netflix were important for movie fans in 2021 due to the still ongoing Covid-19 pandemic. My review of Raya and the Last Dragon began with a lengthy digression involving the pros and cons of streaming before going into whether it was worth watching (more on that in a bit!). Sing 2 was the only movie I reviewed last year that I actually watched in a theater – the non-theatrical Rock Dog 2 was the only other movie I didn't stream to review, but instead watched on a rented DVD. It feels like 2022 could go either way; I might get to watch movies in theaters more often, or I might not. But that's the future. Right now, we're talking about 2021.
This is a year-end top ten list. If you're at all unclear on what I'm counting or not counting as a "2021 movie", I used to spell it out, but in recent years, I've just linked back to the older lists. One thing to note: though obviously you're on a furry site, this is not specifically a furry list. However, I traditionally name a best furry movie in addition to a best movie, period; for 2021, it was Raya and the Last Dragon. Each title links to IMDB or a Flayrah review, with better descriptions of movies you're unfamiliar with than I can give in this format.
ASIFA-Hollywood just announced the nominations for the 2021 Annie Awards — known far and wide as “the Oscars of animation”. As has increasingly been the case the last few years, more and more anthropomorphic stuff has made its way to the top of the animation list! And 2021 was no exception. No less than three anthro films are up for Best Animated Feature, including Raya and the Last Dragon, Luca, and the recently released Sing 2. In fact Raya is one of the most honored films of the year, with nominations in Character Animation, Character Design, Effects Animation, Voice Acting, Music, Production Design, Storyboarding, Writing, and Editing also (whew!). Luca is not far behind, with nominations in Character Animation, Character Design, Music, Voice Acting, Writing, Editing, and Directing. Vivo has five nominations in various categories, while Wish Dragon and Spirit Untamed have one each (for Character Animation and Storyboarding, respectively). Over in the TV and Streaming categories, it’s more of a mixed bag. Best TV Show For Preschool includes Odo, Stillwater, and Muppet Babies (which is also up for Writing). Amphibia is up for Best TV Show For Children (as well as for Directing and Editing), while Tuca and Bertie is nominated for Best General Audience TV Show (and also for Writing). Arlo the Alligator Boy scored noms for Production Design, Voice Acting, and Editing, and Centaur World has one nomination for Voice Acting. In Sponsored Production (the new way of saying Best Commercial) there’s Featherweight (the music video by Fleet Foxes) and Tiptoe and the Flying Machine (from Macy’s).
Sing 2 opens with the cast and crew of Moon’s Theater putting on a pop-musical stage adaptation of Alice in Wonderland. Alice is played by the elephant Meena (voiced by Tori Kelly), the Mad Hatter is played by the gorilla Johnny (voiced by Taron Egerton), and the Cheshire Cat is played by a pig named Rosita (voiced by Reese Witherspoon), which seems like a bit of miscasting to me. This performance is particularly important, because in the audience is a talent scout, a saluki dog named Suki (voiced by Chelsea Peretti) who could get them an audition to perform at even bigger venues.
Anyway, she leaves about halfway through the first act.
The theater’s owner and director, the koala Mr. Moon (voiced by Matthew McConaughey), tries to stop her, asking her what she thought of the show. She replies that it’s fine, really good local children’s theater production, but just not what they’re looking for. When Moon implores her to tell him, really honestly, what she thinks, Suki sighs and asks him if he really wants to know.
Because the honest truth, she says, is they’re just not good enough.
You may recall that we’ve been following development of the animated film Koati for some time now. Well recently Animation World Network was kind enough to let us know that now it’s been released in theaters! “Releasing in theaters today, Koati follows the heroic adventure of three unlikely heroes: Nachi (Sebastián Villalobos), a free-spirited coati; Xochi (Evaluna Montaner), a fearless monarch butterfly; and Pako (Eduardo Franco), a hyperactive glass frog – who embark on an exciting journey to prevent a wicked coral snake named Zaina (Sofía Vergara) from destroying their homeland of Xo. This is the first animated feature film produced by Upstairs, along with Los Hijos de Jack and Latin We. With animation by long-time Disney collaborator Toon City Animation, the film not only features actor Vergara as the film’s main antagonist, but the Modern Family star also serves as executive producer.” IMDB has the film’s official trailer. [ye ed-otter is off for a few days. See you all after BLFC!]
The long running My Little Pony is introducing its latest toyline "generation" with what was supposed to be a theatrical movie. Due to the whole "ongoing pandemic" thing, that was mostly canceled (it was released theatrically in a few regions) and the whole thing moved to the streaming service Netflix, where any further spin-offs will also be held. My Little Pony: A New Generation is directed by Robert Cullen and José Luis Ucha with co-director Mark Fattibene, and has been available on Netflix since September 24 in most regions.
Not to beat around the bush, but the last time My Little Pony launched, it was kind of a thing. I'm sure the vast majority of Flayrah's readership is well aware of the "brony" subculture, but if you somehow missed it, or would just like a refresher, this Ursa Major-nominated video by YouTuber Jenny Nicholson is recommended – though you could always troll through Flayrah's "My Little Pony" tag. The upshot: there are higher expectations attached to this series relaunch than usual.