If you haven’t caught it yet, word is spreading fast that Disney TV Animation plans to bring back 90’s cartoon favorite Duck Tales in a whole new series on Disney XD, starting in 2017. We first heard about it over at Oh My Disney: “When Marc Buhaj—Senior Vice President, Programming and General Manager, Disney XD—made the announcement, he said, ‘DuckTales has a special place in Disney’s TV animation history, it drew its inspiration from Disney Legend Carl Barks’ comic books and through its storytelling and artistic showmanship, set an enduring standard for animated entertainment that connects with both kids and adults. Our new series will bring that same energy and adventurous spirit to a new generation.’ The new series will star the same beloved characters as the old: Scrooge McDuck, Huey, Dewey, Louie, Launchpad McQuack, Donald Duck, Duckworth, Gyro Gearloose, Flintheart Glomgold, Magica DeSpell, Poe, Ma Beagle, the Beagle Boys, Mrs. Beakley, and Webbigail Vanderquack.” Nothing more precise from Disney regarding a premier date yet, but Disney XD is starting to sound more and more interesting for animation.
Potoroo, host of the Fuzzy Notes podcast, is developing a new podcast that models itself after NPR's This American Life with a focus on the stories of the furry fandom. Like the popular program, it will choose a theme and tell several stories based on that theme, but focused on the furry community – its people, history and culture.
Currently in its early stages, Potoroo is seeking interested furs who may want to contribute. The goal would be to create a monthly show using segments produced by members of a collective through research, interviews, and narrative audio storytelling. He is also interested in including short stories, poetry and music by members of fandom as suits the theme.
One must wonder whether it's time Dragoneer stepped down as head of Fur Affinity, as he continues to make poor leadership decisions. Earlier this year, he stirred controversy by announcing Zaush, who'd been accused of rape, as development lead for Project Phoenix. This time he has made sure there are no lingering doubts over the suitability of his appointments by choosing a fur with a history of maladministration.
StarryKitten was recently announced as the new head of the FA tech team, tasked in part with “bringing more transparency” to FA. Some noticed that StarryKitten had only joined FA about a week before the announcement was made. As it transpires, StarryKitten was an alternate account created by the infamous Zidonuke, the real head of the FA tech team.
With the concept of irony easily going right over Dragoneer's head, it was further revealed that the tech lead with a puppet account has been a secret member of staff since 2013:
An Ode to Saturday Mornings Past, by JessKat
I'm not quite sure how to explain this… especially to younger viewers who grew up in the 500-channel universe of cable television and satellite services and Netflix streaming… but for those of us old enough (or geeky enough) to watch cartoons over-the-air with a rabbit-ears antenna, Saturday mornings and weekday afternoons after school were the only times when animation fans could watch their favourite shows… especially where cable channels such as Nickelodeon, Cartoon Network, YTV or Toon Disney weren't available.
September 28, 2014 was the day the animation died - ending a long and painful decline on broadcast television in the United States, with The CW (the newest broadcast network) being the final holdout… the last man standing, as it were. This was the final Saturday morning with cartoons in America.
From here on out, animation fans in the United States will have to follow the path their Canadian counterparts took in 2001 to get their animation fix: a cable television or satellite subscription. If there is any consolation, it is that the ecosystem of Saturday morning cartoons seems healthier in Australia and Mexico.
To understand how we got to this point, we'll need to review the chain of events leading to the demise of animation on over-the-air television.
The convention was held in the Ramada hotel near the Mall of America and MSP Airport, and the guests of honor were Foxfeather R. Zenkova, Kyell Gold and Jeff Eddy (head of Sofawolf Press). Overall I had a very good time!
All first-year conventions are a bit wobbly, and Furry Migration is one of the least wobbly ones I've ever attented. They ran it really smoothly, especially registration - amazingly efficient. Apparently there was a bit of a last-minute shuffling of staff in the weeks leading up to the con, and there was no sign of it. The only major let-down was the limited sponsor brunch menu (probably due to budget constraints); some panels were unusually under-attended, but you can't blame staff for that.
Despite the attendance of 543, the halls never felt horribly crowded. Friday night was a little slow, while Saturday was a blast - this is definitely a social con! Now all it needs is a zoo or general-purpose lounge, although I'm not sure where they could put one. Aside from the con suite (well-stocked with drinks and snacks), one of the nicest places to hang out was in the fresh air, there was an inner courtyard with lots of chairs. Holding the evening bonfire there went really well, great energy.
The cover bears the line, The Fire Bearers: Book One, letting you know it ends on a cliffhanger. It is, in fact, the first volume of a trilogy.
In the prehistoric past, when men shared the world with anthropomorphized animal-gods, there were two very different brothers in a tribe. Clay, the older brother, respects and worships the old gods who control all men’s lives, while irreverent Laughing Dog mocks the unseen gods, and swears that he controls his own destiny. The brothers love each other, in their own ways, but their differences lead both to disaster.
Doto crouched in the forest, his clawed fingers pressing down beneath the grasses and bed of fallen leaves to touch the earth below. He went out, out, into the soil, into the trunks of the trees, the branches and leaves, the grasses and ferns. He felt the air swaying branches, the sunlight on the leaves. He felt the rodents skittering across the forest floor. […] He leapt from branch to branch and winged over the canopy. He spread himself out, farther and farther. Through the keen eyes of the birds and the considering gaze of a monkey clinging to a branch above, he could see himself, crouched on the ground far below, so still that he was nearly undetectable. […] All the surrounding life lived through him. But all was not right. There was an uneasiness in the forest, somewhere around the edges. Could great Atekye have risen herself up in the south of the forest, swelling her swamps to flood the forest floor once again? (p. 1)
Online furry communities are reeling after a series of distributed denial-of-service attacks now entering their second day, which not only knocked out Fur Affinity, but have impacted a variety of less-well-visited art and chat sites.
Playwright Jeff Goode's Fursona Non Grata is to appear at Fangcon on the weekend of November 7-9 in Knoxville, Tennessee. This play premièred at Wild Nights last year in the Central US, and also played on the West coast at Califur IX. The performance will be a radio play featuring many of the performers in their roles at Wild Nights. There will be some casting, as well as a rehearsal.
This play is just one of the performances the convention will be offering. Fangcon's musical Guest of Honor is NIIC The Singing Dog, who is both a stage and studio performer. He will be presenting his newest album "Instinct". Another musician, Buck (or Husky in Denial) is debuting the album "Kay". These two are just the tip of the iceberg for entertainment. Rhubarb The Bear will be returning to Fangcon; and on stage for their first Eastern appearance is A Dozen Dead Furs - a metalcore band from Oklahoma.
DC is doing a digital release of Captain Carrot And His Amazing Zoo Crew! this year. First issue was released in 1982... now rereleased August 19th, 2014!
Captain Carrot and His Amazing Zoo Crew! is a DC Comics comic book about a team of funny animal superheroes called the Zoo Crew. The characters first appeared in a special insert in The New Teen Titans #16 (February 1982), followed by a series published from 1982 to 1983. The Zoo Crew characters were created by Roy Thomas and Scott Shaw!. Although the series, which was the last original funny animal property created by DC Comics, proved short-lived, it is still fondly remembered by many comic fans of its generation, and the characters appear occasionally in cameos in the mainstream DC Universe (this is made possible due to the existence of a "multiverse" in the DCU, which allows the Zoo Crew characters to exist on a parallel Earth).
These are books 2 and 3 of M.C.A. Hogarth’s Her Instruments space opera trilogy. Earthrise, book 1, was reviewed in Flayrah in June 2013.
The fact that Maggie Hogarth commissioned professional s-f cover artist Julie Dillon to paint the covers of this trilogy instead of doing their covers herself, as she usually does for her books, shows that Hogarth considers them especially good (or at least especially salable). And you know how good her fiction usually is.
Rose Point, by M. C. A. Hogarth, Tampa, FL, Studio MCAH, October 2013, trade paperback $16.99 (349 [+1] pages), Kindle $5.99.
Laisrathera, by M. C. A. Hogarth, Tampa, FL, Studio MCAH, May 2014, trade paperback $16.99 (402 pages), Kindle $5.99.
Three years ago, Nintendo announced Super Smash Bros. for the 3DS, the latest in Nintendo's series of fighting games featuring various Nintendo characters. As the game's Japanese version launched this Saturday, the full roster for the game is now known (though it had actually been leaked back in August). The starting roster can be found here. The furry part of the complete roster will be covered after the break, so don't click on Read More if you're worried about spoilers.
The game will be hitting stores everywhere else October 3, with the exception of Germany, which gets it a day early due to a national holiday. Lucky them.
This is the fifth volume in Sofawolf Press' Artistic Visions series of art-sketch format albums. The first four each showcase one (or two) of the best artists in furry fandom; Kenket (Tess Garman), Brian and Tracy Reynolds, Ursula Vernon and Henrieke Goorhuis. Each is a professional artist, but is especially well-known in furry fandom for convention conbook covers, badge art and other commissioned art, and trades with other Furry artists; many of which are posted on DeviantART, FurAffinity and other art websites.
Hibbary (Hillary Leutkemeyer) has been a member of DeviantART for over a decade, and she was Artist Guest of Honor at Furry Weekend Atlanta 2013, but otherwise she is little known in furry fandom. This large (8½” x 11”) volume of Artistic Visions should change that.
St. Paul, MN, Sofawolf Press, July 2014, trade paperback $14.95 (99 pages).
Roz Gibson's Kickstarter campaign for the novel Griffin Ranger reached its goal of $6000, and its stretch goal of $6500, meaning the book will now have five to six interior illustrations by artist Katie Hofgard. Seventy-five backers combined for a total of $6,525, including 10 backers who donated over $100.
Ever since I was little, I loved reading books with animal protagonists. There’s a decent range of books like that written for a juvenile audience, but not a whole lot for people who’ve reached drinking age. Even if I found one, most of the time it was meant to be a statement on the human condition, or a silly parody. Poor griffins fared even worse in fantasy books. They were either portrayed as dangerous monsters, flying war horses, or ‘noble companions’ to the human protagonists (basically—glorified houseboys with feathers.) I wanted to write something different, something that could be enjoyed by an adult audience, with an older protagonist, living in a world that was advanced beyond medieval level, where the nonhuman characters were not reduced to supporting roles.(Kickstarter page)
The book is planned to be released in January of next year, depending on editing and when the editing and art for the cover can be finished. The book is already written, and a part two is also planned.
These are the first two collections of the wacky fantasy Slightly Damned full-page, full-color internet weekly comic strip by Sarah “Chu” Wilson. She has won the Ursa Major Award for both the Best Anthropomorphic Other Literary Work (these book collections) and for the Best Anthropomorphic Graphic Story, for both 2012 and 2013. If you haven’t read “Slightly Damned” yet, these are a lot more fun than reading through the strip’s online archives a page at a time.
The back-cover blurb, which establishes the mood as well as the plot, says:
Rhea has a big problem: SHE’S DEAD. Too burdened with sin for Heaven or Purgatory, yet not quite bad enough for Hell, Rhea is sentenced by the grim reaper to the obscure Ring of the Slightly Damned. There she finds that death is only the beginning of her worries as she contends with dysfunctional Demons and their perplexing pets, a socially awkward Angel with a cute ‘n cuddly curse, a goofy god, and even… herself. The afterlife just ain’t what it used to be!
Slightly Damned, Book One, by Sarah “Chu” Wilson, Phoenix, AZ, Slightly Damned Comics/Orlando, FL, Ka-Blam Digital Printing, June 2012, trade paperback $39.95 (unpaged [276 pages]), digital download $4.99.
Slightly Damned, Book Two, by Sarah “Chu” Wilson, Phoenix, AZ, Slightly Damned Comics/Orlando, FL, Ka-Blam Digital Printing, May 2013, trade paperback $39.95 (unpaged [318 pages]), digital download $4.99.
In command of his family's star freighter, foxen noble Lord Rolas Darktail finds himself a captive of the infamous pirate, the Red Vixen. Drawn to her easy freedom, he finds himself torn between staying with her, and honoring his duties to his family, who must escape the cruel countess they serve.
Come along with Rolas as he experiences love and adventure in this science fictional take on a traditional Age of Sail romance novel.(blurb)
It's rare that I come across a story that not only makes me get massively pissed off at a character or laugh out loud in public, but Captive of the Red Vixen by Royce Day did that and so much more. Day has crafted a wonderful story that contained every element of a story I personally look for and enjoy in a tale. It also reminded me a lot of what brought me into the furry fandom to begin with.
Amazon Digital Services, Inc., August 2011, Kindle $2.99 (106 pages).
Mousenet and Mousemobile are recommended for readers 8 to 12, grades 3 to 7. They are clearly juvenile fiction, but are well-written and imaginative enough that “all ages” might be a better recommendation. Megan Miller, the protagonist, who was 10 years old in Mousenet, is 11 years old here. The series is not just spinning its wheels; this is a true sequel.
In Mousenet, Megan and three others – her slightly older step-cousin Joey Fisher and two adults, Megan’s inventor uncle Fred Barnes who made the mouse-sized Thumbtop miniature computer, and Joey’s father Jake who invented the solar blobs that are its power supply – become the only humans who learn that all mice are intelligent, and want the Thumbtop for all mice around the world so they can communicate instantly via a Mouse Internet. They obviously need more than a single miniature computer curiosity if this is to happen, so Mousenet is about the two children and the mice – particularly Trey, the Talking Mouse, and the officious but smart head of the Mouse Nation, the Chief Executive Mouse (a.k.a. Topmouse, known as the Big Cheese behind his back) – persuading Fred and Jake to mass-produce the Thumbtop. The mice come up with the fiction that enables the two adults to get away with this, by creating a “cute” small company, Planet Mouse, to purportedly make miniature computers as novelty keychain fobs, in Megan’s and Uncle Fred’s home city of Cleveland, Ohio.
Illustrated by Stephanie Yue, NYC, Disney•Hyperion Books, October 2013, hardcover $16.99 (282 pages), paperback $7.99, Kindle $9.99.