The RainFurrest Annual Charity Anthology was created to celebrate and showcase the literary aspect of the anthropomorphics fandom as well as to raise funds for charity. NSFW: Enter At Your Own Risk is the adult version. Lots of sex with anthropomorphic animals.
Features the following writers, all who donated stories: Bryan Nickleberry, Rechan, Cheshire, Bill Kieffer, Kits and PJ Wolf, and featuring art by Dr. West, Bill "Greyflank" Kieffer and P. Gaither with a cover by Rhari.
The collection is nice, not as uneven as some anthologies, although some stories could use a bit more proof-reading.
Disclaimer: I am one of the story writers of the anthology. I am also the biggest offender in the proof-reading sense.
Illustrated, Dallas, TX, FurPlanet Publications, September 2015, trade paperback $10.00 (124 pages).
When I finished God of Clay by Ryan Campbell, I described the experience as "satiating something I was hungry for." And usually when I read genre fiction, I have to take bits and pieces of things I want from the books I read and make compromises. "Well, this book had gay protagonists at least, even if the conflict didn't let you forget that, and the characters paid for it." Or "this book has people of color as opposed to the assumption of a main character's innate whiteness, but it is overshadowed by western mores and still exhibits egregious exoticism." Or "well, there's a woman over 40 who plays a significant role, but she's more or less window dressing."
God of Clay, on the other hand, was a buffet of the things I was hungry for: colorful sensory splendor; anthro and human presence; smart character decisions the fueled further conflict; a non-white cast of main characters; gay protagonists with sexuality not intrinsically tied to the main conflict; a world where you can still be older than 40 and be a woman and make life changing decisions for yourself and your tribe.
See also: Review by Fred.
This will be the second Pull List in a row to feature only Squirrel Girl comics (and also the second Pull List in a row to feature a The Unbeatable Squirrel Girl #1, because Marvel's doing a thing again). Between her and all the Friendship is Magic comics, this Pull List thing has just become one big, happy ball of positive energy. Except when I throw in a Hack/Slash, an Avengers Arena or a My Little Pony: Friendship is Magic #4, and things get a little darker.
But, the stories we tell (and the stories we enjoy) influence how we think of the world; it's much easier to believe the world will end in some kind of apocalypse when your favorite TV show is The Walking Dead (a show about the apocalyptic end of the world), even if you don't necessarily believe it will come via zombie plague. It's harder if you watch a show where you have to take a time machine five million years into the future to see the end of the world. So, anyway, if you're looking for a comic book series that might influence you to see the world more positively, basically, stuff with Squirrel Girl helps.
Since 2011, the Best Animated Feature category at the Oscars has featured five nominees. This year, that streak could be in jeopardy, as 16 movies have been submitted for consideration by the Academy. 16 is the absolute minimum number of movies that can qualify for the award in a year and still have a full slate of five nominees; if any of the submissions are disqualified, 2015 will only feature four nominees for the first time ever.
However, none of movies are live action/animation hybrids (the type of submission most likely to be disqualified, such as The Smurfs 2 back in 2013), or use controversial, but historically qualified, techniques such as motion capture. The only way one of the submissions might drop out is if they fail to make a qualifying run of a week long screening at a theater in Los Angeles County, California. All feature length movies in all categories are required to have a this qualifying run to be considered for the Oscars.
Ice Age 5, a.k.a. Ice Age: Collision Course, is scheduled for a July 22, 2016 release. IMDb has a brief summary provided by 20th-Century Fox:
Scrat's epic pursuit of the elusive acorn catapults him into the universe where he accidentally sets off a series of cosmic events that transform and threaten the Ice Age World. To save themselves, Sid, Manny, Diego, and the rest of the herd must leave their home and embark on a quest full of comedy and adventure, traveling to exotic new lands and encountering a host of colorful new characters.
Now its first teaser trailer is released. Are we quivering with anticipation?
While I could say that Song of the Summer King by Jess E. Owen is a very satisfying action adventure young adult book played straight (which is true; it follows a coming of age story formula and it knows it), there's a lot of subtle choices made by the writer which makes this book stand out: how inaction is in itself implicit action; how listening can appear to be a prophetic power to those who have never attempted empathy; how refusing to choose between two bad options can be a valid choice.
From the beginning of the novel, Shard lives passively: he's enthralled by a patriarchal society of fascist conqueror griffins who believe only the strongest survive. He lives in constant (well-founded) fear of never being trusted and eventual exile, which are his driving influences to seek strength and social accolades. But when Shard's own heritage gets foisted upon him, he has to choose between being comfortable or being ethically consistent with what he finds to be the truth, all the while reconciling his racial differences from the dominant griffin tribe.
Shard has to question everything when he discovers that the world is more complicated than he once thought, and that it is incredibly frustrating when those closest to him continue to live trapped in their oversimplifications about what it means to live a good life.
Spoiler warning: This review does discuss plot elements some may consider spoilers below the break.
Five Elements Press, 2012, $4.99 Kindle, $25 hardcover, $12.99 paperback (264 pages). Illustrated by Jennifer Miller.
His animation studio, that is. The original Danger Mouse was produced by Cosgrove Hall Films in Manchester, England, U.K., for Thames Television from September 1981 to March 1992. The new Danger Mouse is being produced by Boulder Media in Belfast, Northern Ireland, U.K. from September 2015 to who knows? DM, Penfold, Baron Greenback and the whole gang are back. With some differences.
Baron Silas Greenback is now Baron Silas von Greenback, mit ein Cherman agzent. Professor Squawkencluck is now female, the niece of the original Professor. A new character is Jeopardy Mouse, an American equivalent of the British DM, and a female. Count Duckula, star of another Cosgrove Hall series of the 1980s, is a supporting character in the new DM.
Back in August, Nintendo announced that Star Fox Zero would be coming to its Wii U console Friday after next. Then the game got delayed, so don't line up at your nearest game store next Thursday; you'll have to wait until April 22 of next year. In the meantime, enjoy this new trailer.
The announcement didn't note why the game had been delayed, though it has long been a Nintendo policy that "a delayed game is eventually good, but a rushed game is forever bad."
Can a massive theatrical animated hodgepodge make a massive theatrical animated anthropomorphic hit? That’s what a lot of people are hoping when Blazing Samurai, an animated pastiche of the 1974 Mel Brooks comedy Blazing Saddles, only with samurai in Old Japan instead of cowboys in the Old West and animated cats and dogs instead of humans, hits the theaters in August 2017.
How much of a hodgepodge is it? Blazing Samurai is announced as the first feature produced by former Sony Pictures Vice Chairman Yair Landau’s Mass Animation online company, founded in August 2008 to “develop wikimovies and content using a new production model – a virtual animation studio and an open invitation to artists around the world to collaborate in creating the next generation of animated stories.” Mass Animation has attracted “over 58,000 participants from 101 countries”, and has produced the 5-minute “Live Music”, advertised as “the first ever theatrically released crowdsourced animated film”.