We got this from the Animation Magazine web site: “A new Amazon Video pilot season kicks off on June 17 in the US, UK, Germany, Austria and Japan. And this year’s crop includes five new kids’ animation series to keep an eye on: Little Big Awesome, Morris and the Cow, Toasty Tales, The Curious Kitty and Friends and Jazz Duck. (There’s also a live-action project from Sid & Marty Krofft: Sigmund and the Sea Monsters.)” Yes that’s right: They’re re-making the 1970’s live-action series about two young boys who live by the ocean and their secret friendship with an outcast tentacled sea-monster. Turns out that the whole slate of six features some anthropomorphic content, even if all of them aren’t necessarily anthropomorphic animals! Check out the article to learn more.
Yes, we know, we all saw the box office figures. Zootopia is a big hit, and seems to be the establishing mass-media beachhead for "furry fandom". But please, please spare a moment to think about how best to interact with people arriving into the world of anthropomorphic-fiction. Consider this conversation you may well have in the near future ...
"Hey, is that Zootopia fan art? I loved that movie."
"No, it's actually my fursona."
"Oh, like a Zootopia OC, yeah I have one of those."
"No, No, this is from before Zootopia, from the furry fandom."
"Oh. No, I'm not into that stuff."
Stop right there ... Now, this is where you do not rant.
I'm a bit short on sleep at the moment, and my basic opinion on Zootopia is that it's a good, fun film, definitely worth seeing. My post is going to wander around a lot, more personal impressions than flat-out review. I'm not going to summarize the plot (assuming the other reviewers here have already done so), however I will be mentioning some elements of story structure that are semi-spoilerish.
I don't watch movies often. I'm not the kind to go out of my way to see films of any kind. Most of the ones I enjoyed I watched with my family on the television or on VHS or DVD. I can count the number times I went to the theater in the past decade on one hand.
And Zootopia is the first movie in cinema history where I can look at the opening weekend box office numbers and count my dollars amongst them. Yes, you heard that correctly. A 30 year old has never been to any movie on opening weekend until this last Friday, March 4th.
But I guess that's to be expected. Afterall, I was the audience it was marketed for. I'm a furry who writes for a furry news website that often covers movies, books, video games and also covers fandom politic. I usually cover the later two with more regularity. However, as with this opening weekend viewing, I find myself in need to make an exception.
In this article, I'm not going to not talk about the movie itself from an artistic and visual standpoint. I'll leave that to the movie experts on this site as there are people better at that aspect. Instead, in the interest of diversity I'm going to instead analyze the film from the perspective that I'm more known for and that is the social dynamic and messaging of the film.
In this interest I will cover two moments. The one that I feel is the movie’s greatest triumph, and the one that is its greatest downfall. As said these will contain supreme spoilers. If you want no spoilers, skip to the conclusion and don't read the comments.
Spoiler warning: Obviously many others are going to be covering the broad review of the movie here, as we at Flayrah are kind of doing a review extravaganza event. There are already some that are general and spoiler free. Therefore, in order to keep things fresh I will be doing one that contains a bit more spoilers than they do. So this is your warning. Only this introduction and the article's conclusion will be spoiler free. The main sections of the article and the comments will be free game and contain spoilers.
So, okay, there's a dozen or so iconic movies out there that furries like to claim as our own, whose characters are held up as examples of what an anthropomorphic animal is, and why we like them so much. But it's not often we get a movie with a premise that seems birthed from something on SoFurry. Zootopia is a film in which all mammals (excluding primates) have evolved. Kinda. They still look the same, including some species having eyes on either side of their head, or being friggin' tiny, but they can walk on two legs, and as children helpfully explain, don't eat each other anymore, and that's what's important.
Spoiler warning: This review does dwell a bit more into later plot developments than previous reviews.
This is the third review of Zootopia on Flayrah; please check out reviews by crossaffliction and Mister Twister! We invite all of our regular contributors (and maybe a few first timers) to share their opinions on this movie during the following month!
Every time a new animated movie comes out, my first question is “Will this story suck?” And that is an important question, since animation studios are often under pressure from producers to dumb down the narrative, to make absolutely sure the smallest kiddies (a.k.a., the target audience) will get it. When the makers cave in, it may end up being good for those “smallest kiddies”, but bad for everyone older than 7. That is a huge problem for grown-up animation fans, since no matter how good the visuals are, a stupid story will always make the watching experience painful, and leave you wishing you could travel to a parallel universe where the writing was better. I was disappointed by cartoons many times before, so I know what that feels like. Not here though. To my surprise, Disney released something actually smart, very very well-written. Zootopia is a smart movie, and is very much worth your time.
For anyone not convinced, I shall elaborate.
Disclaimer: In the reviewer's opinion, the French poster better represents the tone of the movie. Also, I only watched the movie once, but with the greatest attention. With that said, let's begin ...
This is the second review of Zootopia on Flayrah; the first can be found here, and we invite all of our regular contributors (and maybe a few first timers) to share their answers to those questions during the following month!
"It's only a movie, folks."
- People's "Picks and Pans Review: Star Wars: Episode I the Phantom Menace", Leah Rozen
Strange, but I guess I always wanted to write movie reviews; I remember thumbing through old People magazines at the barber shop, waiting for my hair to be cut, and skipping to the reviews, searching for movies I'd seen. I don't believe People even runs reviews anymore, but that's where I got my start. Not exactly the best known venue for movie criticism, even when it actually had any. But it's a start.
So, now, Zootopia. Interesting thing happened, waiting for this movie; furries began to caution other furries. Don't get to excited, don't overhype the movie, you'll only disappoint yourself. Which, as always, managed to show up the furry fandom's complete lack of cultural awareness; you don't worry about a relatively small group of people getting excited about a movie when the culture around you is waiting for the next Star Wars movie with something approximating religious fervor. It's not like we haven't already had three (now largely agreed upon as mediocre) Star Wars movies in most of the really excited people's lives already. Furry wise, we've only had one.
But, setting aside the willful ignorance of the world at large (you guys realize its an election year, right?), is this solid advice? Was the hype worth it? Will the anticipation pay off? Can this possibly live up to the expectations? Or is it, after all, just a movie?
This is the first review of Zootopia on Flayrah; another is already in the queue, and we invite all of our regular contributors (and maybe a few first timers) to share their answers to those questions during the following month!
Zootopia is the best reviewed movie of 2016 so far, according to review aggregation site Rotten Tomatoes. It has a 100% based on 92 reviews as this piece was written. The movie, which deals with a furry world as explicitly laid out in the original teaser trailer, is perhaps the single most anticipated movie in the history of the furry fandom. It seems the hype may not have been in vain.
Rotten Tomatoes's "critics' consensus" for the movie is as follows:
The brilliantly well-rounded Zootopia offers a thoughtful, inclusive message that's as rich and timely as its sumptuously state-of-the-art animation -- all while remaining fast and funny enough to keep younger viewers entertained.
Some have noted that Zootopia is on pace to become the single best reviewed movie in Rotten Tomatoes history. The current record holder is Toy Story 2, with 100% from 163 reviews. The linked article points out that, while it is likely the movie will eventually receive a "rotten" review, a 99% or 98% is likely, and that a negative review is likely to come about because the reviewer disagrees with the movie's message, rather than the actual quality of the movie.
Fred Patten says:
My book on furry fandom conventions throughout the world, from the first in January 1989 through the end of 2015, was supposed to be sent to the publisher, McFarland, on March 1st (about 280 manuscript pages). Instead McFarland has given me an extension to try to get information about some conventions that have a lot of question marks because their committees are not answering my requests for information. The questions are things like “Who was Western Pennsylvania Furry Weekend 2015’s guest of honor?”, and “Who were Arizona Fur Con 2015’s conbook cover artist and T-shirt artist?”
Since questions to these conventions’ website “contact us” addresses are being ignored, does anyone have the e-mail addresses of any individual staffers for these conventions? On details like the name of Arizona Fur Con 2015’s convention book cover artist, AFC 2015 had 725 attendees. Does anyone have its convention book, and is there a cover artist credit in it?
Following is a list of the conventions not replying. The e-mail addresses of any of their individual staffers will be appreciated. Or if anyone knows any of their individual staffers, just tell them that I am trying (unsuccessfully so far) to contact them.
A new event, Furrnion, has been announced as "the first Spanish furry convention".
Furrnion is to be presented in English as well as Spanish, in the hope of attracting dealers and attendees internationally. Features outlined on its website include a dealers' den, art show and auction, nocturnal raves, and a fursuit lounge.
Staff are still being recruited; registration is to be opened in April, assuming all goes to plan.
The first local event - Ibercamp, a mountain camp launched in 2012 - attracted 60 furs in its second year, but was not held subsequently. August 2015 saw the introduction of another camp, Furbest, with 29 listed attendees (video).
You shall have to forgive me; this is not a very furry movie. It may not be a furry movie at all, but to truly come down one way or another, I'd have to spoil things. However, one does not often have the opportunity to review a movie endorsed by the Satanic Temple; in fact, this is the first opportunity any reviewer ever has had. If you're the kind of person who likes to take movie recommendations from the Satanic Temple, well, there you go. Stephen King liked it too.
So, why am I reviewing this movie for Flayrah (I mean, other than I want to, and I can)? Well, this is one of those horror movies where you can't know for sure if what you're seeing is real, or a vision, a dream, or a hallucination. Two small children assure us they talk to a goat; this goat is named Black Phillip. When not playing imaginary friend to all children (or is it the witch in the wood's familiar pretending to be playing imaginary friend to all children?), he enjoys Tweeting cute goat videos, vintage furry art, vague threats at the Pope and, of course, humblebrags. Not in the movie, though (that would be quite a twist), but as part of the bizarre viral marketing employed by cult distributor A24 (see also, Satanic Temple endorsement). Don't laugh, the goat has more followers than we do.
Oh, also there's a bunny. I should probably mention that.
Erotic art site Wacky World of Erotic Cartoons has closed its doors, reportedly due to hosting costs. The imminent closure of the site was announced on its forums; both were taken offline just hours later, although a deadline of a week had been provided.
The WWoEC and its forums featured erotic depictions of American cartoon characters. It opened at the turn of the century, running as a partially paywalled site in its early years. Paid content later moved to LustToons (NSFW), which supported the WWoEC and its forums.
No Evil is an animated series of short videos by Betsy Lee (aka Warlord of Noodles), featuring a group of anthropomorphic animal spirits inspired by Aztec mythology and folklore from all across North and South America. Throw in the influence of literary, historical and folk heroes, and you've got a great mix of characters. (Click on the thumbnails for larger images.)
The story involves the spirits trying to deal with the return of a dark, spreading entity that causes a deadly sleeping sickness, which they call the Black Tezcatlipoca, or "black ick" for short, except it's just one problem amongst many that they're having to deal with, such as escalating tensions between the nearby villages.
I couldn't get a hold of a Marvel Previews this month, so none of those this time. This is month of the Squirrel Girl/Howard the Duck crossover, so that's kind of unfortunate. Oh, well.
Furry podcast ‘Fur What It’s Worth’ to be joined by Margaret Cho, seeks questions from furry fandom at largePosted by furwhatitsworth on Wed 17 Feb 2016 - 12:36
Fur What It's Worth has announced it is being joined by well-known comedienne and activist Margaret Cho for its next recording session of the current season. The episode's topic, based on Ms. Cho's humanitarian/activist work and comedy routines, is "Giving Back While Laughing (with Margaret Cho)". The show has invited any and all furries at large to participate in the episode by sending their questions, comments and relevant stories to the show by 12:01 A.M. Mountain Time (GMT-7) on February 24, 2016. Submissions are encouraged to be related to the episode topic, but, as the show press release stresses, are not required to be. The show cast is committed to sharing as many submissions as possible with Ms. Cho.
"We would like to have the [furry] fandom come out and really show some love for Ms. Cho. She's been supportive of our fandom and a wonderful ambassador when the need has arisen. This is our chance to show her how much of a difference she's made in everyone's individual lives, furry or not, just by having tons of submissions. Email or even better, a voice clip, will really make this a memorable show!" said Roo, one of the show hosts.
Interested listeners can catch the episode on release day through the Fur What It's Worth website at www.furwhatitsworth.com, iTunes, Stitcher, and other major podcatchers. The episode is scheduled for release on Sunday, March 6, 2016. Those wishing to submit an email or voice clip to the episode should send their submission to firstname.lastname@example.org.