Okay, there’s no getting around it: The new Guardians of Horsa graphic novel series feels like My Little Pony meets Pixar’s Elemental. But see what you think: “Welcome to the realm of Horsa, a world of magic, wild horses, and danger. The four elemental herds of Horsa live in uncertain peace, which is to say: stay out of each other’s way and all will be fine. But when signs of a mysterious prophecy about a yearling with untold magical powers appear, four young horses from each herd are called to action. Now these elemental enemies must work together to solve the prophecy, find the yearling, and restore balance to Horsa.” Multiple volumes are available now in trade paperback, written by Roan Black and illustrated by the Glass House Graphics team.
One of those projects that’s not really furry per se, but it sure seems to have a lot of non-human characters in it! Hotel REM is a new full-color all-ages graphic novel, written by Zack Keller, with art by Gabriele Bagnoli and Valerio Alloro. “Rembrandt Somner is the happy-go-lucky new owner of Hotel REM, a place for all the fantastic people and creatures in our dreams to hang out when we wake up. Channeling his endless enthusiasm, Rem attempts to balance his unwieldy coworkers and wild guests in order to run a successful business that makes his parents proud. However, a demanding celebrity guest threatens to be the rude awakening that ruins everything!” The preview is up over at Dark Horse Comics.
With many eyes trained upon stories such as The Legend of Sleepy Hollow this weekend, I was inspired to do a small tribute piece on the B-side of Disney's version. To think; The Adventures of Ichabod & Mr. Toad mainly came to comprise this format when it was decided that making two separate features wasn't budget-savvy. It's also worth a mention that this is one of my favorite stories from childhood, and even so today.
First Second brings us a popular fantasy comic from France, collected now in one hardcover graphic novel. Kairos is written and illustrated by Ulysse Malassagne. “Nills and Anaelle are looking forward to their first night in their rustic cabin in the woods. But the couple’s idyllic vacation is suddenly thrown into turmoil when a strange flash of light bursts from the fireplace. A portal appears, and out of it spill dragon-like creatures that are armed to the teeth. They grab Anaelle and flee back through the portal, leaving a distraught Nills with a sudden decision: Stay behind, or leap through after her? He leaps. And that’s when things get really weird.” This new English translation is available now.
Editors Disclosure: This article has been posted by the communications director of the convention.
Multiverse, a brand-new convention for fans of science fiction, fantasy, horror, comics, furry culture, and more, will hold its debut event from October 18th to October 20th in Atlanta, GA.
The convention, located at the Hilton Atlanta Airport, will bring together fans, authors, artists, and other creators, all of whom share a common passion—genre fiction. Attendees can expect sci-fi, fantasy, and horror media, tabletop role-playing games, cosplay, and other beloved staples of “geekery” to feature heavily at Multiverse.
“Panel discussions, a fursuit festival, an art gallery, a gaming hall, and even a charity auction for the nonprofit RAICES—it’s going to be so much fun, truly,” says convention chair Allie Charlesworth. “Whether you love Game of Thrones or Black Panther, the movie Get Out or Dungeons and Dragons or even My Little Pony, this is absolutely your con.”
In my recent review of The Adventures of Peter Gray, I made a note that the book had furry characters which it termed furren. It is not something that I spent much time on but, in combination with some other reviews I've seen, it might be worth expanding a little.
During a review of Once Upon a Forest by The Nostalgia Critic, he noted that the children were called furlings. This lead him to ask, “Why is it fantasy films always have trouble just saying the word kids? It’s always furlings or younglings or Shia LaBeouf. Just call them what they are. Kids."
Similarly, in a review of Vampyr on Zero Puncuation, Yahtzee criticised using the terms ekons and skals for what were vampires and ghouls respectively.
Although to be fair to Vampyr, it does seem that ekon and skal are referring to specific subtypes of vampire. In such a case, it does make sense to use specific terms and it wouldn't be unlike the various vampire clans that feature in Vampire: The Masquerade.
The common issue that is brought up in all three reviews is the use of new word to describe something that already has a perfectly suitable word. Why is this done and is it a good thing to do?
Writing a fantasy tetralogy is an ambitious project. I haven't even been able to write a full fantasy yet. To commit to four books, you have to have an epic story, set in an epic landscape, with engaging characters with strengths and weaknesses enough to get them to (and through) the rough spots.
In Legacy, Hugo Jackson achieves most of this easily. His heroes are likable, with relatable issues and strengths. The tale is G-rated without being trite. The fight and battle scenes are usually nicely described, and easy to follow.
Faria Phiraco is a resonator, a manipulator of the elements via rare crystals. It is an extraordinary and secret power which she and her father, the Emperor of Xayall, guard with their lives. The Dhraka, malicious red-scaled dragons, have discovered an ancient artefact; a mysterious relic from the mythical, aeons-lost city of Nazreal. With their plan already set in motion, they besiege Xayall, pummelling the city to find Faria and rip more of Nazreal's secrets from her.
When her father goes missing, Faria has to rely on her own strength to brave the world that attacks her at every turn. Friends and guardians rally by her to help save her father and reveal the mysteries of the ruined city, while the dark legacy of an ancient cataclysm wraps its claws around her fate... and her past.
As previously covered, furry author Peter S. Beagle has been in the throes of the American court system for nearly two years now, fighting his former publishing agent Connor Cochran for damages and restitution for 15 causes of action including fraud, defamation, and elder abuse. I won't rehash all the details, but Cochran's history of sharp practice is long and appalling. Mr. Beagle deserves an end to these proceedings as quickly as due diligence will allow, but Cochran would rather drag things out in a war of attrition.
One example of the Conlan Press founder's meandering through convoluted legal roadblocks was his filing of a Motion for Judgment on the Pleadings, on the basis there were no issues of fact to support the allegations in not just one, or a few, but in all 15 causes of action. Initially given a tentative ruling on October 24, this was contested by Cochran. After arguing the matter, the tentative ruling was affirmed. The result? All but one of Mr. Beagle's causes of action were sustained.
At the end of April, I posted a Newsbyte regarding a charity art drive to benefit “lifelong furry” and renowned fantasy author Peter S. Beagle, in order to fund his legal costs and living expenses as he litigates a suit against his former agent.
That was the first I had heard of the troubles of The Last Unicorn’s author. Upon seeing that Uncle Kage had tweeted about this situation in 2016, however, I learned this suit had been going on for longer than I realized, and I took the time to look deeply into the situation.
What I found was horrifying, and the rabbit hole seemed to go deeper the more I looked. Today I'm going to go into more detail about this shameful situation, bringing it to light in the hopes that the more people who know, the more help Beagle will receive.
Get ready, this is gonna be a long ride. If you don't want to read every single detail, I implore you to scroll down to the "How you can help" section, or at least spread this message as far as you can. Beagle needs as many friends as he can get right now.
Peter S. Beagle is suing his former agent for elder abuse, fraud, defamation, and breach of fiduciary duty, among other related allegations, which you can read in full here [PDF].
At first, the book cover resembles the Kokopelli rock-drawing designs from the American Southwest. But if you look closely, you'll note that there are hooves and horns and, by gosh, that's furry enough for me!
Luke loves two things: his land and Sally. He pours a lot of magic and effort into one of them. The other he pretends to just like as a friend. Nobody is fooled except Luke.
Cats and More Cats; Feline Fantasy Fiction, edited by Fred Patten, is launching at Further Confusion 2016 in San Jose, California over the January 14-18 five-day weekend. The book can be pre-ordered online from FurPlanet Productions. It will be for sale on the FurPlanet online catalogue afterwards.
Cats and More Cats is a reprint anthology of 14 short stories and novelettes of feline fantasy fiction (“the best of the best”) from 1989 to the present, most of them out-of-print today, plus a new essay and an extensive bibliography of cat fantasy books. This is designed to appeal to both science fiction and fantasy fans, and all cat-lovers.
FurPlanet Publications, $19.95 (261 pages). Wraparound cover by Donryu. ISBN 978-1-61450-297-5
Here is another new animated feature that we aren’t getting in America, at least right now. The Cartoon Brew website has just posted this article about Savva: Heart of the Warrior, a new Russian animated feature that opened in second place in that country, and has since been released in Poland and is coming to other countries in 2016. An American voice dub has been prepared, but no American release has been scheduled yet.
The CB article includes the trailer and a half-dozen stills. Savva and many characters are human, but there are plenty of talking animals including Angee, a white wolf or werewolf.
While I could say that Song of the Summer King by Jess E. Owen is a very satisfying action adventure young adult book played straight (which is true; it follows a coming of age story formula and it knows it), there's a lot of subtle choices made by the writer which makes this book stand out: how inaction is in itself implicit action; how listening can appear to be a prophetic power to those who have never attempted empathy; how refusing to choose between two bad options can be a valid choice.
From the beginning of the novel, Shard lives passively: he's enthralled by a patriarchal society of fascist conqueror griffins who believe only the strongest survive. He lives in constant (well-founded) fear of never being trusted and eventual exile, which are his driving influences to seek strength and social accolades. But when Shard's own heritage gets foisted upon him, he has to choose between being comfortable or being ethically consistent with what he finds to be the truth, all the while reconciling his racial differences from the dominant griffin tribe.
Shard has to question everything when he discovers that the world is more complicated than he once thought, and that it is incredibly frustrating when those closest to him continue to live trapped in their oversimplifications about what it means to live a good life.
Spoiler warning: This review does discuss plot elements some may consider spoilers below the break.
Five Elements Press, 2012, $4.99 Kindle, $25 hardcover, $12.99 paperback (264 pages). Illustrated by Jennifer Miller.
Chinese animation is still getting erratic publicity in America. Despite the recent news about the forthcoming release of the Little Door Gods CGI movie on January 1, 2016, America has just learned of the theatrical release in Beijing on this October 14 of the family (children’s) CGI-animated feature Where’s the Dragon?, with a nationwide (in China) release on October 23.
The only news so far is from Animation World Network; it’s not even on IMDb yet. AWN’s announcement on October 12 says that Where’s the Dragon? is directed by Sing Choong Foo, co-produced by the DeTao Group and Treasure Tree Studios, Inc., plus Hong Kong's Where's the Dragon? Co., Ltd. and Colour Engineering Ltd., and distributed by a Hong Kong company, SMI Movie Distribution Company, Ltd.
Here is another anthropomorphic animated movie trailer! Little Door Gods may not seem anthro at first glance, but look at the frogs in the background. Then take a closer look at the main characters, especially Shen Tu (the fat guy).
These aren’t humans, they’re Chinese door gods (ménschén); the little anti-evil charms that the Chinese have traditionally posted at their front doors. Modern Chinese no longer believe in them and have stopped using them. Light Chaser Animation in Beijing has used this as its plot for this movie: what happens to the door gods in the spirit world when humans no longer believe in them? Brother door gods Yu Lei and Shen Tu are worried about being thrown out of work. The comic-relief Shen Tu is fatalistic about it, but Yu Lei determines to journey into the human world and cause enough commotion to prove to mortals that they still need the door gods.