Have you ever had that moment at a convention? You know, that moment? You’re walking around, minding your own business when a random attendee walks up to you. They start chatting it up well enough, but several minutes later you realize that their story isn’t all that interesting. You’re bored and listening to an uninteresting person drivel on about their life story that you never asked for.
That experience is basically a summary of what you are in for with Netflix’s mockumentary Mascots. Scores of minutes wasted on backstories of uninteresting characters, going to an only slightly interesting competition, told in the most uninteresting way imaginable.
While some confuse fursuiting with mascotting, as some reviewers for this film have they are two completely different things. One fur on my twitter feed had requested if this was any good. To them I can say, no, no it is not.
When you look up library books on a computer, typically you get a description that goes something like this:
|Title:||Out of position|
|Publisher:||St. Paul, Minn. : Sofawolf Press, 2014.|
|Description:||viii, 324 p. : ill. ; 21 cm.|
Gay college students--Fiction.
Before going offline in March, Pounced.org boasted nearly 20,000 personal ads. That's impressive, but unlikely to make a dent in the amount of fan-on-fan relationships within the furry subculture - an online survey of 800 people in 2013 by the International Anthropomorphic Research Project found that nearly 80% of the respondents in relationships were in a relationship with another furry fan.
Feral Attraction is an advice column and podcast that seeks to address challenges, common and unique, that can arise at the intersection of fandom and dating. For hosts Metriko Oni and Viro the Science Collie, that means special focus on non-traditional relationship styles like polyamory and power-exchange relationships, with which they say the fandom is "uniquely enriched". This doesn't mean that others are left out, though - they also consider long-distance relationships and those new to relationships to be common in furry. Even those in completely traditional relationships get affirming, practical advice; there is no atmosphere that "traditional" means boring.
Mary and the Witch's Flower (メアリと魔女の花 or Mary to Majo no Hana in Japanese) is the first feature-length film to be released by Studio Ponoc. The film was released in Japan in July 2017 and had a limited theatrical run in the United States in early 2018 prior to its home video release. It is based on the 1971 children's novel The Little Broomstick by Mary Stewart (which I haven't read and cannot comment on how closely it follows). At a high level, the film could be described as a sort of Harry Potter meets Kiki's Delivery Service. Some anime fans have noted similarities to the anime series Little Witch Academia.
This is the third film directed by Hiromasa Yonebayashi. It is no coincidence that the art style of the film closely resembles the works of Studio Ghibli, as Yonebayashi had previously worked there and was director of The Secret World of Arrietty and When Marnie Was There. Producer Yoshiaki Nishimura and many others who worked on the film were also alumni of Studio Ghibli, which had largely disbanded its creative department following the release of Marnie in 2014. The characters of Mary, Madam Mumblechook, and Doctor Dee are voiced by Ruby Barnhill, Kate Winslet, and Jim Broadbent respectively in the English dub (Hana Sugisaki, Yuki Amami, and Fumio Kohinata respectively in the original Japanese).
Monster Mind is a puzzle-solving, Pokémon-themed, flash game created by Argon Vile. It's available to play for free through Inkbunny or Fur Affinity. One might be tempted to immediately dismiss it as just another pornographic game, however not only is it very well-executed but it also contains deeper questions about sex and sexuality than you might expect.
A puzzling start
The main puzzles—as well as the title—are based on the board game Master Mind. In the classic version, you have to guess the colour and position of each peg in a row of four, usually with six colours to choose from for each slot. After each guess, you are told how many pegs have the correct colour and how many are in the correct position. Over multiple guesses, you can determine the correct pattern.
Monster Mind is slightly different. While you are still required to find the pattern, several guesses are already provided as clues. You must use those clues to determine the correct sequence; although in the most difficult puzzles it might be necessary to make assumptions about more than one peg at a time. You can choose between various difficulties starting from a pattern of just three pegs (although in this game they are adorable bugs instead of pegs) and going up to five pegs. There is also a secret 7-peg puzzle with some extra rules!
Following on from my review of Monster Mind, I metaphorically sat down with Argon Vile to discuss the game. The conversation has been lightly edited for clarity and consistency. Let's jump straight into it!
Rakuen: In the credits, you say Monster Mind was pretty much just done by you, although you took various assets from others. How long did it take to put everything together and what kept you motivated through it all?
Argon Vile: Development of Monster Mind began in January 2016 and finished in April 2018. When I first started the project, I tried to strike a balance between working on the game and working on my art. But after six months, I realized the scope of what I was creating, how long it would take. I decided to fully focus on the game, but I was still dissatisfied with the amount of progress I was making. I eventually adopted a motivational technique Jerry Seinfeld popularized, which is to take a physical wall calendar (being physical is important) and set a daily goal for yourself. My goal was to work on my game for one hour. Every day that I worked on my game, I would put an X on the calendar for that day. And eventually I would accumulate a string of five or 10 Xs in a row, and it would feel good. And that was my goal; don't break the chain.