We came across this announcement from Screen Daily: “Kaleidoscope Film Distribution (KFD) is handling world sales on animated feature Danny Diamondback, which Aardman Animation alumni Darren Walsh (Shaun The Sheep TV series) will direct. It’s the story of a young rattlesnake with a musical talent in his tail. The film is based on the children’s novella of the same name, first published by Harper Collins and written by illustrator and production designer Barry Jackson (How The Grinch Stole Christmas). Jackson has written the script and will be heading up production design on the project. Siege Train Studios’ Curtis Augspurger (Valiant), Matthew Hampton, and Cora Palfrey will produce the film alongside Jackson. Bibo Bergeron (Shark Tale) will serve as executive producer.” That’s one heck of a lotta veteran anthropomorphic talent on one project. No word yet on if the film is to be CGI or claymation. Guess we’ll find out after they give us a projected release date!
I originally intended to add this review as a comment to the story that I remembered, but when I looked for the story, I couldn’t find it anyplace! It must have been on one of the animation websites. Monster Hunt, a 2015 Chinese animated feature, does not have any anthropomorphic animals, but it is full of anthropomorphic monsters.
Since this apparently hasn’t been on Flayrah before, here’s the background: Monster Hunt (Zhuo Yao Ji in Mandarin Chinese), is 111 minutes and directed by Raman Hui, the Hong Kong-born co-director of Shrek the Third and several animated shorts or TV series for DreamWorks Animation. It was released throughout China on July 16, 2015, a Thursday. It grossed 172 million yuan ($27,700,000) on its first day of release, and $72,000,000 by Saturday. That’s not only very, very good, it’s a world record. American theatrical distributors who had been ignoring it scrambled to license the American rights, dub it (the Chinese producer had already subtitled it), and get it into American theaters.
The American release in 3D was yesterday. My sister took me in my wheelchair to see the dubbed version at a theater in Burbank, California.
Because that's just what our front page has needed for the last month or so; yet another list of random things. Anyway, here's a list of solicits for comic books with furry characters coming out next month.
In an upifted universe, where the humans sneaked away when no one was looking, Earth is largely cats and dogs. The dogs rule, at least in North America, and otters rule in space. In the first book, Kipper is hunting a mystery that takes her into space and eventually Mars where the perfect cat world is found. Provided, of course, that you were a perfectly bred cat.
In Otters In Space: Jupiter Deadly, Kipper encounters aliens or possibly uplifted reptiles who seem bent on attacking Jupiter and friendly otter spacecraft. Before she can finish saying, "It's not my problem," a distress call goes out ... from another rather defenseless feline utopia.
This book is less subversive, the action is more in your face and Skipper's otter crew-mates are as loony as ever. The sequel is wonderful! And all the characters get fleshed out much better in this book. The political intrigue is explained and the dog culture is better explored. I like that in confronting the system, the average dogs that make up that system are better explored, rather than making the system outright evil or two dimensional.
See also: Review by Fred
So it seems the first animated movie of 2016 is upon us. And the entire world collectively went 'Oh'.
From the looks of it, everyone in the world hates this film. Critics, moviegoers, children, everyone. I'm pretty sure I hate it as well, but I can't be sure since I actually fell asleep in the theater for this thing. No joke. It's the second time I've fallen asleep in a theater ever, the first being ... Avengers 2.
Where did it go wrong? Perhaps it was Rob Schneider. Maybe it was the sweat shop CGI brought to you by Lionsgate. Or could it be the fact that a poorly written and animated film in 2016 with fart and other unfunny jokes was just doomed for failure? Who knows?
Well actually, we all know that it was all of those things. This film has collected the rare achievement of getting a 0% on Rotten Tomatoes, the first film of 2016 to do so. And only the second computer generated film of all time to do so (the first being Space Chimps 2) which is a feat worthy of applause.
For the record, funny animals in Kannada (that’s Kannada the language, not Canada the country) can be found in Tunturu, a children’s magazine published since January 2000, originally bi-monthly but semi-monthly today.
Tunturu has been able to carve for itself an identity of being the most sought-after children’s magazine across the age-groups of 5-14 in Karnataka.
If you don’t know where Karnataka is, you can look it up. Reportedly an English-language edition is coming soon.
And that's probably more about funny animals in Kannada than you want to know.
It's time for the Ursa Majors again, and while I like to encourage each to put in their own nominations for the popular furry award, I have decided to share the ones I feel should be looked into as the best entries for the year in the game category and go over briefly why they should be there. Because, without a Pokémon game here, it's going to be a very interesting year.
Everyone else is putting up lists, and if anything it may help furries connect with games they may have not had a chance to play. For other games you can see the recommended list here. I guess I felt like a rebel this year, because four of the five games on my list are not on that one.
So without further ado, here are the five games I am nominating for the Ursa Majors this year, in no particular order. In order to qualify, I feel it should incorporate at least one main character that is anthropomorphic, or cover in some way a world that contains intellectual animals in some degree. You may laugh that I have to define that, but lets not forget what won in 2012 over Dust: An Elysian Tail.
Many nominations for the 2015 Ursa Major Awards are likely to come from the 2015 Recommended Anthropomorphic Reading List, which has been built up through prior recommendations. The awards are selected by a two-stage process of nominating and voting. Members of the public send in up to five nominations in each of the eleven categories. The top five nominees in each category (more in case of a tie) are then presented on a final ballot for a public vote. Inclusion on the List is not necessary for nomination if a work is otherwise eligible; first published during January to December 2015.
Nominations take place between January 14 (the first day of Further Confusion 2016) and February 29. The nominations will be tallied between March 1 and March 14. The final ballot will be announced on March 15, and voting will take place until April 30. All those who send in nominations will be registered as eligible to vote on the final ballot. Those who did not nominate but wish to vote on the final ballot may register to do so.
The voting will be counted, the winners’ trophies prepared, and the results will be announced at the Ursa Major awards presentation at a ceremony at What the Fur 2016, at the Holiday Inn Hotel & Suites, Pointe-Claire, Montreal Airport, Montreal, Quebec, Canada, on May 20-22.
The Ursa Major Awards and Recommended List are administered by the Anthropomorphic Literature and Arts Association (ALAA). For information, and to nominate beginning on January 14 and to vote beginning on March 15, go to http://www.ursamajorawards.org/.
He basically explains that Abando became somewhat out of hand, it became way too expensive, Abando is a little event, and organized by few people, that do it just because they like it, but these things consume way too much time, effort, and in the case of this one, much, much money, since it requires the rental of an entire nature park, regardless of the places getting sold out or not.
Some of the staff, over the years, had to step out for many reasons; some are getting married, having children, moving away. And taking care of the event is a big task, not to mention that lately, it threatens the financial security of the whole staff.
Voting for the 2015 Ursa Major Awards, for the Best Anthropomorphic Literature and Art of the 2014 calendar year in eleven categories, is now open. The voting for nomination was opened yesterday, January 14, and will continue until February 29.
The eleven categories are: Best Anthropomorphic Motion Picture, Best Anthropomorphic Dramatic Short or Series, Best Anthropomorphic Novel, Best Anthropomorphic Short Fiction, Best Anthropomorphic Other Literary Work, Best Anthropomorphic Graphic Story, Best Anthropomorphic Comic Strip, Best Anthropomorphic Magazine, Best Anthropomorphic Published Illustration, Best Anthropomorphic Game and Best Anthropomorphic Website.
Voting is open to all. To vote, go to the Ursa Major Awards website and click on "Voting for 2014" at the left. You will receive instructions on how to register to vote. You do not have to vote in every category. It is recommended that nominators please vote in only those categories in which they feel knowledgeable.
The The 2015 Recommended Anthropomorphics List can be used as a guideline to help voters; however, works do not have to be included on the Recommended List to be voted for. Works on the Recommended List are also not automatically nominated, either. Flayrah has an extensive series of reviews in a variety of categories to further help make decisions.
Fred Patten says:
This is a last call for information about furry conventions. For the past two years, I have been compiling a history of all furry conventions throughout the world from 1989 through the end of 2015. My book, Furry Fandom Conventions, has been accepted by an academic publisher, McFarland. It covers 113 furry conventions in North and South America, Asia, Australasia and Europe. The manuscript is currently up to 278 pages. My deadline for finishing is March 1, 2016.
Most of my missing information is for details that happened at the conventions, such as attendance totals, the number of fursuiters in the Fursuit Parade, or the amount of the charity donation; therefore what was published in the conbook before the convention is of no help. Many convention committees have given full information, but others have not answered at all. I suspect that some lack of replies are due to my requests going to a minor committee member who is not answering or passing them on to the chair. So a public announcement might reach a chairperson or another committee member who wants their convention represented in my book with all questions answered.
Also, I am trying to get at least one illustration for each convention — art such as website logos, conbook covers, posters, illustrated membership badges, illustrated hotel room keys; whatever a committee wants to submit. McFarland says that none of the illustrations on the Internet are of high enough resolution for book publication, so I cannot just framegrab an illustration from the Internet. They need a high resolution electronic file of 300 DPI or better.
Brian Bedford, an English-born actor best known to furs as the voice of the titular character in Disney's Robin Hood, passed away January 13, 2016, due to cancer in Santa Barbera, California. He was 80.
Bedford was born in Morley, UK on February 16, 1935. Primarily a stage actor, known for his work on Broadway, he made his Broadway debut in 1959, in the play Five Finger Exercise, directed by John Gielgud. In 1971, he won a Tony Award for his role in The School for Wives. He would gain an additional six Tony nominations; the most recent coming for his last stage role, Lady Bracknell in The Importance of Being Earnest. He also appeared in many TV and film roles, though his vocal role as the vulpine Robin Hood is his best known.
Bedford is survived by his husband, Tim MacDonald.
Cats and More Cats; Feline Fantasy Fiction, edited by Fred Patten, is launching at Further Confusion 2016 in San Jose, California over the January 14-18 five-day weekend. The book can be pre-ordered online from FurPlanet Productions. It will be for sale on the FurPlanet online catalogue afterwards.
Cats and More Cats is a reprint anthology of 14 short stories and novelettes of feline fantasy fiction (“the best of the best”) from 1989 to the present, most of them out-of-print today, plus a new essay and an extensive bibliography of cat fantasy books. This is designed to appeal to both science fiction and fantasy fans, and all cat-lovers.
FurPlanet Publications, $19.95 (261 pages). Wraparound cover by Donryu. ISBN 978-1-61450-297-5
In an uplifted universe, where the humans sneaked away when no one was looking, Earth is largely cats and dogs.
The dogs rule, at least in North America, and two sisters are trying to get more feline representation in what is supposedly a democracy. Events conspire to separate the sisters, and the level headed sister, Kipper, is forced into a wild adventure to find her sister, or at least solve the mystery that seems to threaten them both.
This is book one of three, with the third coming out soon.
Better late then never, they always say, and that is never more true than with movies. For it does not matter how old a movie is; if it is good, and timeless, it won't be dated five years later.
So, one year after its worldwide premiere, I am reviewing All Creatures Big and Small, a movie that everybody forgot immediately after it came out. Apparently, nobody thought it was very good (which is probably what you heard). But let me tell you this: it is good, and if you give it a chance, you will see why I say this.
Learning to Go is a sweet, romantic read with a light touch and plenty of humour; no mean achievement for a book with BDSM and abusive relationships as its core themes.
Rufus the tiger's life is stable without being fantastic. He's in a relationship with Victor, a lion, although they argue a lot. He's got a good job, although he works with Victor, which is a major cause of friction.
The incident that upsets the status quo comes early on: Rufus, reeling from another argument and taking advantage of his relationship's open status, hires the services of a sex worker to scratch an itch Victor has been unwilling to explore with him.
When professional dom Bennett, a German shepherd, arrives at his apartment, Rufus is able to see beyond his job (and his good looks), treating him as a person. He'd like to have Bennett as a friend, but this would dangerously blur the boundaries of their arrangement; most friends don't charge $200 an hour to hang out and chat.