According to Animation Scoop, Disney Junior has a new animated series for kids called Puppy Dog Pals premiering April 14th. “The show follows two fun-loving pug brothers, Bingo and Rolly, whose thrill-seeking appetites take them on exhilarating adventures throughout their neighborhood and around the globe. Comedian Harland Williams… serves as consulting producer and writer and voices the role of Bob, the pups’ devoted owner.” There are some other well-known names among the voice cast as well.
Here is another anthro-animal animated movie that America probably won’t get. The Hollywood Reporter reported on March 14 that:
Malaysia's Animasia Studio has inked a deal with China's Zero One Animation to produce the CGI-animated feature film Chuck Chicken — The Movie.
The $8 million movie is being adapted from the successful television series Chuck Chicken a.k.a. Kungfu Chicken. Production will take place in China, but animators from both countries will work on the project. The film will premiere first in China, as the original TV series was particularly popular there, having gained 300 million views within six months of its launch on the country's VOD platform iQIYI.
The Malay Mail Online says that the movie will be finished in 2018. There are several furry fans in Malaysia including prominent new author MikasiWolf and artist Silverfox5213. Can any of them tell us anything about Animasia Studios?
Anthro animal animated features are sneaking up on us faster than we can announce them.
Here is the trailer for the 90-minute The Wild Life, due for American release on September 9, 2016. It’s very loosely based on Robinson Crusoe from the island's animals’ point of view; Tuesday the parrot, Carmelo the chameleon, Scrubby the goat, Rosie the tapir, Pango the pangolin and others. The animals decide to “help” the human castaway and his dog. Ha, ha.
This has already been released throughout Europe in February as Robinson Crusoe, and it will have been seen in most of the rest of the world by the time we get it. If nWave Pictures is involved, it’s a Belgian production. nWave’s animation studio is in Brussels. It does good work. nWave produced the 2013 The House of Magic, which was scheduled for an American theatrical release – it’s set in Boston – up to the last minute. It ended up as a direct-to-DVD kids’ release.
Let’s hope that The Wild Life has better luck.
William Earl Haskell in Houston, TX, who has been Rowrbrazzle’s Official Editor since 2007, is stepping down because of worsening health. He will continue to be an ordinary member, but the Official Editor’s office and duties are being transferred to Edd Vick at 1505 SW Alaska Street, Seattle, WA 98106.
Rowrbrazzle, published every January, April, July, and October, was founded in February 1984 by Marc Schirmeister of Los Angeles fandom. At the time furry fandom was not considered to be separate from s-f fandom or comics fandom yet. It was Rowrbrazzle's discussions of the new funny-animal social events, along with the amateur sketches and cartoons (mostly of funny-animal cheesecake art), that established that a new fandom was coming into existence.
Schirmeister continued to serve as ‘Brazzle’s Official Editor until 1989, when Fred Patten in Los Angeles took over. Patten was the Official Editor until his incapacitating stroke in March 2005. It was unexpected, and no clear successor had been set up. ‘Brazzle limped along with several volunteer O.E.s for a couple of years until Bill Haskell accepted the post permanently with #94 in July 2007. Now Haskell is passing it along to Edd Vick with #125 in April 2016.
Rowrbrazzle is technically an amateur press association (APA or apa) rather than a traditional magazine. It has a set number of members (currently 30, with a few openings) who each print their own pages and send them to the Official Editor. He staples them together into the quarterly magazine in January, April, July, and September, and sends a copy to each member. There are some other APAs that have produced extra copies for sale to the public, but ‘Brazzle produces only enough for its own membership.
Warner Bros. has just released its first “official trailer”, as opposed to the teaser (which is funny but offers no clue to the movie’s plot), for its forthcoming CGI animated feature, Storks, due September 23, 2016; directed by Nicholas Stoller and Doug Sweetland, with the voices of Andy Samberg, Kelsey Grammer, Keegan-Michael Key and more. The story begins to be revealed.
Storks used to deliver babies. They are famous for delivering babies. But this image is obsolete. They modernized some years ago, and now specialize in delivering commercial packages for giant Cornerstore.com; a competitor to FedEx, on a worldwide scale. Junior, the top delivery stork, is about to be promoted upstairs into the executive ranks when he accidentally activates the old Baby Making Machine and produces an adorable baby human girl.
Desperate to get rid of the baby before his goof is discovered, Junior and his assistant Tulip, the only human (female) on Stork Mountain, find a human boy who has wished that he had a younger brother. They try to persuade him to take a baby sister instead. And what must the hapless parents think of this?
We’ll find out in September.
Kubo and the Two Strings is a movie that managed to keep its furry aspects under Flayrah's radar until its first trailer began appearing before more obviously furry movies like Kung Fu Panda 3 and Zootopia. Turns out the movie from stop motion specialists LAIKA was keeping a samurai sword-wielding snow monkey voiced by Charlize Theron hidden from us. A second trailer has just been released, showing off the aforementioned monkey, as well as LAIKA's trademark virtuoso use of stop motion.
Voting for the 2015 Ursa Major Awards, for the Best Anthropomorphic Literature and Art of the 2015 calendar year in eleven categories, is now open. The voting is open from March 15 to April 30. The awards will be announced at a presentation ceremony at What the Fur 2016, in Montreal, Quebec, on May 20-22, 2016.
The eleven categories are: Best Anthropomorphic Motion Picture, Best Anthropomorphic Dramatic Short or Series, Best Anthropomorphic Novel, Best Anthropomorphic Short Fiction, Best Anthropomorphic Other Literary Work, Best Anthropomorphic Graphic Story, Best Anthropomorphic Comic Strip, Best Anthropomorphic Magazine, Best Anthropomorphic Published Illustration, Best Anthropomorphic Game and Best Anthropomorphic Website.
Voting is open to all! To vote, go to the Ursa Major Awards website and click on "Voting for 2015" at the left. You will receive instructions on how to register to vote. You do not have to vote in every category. Please vote in only those categories in which you feel knowledgeable.
This final ballot has been compiled from those works receiving the most nominations that were eligible. Please check the dates of publication next year to make sure that your nominations are only for works published during the calendar year (January through December) in question.
Update (22 May): The results have been announced.
Monster, monster… no-one knows this thrilling feeling. Dizzy how, dizzy how - it's TeleMonster time!
Here is the British trailer for Top Cat Begins, directed by Andrés Couturier, that was released last October 30 in México as Don Gato: El Inicio de la Pandilla. It’s coming on May 27 in the U.K., distributed by Warner Bros. (so can the U.S. release be far behind?)
It was produced for only $8,000,000 (estimated). While I’m tempted to say that it looks it, it’s really not bad for only $8 million these days. It was produced by Ánima Estudios in Ciudad México, the makers of that Oz movie with the Day of the Dead look, Wicked Flying Monkeys. Haven’t seen that yet? Don’t worry; you will.
Look at the lip sync. Was this movie made for English or Spanish dialogue? What do you think?
If any of you readers are like me, then you only follow Flayrah when it comes to furry news. I saw an article shared around a year ago about furry music, and that's how I found this site.
But amidst the posts about cons being cancelled and the abundance of Zootopia reviews came a shining light no one saw coming. Mostly because even on a site about the very subject it is meant to educate on, it got no attention.
This film is Fursonas, a documentary about the furry lifestyle. A detailed look at the friendly fandom that CSI ruined public perception of all those years ago, such that we still feel repercussions today. It wasn't until my best bud crossaffliction mentioned this movie in, of course, a Zootopia-related post that I became aware of it. I started to dig, and realized what a gem we'd been missing.
Dogpatch Press (who I've now since started to follow alongside Flayrah) posted an incredible article on this film, which I suggest all members read, as this post is just to drum up hype for this film. One line from that article holds substantial water for me; Zootopia is the film we want, but Fursonas is the film we need.
Dear past, current and future attendees of Fangcon,
I hope by this time you may have heard of the difficulty we have been having with the hotel in Knoxville, TN. We attempted to secure a date with them for 2016 right after the con had concluded. The hotel put us off even though the local football schedule was already posted. We found out later this is what many hotels in the local Knoxville area do. They look for groups with bigger numbers so they can charge a higher price for the rooms (sometimes three and four times the amount we paid.) This year the football schedule only left a few open weekends for groups like ours.
Our hotel for Fangcon 2016 will be the Hilton Hotel, Perimeter Park Birmingham, AL. We know this will come as a disappointment to many attendees but this is the same issue we ran into after our first year of the con when we started it up in Nashville, it became too late into the year to find good options for hotel space. So it is either wait till 2017 and not have a con this year or make the best of it and see how well we do in Birmingham, Alabama. The con will be on the dates of Oct 27th through Oct 31st 2016.
Yes, we know, we all saw the box office figures. Zootopia is a big hit, and seems to be the establishing mass-media beachhead for "furry fandom". But please, please spare a moment to think about how best to interact with people arriving into the world of anthropomorphic-fiction. Consider this conversation you may well have in the near future ...
"Hey, is that Zootopia fan art? I loved that movie."
"No, it's actually my fursona."
"Oh, like a Zootopia OC, yeah I have one of those."
"No, No, this is from before Zootopia, from the furry fandom."
"Oh. No, I'm not into that stuff."
Stop right there ... Now, this is where you do not rant.
I'm a bit short on sleep at the moment, and my basic opinion on Zootopia is that it's a good, fun film, definitely worth seeing. My post is going to wander around a lot, more personal impressions than flat-out review. I'm not going to summarize the plot (assuming the other reviewers here have already done so), however I will be mentioning some elements of story structure that are semi-spoilerish.
I don't watch movies often. I'm not the kind to go out of my way to see films of any kind. Most of the ones I enjoyed I watched with my family on the television or on VHS or DVD. I can count the number times I went to the theater in the past decade on one hand.
And Zootopia is the first movie in cinema history where I can look at the opening weekend box office numbers and count my dollars amongst them. Yes, you heard that correctly. A 30 year old has never been to any movie on opening weekend until this last Friday, March 4th.
But I guess that's to be expected. Afterall, I was the audience it was marketed for. I'm a furry who writes for a furry news website that often covers movies, books, video games and also covers fandom politic. I usually cover the later two with more regularity. However, as with this opening weekend viewing, I find myself in need to make an exception.
In this article, I'm not going to not talk about the movie itself from an artistic and visual standpoint. I'll leave that to the movie experts on this site as there are people better at that aspect. Instead, in the interest of diversity I'm going to instead analyze the film from the perspective that I'm more known for and that is the social dynamic and messaging of the film.
In this interest I will cover two moments. The one that I feel is the movie’s greatest triumph, and the one that is its greatest downfall. As said these will contain supreme spoilers. If you want no spoilers, skip to the conclusion and don't read the comments.
Spoiler warning: Obviously many others are going to be covering the broad review of the movie here, as we at Flayrah are kind of doing a review extravaganza event. There are already some that are general and spoiler free. Therefore, in order to keep things fresh I will be doing one that contains a bit more spoilers than they do. So this is your warning. Only this introduction and the article's conclusion will be spoiler free. The main sections of the article and the comments will be free game and contain spoilers.
So, okay, there's a dozen or so iconic movies out there that furries like to claim as our own, whose characters are held up as examples of what an anthropomorphic animal is, and why we like them so much. But it's not often we get a movie with a premise that seems birthed from something on SoFurry. Zootopia is a film in which all mammals (excluding primates) have evolved. Kinda. They still look the same, including some species having eyes on either side of their head, or being friggin' tiny, but they can walk on two legs, and as children helpfully explain, don't eat each other anymore, and that's what's important.
Spoiler warning: This review does dwell a bit more into later plot developments than previous reviews.
This is the third review of Zootopia on Flayrah; please check out reviews by crossaffliction and Mister Twister! We invite all of our regular contributors (and maybe a few first timers) to share their opinions on this movie during the following month!
Every time a new animated movie comes out, my first question is “Will this story suck?” And that is an important question, since animation studios are often under pressure from producers to dumb down the narrative, to make absolutely sure the smallest kiddies (a.k.a., the target audience) will get it. When the makers cave in, it may end up being good for those “smallest kiddies”, but bad for everyone older than 7. That is a huge problem for grown-up animation fans, since no matter how good the visuals are, a stupid story will always make the watching experience painful, and leave you wishing you could travel to a parallel universe where the writing was better. I was disappointed by cartoons many times before, so I know what that feels like. Not here though. To my surprise, Disney released something actually smart, very very well-written. Zootopia is a smart movie, and is very much worth your time.
For anyone not convinced, I shall elaborate.
Disclaimer: In the reviewer's opinion, the French poster better represents the tone of the movie. Also, I only watched the movie once, but with the greatest attention. With that said, let's begin ...
This is the second review of Zootopia on Flayrah; the first can be found here, and we invite all of our regular contributors (and maybe a few first timers) to share their answers to those questions during the following month!