The Snow Queen, written in 1845 by Hans Christian Andersen, did not have any anthropomorphic characters in it. Hollywood; excuse me, Moscow; has corrected this omission. Not in the 1957 Soyuzmultfilm feature, which was a faithful enough adaptation of Andersen’s tale but with a talking raven, but in the new Wizart Animation 80-minute CGI feature, directed by Maxim Sveshnikov and Vlad Barbe, coming in Russia in December.
The story has been modernized and expanded for today's audiences, with a non-human troll added as a major character (for comedy relief); and Gerda has been given a pet ermine, who is not very anthropomorphic but is smarter than the average ermine. [Animation Magazine]
For most of his wizarding life, Simon Canopus Artyle lived in the same splendid little house that was nestled up against the trunk of a giant tree. The tree was an Ephaian Oak, only it was much larger than any normal Ephaian Oak should be, having grown to its inordinate size due to the fact that Simon had spent over two centuries living in proximity to it, and magic flowed through Simon more readily than it did most people, including other wizards. When a wizard lives anywhere, though, giant tree or no, a full-fledged community typically grows up around them within five or six decades, since, as a general rule, a wizard is a very good thing for any town to have (and after this happens, most wizards decide against packing up and leaving, since the inevitable will inevitably happen again, and most simply can’t be bothered to make the effort anyway). (p. 1)
This opening paragraph indicates the leisurely, relaxed style in which Frane presents this somewhat Georgian anthropomorphic comedy of manners. Simon Artyle, a fox wizard of a couple of centuries (although he looks to be only twenty-nine or thirty), is a reader, a lover of books and libraries, to such a degree that other wizards have made him their Grand Historian of Magic, Wizarding, and Spellcraft.