This is a bit complex, so we’ll let Animation World Network explain it: “Nickelodeon has released a handful of first look images for Bossy Bear, the new animated preschool series from husband-and-wife team David Horvath and Sun-Min Kim (UglyDolls, Tea Time Cats), based on the Korean / U.S. pop culture blend book series by Horvath. The series follows the misadventures of unlikely besties Bossy Bear (an overly enthusiastic extrovert) and Turtle (a thoughtful introvert) in their Koreatown-inspired city of Pleasantburg.” Look for the show on Nickelodeon and Nick Jr. in 2023. [And have a happy and safe New Year’s Eve!]
Underdog (언더독, trailer) is a South Korean animated film from 2018, written and directed by Oh Sung-yoon at Odoltogi Studio, and co-directed by Lee Chun-baek who previously directed Leafie, A Hen into the Wild.
The main character is Moongchi, a dog who loves and trusts his owners, so he's understandably confused when he's deliberately left behind in the woods. Luckily he soon meets a group of other abandoned dogs who take him in, surviving in an empty slum on the edge of the nearby town.
While his fellow strays beg and scrounge to survive, Moongchi is still figuring things out. Wandering up the mountain into the forest, he meets a small group of wild dogs and wants to impress one of them, a female named Bami. Trouble is brewing for both groups, and soon they must unite and find a new place to live.
We covered animated feature The Nut Job thoroughly upon its release in January 2014. If you enjoyed it, I have good news: a sequel is coming August 18, entitled The Nut Job 2: Nutty By Nature.
The Nut Job was about a group of anthropomorphized city wildlife led by Surly Squirrel raiding an out-of-business nut shop while a gang of bank robbers are using it as a cover for their heist. The movie is semi-famous for having been almost universally reviled by the critics before its release – it got a 12% rating on Rotten Tomatoes – then getting a very favorable audience when it came out.
It was produced by ToonBox Entertainment in Toronto, and mostly financed by South Korean investors. The Ministry of Culture, Sports, and Tourism of the Republic of Korea got a credit. They even threw some love by having the animal cast plus an animated Psy, the popular South Korean singer-dancer, break into “Gangnam Style” over the closing credits.
Padak, a 2012 South Korean CGI feature, is coming to America – but not to theaters. EigoMANGA, a San Francisco-based media publisher, has announced that it has been acquired from Lionsgate to be distributed beginning on June 6 on Linux, Mac, SteamOS, Windows, and all other online Steam-supported platforms.
The 78-minute feature, directed and written by Lee Dae-Hee and produced by the E-DEHI studio, will be released with the original Korean voice actors including Kim Hyeon-ji, Si-Yeong-joon, Ahn Yeong-mi-l, Hyeon Kyeong-soo, and Ho-san Lee, and subtitled in English. It was first shown at the Jeonju International Film Festival on July 25, 2012, and has also been shown at international film festivals in Warsaw, Dallas, Melbourne, Vladivostok, Seoul, and other cities, winning awards at many of them.
Korean cinema: Toilet-paper Merlin turns pianist into cow, who's saved from incinerator by com-sat in robot girl formPosted by Fred on Thu 27 Mar 2014 - 16:59
Korean animation looks enough like Japanese animation that it is usually lumped together as anime. But I don’t think that even the Japanese have made an animated feature like The Satellite Girl and Milk Cow, directed by Jang Hyung-yun and released in February in Seoul.
Jerry Beck’s Animation Scoop announces this South Korean release about a pianist (male), transformed into a cow (female) by Merlin the Magician in the form of an anthropomorphic roll of toilet paper, and pursued by a villainous incinerator that wants to incinerate him/her; while a communication satellite falls from space, becomes an Astro Boy-like robot girl, and saves the cow from the incinerator and its secret agents. It falls into the you-have-to-see-it-to-believe-it category -- and Jerry has the trailer, so you can see 1'22" of it.
Read more: Review at TwitchFilm.com
“Coming in 2013!” Many movies that are announced never come out. Two that were announced in 2013 as “coming soon” and then disappeared seem to be unfortunate M.I.A.s, from Flayrah’s point of view.
Oggy and the Cockroaches: The Movie. “Ever since the world was born, two forces have been locked in perpetual battle. Their struggle is so Manichean, so ferocious, so Herculean that it makes the clash between good and evil look like a game of checkers! This ancestral duel is so ancient and so merciless that it can only be...Oggy against the Cockroaches!” The trailer, featuring the eternal battle between cats and cockroaches “from the Stone Age to the Space Age”, shows an imaginative mixture of animation styles, with the Stone Age and Medieval age in traditional 2D cartoon animation, the present as a mixture of cartoon and computer graphic imagery, and the futuristic Space Age sequences in all CGI.
Did you ever hear of Oggy and the Cockroaches: The Movie? Did you ever hear of an Oggy and the Cockroaches regular animated TV series? Then you’re not French, Indian, or Vietnamese. Oggy et les Cafards, 7 minutes an episode, has been broadcast in France since 1998, and has sold to Indian and Vietnamese TV. The Indian broadcast appears on the Cartoon Network there, but in Hindi. The two-hour movie premiered in French theaters on August 7, 2013, and since a trailer in English exists, someone is apparently trying to get it distributed in America. Good luck.
Anthropomorphic jackals, wolf-men, horses and wild boar - all made of used tires, resin, steel and foam. These are the work of Yong Ho Ji, a Korean whose art has toured the world, from Seoul to Amsterdam.
Yong, who has an M.F.A. in fine arts from NYU and a B.F.A. in sculpture from Hongik University in Seoul, originally formed his pieces from welded iron bones, wooden planks and soil, overlaid with tires, before turning for a while to death-castings. Nowadays, he works in tire-wrapped resin formed on plaster molds.
Within the medium, there is great scope for choice in materials, as noted by Trinie Dalton:
A deer's tender cheekbones and muzzle are rendered with lightly treaded road-bike tires and smooth inner tubes, lining its eye sockets and nostrils to conjure a quizzical expression. The burly neck and forehead of a steadfast rhinoceros uncannily resembles a real rhino's bust because of the broadly treaded tractor tires peering out, like anger-strained tendons, from beneath a rough outer skin made of motorcycle tires.
Some species seem more popular than others; his gallery displays a multitude of deer and eleven models of shark, but only one mink. Herbivores feature on an equal basis - there's even a zebra. [tip: JayGryph]
Have you heard that the animated CGI 3D feature Dino Time, about three children sent back in a time machine to the age of dinosaurs, is coming on December 7th?
If you've been paying attention to the Recommended Anthropomorphics List, you might have noticed a movie called Leafie: A Hen into the Wild. Otherwise, you have probably never heard of it, unless you are one of Flayrah’s South Korean readers.
When I first saw Leafie's trailer, I was impressed with the animation and character design, and wondered how the movie would hold up. I was finally able to see the movie, and it is certainly one that furries should seek out.
Dog meat, a long time traditional food of many cultures, has been outlawed in Korea, but legislators want to push a bill to change that. They say the lack of regulation leads to the inhumane killing and unsanitary handling of dogs in markets currently, which in turn is the primary target for the animal activists against the practice. The opposition to the bill is not only comming from Western animal rights people, but humaine groups in the country as well. Similar bills have been unsucessful.
The Korea Animal Protection Society is an organization dedicated "to preventing cruelty to and educating people about animals." It was founded in 1991 by Sunnan Kum, who is attempting to extend the benefit of a caring shelter to animals that are still being raised in illegal "dog farms" for butchers (a 1991 law prohibits the consumption of dogs or cats). Evidentally she faces quite an uphill struggle, as her organization has had to euthanize several animals that were in the her care and termed untreatable, something that the Korean culture treats as essentially taboo, "...even if the animal is suffering. Many Koreans believe any life, however bad, is better than death."