A non-furry organization is asking the fandom to have a fursuit creator design a pair of costumes in time for Anthrocon 2020. This will be a commission for their cat mascot "Fiddlesticks". This feline character is used by the Pittsburgh Symphony Orchestra in order to inspire children with the beauty of music. They are looking for a pair of suits (copies) that can fit multiple performers. One will be for travel, while the other will be a home body suit. They'd also like to be able to accessorize, such as adding a suit jacket.
Those fursuit creators interested can find more information and apply using this Google Form. So if you are a fursuit designer in search of work, be sure to fill out their application. If you know one, forward them the form to fill out.
Designers of the Phillie Phanatic 'sculpture' have threatened to terminate their copyright transfer after 35 years, per a lawsuit filed by the Philadelphia Phillies baseball team.
Initially we leased the Phanatic to the team for appearances and paid a royalty to them for the licensed products we did. The first year of licensing we did over two million dollars in sales in the Philly area. Eventually we had a number of successful programs with teams who wanted to be able to control of the characters and were able to enforce the copyrights so we sold the Phanatic and then others to the teams.
Many made light of the mascot's pending "free agency", with the Washingtonian promoting a move to D.C. But for teams in a similar situation, such disputes could mean serious payouts - at least for lawyers - and given the time periods involved, the issue might soon touch on works in furry fandom.
If you live in Ontario, you probably haven't heard of Marc Scott - but you've probably seen him if you watched children's shows on TVOntario, the province's educational broadcaster (similar to PBS). He used to perform as the costumed character known as "Polkaroo", a polka-dotted kangaroo on the station's preschool TV series Polka-Dot Door from 1985 to 1993, and on later series such as Polka-Dot Shorts (1993-2001) and on Gisèle's Big Backyard (2001-2007).
His name has recently returned to the limelight - in a less than flattering way - after he attracted the attention of his former employer. He's received a cease-and-desist order and might face a potential lawsuit for creating and wearing an "unauthorized parody" of Polkaroo, named "Tokaroo", a red-eyed and brown-furred marijuana-smoking marsupial he created in celebration of Canada legalizing Marijuana on October 17, 2018.
Tony the Tiger has fled Twitter, and furries are to blame. At least that is how the story is told on Huffington Post’s Ashley Feinberg in her article about the mascot’s disappearence from social media. It talks about the cereal mascot’s unfortunate run in with some very thirsty furry fans, who made it a habit of bogging his social media responses with sexual innuendo and sometimes more blatant passes. Back when this started to occur, the cereal mascot began to ban furries at random, even if they were not engaging in the activity of coming onto the fiction character.
When this made the news rounds back in early 2016 it was known as “#TonyTigerGate”, in honor of the internet’s tendency of putting the gate suffix on anything even the slightest bit controversial that most normal people don’t actually care about. It would be overly dismissive to claim that it wasn’t a big topic of discussion in the fandom about public decorum and our relationships with corporations back when it occurred.
But in regards to this recent turn of events, Ashley uses her article to claim that Tony the Tiger’s account was replaced by the less furry account called simply Frosted Flakes in order to douse the horny furries in cold milk. But, further investigation reveals a far more intriguing story. One of a mascot caught in an international assassination plot against his very life. Not a story of a company’s combat against the internet’s lusts, but one of a government’s fight against glutton of the youths of their respective nations and the mascots used to stimulate that hunger.
Have you ever had that moment at a convention? You know, that moment? You’re walking around, minding your own business when a random attendee walks up to you. They start chatting it up well enough, but several minutes later you realize that their story isn’t all that interesting. You’re bored and listening to an uninteresting person drivel on about their life story that you never asked for.
That experience is basically a summary of what you are in for with Netflix’s mockumentary Mascots. Scores of minutes wasted on backstories of uninteresting characters, going to an only slightly interesting competition, told in the most uninteresting way imaginable.
While some confuse fursuiting with mascotting, as some reviewers for this film have they are two completely different things. One fur on my twitter feed had requested if this was any good. To them I can say, no, no it is not.
Funny Animals and More: From Anime to Zoomorphics, based on Fred Patten’s weekly columns from Jerry Beck’s Cartoon Research animation website, was published March 26 by Theme Park Press. It is available in paperback and digital formats, and on Amazon.com.
The book is about animation and comic books rather than specifically anthropomorphic animals, but cartoon and CGI funny animals are a major theme. Topics include anime cat girls; Pokémon and Monster Rancher; Astro Boy and Atomcat; how a popular 1970s anime TV series led to the import of thousands of baby North American raccoons into Japan as pets, whose descendants are ruining thousand-year-old Buddhist and Shinto shrines today; animated Summer Olympics mascots like Misha the bear cub, Sam the eagle, Hodori the tiger, and Cobi the sheepdog, from 1972 to 2012; Patten’s favorite childhood comic-book funny animals like Amster the Hamster, Doodles Duck and his nephew Lemuel, Nutsy Squirrel, Dunbar Dodo, and SuperKatt, and how he would still like to see them animated; Crusader Rabbit; rats in animation; Reynard the Fox in animation; and Disney’s forthcoming 2016 Zootopia.
Amid Amidi of the Cartoon Brew uses this new GEICO commercial to ask, what is an animated cartoon and what is reality, anyway? – a meaningful question for anthropomorphic fans today.
Chappell Ellison reports for the Cartoon Brew on a regional Canadian airline's use of a jetsetting raccoon businessman mascot, Mr. Porter.
More importantly, Ellison documents how this goes against the trend of airlines like American Airlines and Qantas replacing their familiar animal mascots with impersonal, stylized mascots, and why this is a big mistake in his opinion. An animated TV commercial featuring Mr. Porter is included.
Earlier today, Pachi the Porcupine was revealed as the Toronto 2015 Pan Am Games mascot, in front of thousands of children at the annual Kids CBC Day in Toronto. CBC featured the mascot in action on their Toronto evening news.
Of the six finalists, Pachi was also most-liked by the public, in the online voting contest that gathered over 33,000 votes, according to the official press release. The voting contest results contributed 10% to the final score, along with other criteria including "embodies the spirit and values of the competition" and "has 'strong kid appeal'".
Organizers received 4130 submissions for the mascot, which was narrowed down to 108 in review before selecting the six finalists.
Correction (July 20): 33,000 was the number of votes received for all six finalist designs, not just for the winning entry as I initially reported.
This is definitely one for Crossaffliction’s proposed MST3K for bad anthropomorphic movies. Ehrbar reviews Foodfight! as, “It is truly one of the worst animated films ever made.” That is evident from the 1’44” trailer alone, which is included in the AS review.
|1) a Maple-leaf headed beaver||2) a moose||3) a multi-colour owl|
|4) a porcupine with multi-color quills||5) a raccoon||6) twins wearing hats|
The sparrow was amongst more than 200 designs submitted by the public over the Internet. Mikhail Butov, the general secretary of the Russian athletics federation, explained why the sparrow was chosen:
The bird shares a lot of qualities with the athletes: It's quick, light and nimble.
Brazilians cast almost 1.7 million votes in choosing Fuleco, an anthropomorphic three-banded armadillo, as the mascot for the 2014 FIFA World Cup games (soccer). A fursuited mascot is featured in the BBC's TV coverage.
As one of the most high-profile ambassadors of the event and a member of a vulnerable species, the Official Mascot can play a key role in driving environmental awareness. The name Fuleco™ is a fusion of the words “futebol” and “ecologia”. This seamlessly represents the way in which the FIFA World Cup™ can combine the two to encourage people to behave in an environmentally friendly way. In voting for the name Fuleco™, the Brazilian population has clearly demonstrated an affinity for both themes that the name epitomises. (press release)
But while Brazilians approve of the armadillo as a mascot, the way the name was chosen – a three-way online poll – is less popular. Over 23,000 signed a petition requesting a "more democratic" process, with some asking for a name featuring the vulnerable species itself.